The Well-Tempered Ear

Classical music: UW-Madison pianist Jessica Johnson celebrates International Women’s Day this Friday night with a FREE recital of all-female composers and a special keyboard for smaller hands

March 6, 2019
3 Comments

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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features Ukrainian pianist Yana Avedyan in solo works by Ludwig van Beethoven, Sergei Prokofiev and Franz Liszt. The program will include music from her upcoming appearance at Carnegie Hall. The musicale runs from 12:15 to 1 p.m.

By Jacob Stockinger

March is Women’s History Month, and this Friday is International Women’s Day.

To mark the latter occasion, Jessica Johnson, who teaches piano and piano pedagogy at the University of Wisconsin-Madison’s Mead Witter School of Music, where she has won an award for distinguished teaching, will perform a program of all-women composers.

The FREE recital is this Friday night, March 8, at 8 p.m. in Mills Hall. Johnson (below, in a photo by M.P. King for The Wisconsin State Journal) will perform works from the 19th, 20th and 21st centuries, pairing works with interesting connections.

Here is what Johnson has to say about the program:

Dreaming, Op. 15, No. 3, by Amy Beach (below top) and The Currents by Sarah Kirkland Snider (below bottom) both feature beautiful lyricism and long-line phrases inspired by poetry.

“2019 is the bicentennial celebration of Clara Schumann’s birth, so I wanted to honor her and her tremendous legacy. Her Romance, Op. 11, No. 1, was composed in 1839 in the midst of the difficult year when Clara (below) was separated from her beloved Robert. (You can hear the Romance in the YouTube video at the bottom.)

“Bolts of Loving Thunder by Missy Mazola (below) was written in 2013 for pianist Emanuel Ax as a piece that would appear on a program of works by Brahms. Mazzoli alludes to the romantic, stormy side of “pre-beard” Brahms, with exuberant floating melodies, hand crossings and dense layers of chords.

“Troubled Water (1967) by Margaret Bonds (below) is based on the spiritual “Wade in the Water,” with hints of blues, jazz and gospel traditions throughout.

“Azuretta (2000) by Chicago-based composer, Regina Harris Baiocchi (below) describes Azuretta as a musical reaction to a debilitating stroke Dr. Hale Smith, her former composition teacher, suffered in 2000. The work honors his incredible legacy by mixing classical and jazz idioms.

“Germaine Tailleferre (below), the only female member of Les Six, the group of early 20th-century French composers, wrote her beautiful Reverie in 1964 as an homage to Debussy’s “Homage à Rameau” from Images, Book I.

“Preludes (2002) by Elena Ruehr (below) draw inspiration from Debussy’s Preludes, mimimalism and Romantic piano music.

“Also, as an advocate for the adoption of the Donison-Steinbuhler Standard — which offers alternatively sized piano keyboards for small-handed pianists  — I will perform on the Steinbuhler DS 5.5 ™ (“7/8”) piano keyboard.

“By performing on a keyboard that better fits my hands — studies suggest that the conventional keyboard is too large for 87% of women — and featuring works by female composers who are typically underrepresented in concert programming, I hope to bring awareness to gender biases that still exist in classical music.

“For more information about both me and the smaller keyboard, go to the following story by Gayle Worland in The Wisconsin State Journal:

https://madison.com/wsj/entertainment/music/a-smaller-piano-for-bigger-artistry/article_38b80090-be0f-5050-9862-32c3c36c6930.html


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Classical music: These women composers should be household names

March 26, 2016
2 Comments

By Jacob Stockinger

It may be known more for basketball, for March Madness and the Big Dance.

But March is also Women’s History Month.

Before it ends, The Ear wanted to share a terrific story about women composers that appeared in the Smithsonian Magazine.

It discusses women composers who should be household names like Johann Sebastian Bach or Wolfgang Amadeus Mozart.

barbara strozzi

Who are they?

schumannclara

Can you guess their names and match them to the photos?

elizabeth maconchy

Have you heard their works?

Amy Beach BW 1

Read the story and see for yourself.

Here is a link:

http://www.smithsonianmag.com/arts-culture/these-women-composers-should-be-household-names-bach-or-mozart-180958464/?no-ist

And at bottom is a YouTube video with a beautiful and tuneful example of one woman composer as well as background about a great but unknown female American violinist, who is championed by the Chicago violinist Rachel Barton Pine (below), who herself has performed several times with the Wisconsin Chamber Orchestra.

Rachel Barton Pine

And leave what you think about a specific composer or women in music in general in the COMMENT section.

The Ear wants to hear.


Classical music: Women’s History Month will be celebrated at Edgewood College this Sunday afternoon with a FREE choral concert of works by female composers. Plus, the piano duo Troika performs a FREE concert on Friday at noon.

March 4, 2015
3 Comments

ALERT: This week’s Friday Noon Musicale, to be held from 12:15 to 1 p.m. in the Landmark Auditorium of the Frank Lloyd Wright-designed First Unitarian Society of Madison, 900 University Bay Drive, will feature the Piano Duo “Troika” — made up of Vladislava Henderson and Ludmilla Syabrenko (below) — in music by Peter Ilyich Tchaikovsky, Sergei Rachmaninov, Antonin Dvorak and others.

Troika piano duo

By Jacob Stockinger

This coming Sunday, March 8, at 2:30 p.m., in Edgewood College’s St. Joseph Chapel, 1000 Edgewood College Drive, two choral groups at Edgewood College (below) will present their winter concerts.

Edgewood College 1000

The Chamber Singers will perform under the direction of Albert Pinsonneault (below top), and the College Women’s Choir will sing under the direction of Kathleen Otterson (below bottom).

Albert Pinsonneault 2

Kathleen Otterson 2

In recognition of Women’s History Month, the Women’s Choir will feature works by female composers, including Hildegard von Bingen (below top), Linda Kachelmeier (below second), Francesca Caccini (below third), and Fanny Mendelssohn Hensel (below bottom). Sorry, no word on specific works to be performed.

ST. HILDEGARD OF BINGEN DEPICTED IN ALTARPIECE AT ROCHUSKAPELLE IN GERMANY

Linda Kachelmeier

Francesca Caccini USE

Fanny Mendelssohn Hensel

The Chamber Singers will perform “Ave Verum Corpus” by Wolfgang Amadeus Mozart, which you can hear at bottom in a performance with Leonard Bernstein in a YouTube video that has almost 3 million hits).

Also included are “Famine Songs” by Matthew Culloton (below top) and “Lammaa Badaa Yatathannaa” by Shireen Abu-Khader (below bottom).

Matthew Culloton

Shireen Abu-Khader

There is no admission charge.

 

 

 


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