By Jacob Stockinger
Well, well.
Tomorrow night — from 7 to 9 p.m. CDT on CNBC — there will be another presidential debate.
The always astonishing and amazing Republicans, led by the always astonishing and amazing Donald Trump and Dr. Ben Carson, will debate in Boulder, Colorado.
The Ear has watched three presidential debates so far — two Republican and one Democratic.
But he still has no idea of where the various candidates on both sides stand when it comes to government support of the arts –- including music — and the humanities.
Please tell us, Hillary Clinton and Bernie Sanders, what you think?
And you too, Donald Trump and Ben Carson and Carly Fiorina and Ted Cruz and Marco Rubio and Mike Huckabee and Rick Santorum and Chris Christie and Jeb Bush and Rand Paul and John Kasich and ….
Do you want to defund PBS?
Or defund NPR?
Or will you support these important and historic cultural commitments? Why or why not?
Along the same lines, do you want to defund, sustain or enhance the National Endowment for the Arts and the National Endowment for the Humanities?
Why or why not?
Some funny reasoning is going on here. Some of the candidates want to eliminate all subsidies to the arts, which are a form of economic development after all – at a time when a lot of conservatives don’t mind funding big rich corporations in the same name of economic development.
The arts create a lot of jobs and spark a lot of spending and stimulus. Or don’t the culture-challenged charlatans realize that?
Stop and think a minute about the local situation. The Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra, the Wisconsin Union Theater, the Overture Center (below), public schools, the University of Wisconsin and its School of Music — all rely in part on public funding. They employ a lot of people and generate a lot of value.
Don’t these issues deserve a public airing? Doesn’t the arts consuming public have a right to know where the various candidates stand on these issues? Shouldn’t voters know what they might be getting in those areas?
As The Ear understand its, one flank of the attack has to do with the so called left-leaning liberal or progressive bias and politics of PBS and NPR.
Plus, there is the view that the art that public taxpayer money is helping to create doesn’t defend the so-called family values that the most radically conservative Republicans and Christian fundamentalists and Evangelicals want defended.
The other flank of the attack has to do with the stance that government should be smaller and that therefore should be funding less in general.
Makes you wonder just how the radical “freedom coalition” and Tea Party people in South Carolina, Texas and California feel about having a smaller government when it comes to providing aid for victims of torrential floods and devastating wildfires. And how is that kind of help for those in need different from funding education or health care?
AUSTIN, TX – MAY 25, 2015
Extreme flooding takes place in Austin, Texas May 25, 2015.
(Photo by Drew Anthony Smith/Getty Images)
Anyway, wouldn’t it be appropriate for some of the panelists to question the candidates on the issues pertaining to the arts and humanities?
The Ear is reminded of Sir Winston Churchill’s comment during World War II. Some members of the British Parliament asked him if funding for the arts shouldn’t be cut and used instead to fight Hitler and the Nazis. He said no and added, “Then what would we be fighting for?”
Tell the Ear what you think. Leave a COMMENT.
Maybe, just maybe, someone else will read it and pass it along and we will finally get a substantive discussion from the candidates about where they stand on arts and humanities funding by the federal government.
By Jacob Stockinger
Nothing big today.
Or important.
Just a good old entertaining story about Stuart Canin (below), the American GI rifleman who suddenly got called on to play his violin for Josef Stalin, Harry Truman and Winston Churchill (below bottom) at the Potsdam conference right after the Allies’ defeat of Hitler‘s Nazi Germany during World War II.
More proof that you just never know when playing an instrument — or singing, for that matter — will come in handy.
This is the story as it was reported on NPR or National Public Radio:
By Jacob Stockinger
Classical music organizations of all kinds are wondering what they can do to foster a better appreciation of the arts and to put the performing arts on a more solid financial footing with broader public and political acceptance.
Famed cellist Yo-Yo Ma (below top), who, in addition to his world-wide career as a recitalist, chamber musician and concerto soloist, has also been a creative consultant to the Chicago Symphony Orchestra and who has performed with the eclectic Silk Road Ensemble (below bottom), thinks he has the answer.
At bottom is a YouTube video of Ma playing a movement of a solo cello suite by J.S. Bach that has had almost 10 million hits:
And the Harvard-educated Ma, who describes himself as a “venture culturalist” revealed his view about the need for diversity and his Three Big Ideas recently in the Nancy Hank Lecture on Arts Advocacy Day in the nation’s capital, Washington, D.C. He linked and emphasized the role of the arts in all education and in economic development.
And as always, NPR’s outstanding classical music blog “Deceptive Cadence” was on top of the story.
Here is a link with a story and a video of the complete speech. Spread the word and share it — his remarks deserve it:
http://www.npr.org/blogs/deceptivecadence/2013/04/09/176681242/can-yo-yo-ma-fix-the-arts
Be sure to read some of the readers’ comments, which I find most enlightening –- especially the story about and quote by Winston Churchill.