ALERT: Just a reminder that TONIGHT at 7 p.m., the final round of the youth concerto competition with the Madison Symphony Orchestra will take place under the direction of MSO music director John DeMain.
You can stream it, or watch and hear the four finalists – two violinists, a pianist and a harpist – live on Wisconsin Public Television and Wisconsin Public Radio. You can also attend the concert in Overture Hall of the Overture Center for FREE if seats are still available.
For more information, including the program and biographies of the teenage performers, go to:
By Jacob Stockinger
The concert will be in the St. Joseph Chapel, 1000 Edgewood College Drive.
Admission is FREE with a freewill offering to benefit the Luke House community meal program.
The Edgewood College Concert Band will play under the direction of Walter Rich (below). You can hear a sample of the concert band, taken from its 2013 Christmas concert, in the YouTube video at the bottom.)
The program offers a variety of styles and features music by William Byrd, Ralph Vaughan Williams and Claude Debussy. A Folk Song Set of Wisconsin by the American composer Barry E. Kopetz (born in 1951, below) will be also be featured.
The Music Department at Edgewood College has hosted benefit concerts for Luke House since 1994.
By Jacob Stockinger
This Wednesday night at 7 p.m. in Overture Hall of the Overture Center, four teenage finalists will perform the final round of the Bolz Young Artist Competition in a free live concert with the Madison Symphony Orchestra (MSO).
It will be broadcast live on Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR), and available via live streaming on wpt.org, at 7 p.m.
The public can also reserve FREE tickets to attend the concert in person.
The Final Forte finalists are selected from a group of young artists who competed in the Bolz Young Artist Competition’s two preliminary rounds.
This year’s Final Forte features (below, in a photo by Amandalynn Jones, from left): violinist Julian Rhee of Brookfield, who will play the first movement of the Violin Concerto in D Major by Peter Tchaikovsky; harpist Naomi Sutherland of Viroqua, who will play the “Sacred and Profane Dances” by Maurice Ravel; pianist Michael Wu of Sun Prairie, who will play the first movement of the Piano Concerto No. 2 in G Minor by Camille Saint-Saens; and violinist Yaoyao Chen of Menasha, who will play the first movement of the Violin Concerto in D minor by Jean Sibelius.
Each of the finalists will perform with music director John DeMain and the MSO as they complete for top honors and scholarships that will be awarded at the end of the broadcast. WPR’s Lori Skelton and Jim Fleming will co-host the event.
More information, biographies and video profiles (also available on YouTube) for each finalist can be found at: http://madisonsymphony.org/finalforte
To reserve free seats at The Final Forte, call (608) 257-3734 or register online at: http://madisonsymphony.org/finalforte
IMPORTANT NOTE: This is a live concert broadcast. All audience members must be seated by 6:45 p.m. in Overture Hall, prior to the start of the concert.
The Final Forte broadcast on WPT and WPR has won numerous honors including an Emmy nomination, and has reached several hundred thousand viewers and listeners in the area Madison and statewide.
“The Final Forte” will be rebroadcast at the following times:
The Wisconsin Channel (WPT-2): Saturday, April 1, at 3:30 p.m.
Wisconsin Public Radio: Sunday, April 2, at noon
Milwaukee Public Television (Channel 36.1): Sunday, April 2, at 1 p.m.
Wisconsin Public Television (WPT-1): Sunday, April 2, at 2 p.m.
BACKGROUND AND SPONSORS
“Wisconsin Young Artists Compete: The Final Forte” is a partnership among the Madison Symphony Orchestra, Wisconsin Public Radio and Wisconsin Public Television.
The even is part of WPT’s multiyear Young Performers Initiative, a statewide effort to raise the visibility of the arts, celebrate the creative achievements of Wisconsin’s young people and support the arts in education.
The Bolz Young Artist Competition is made possible by a generous endowment from The Eugenie Mayer Bolz Family Foundation.
Major funding for “Wisconsin Young Artists Compete: The Final Forte” is provided by Diane Ballweg, Julie and Larry Midtbo, Fred and Mary Mohs, Stephen Morton, Joe and Maryellyn Sensenbrenner, and The Boldt Company. With additional funds from A. Paul Jones Charitable Trust, James Dahlberg and Elsebet Lund, W. Jerome Frautschi, Ann and Roger Hauck, Elaine and Nicholas Mischler, Kato Perlman, Sentry Insurance Company, The Estate of Norene A. Smith, Paul Guthrie in memory of Ella Guthrie, Judith and Nick Topitzes, and Friends of Wisconsin Public Television.
By Jacob Stockinger
Has March’s proverbial lion finally yielded to the lamb?
Here is Madison there is still some snow on the ground. But it should all be gone by the end of today, which, like yesterday, will reach into the 50s.
Just in time.
Today is the Vernal Equinox, bringing the first day of spring. It arrives at 5:29 a.m. this morning.
Spring has been an inspiration to many composers. So there is a lot of music to choose from when you want to celebrate season musically.
The Ear is fickle and his choice changes from year to year.
But lately, his favorite has been the “Spring” Sonata in F Major for violin and piano by Ludwig van Beethoven. (You can hear the opening of the famously tuneful and upbeat sonata, performed by violinist Itzhak Perlman and pianist Vladimir Ashkenazy, in the YouTube video at the bottom.)
Of course there are violin concertos by Antonio Vivaldi and Arcangelo Corelli; choral works by Johann Sebastian Bach and Franz Joseph Haydn; chamber music by Wolfgang Amadeus Mozart; orchestral music by Robert Schumann, Peter Tchaikovsky and Igor Stravinsky; piano pieces by Felix Mendelssohn and Edvard Grieg; songs by Franz Schubert and Johannes Brahms. And there is more, so much more.
Yesterday, Wisconsin Public Radio programmed a lot of spring music, and The Ear expects the same for today’s programming.
But you can be your own DJ if you want. Here is a list of almost two hours of spring-related music:
And here is a springtime puzzler, or quiz, about flowers in opera from NPR or National Public Radio:
Plus, there are plenty of other guides and anthologies to music for spring that you can find online.
So here is what The Ear wants to know: What is your favorite piece of music to greet spring with?
Leave words in the COMMENT section along with a link to a YouTube performance if possible.
And a Happy Spring to you!
ALERT: Tonight’s concert of African-American spirituals and songs has been CANCELLED because guest scholar and singer Emery Stephens is ill. The UW-Madison School of Music hopes to reschedule the event later this spring.
By Jacob Stockinger
Guess who turns 332 on March 21?
This coming Saturday will bring a 12-hour, noon to midnight, marathon party for the Birthday Boy – Johann Sebastian Bach (1685-1750, seen below in a humorous poster for a similar event held several years ago).
The local event – now part of the nationwide “Early Music Month” — is being revived, thanks to Madison violist Marika Fischer Hoyt (below), who performs with the Madison Bach Musicians, the Ancora String Quartet and the Madison Symphony Orchestra, and to many sponsors.
The party will take place at St. Andrew’s Episcopal Church (below) on Regent Street. (Several years ago, the event, when it was sponsored by Wisconsin Public Radio, was held at the Pres House.) There will be live audio-visual streaming and free wi-fi, and the event will be recorded.
Here is a link to the updated schedule of performances:
Here is a link to an earlier post about the upcoming event:
If you love the music of Bach (below) – and The Ear doesn’t know anyone who is into classical music who doesn’t revere Bach — there will be a lot to love and to listen to at this FREE and OPEN TO THE PUBLIC celebration.
The event is modeled after a longtime similar event in New Orleans and those who attend it can come and go and come back again.
Local performers include groups and individuals who are professionals (Madison Bach Musicians and Wisconsin Chamber Choir), amateurs and students (Suzuki Strings of Madison).
The impressive program includes lots of variety.
There will be preludes and fugues.
Cantatas and concertos.
Sonatas and suites.
Obscure works will be performed.
But there will also be popular works such as two Brandenburg Concertos (Nos. 3 and 5), The Well-Tempered Clavier (Books I and II), the Magnificat, a Violin Concerto, “Jesu, Joy of Man’s Desiring” and some of The Art of Fugue. (You can hear Fugue No. 1 from “The Art of Fugue,” which will be performed at BATC, in the YouTube video at the bottom.)
There will be music played on period instruments and on modern instruments, including the harpsichord and the piano; the baroque violin and the modern violin; older recorders and newer flutes, the viola da gamba and the cello. And of course there will be lots and lots of singing and organ music.
Given such a marathon undertaking, you should know that there will be refreshments (coffee, tea, bottled water and snacks), comfortable seating and special birthday cakes — served at midnight — provided by Clausen’s Eurpean Bakery in Middleton.
NOTE: You can find out more when several organizers and performers from Bach Around the Clock are Norman Gilliland’s guests on Wisconsin Public Radio’s “The Midday” this coming Thursday from noon to 12:30 p.m.
For more information –including how to support the event with a donation and how to participate in it as a performer – go to the event’s homepage:
Here are some links to previous posts on this blog about attending earlier versions of Bach Around the Clock. Read them and look at the pictures, and you will see how enjoyable they are and how informative they are.
See you there!
ALERT: This week’s FREE Friday Noon Musicale, at the First Unitarian Society of Madison, 900 University Bay Drive, will feature flutist Iva Ugrčić, flute and pianist Kyle Johnson performing an all-French program of music by Francis Poulenc, Olivier Messiaen, Claude Debussy and Jules Bouquet. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
The Ear has received the following information to post:
The 14th annual Wisconsin Flute Festival will take place this coming Saturday, March 4.
The Wisconsin Flute Festival brings together flutists and music lovers of all ages from Wisconsin and the greater Midwest.
The day’s events include workshops, performances, youth and collegiate competitions, a master class, and a 2,300-plus square foot exhibition hall with purveyors of fine flutes, music and accessories.
The 14th annual Wisconsin Flute Festival will begin at 8 a.m. in the Pyle Center at UW-Madison and will culminate in a FREE public concert beginning at 5 p.m. in Mills Concert Hall, in the Mosse Humanities Building, at UW-Madison.
This concert, “Landscapes and Love Songs,” will be performed by featured guest artist Lorna McGhee. (Sorry, The Ear has no details on the program.)
This year, an expanded variety of workshops and performances will be offered. Workshop topics will include circular breathing, articulation and vibrato, in addition to sessions on maximizing practice time, musicians’ health and interpreting musical pieces.
Participants will also have the opportunity to experience an interactive session with low flutes including; alto flutes, bass flutes and a contrabass flute (below).
Performances during the day will feature: electro-acoustic music; Telemann (below top) on historical flutes; lesser-known modern masters; Romanian composers; Latin music; Bach (below bottom) transcriptions; contemporary interpretation; and works for flute, clarinet and voice. Student soloists and chamber ensembles from UW-Whitewater and UW-Madison will present concerts.
For flutists shopping for an instrument, music or accessories, over a dozen companies and organizations from across the US will be on-site in the Festival’s exhibit hall. Technicians will be also available to evaluate instruments and conduct minor repairs.
Exhibitors include Altus Flutes, Atlantic Crossing Records, Brannen Brothers Flutemakers, Inc., Burkart Flutes & Piccolos, Di Zhao Flutes, Flute Center of New York, Flute Specialists, Flute World, Heid Music, The National Flute Association, Ward-Brodt, White House of Music and Wisconsin Youth Symphony Orchestras.
Tickets are $20 to $35 for Festival participants. Tickets for non-flutist family members of participants (parents, siblings) are available for at a special rate of $5. Registration information is available online at wisconsinflutefestival.org. Tickets can be purchased at the Festival.
The evening concert beginning at 5 p.m. in Mills Hall, is FREE and OPEN TO THE PUBLIC.
The Wisconsin Flute Festival is a program of the Madison Flute Club.
About the Madison Flute Club
The Madison Flute Club was founded in 2002 and currently presents over 20 concerts each year to an audience of more than 1,500 community members. The club involves, on average, 35 active adult members and over 30 youth from the surrounding area.
To advance and achieve its mission, the Madison Flute Club has undertaken several large projects and partnered with numerous organizations and events in Dane County.
These projects include the commissioning and world premiere of a work for flute choir for Design MMoCA, successfully fundraising for a contrabass flute (the first such instrument in Wisconsin) and performing at the National Flute Association Convention.
Madison Flute Club ensembles and members have been featured on Wisconsin Public Radio’s The Midday with Norman Gilliland, WORT 89.9FM Madison and in the publication The Flutist Quarterly.
The 2017 Wisconsin Flute Festival is co-hosted by Madison Flute Club and UW-Madison Flute Studio.
Major funding is provided by: Heid Music, American Printing Company, Eric and Tobi Breisach, Distillery Marketing and Design, Karl Sandelin in honor of Joyce Sandelin and Wisconsin Youth Symphony Orchestras.
Additional funding is provided by Altus Handmade Flutes, Breisach Cordell PLLC, and Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation and the Pleasant T. Rowland Foundation.
ALERT: The concert by Edgewood Chamber Orchestra scheduled for 2:30 p.m. today — Sunday, Feb. 26 — has been CANCELLED. The cancellation was caused by a heating issue in the performance venue. The Chamber Orchestra’s season will continue with its next performance on Sunday, April 23, 2017.
By Jacob Stockinger
The Oscars (below) will be given out this Sunday night at 7:30 p.m. CST on ABC-TV.
Around the nation and the world, more and more symphony orchestras and chamber music groups are turning to performing movie music to attract new audiences — and to explore new repertoire.
And that includes the Madison Symphony Orchestra.
This past fall, the MSO put the Chaconne from the film “The Red Violin,” composer by John Corigliano, on the opening program of this season. And this summer, the MSO will perform music by John Williams used in the Harry Potter films.
This morning from 10 a.m. until noon, Wisconsin Public Radio will use the listener’s choice program “Classics By Request” to air its annual Salute to the Oscars that includes past film scores and those up for Academy Awards this year.
So this seems a great time to raise the question: “Do film scores qualify as classical music”?
The question was recently debated for Gramophone magazine by the critic Jed Distler and two distinguished contemporary composers who have written for the concert hall and for Hollywood: Philip Glass (below top) and John Corigliano (below bottom).
It is a fascinating discussion that may surprise you. One great crossover example that The Ear loves is the String Quartet No. 3 by Philip Glass, which is based on the same composer’s full score for the film”Mishima.” (You can hear the last movement in the YouTube video at the bottom.)
Here is a link to that discussion:
Don’t forget to leave your favorite movie score and what you think about movie music and classical music in the COMMENTS section.
The Ear wants to hear.
By Jacob Stockinger
It’s the weekend — a good time for another reader poll.
Last weekend, The Ear heard the Violin Sonata No. 1 by the French composer Gabriel Faure (below), in a wonderful performance by UW-Madison faculty members violinist Soh-Hyun Park Altino and pianist Christopher Taylor, who make an outstanding partnership that The Ear hopes to heard more often.
The Ear has long thought that Faure, who was the teacher of Ravel, has been neglected. His work, especially his solo piano pieces and chamber music, is subtle and appealing but unjustly overshadowed by the Germanic school.
Yet Faure seems to be getting more performances, although still not as many as he deserves.
So maybe The Ear will switch to say that the 20th-century English composer Gerald Finzi (below) is now his favorite neglected composer.
You can hear Finzi’s haunting and exquisite “Eclogue” for piano and strings, which was originally the slow movement for a piano concerto, in the YouTube video at the bottom.
But The Ear also likes Finzi’s Clarinet Concerto and his Five Bagatelles — especially the “Romance” movement — for Clarinet and Piano.
There are so many composers who deserve a wider hearing — including big mainstream composers like the prolific master Franz Joseph Haydn whose name is better known than most of his works.
Recently, on Wisconsin Public Radio, The Ear heard rarely performed solo piano works by the Czech Josef Suk (below top) and really liked them. Same goes for some solo piano works and violin works by Clara Schumann (below bottom).
There are so many other composers, including ones from Scandinavia, Asia and the United States, who fly under the radar but deserve better recognition and more performances.
So here is what The Ear wants to know:
Who is your favorite neglected composer?
And what is your favorite piece by that composer and why?
Please tell the rest of us, with a link to a YouTube performance, if possible, and help us expand our horizons.
The Ear wants to hear.
By Jacob Stockinger
Here is some news that The Ear is overjoyed to announce: An annual Bach Around the Clock celebration is being revived this year in Madison.
For three years, a similar event, inspired by celebrations in New Orleans, was sponsored by Wisconsin Public Radio and coordinated by its music director Cheryl Dring. But when she left in 2013, and so did WPR.
But now baroque and modern violist Marika Fischer Hoyt (below right), who plays with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Ancora String Quartet and the Madison Bach Musicians, has undertaken to revive it.
So let’s help resume the tradition and call it Bach Around the Clock 4.
The place has changed.
But the concept remains the same.
The event is now looking for musicians -– professional and amateurs, teachers and students – to sign up to participate.
Here are particulars:
Bach Around The Clock 2017
Saturday, March 18
12 Noon to 12 Midnight
St. Andrew’s Episcopal Church (below)
1833 Regent St., Madison, WI 53726
The event is FREE and OPEN TO THE PUBLIC.
Bach Around The Clock is a 12-hour celebration of the music of Johann Sebastian Bach (1685-1750). Held on the Saturday closest to Bach’s birthday, it offers all members of the musical community, from young students to seasoned professionals, the opportunity to perform selections by this sublime composer.
This year’s BATC takes place in the sanctuary (below) of St. Andrew’s Church, and will be opened with an organ work and a performance by the St. Andrew’s Chancel Choir, under the leadership of music director and organist Ken Stancer.
NOTE: The entire event will be recorded, and audio/video live streaming will be available for those unable to attend.
Birthday cake will be served at midnight!
The month of March has been designated as the official ‘Early Music Month’ by the organization Early Music America <www.earlymusicamerica.org/endeavors/early-music-month>, and the Madison Bach Around The Clock is listed on their website as one of the many partners participating in this annual nationwide celebration.
The Ear — who himself played solo piano works and accompanied a famous Siciliano movement from a flute sonata — has such great memories of past ones.
Those memories include hearing whole studios of young piano students performing; duos and trios done by siblings and friends, by parents and children, by teachers and students; accomplished professional and amateur instrumentalists, including UW-Madison faculty members; church choirs in cantatas; lots of intriguing arrangements including the solo cello suites on the saxophone and a flute and bassoon duo performing some Two-Part Inventions (in the YouTube video at the bottom) as well as Bach on the accordion and bagpipes. And on and on.
And to give you the flavor of the event, here links to the events, complete with photos, to the past Bach Around the Clock celebrations when they were sponsored by Wisconsin Public Radio and held at the Pres House near the UW-Madison campus: