By Jacob Stockinger
The Oscars (below) will be given out this Sunday night at 7:30 p.m. CST on ABC-TV.
Around the nation and the world, more and more symphony orchestras and chamber music groups are turning to performing movie music to attract new audiences — and to explore new repertoire.
And that includes the Madison Symphony Orchestra.
This past fall, the MSO put the Chaconne from the film “The Red Violin,” composer by John Corigliano, on the opening program of this season. And this summer, the MSO will perform music by John Williams used in the Harry Potter films.
This morning from 10 a.m. until noon, Wisconsin Public Radio will use the listener’s choice program “Classics By Request” to air its annual Salute to the Oscars that includes past film scores and those up for Academy Awards this year.
So this seems a great time to raise the question: “Do film scores qualify as classical music”?
The question was recently debated for Gramophone magazine by the critic Jed Distler and two distinguished contemporary composers who have written for the concert hall and for Hollywood: Philip Glass (below top) and John Corigliano (below bottom).
It is a fascinating discussion that may surprise you. One great crossover example that The Ear loves is the String Quartet No. 3 by Philip Glass, which is based on the same composer’s full score for the film”Mishima.” (You can hear the last movement in the YouTube video at the bottom.)
Here is a link to that discussion:
Don’t forget to leave your favorite movie score and what you think about movie music and classical music in the COMMENTS section.
The Ear wants to hear.
By Jacob Stockinger
It’s the weekend — a good time for another reader poll.
Last weekend, The Ear heard the Violin Sonata No. 1 by the French composer Gabriel Faure (below), in a wonderful performance by UW-Madison faculty members violinist Soh-Hyun Park Altino and pianist Christopher Taylor, who make an outstanding partnership that The Ear hopes to heard more often.
The Ear has long thought that Faure, who was the teacher of Ravel, has been neglected. His work, especially his solo piano pieces and chamber music, is subtle and appealing but unjustly overshadowed by the Germanic school.
Yet Faure seems to be getting more performances, although still not as many as he deserves.
So maybe The Ear will switch to say that the 20th-century English composer Gerald Finzi (below) is now his favorite neglected composer.
You can hear Finzi’s haunting and exquisite “Eclogue” for piano and strings, which was originally the slow movement for a piano concerto, in the YouTube video at the bottom.
But The Ear also likes Finzi’s Clarinet Concerto and his Five Bagatelles — especially the “Romance” movement — for Clarinet and Piano.
There are so many composers who deserve a wider hearing — including big mainstream composers like the prolific master Franz Joseph Haydn whose name is better known than most of his works.
Recently, on Wisconsin Public Radio, The Ear heard rarely performed solo piano works by the Czech Josef Suk (below top) and really liked them. Same goes for some solo piano works and violin works by Clara Schumann (below bottom).
There are so many other composers, including ones from Scandinavia, Asia and the United States, who fly under the radar but deserve better recognition and more performances.
So here is what The Ear wants to know:
Who is your favorite neglected composer?
And what is your favorite piece by that composer and why?
Please tell the rest of us, with a link to a YouTube performance, if possible, and help us expand our horizons.
The Ear wants to hear.
By Jacob Stockinger
Here is some news that The Ear is overjoyed to announce: An annual Bach Around the Clock celebration is being revived this year in Madison.
For three years, a similar event, inspired by celebrations in New Orleans, was sponsored by Wisconsin Public Radio and coordinated by its music director Cheryl Dring. But when she left in 2013, and so did WPR.
But now baroque and modern violist Marika Fischer Hoyt (below right), who plays with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Ancora String Quartet and the Madison Bach Musicians, has undertaken to revive it.
So let’s help resume the tradition and call it Bach Around the Clock 4.
The place has changed.
But the concept remains the same.
The event is now looking for musicians -– professional and amateurs, teachers and students – to sign up to participate.
Here are particulars:
Bach Around The Clock 2017
Saturday, March 18
12 Noon to 12 Midnight
St. Andrew’s Episcopal Church (below)
1833 Regent St., Madison, WI 53726
The event is FREE and OPEN TO THE PUBLIC.
Bach Around The Clock is a 12-hour celebration of the music of Johann Sebastian Bach (1685-1750). Held on the Saturday closest to Bach’s birthday, it offers all members of the musical community, from young students to seasoned professionals, the opportunity to perform selections by this sublime composer.
This year’s BATC takes place in the sanctuary (below) of St. Andrew’s Church, and will be opened with an organ work and a performance by the St. Andrew’s Chancel Choir, under the leadership of music director and organist Ken Stancer.
NOTE: The entire event will be recorded, and audio/video live streaming will be available for those unable to attend.
Birthday cake will be served at midnight!
The month of March has been designated as the official ‘Early Music Month’ by the organization Early Music America <www.earlymusicamerica.org/endeavors/early-music-month>, and the Madison Bach Around The Clock is listed on their website as one of the many partners participating in this annual nationwide celebration.
The Ear — who himself played solo piano works and accompanied a famous Siciliano movement from a flute sonata — has such great memories of past ones.
Those memories include hearing whole studios of young piano students performing; duos and trios done by siblings and friends, by parents and children, by teachers and students; accomplished professional and amateur instrumentalists, including UW-Madison faculty members; church choirs in cantatas; lots of intriguing arrangements including the solo cello suites on the saxophone and a flute and bassoon duo performing some Two-Part Inventions (in the YouTube video at the bottom) as well as Bach on the accordion and bagpipes. And on and on.
And to give you the flavor of the event, here links to the events, complete with photos, to the past Bach Around the Clock celebrations when they were sponsored by Wisconsin Public Radio and held at the Pres House near the UW-Madison campus:
|By Jacob Stockinger
Here is the latest on a popular tradition to kick off the New Year:
The Vienna Philharmonic’s annual New Year’s Day concert, From Vienna: The New Year’s Celebration 2017,” conducted for the first time by Gustavo Dudamel, will air on Great Performances on PBS stations across the country on Sunday, January 1.
It will air at 10 a.m.-noon on Wisconsin Public Radio, and at 6:30-8 p.m. on Wisconsin Public Television. (At noon, WPR will broadcast another celebratory work for the New Year: the Madison Symphony Orchestra under John DeMain performing the Ninth Symphony “Choral,” with its “Ode to Joy” finale, by Ludwig van Beethoven,)
For more than 75 years, the Vienna Philharmonic has ushered in the New Year with the light and lively, quintessentially Austrian music of Johann Strauss, his family, and their contemporaries, performed at the Golden Hall of Vienna’s Musikverein.
Since 1987, the concert has featured a different conductor each year, and this year Mr. Dudamel, 35, will be the youngest-ever to lead the popular and festive New Year’s concert.
The Vienna Philharmonic’s New Year’s Day concert is broadcast in over 90 countries and will have an estimated 50 million television viewers, making it the largest worldwide event in classical music.
Among traditional waltzes, polkas and other works, Mr. Dudamel will conduct Strauss’s famous “Blue Danube” Waltz on the occasion of the work’s 150th anniversary, and pieces by Otto Nicolai, founder of the Vienna Philharmonic.
Host Julie Andrews (below) will also take the viewer to picturesque Viennese landmarks, including Otto Nicolai’s study in the Haus der Musik, and will join Mr. Dudamel in visiting the student musicians of Superar, the El Sistema organization for Central Europe. Mr. Dudamel was famously a product of the El Sistema program in his native Venezuela, and this broadcast will offer a special look at these talented musicians of tomorrow.
While the Vienna Philharmonic, which celebrates its 175th anniversary this year, honors tradition and history with the New Year’s concert, it also looks to the future with the debut of its new concert attire designed exclusively for the orchestra by Dame Vivienne Westwood and Andreas Kronthaler.
Chairman of the Vienna Philharmonic, Andreas Großbauer, recognizes the importance of linking the past and present and uniting practicality with modern elegance. “In the age of video streaming and HD broadcasts, it is increasingly important how an orchestra appears onstage. In Vivienne Westwood and Andreas Kronthaler, we have found a design duo which suits the high standards of the Vienna Philharmonic brand.”
The new philharmonic suit features an updated design to the traditional garments worn by the orchestra. Customarily, men of the Philharmonic have performed in the Stresemann, a semi-formal suit with striped formal trousers, grey waistcoat and necktie for daytime concerts and a formal tailcoat, striped formal trousers, and white waistcoat and bow tie for evening performances, while the women have chosen their own formal black concert attire.
Vivienne Westwood and her design partner and husband, Andreas Kronthaler, who are known for their nonconformist yet historically inspired fashion, have redesigned and modernized the traditional day and evening suits with contemporary functionally in mind. The designers have also created a first-ever Philharmonic ladies suit for both day and evening concerts.
The new suits are tailored in the traditional cut of Savile Row Bespoke and feature a modern black cutaway jacket, worn in lieu of the tailcoat, paired with the traditional striped trousers and waistcoat.
For day concerts, the men will wear a silver-grey waistcoat and tie embroidered with the Vienna Philharmonic logo, and for evening concerts, a white waistcoat and bow tie inspired by a classic white-tie suit. The ladies suit features a black collarless coat and slim-cut trousers. For day concerts, the suit is paired with a silver-grey top that complements the men’s day suits, and for evening, a black silk top.
Here is a summary and the playlist:
Vienna Singverein Concert Choir
Gustavo Dudamel, Conductor
Julie Andrews, Host
FRANZ VON SUPPE Queen of Spades, Overture (Pique Dame)
C.M. ZIEHRER Right This Way, Waltz – Ballet
OTTO NICOLAI Moon Chorus
OTTO NICOLAI The Merry Wives of Windsor
JOHANN STRAUSS Pepita Polka
JOHANN STRAUSS The Extravagant, Waltz
JOHANN STRAUSS, SR Indian Galop
JOSEF STRAUSS The Nasswald Forest Maiden, Ländler
JOHANN STRAUSS Let’s Dance, Quick Polka – Ballet
JOHANN STRAUSS A Thousand and One Nights, Waltz
JOHANN STRAUSS Tick Tock Quick Polka
EDUARD STRAUSS With Pleasure! Quick Polka
JOHANN STRAUSS On the Beautiful Blue Danube, Waltz
JOHANN STRAUSS, SR Radetzky March
By Jacob Stockinger
Today is Christmas Day, 2016.
You may have your own collection of recorded holiday music.
But if you are looking for familiar or especially unfamiliar classical music to help you celebrate the holiday, The Ear has some suggestions as a sort of holiday gift.
There is always the reliable Wisconsin Public Radio and other affiliates of National Public Radio (NPR), which will feature holiday music throughout the day. And chances are pretty good that the local community-sponsored alternative radio station WORT-FM 89.9 will do the same.
But YouTube also is offering some other sources that you can stream while you are opening gifts, eating, mingling, gathering with others for the holiday or just enjoying it by yourself.
Plus the audio sites have timings so you can skip or find specific pieces or event movement within the pieces.
Here are two:
And here is one of The Ear’s favorites, with over one million hits because it features more than three hours of music with a lot of music of the Italian Baroque, including works by Antonio Vivaldi, Arcangelo Corelli, Giuseppe Torelli, Francesco Manfrediini and Pietro Locatelli as well as music by Johann Sebastian Bach, Wolfgang Amadeus Mozart, Hector Berlioz, Peter Tchaikovsky, Claude Debussy, Maurice Ravel and Astor Piazzolla:
Feel free to make other suggestions by leaving a composer, title and links, if possible, in the COMMENT section.
And also feel free to tell us what is piece is your favorite classical music for Christmas and why.
The Ear wants to hear.
And MERRY CHRISTMAS!!!
ALERT: The week’s FREE Friday Noon Musicale at the Frank Lloyd Wright-designed Meeting House of the First Unitarian Society of Madison, 900 University Bay Drive, features pianist Bill Lutes in a solo recital. The program includes the “Papillons” (Butterflies) by Robert Schumann and the final Sonata in B-Fat Major, D. 960, by Franz Schubert. The program runs from 12:15 to 1 p.m.
For more information about Bill Lutes and his series of recitals, go to:
By Jacob Stockinger
This weekend, the Madison Choral Project (below top), Madison’s professional choir under the direction of Albert Pinnsoneault (below bottom), a former Edgewood College professor who now teaches at Northwestern University, will present two performances of its fourth annual Holiday-themed program “I Was Glad.”
The performances are on Friday, Dec. 16, at 7:30 p.m. and Saturday Dec. 17, at 3 p.m. Both performances will be held at First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium in Madison.
Tickets are available in advance at www.themcp.org, or at the door.
(Preferred Seating is $40, General Admission is $24/$28 and Students are $10)
The concerts feature a carefully curated selection of vocal music and readings, with the intent to lead the listener along a sublime journey of music and text.
Madison Choral Project is will partner again with Wisconsin Public Radio’s news editor Noah Ovshinsky (below), who will perform readings from works of Tim O’Brien, Billy Collins, William Wordsworth and others.
The Madison Choral Project will sing an eclectic mix of holiday-themed music in four sets, ranging from the 17th century to brand new compositions.
The program features two exciting world premieres by Eric Barnum (below top), the choral director at UW-Oshkosh, and MCP’s Composer in Residence, Jasper Alice Kaye (below bottom).
The first set of pieces, “Welcome to the Holy Space,” includes A Child’s Prayer by James MacMillan, Sanctus from Mass in G by Francis Poulenc and Our Father by Alexandre Gretchaninoff.
The second set, “Winter Comforts,” features two new commissions written for Madison Choral Project. Winter by Eric William Barnum will be followed by The Invitation by Jasper Alice Kaye. Lux Aurumque by Eric Whitacre will finish the set.
The third set, “Glad Tidings,” includes the concert’s titular piece, I Was Glad by C.H.H. Parry (heard in the YouTube video at the bottom), as well as beautiful works by Matthew Culloton, William Dawson and Jan Sandstrøm.
The final set, “Gathering and Blessing,” contains joyous settings of familiar texts set by Francis Poulenc, Ludwig van Beethoven, and arranger John Ferguson.
For more information or tickets, go to www.themcp.org.
By Jacob Stockinger
This Saturday will see the “Live From The Met in HD” transmission to area cinemas of the popular 2002 opera “L’Amour de Loin” by Finnish composer Kaija Saariaho (below, in a photo by Maarit Kytoharju).
The show starts at 11:55 a.m. at the Point Cinema in Madison’s far west side and the Palace Cinema in Sun Prairie. The running time is three hours with an intermission. (It will also be broadcast live on Wisconsin Public Radio starting at 1 p.m.) It will be sung in French with English supertitles.
Based on the real-life story of the 12th-century French prince and troubadour Jaufré de Rudel, the opera will be the first one by a women composer to be done by the Metropolitan Opera in 113 years.
It must also be a landmark for Finland, since both the composer and the acclaimed conductor, Susanna Mälkki (below, in a photo by The New York Times), are Finnish. Mälkki is making her Met debut.
And the cast sounds terrific: Bass-baritone Eric Own (below left, in a photo by Ken Howard) plays the troubadour.
Susanna Phillips (below right) plays his love Clémence, who hails from what is now Lebanon.
It sounds like the production, by French-Canadian theater director Robert Lepage – who worked with the Cirque du Soleil and did the Met’s recent controversial “Ring” cycle by Richard Wagner, is appealing on several scores. (You can hear Robert Lepage and Kaija Saariaho discuss the production briefly in a YouTube video at the bottom.)
Here is a link to more information about the opera and cast at the Met’s website:
The appeal has been added to by a story that Jeff Lunden did for National Public Radio or NPR.
It is good background for seeing and hearing the production.
Here is a link. You can read the summary in print, and you can hear the longer broadcast version – which The Ear recommends — with the voices of the composer and others, by clicking on the big red button on the top left:
Do you know the opera “L’Amour de Loin”?
Have you seen or heard it already?
Whether you saw a previous Metropolitan Opera production or this one, let us know what you think of the opera as new music and a fetching love story. Will it “have legs” and survive long into the future?
The Ear wants to hear.
ALERT: The Wisconsin Chamber Orchestra and its acclaimed music director Andrew Sewell are pretty busy these days playing the accompanying music for the Madison Ballet‘s multiple performances of Peter Tchaikovsky‘s holiday ballet “The Nutcracker.”
Then on this coming Friday night at 7 p.m. at the Blackhawk Church in Middleton, the WCO, the WCO Chorus, the Festival Choir of Madison and guest soloists, all under the baton of Sewell, also give their annual and usually sold-out performance of George Frideric Handel‘s oratorio “Messiah.” The Ear has been told that this year’s performance is also close to selling out to. For more information and tickets, go to:
By Jacob Stockinger
At 8 p.m. this Saturday night, Dec. 10, the Madison Bach Musicians (below top) will give their sixth annual Baroque Holiday Concert.
The event will once again be held in the beautiful and sonorous sanctuary (below) of the First Congregational United Church of Christ, 1609 University Avenue.
There is a free pre-concert lecture by the always witty, informative and entertaining MBM founder, artistic director and harpsichordist Trevor Stephenson (below) at 7:15 p.m. NOTE: Trevor Stephenson will also discuss the upcoming holiday concert and play excerpts from past ones TODAY AT NOON on The Midday program aired by Wisconsin Public Radio.
The program will feature: a cappella (solo vocal) masterworks by Orlando di Lassus and Josquin des Prez performed by a vocal quartet; a Christmas Cantata for soprano and strings by Alessandro Scarlatti—featuring soprano soloist Chelsea Morris (below top); a trio sonata by Johann Joseph Fux; an intriguing Partita for two scordatura violins (scordatura means the open strings are re-tuned into a new interval configuration!) by Heinrich Biber; the Sonatina in A minor for baroque bassoon and continuo by Georg Philipp Telemann ― with soloist and UW-Madison professor Marc Vallon (below bottom, in a photo by James Gill); one of the Christmas Cantatas, BWV 122, Das neugeborne Kindelein (The Newborn Baby) by Johann Sebastian Bach (heard in the YouTube video at the bottom); and a bonus feature ― a preview of MBM’s upcoming April performance of Bach’s oratorio St. John Passion, the tenor aria Ach, mein Sinn.
Advance-sale discount tickets: $28 for general admission, $23 for students and seniors 65 and over. They are available at Orange Tree Imports, Farley’s House of Pianos, Room of One’s Own, and Willy Street Co-op (East and West) . You can also find online advance-sale tickets at madisonbachmusicians.org
Tickets at the door are: $30 for general admission; $25 for students and seniors 65 and over. Student Rush tickets are $10 at the door and go on sale 30 minutes before lecture (student ID is required)
Musicians will include: Chelsea Morris, soprano; Joseph Schlesinger, counter-tenor; Scott Brunscheen, tenor; Matthew Tintes, bass; Kangwon Kim and Brandi Berry, baroque violins; Marika Fischer Hoyt, baroque viola; Martha Vallon, baroque cello; Marc Vallon, baroque bassoon; and Trevor Stephenson, harpsichord
ALERT: Edgewood College will present its 89th Annual Christmas Concerts tonight at 7 p.m. and Saturday afternoon at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive.
Now expanded to two performances, the holiday concert features the Edgewood College choirs and Concert Band, along with audience sing-alongs, prelude music by the Guitar Ensemble, and a post-concert reception featuring the Jazz Ensemble.
By Jacob Stockinger
Classical music meets old media and new media this weekend through opera and chamber music.
This Saturday marks the beginning of the LIVE RADIO broadcasts of operas from the Metropolitan Opera (below) in New York City. This will be the 86th season for the radio broadcasts, which educated and entertained generations of opera lovers before there were DVDs, streaming and the “Live in HD From the Met” broadcasts to movie theaters.
The performances will be carried locally on Wisconsin Public Radio, WERN-FM 88.7. This Saturday, the starting time for Puccini’s “Manon Lescaut” with Russian superstar soprano Anna Netrebko (below, in a photo by Richard Termine for The New York Times), is 11:30 CST. Other operas will have different starting times, depending their length.
This season runs from Dec. 3-May 15.
Radio has certain strengths, The Ear thinks. For one, it allows the listeners to focus on the music, to be less distracted or less enriched – depending on your point of view – by sets, costumes, lighting, the physicality of the acting and other stagecraft that is left to the imagination.
This season, there will be lots of standard fare including: Verdi’s “La Traviata” and “Aida”; Puccini’s “La Boheme”; Bizet’s “Carmen”; Beethoven’s “Fidelio”; Wagner’s “Tristan und Isolde” and “The Flying Dutchman”; Richard Strauss’ “Der Rosenkavalier” and “Salome”; and Mozart’s “Idomeneo.”
But you can also hear the new music and less frequently staged operas. They include the 2000 opera “L’amour de loin” (Love From Afar) by Finnish composer Kaija Saariaho, which will receive its Metropolitan Opera premiere next week, on Dec. 10.
Here is a link to the complete season along with links to information about the various productions. Starting times are Eastern Standard Time, so deduct an hour for Central Standard Time or a different amount for your time zone:
On this Sunday afternoon, the Pro Arte Quartet (below, in a photo by Rick Langer), longtime artists-in-residence at the University of Wisconsin-Madison School of Music, will wrap up the first semester of “Sunday Afternoon Live From the Chazen,” which used to air weekly on Wisconsin Public Radio but now is presented once a month, on the first Sunday of the month, directly by the museum.
The program this Sunday features the “Italian Serenade” by Hugo Wolf; the String Quartet No. 3 in F Major by Dmitri Shostakovich; and the String Quartet in A-Flat Major, Op. 105, by Antonin Dvorak.
The FREE concert takes place from 12:30 to 2 p.m. in Brittingham Gallery No. 3 of the Chazen Museum of Art and the University of Wisconsin-Madison.
Donors to the museum can reserve seats. Concerts by the Pro Arte Quartet, kind of the house quartet of the museum, are usually “sold out.”
But the concert can also be streamed live via computer or smart phone by clicking on the arrow in the photo and using the portal on the following website:
You might also want to arrive early or stay late to see the historic and rare First Folio edition (below) of the plays by William Shakespeare that is on display at the Chazen Museum through Dec. 11 to mark the 400th anniversary of the death of the Bard.