The Well-Tempered Ear

Classical music: Oakwood Chamber Players start their “Perspective” concerts on Sept. 10

August 31, 2016
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By Jacob Stockinger

The Oakwood Chamber Players (below) have long been known for programming new music as well as neglected old music or neglected composers that they perform with top-quality music-making – often with a unifying theme to the programs.

Just look at the details of the following announcement of the new season:

Oakwood Chamber Players 2015-16

The Oakwood Chamber Players are excited to announce their 2016-2017 concert series, “Perspective.”

Full of interesting viewpoints on life and relationships, the blended use of diverse musical styles with film and theater will help concertgoers see things from another’s point of view.

All concerts will be held in the auditorium (below) at Oakwood’s Center for Arts and Education, 6002 Mineral Point Road, on the far west side of Madison.

Oakwood audience 2

Tickets can be purchased at the door: $20 for general admission, $15 for seniors, and $5 for students. More information can be found at www.oakwoodchamberplayers.com

LOOKING ACROSS THE TABLE: CAN WE FIND COMMON GROUND?

Saturday, September 10, at 7 p.m. and Sunday, September 11, at 2 p.m.

Paul Schoenfield (below) – Café Music for piano trio

Michael Colina – Stairway to Midnight Café for mixed instruments

Jean Françaix – Dixtuor for woodwind quintet and string quintet

Edward Elgar – Elegy for string quintet

Paul Schoenfield BW klezmerish

LOOKING BACK AND FORWARD: CAN THE PAST, PRESENT, AND FUTURE CHANGE US?

Sunday, November 27, 2016 at 1 p.m. and 3:30 p.m.

Frank Bridge (below) – Sir Roger de Coverly Christmas Dance for strings

Jon Deak – “Passion of Scrooge” for large mixed ensemble with baritone voice

Frank Bridge

LOOKING WITHIN: CAN WE SEE WITHIN OURSELVES THOSE WHO HAVE GONE BEFORE?

Saturday, January 21, 2017 at 7 p.m. and Sunday, January 22, 2017 at 2 p.m.

Byron Adams (below) – Serenade (Homage de Husa) for large mixed ensemble

Arnold Schoenberg – Notturno (Nocturne) for strings and harp (in the YouTube video at the bottom)

Francis Poulenc – Sextet for woodwind quintet and piano

Maurice Ravel/David Bruce – Kaddish for large mixed ensemble

Byron Adams

LOOKING THROUGH THE LENS: CAN WE SPEAK WHEN THERE ARE NO WORDS?

Saturday, March 18, 2017 at 7 p.m. and Sunday, March 19, 2017 at 2 p.m.

Gail KubikGerald McBoing Boing for large mixed ensemble, percussion and narrator

Paul Bowles (below) – Music for a Farce (Movie – The Fireman) for clarinet, trumpet, piano and percussion

Dan Visconti – Low Country Haze with film for large mixed ensemble

Gaetano Donizetti – Trio for flute, bassoon and piano

paul bowles

LOOKING CLOSELY AT THE SCORE: CAN WE GET INSIDE THE MINDS OF THE COMPOSERS?

Saturday, May 13, 2017 at 7 p.m. and Sunday, May 14, 2017 at 2 p.m.

Joan Trimble (below) – Phantasy Trio for piano trio

Vincent d’Indy – Chanson et Danses (Song and Dances) for winds

Luise Adolpha Le BeauPiano Trio

Joachim Raff – Sinfonietta for double woodwind quintet

joan trimble

The Oakwood Chamber Players is a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.

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Classical music: Here is the schedule of the Chazen Museum of Art’s chamber music concerts — live and streamed — for 2016. They start this Sunday afternoon with the Wisconsin Brass Quintet. Plus, Mark Adamo will talk about his opera at the performance TONIGHT of “Little Women” by the Madison Opera

February 5, 2016
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ALERT: Kathryn Smith, the general director of the Madison Opera, which is presenting Mark Adamo‘s opera “Little Women” tonight at 8 p.m. and Sunday afternoon at 2:30 p.m. in the Capitol Theater of the Overture Center, writes: “One thing you might let your readers know is that Mark Adamo is doing the pre-show talk TONIGHT in tandem with me  — meaning I’m going to ask him questions, so he can talk about his opera instead of me doing so as usual. That is at 7 p.m. in the Wisconsin Studio of the Overture Center, and is free to ticket holders.”

By Jacob Stockinger

The Ear has received the following message that you may want to print out or write into your datebook:

The Chazen Museum of Art is pleased to announce the continuation of Sunday Afternoon Live From the Chazen for 2016.

On the FIRST SUNDAY OF EVERY MONTH, the Chazen presents chamber music performances in Brittingham Gallery III of the old Conrad A. Elvehjem Building.

SALProArteMay2010

In addition to the gallery performance, the monthly concerts are streamed live on the Internet, making them readily accessible anywhere in the world.

This year marks the 38th season for Sunday Afternoon Live From the Chazen. Until 2015, the series took place weekly and was broadcast live by Wisconsin Public Radio.

When WPR stepped away, the Chazen took over the series.

Lori Skelton, the producer of Sunday Afternoon Live at WPR for many years, has again volunteered to program the concert series and act as its host. Without her musical expertise, as well as her generosity of spirit, the Chazen would not be able to continue this popular program.

During the intermissions, live stream listeners will hear an interview or conversation featuring the museum’s director, Russell Panczenko. Topics include current exhibitions and the permanent collection.

Concerts begin at 12:30 p.m.

All concerts are free and open to the public. However, seating is limited. Chazen Museum of Art members may call 608-263-2246 to reserve seating the week before the concert.

To listen to the concert live on the Internet, simply go to www.Chazen.wisc.edu on the day of the concert and click on Sunday Afternoon Live at the Chazen.

2016 Schedule

This Sunday, February 7:  Wisconsin Brass Quintet 

Wisconsin Brass Quintet

Wisconsin Brass Quintet

March 6:  Pro Arte String Quartet

April 3:  Clocks in Motion percussion ensemble

Clocks in Motion group collage 

May 1:  Pro Arte Quartet

June 5:  Madison Bach Musicians

Kangwon KIm with Madison Bach Musicians

July 3 TBD

August 7 TBD

September 4:  Black Marigold Wind Quintet

Black Marigold new 2016

October 2:  Pro Arte String Quartet

November 6:  Parry Karp, cello

Parry Karp

December 4:  Pro Arte String Quartet (below in a photo by Rick Langer)

Pro Arte 3 Rick Langer copy


Classical music: Five alumni composers return to UW-Madison for two FREE concerts of their work this Thursday and Friday nights. On Tuesday night, UW trombonist Mark Hetzler and friends premiere four new works.

November 2, 2015
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ALERT: On Tuesday night at 7:30 in Mills Hall, UW-Madison trombone professor Mark Hetzler with be joined by Anthony DiSanza, drums/percussion; Vincent Fuh, piano; Ben Ferris, bass; Tom Ross-percussion; Garrett Mendelow, percussion.

Mark Hetzler and friends present a FREE concert titled “Mile of Ledges” with the premiere of four new works. Two new compositions (Falling and Mile of Ledges) by Mark Hetzler will feature lyrical and technical trombone passages, soulful and spirited piano writing, complex percussion playing and a heavy dose of electronics. In addition, the group will showcase new music by UW-Madison alum Ben Davis (his $$$$$$$$$$$$$$$$$$ for quartet and electronics) and Seattle composer David P. Jones (a chamber work for trombone, piano, bass and two percussionists).

Read a Wisconsin State Journal about Mark Hetzler. Download PDF here.

By Jacob Stockinger

If The Ear recalls correctly, alumni who return to the University of Wisconsin-Madison School of Music are generally performers or scholars.

All the more reason, then, to celebrate this week’s major UW event, which was organized by UW-Madison composer and teacher Stephen Dembski (below). It features five composers who trained at the UW-Madison and who are now out in the world practicing their art and teaching it to others.

Steve Dembski's class

Steve Dembski’s class

Dembski writes:

This week, the UW-Madison School of Music will welcome back five graduates of the composition studio who have developed creative, multi-dimensional careers in a range of fields: acoustic and electronic composition, musicology, theory, audio production, conducting, education, concert management and administration, performance, and other fields as well.

The two-day event is intended to show the breadth of talent at UW-Madison as well as demonstrating that music students focus on much more than performance as a way to shape successful careers.

The composers include: Jeffrey Stadelman (below), who is now associate professor of music composition at the University at Buffalo.

jefffey stadelman

Paula Matthusen (below, BM, 2001), who is assistant professor of music at Wesleyan University.

paula matthusen

William Rhoads (below, BM, 1996), who is vice-president of marketing and communications for Orchestra of St. Luke’s in New York City.

William Rhoads

Andrew Rindfleisch (below, BM, 1987), who is a full-time composer living in Ohio. (You can hear his introspective and microtonal work “For Clarinet Alone” in a YouTube video at the bottom.)

Andrew Rindfleisch portrait

Kevin Ernste (below, BM, 1997), who is professor of composition at Cornell University.

kevin ernste

The UW-Madison School of Music will present two FREE concerts of their music, performed by the Wisconsin Brass Quintet (below top), the Wingra Woodwind Quintet (below bottom, in a photo by Michael Anderson), the UW Wind Ensemble, and other faculty members and students.

Wisconsin Brass Quintet

Wisconsin Brass Quintet

Wingra Woodwind Quintet 2013 Michael Anderson

The FREE concerts are on this Thursday, Nov. 5, at 7:30 p.m. in Mills Hall; and on this Friday, Nov. 6, 7:30 p.m. in Mills Hall. There will be workshops and colloquia yet to be announced.

For complete composer biographies, along with comments about their works, and more information about the two-day event, visit this site:

http://www.music.wisc.edu/2015/10/08/uw-madison-composers-return/


Classical music: The local woodwind group Black Marigold will perform four FREE summer concerts at public libraries and the Chazen Museum of Art over the next two weeks.

August 21, 2015
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By Jacob Stockinger

The Ear’s friends at the Madison-based woodwind quintet Black Marigold (below) -– founded in 2012 — write with the following information:

Black Marigold

The Marigolds are in bloom!

Join us for our fourth annual Summer Concert Series, featuring 20th- and 21st-century pieces by French, Czech and American composers.

The program includes: “Calder’s Circus” by Robert Cohen; Diversions for Wind Quintet by Lee Hoiby (below), who studied at the UW-Madison School of Music; Wind Quintet, Op. 10, by Pavel Haas; and Quintet No. 1 by Jean Francaix.

Lee Hoiby

All concerts are free and open to the public.

Here is a schedule:

MONDAY, August 24, 2015 – 7 p.m.

MonroeStreet Library

1705 Monroe St – Madison, WI

monroe street library

SATURDAY, August 29, 2015 – 7 p.m.

CapitolLakes Retirement Community – Grand Hall

333 West Main Street, Madison, WI

Capitol Lakes Hall

FRIDAY, September 4, 2015 – 7 p.m.

OakwoodVillage University Woods

6201 Mineral Point Rd – Madison, WI

Oakwood Village Auditorium and Stage

SundayAfternoon Live at the Chazen

Sunday, September 6, 2015 – 12:30 p.m.

Chazen Museum of Art

750 University Avenue

Madison, WI 53706

This performance will also be live streamed on the Chazen website.

SAL3

For more information, contact or visit blackmarigoldwinds@gmail.com

www.blackmarigold.com\

video


Classical music: Here are the 2015 Grammy winners and the nominees for classical music. Pro Arte Quartet recording producer Judith Sherman wins again.

February 10, 2015
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By Jacob Stockinger

The 2015 Grammy winners were announced Sunday night in a live three-hour broadcast.

The list of winners and nominees can be a good guide to new listening.

grammy award BIG

Of course most of the Grammy attention went to pop, rock, rap, country and the big selling music genres.

But here are the winners for classical music, along with the nominees and competition.

One thing to note: Producer of the Year again went to freelancer Judith Sherman (below).

Sherman will be in Madison again inn May to record the last two centennial commissions for the University of Wisconsin-Madison‘s Pro Arte Quartet. (Below, she is seen recording the first four commissions with the Pro Arte in Mills Hall.) The new recording includes the terrific Clarinet Quintet based on Allen Ginsberg’s landmark Beat poem “Howl” by American composer Pierre Jalbert and Belgian composer Benoît Mernier’s String Quartet No. 3.

Judith Shermanjpeg

Judith Sherman with Pro Arte

BEST ENGINEERED ALBUM, CLASSICAL

WINNER: Vaughan Williams (below): Dona Nobis Pacem; Symphony No. 4; The Lark AscendingMichael Bishop, engineer; Michael Bishop, mastering engineer (Robert Spano, Norman Mackenzie, Atlanta Symphony Orchestra & Chorus). Label: ASO Media

Adams, John: City Noir. Richard King, engineer; Wolfgang Schiefermair, mastering engineer (David Robertson & St. Louis Symphony); Label: Nonesuch

Adams, John Luther: Become Ocean. Dmitriy Lipay & Nathaniel Reichman, engineers; Nathaniel Reichman, mastering engineer (Ludovic Morlot & Seattle Symphony) Label: Cantaloupe Music

Dutilleux: Symphony No. 1; Tout Un Monde Lointain; The Shadows Of Time. Dmitriy Lipay, engineer; Dmitriy Lipay, mastering engineer (Ludovic Morlot & Seattle Symphony). Label: Seattle Symphony Media

Riccardo Muti Conducts Mason Bates & Anna Clyne. David Frost & Christopher Willis, engineers; Tim Martyn, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra). Label: CSO Resound

Ralph Vaughan Williamsjpg

PRODUCER OF THE YEAR, CLASSICAL

WINNER: Judith Sherman (below)

  • Beethoven: Cello & Piano Complete (Fischer Duo)
  • Brahms By Heart (Chiara String Quartet)
  • Composing America (Lark Quartet)
  • Divergence (Plattform K + K Vienna)
  • The Good Song (Thomas Meglioranza)
  • Mozart & Brahms: Clarinet Quintets (Anthony McGill & Pacifica Quartet)
  • Snapshot (American Brass Quintet)
  • Two X Four (Jaime Laredo, Jennifer Koh, Vinay Parameswaran & Curtis 20/21 Ensemble)
  • Wagner Without Words (Williams)

Morten Lindberg

  • Beppe: Remote Galaxy (Vladimir Ashkenazy & Philharmonia Orchestra)
  • Dyrud: Out Of Darkness (Vivianne Sydnes & Nidaros Cathedral Choir)
  • Ja, Vi Elsker (Tone Bianca Sparre Dahl, Ingar Bergby, Staff Band Of The Norwegian Armed Forces & Schola Cantorum)
  • Symphonies Of Wind Instruments (Ingar Bergby & Royal Norwegian Navy Band)

Dmitriy Lipay

  • Adams, John Luther: Become Ocean (Ludovic Morlot & Seattle Symphony)
  • Dutilleux: Symphony No. 1; Tout Un Monde Lointain; The Shadows Of Time (Ludovic Morlot & Seattle Symphony)
  • Fauré: Masques Et Bergamasques; Pelléas Et Mélisande; Dolly (Ludovic Morlot, Seattle Symphony Chorale & Seattle Symphony)
  • Hindemith: Nobilissima Visione; Five Pieces For String Orchestra (Gerard Schwarz & Seattle Symphony)
  • Ives: Symphony No. 2; Carter: Instances; Gershwin: An American In Paris (Ludovic Morlot & Seattle Symphony)
  • Ravel: Orchestral Works; Saint-Saëns: Organ Symphony (Ludovic Morlot & Seattle Symphony)

Elaine Martone

  • Hallowed Ground (Louis Langrée, Maya Angelou, Nathan Wyatt & Cincinnati Symphony Orchestra)
  • Mahler: Symphony No. 2 ‘Resurrection’ (Benjamin Zander, Stefan Bevier, Philharmonia Chorus & Orchestra)
  • Sibelius: Symphonies Nos. 6 & 7; Tapiola (Robert Spano & Atlanta Symphony Orchestra)
  • Vaughan Williams: Dona Nobis Pacem; Symphony No. 4; The Lark Ascending (Robert Spano, Norman Mackenzie, Atlanta Symphony Orchestra & Chorus)

David Starobin

  • All The Things You Are (Leon Fleisher)
  • Complete Crumb Edition, Vol. 16 (Ann Crumb, Patrick Mason, James Freeman & Orchestra 2001)
  • Game Of Attrition – Arlene Sierra, Vol. 2 (Jac Van Steen & BBC National Orchestra Of Wales)
  • Haydn, Beethoven & Schubert (Gilbert Kalish)
  • Mozart: Piano Concertos, No. 12, K. 414 & No. 23, K. 488 (Marianna Shirinyan, Scott Yoo & Odense Symphony Orchestra)
  • Music Of Peter Lieberson, Vol. 3 (Scott Yoo, Roberto Diaz, Steven Beck & Odense Symphony Orchestra)
  • Rochberg, Chihara & Rorem (Jerome Lowenthal)
  • Tchaikovsky: The Tempest, Op. 18 & Piano Concerto No. 1, Op. 23 (Joyce Yang, Alexander Lazarev & Odense Symphony Orchestra

Judith Sherman Grammy 2012

BEST ORCHESTRAL PERFORMANCE

WINNER: Adams, John (below): City Noir.  David Robertson, conductor (St. Louis Symphony). Label: Nonesuch

Dutilleux: Symphony No. 1; Tout Un Monde Lointain; The Shadows Of Time.  Ludovic Morlot, conductor (Seattle Symphony). Label: Seattle Symphony Media

Dvořák: Symphony No. 8; Janáček: Symphonic Suite From Jenůfa. Manfred Honeck, conductor (Pittsburgh Symphony Orchestra). Label: Reference Recordings

Schumann: Symphonien 1-4. Simon Rattle, conductor (Berliner Philharmoniker). Label: Berliner Philharmoniker Recordings.

Sibelius: Symphonies Nos. 6 & 7; Tapiola. Robert Spano, conductor (Atlanta Symphony Orchestra). Label: ASO Media

John Adams

BEST OPERA RECORDING

WINNER: Charpentier (below): La Descente D’Orphée Aux Enfers. Paul O’Dette & Stephen Stubbs, conductors; Aaron Sheehan; Renate Wolter-Seevers, producer (Boston Early Music Festival Chamber Ensemble; Boston Early Music Festival Vocal Ensemble). Label: CPO

Milhaud: L’Orestie D’Eschyle. Kenneth Kiesler, conductor; Dan Kempson, Jennifer Lane, Tamara Mumford, Sidney Outlaw, Lori Phillips & Brenda Rae; Tim Handley, producer (University Of Michigan Percussion Ensemble & University Of Michigan Symphony Orchestra; University Of Michigan Chamber Choir, University Of Michigan Orpheus Singers, University Of Michigan University Choir & UMS Choral Union). Label: Naxos

Rameau: Hippolyte Et Aricie. William Christie, conductor; Sarah Connolly, Stéphane Degout, Christiane Karg, Ed Lyon & Katherine Watson; Sébastien Chonion, producer (Orchestra Of The Age Of Enlightenment; The Glyndebourne Chorus). Label: Opus Arte

Schönberg: Moses Und Aron. Sylvain Cambreling, conductor; Andreas Conrad & Franz Grundheber; Reinhard Oechsler, producer (SWR Sinfonieorchester Baden-Baden Und Freiburg; EuropaChorAkademie). Label: Hänssler Classic

Strauss: Elektra. Christian Thielemann, conductor; Evelyn Herlitzius, Waltraud Meier, René Pape & Anne Schwanewilms; Arend Prohmann, producer (Staatskapelle Dresden; Sächsischer Staatsopernchor Dresden). Label: Deutsche Grammophon

Marc-Antoine Charpentier color

BEST CHORAL PERFORMANCE

WINNER: The Sacred Spirit Of Russia. Craig Hella Johnson, conductor (Conspirare). Label: Harmonia Mundi

Bach: Matthäus-Passion. René Jacobs, conductor (Werner Güra & Johannes Weisser; Akademie Für Alte Musik Berlin; Rias Kammerchor & Staats-Und Domchor Berlin). Label: Harmonia Mundi

Dyrud: Out Of Darkness. Vivianne Sydnes, conductor (Erlend Aagaard Nilsen & Geir Morten Øien; Sarah Head & Lars Sitter; Nidaros Cathedral Choir). Label: 2L (Lindberg Lyd).

Holst: First Choral Symphony; The Mystic Trumpeter. Andrew Davis, conductor; Stephen Jackson, chorus master (Susan Gritton; BBC Symphony Orchestra; BBC Symphony Chorus). Label: Chandos Records

Mozart: Requiem. John Butt, conductor (Matthew Brook, Rowan Hellier, Thomas Hobbs & Joanne Lunn; Dunedin Consort). Label: Linn Records

BEST CHAMBER MUSIC/SMALL ENSEMBLE PERFORMANCE

WINNER: In 27 Pieces – The Hilary Hahn Encores (below). Hilary Hahn & Cory Smythe. Label: Deutsche Grammophon

Dreams & Prayers. David Krakauer & A Far Cry. Label: Crier Records

Martinů: Cello Sonatas Nos. 1-3. Steven Isserlis & Olli Mustonen. Label: BIS

Partch: Castor & Pollux. Partch. Track from: Partch: Plectra & Percussion Dances. Label: Bridge Records, Inc.

Sing Thee Nowell. New York Polyphony. Label: BIS

Hilary Hahn Encores CD cover

BEST CLASSICAL INSTRUMENTAL SOLO

WINNER: Play. Jason Vieaux. Label: Azica Records

All The Things You Are. Leon Fleisher. Label: Bridge Records, Inc.

The Carnegie Recital. Daniil Trifonov. Label: Deutsche Grammophon

Dutilleux: Tout Un Monde Lointain. Xavier Phillips; Ludovic Morlot, conductor (Seattle Symphony). Track from: Dutilleux: Symphony No. 1; Tout Un Monde Lointain; The Shadows Of Time. Label: Seattle Symphony Media

Toccatas. Jory Vinikour. Label: Sono Luminus

BEST CLASSICAL SOLO VOCAL ALBUM

WINNER: Douce France. Anne Sofie Von Otter; Bengt Forsberg, accompanist (Carl Bagge, Margareta Bengston, Mats Bergström, Per Ekdahl, Bengan Janson, Olle Linder & Antoine Tamestit). Label: Naïve

Porpora: Arias. Philippe Jaroussky; Andrea Marcon, conductor (Cecilia Bartoli; Venice Baroque Orchestra) Label: Erato

Schubert: Die Schöne Müllerin. Florian Boesch; Malcolm Martineau, accompanist. Label: Onyx

Stella Di Napoli. Joyce DiDonato; Riccardo Minasi, conductor (Chœur De L’Opéra National De Lyon; Orchestre De L’Opéra National De Lyon). Label: Erato/Warner Classics

Virtuoso Rossini Arias. Lawrence Brownlee; Constantine Orbelian, conductor (Kaunas City Symphony Orchestra). Label: Delos

BEST CLASSICAL COMPENDIUM

WINNER: Partch (below): Plectra & Percussion Dances. Partch; John Schneider, producer. Label: Bridge Records, Inc.

Britten To America. Jeffrey Skidmore, conductor; Colin Matthews, producer. Label: NMC Recordings

Mieczysław Weinberg. Giedrė Dirvanauskaitė, Daniil Grishin, Gidon Kremer, & Daniil Trifonov & Kremerata Baltica; Manfred Eicher, producer. Label: ECM New Series

Mike Marshall & The Turtle Island Quartet. Mike Marshall & Turtle Island Quartet; Mike Marshall, producer. Label: Adventure Music

The Solent – Fifty Years Of Music By Ralph Vaughan Williams. Paul Daniel, conductor; Andrew Walton, producer. Label: Albion Records

harry partch

BEST CONTEMPORARY CLASSICAL COMPOSITION

WINNER: Adams, John Luther (below): Become Ocean. John Luther Adams, composer (Ludovic Morlot & Seattle Symphony). Label: Cantaloupe Music

Clyne, Anna: Prince Of Clouds. Anna Clyne, composer (Jaime Laredo, Jennifer Koh, Vinay Parameswaran & Curtis 20/21 Ensemble). Track from: Two X Four. Label: Cedille Records

Crumb, George: Voices From The Heartland. George Crumb, composer (Ann Crumb, Patrick Mason, James Freeman & Orchestra 2001). Track from: Complete Crumb Edition, Vol. 16. Label: Bridge Records, Inc.

Paulus, Stephen: Concerto For Two Trumpets & Band. Stephen Paulus, composer (Eric Berlin, Richard Kelley, James Patrick Miller & UMASS Wind Ensemble). Track from: Fantastique – Premieres For Trumpet & Wind Ensemble. Label: MSR Classics

Sierra, Roberto: Sinfonía No. 4. Roberto Sierra, composer (Giancarlo Guerrero & Nashville Symphony). Track from: Sierra: Sinfonía No. 4; Fandangos; Carnaval.  Label: Naxos

John Luther Adams

 


Classical music: This weekend brings concerts of wind music; old and new music for Baroque flute; and early songs about money and poverty.

April 25, 2014
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By Jacob Stockinger

This weekend brings us three big events: two performances by the Madison Opera of Jake Heggie’s opera “Dead Man Walking” (Friday night at 8 p.m. and Sunday afternoon at 2:30 p.m.); a one-time performance of Sergei Rachmaninoff’s rarely heard a cappella “Vespers” by the University of Wisconsin-Madison Choral Union on Saturday night at 8 p.m.; and pianist Ryan McCullough in Ludwig Beethoven’s last three piano sonatas at Farley’s House of Pianos on Saturday night at 8 p.m.

But there are smaller concerts for you to consider too, some of which do not conflict with the others.

WIND MUSIC

Tonight, Friday night, at 7:30 p.m. in Mills Hall, the UW Wind Ensemble (below, in a photo by Katherine Esposito), under director and conductor Scott Teeple, will perform a FREE concert.

UW Wind Ensemble Katherine Esposito

The program include “Profanation” by Leonard Bernstein, arranged by Bencriscutto; 
”Concerto for Wind Percussion and Wind Ensemble” by Karel Husa; 
”Colonial Song” by Percy Grainger “Raise the Roof” by Michael Daugherty; and
”Symphony in Three Movements” by retiring UW tubist and composer John Stevens (below).

John Stevens

NEW MUSIC FOR BAROQUE FLUTES

On Saturday from noon to 1 p.m., the FREE concert series Grace Presents will present “New and Historic Music for Baroque Flute” with flutist Millie Chang (below) and others.

Millie Chang

The concert is designed to be a refreshing break, a parenthesis in time and task, from the Dane County Farmers’ Market, which has started up again. Audiences are invited to bring lunch or food.

dane county farmers' market

The venue is the lovely and acoustically resonant Grace Episcopal Church (below are exterior and interior views), at 116 West Washington Avenue, down on the Capitol Square.

grace episcopal church ext

Grace Episcopal harpsichord

Some of Madison’s most talented classical instrumentalists will perform the short but unique recital for baroque flute featuring compositions spanning three centuries.

Performers include Millie (Mi-Li) Chang and Danielle Breisach (below top), Baroque flute; UW-Madison professor Stephanie Jutt, modern flute; UW-Madison professor John Chappell Stowe, harpsichord; and Eric Miller (below bottom), viola da gamba. 

Danielle Breisach

Eric Miller viol

Here is the specific program: David MacBride: “Shadow” for two baroque flutes (1993); Robert Strizich: “Tombeau” for baroque flute and harpsichord (1982); François Couperin, “Concert Royal” No. 2 in D major (1722), which can be heard in a YouTube video at the bottom; University of Wisconsin-Madison School of Music composer Stephen Dembski (below top), “Gits and Piths” for modern and baroque flutes (2014); UW-Madison bassoonist, conductor and composer Marc Vallon (below bottom), “Ami” (2014); and Johann Sebastian Bach: Sonata in B minor for baroque flute and harpsichord, BWV 1030 (1736-37).

For more information, visit www.gracepresents.org

Stephen Dembski

Vallon,M

WOODWIND QUINTET

The fourth concert of the Kat Trio Chamber Music Series features the Veldor Woodwind Quintet. The concert will take place in Memorial United Church of Christ, 5705 Lacy Road, Fitchburg on Saturday night, April 26, 2014 at 7 p.m.

There will be 30-minute Q&A session before the performance.

Suggested donation: $10 adults and $5 students.

Member of the Veldor Woodwind Quintet (below) are: Barbara Paziouros Roberts (flute), Andy Olson (oboe), Joe Kania (clarinet), Brad Sinner (horn), and Brian Ellingboe (bassoon). They combine educational backgrounds in music performance from the Eastman School of Music, DePaul University, Lawrence University, Luther College, and the University of Wisconsin-Madison School of Music with many years of performing experience both locally and abroad.

Now in their fifth year, the Veldor continues to entertain audiences with its dynamic performances of standard and non-traditional repertoire alike.

For additional information, visit www.thekattrio.net/chamberseries

Veldor Woodwind Quintet

EARLY MONEY SONGS

Then on Sunday, April 27, at 2 p.m., at the Mount Olive Lutheran Church, 110 North Whitney Way, the early music group Eliza’s Toyes (below) is performing a program titled “Toss The Pot: Songs About Money, or the Lack Thereof.”

Eliza's Toyes 2012 2

Writes founder singer and conductor Jerry Hui (below): “Through songs from the Medieval, Renaissance and Baroque period, we sing about the age-old problem of money, people’s desire for it, as well as things that are even more precious. There’ll be a “sermon of money” from “Carl Orff’s “Carmina Burana”; selection from Palestrina’s “Canticum Canticorum”; a song by Orlandi di Lassus about hungry musicians stealing food; chansons by Josquin des Prez, Sermisy and Le Jeune; and many more.”

Tickets are $15.

Jerry Hui

 

 

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Classical music: Two concerts of New Music and Early Music by three local groups will both take place on the Saturday of this very busy weekend.

April 9, 2014
6 Comments

By Jacob Stockinger

This is a crazy busy weekend for classical music fans in Madison.

On Friday night at 8 p.m. in the Capitol Theater of the Overture Center, the Wisconsin Chamber Orchestra closing out its season with pianist Stewart Goodyear playing his own Piano Concerto and Ludwig van Beethoven’s “Choral” Fantasy (plus the “Eroica” Symphony) on Friday night.

On Friday night at 8 p.m. in Mills Hall is also the University of Iowa Center for New Music in a FREE concert.

Also on Friday night at 7:30 p.m. in Music Hall is the University Opera’s first of three performances of Hector Berlioz’ opera “Beatrice and Benedict.” It is the farewell production of director William Farlow, who is retiring this spring.

Then on Saturday at 3:30 p.m. in Morphy Hall is the University of Wisconsin-Madison School of Music’s Perlman Piano Trio, in a FREE concert of Franz Joseph Haydn, Franz Schubert and Antonin Dvorak. At 8 p.m. in Mills Hall is the UW-Madison Concert Choir and Chamber Orchestra performing Johann Sebastian Bach’s “St. John Passion” under conductor and director Beverly Taylor.

And on Sunday at 10 a.m. and 3 p.m. is the First Unitarian Society of Madison performing Gabriel Faure’s lovely and calming Requiem. Admission is FREE and open to the public. And the on Sunday evening at 7 p.m., the UW Chorale Concert, under Bruce Gladstone, will perform a FREE concert in Mills Hall.

BUT…

But two concerts on Saturday by smaller local groups presenting old music and new music should also not be overlooked.

On Saturday afternoon at 1 p.m. in Luther Memorial Church (below) at 1021 University Avenue, there is a FREE concert featuring new music by two local groups.

luther memorial church madison

“New Music Concert and Conversation” is FREE and OPEN TO THE PUBLIC and features new works for the percussion group Clocks in Motion (below top) and the woodwind quintet Black Marigold (below bottom) by student composers across the country. Two of the four winning composers will be in attendance to speak about their work and answer questions from the audience.

clocks in motion in concert

Immediately following the performance, Clocks in Motion and Black Marigold members will speak about the challenges and rewards of performing new music.

The New Music Concert is part of the 18th annual conference of the Midwest Graduate Music Consortium (MGMC), which will take place at UW-Madison on April 11 and 12. MGMC is a joint venture organized by graduate students from Northwestern University, the University of Chicago, and UW-Madison. MGMC encourages the presentation of original research and the composition of new music by graduate and advanced undergraduate students.

Details about the conference, including a full schedule and list of abstracts, can be found at the MGMC website. The conference includes papers by students from MGMC sister schools and institutions across the U.S. and Canada. Tamara Levitz, UCLA, will give a keynote lecture, “Riot at the Rite: Racial Exclusion and the Foundations of Musical Modernism.” Registration is FREE. Please send an email to kahiser@wisc.edu or mgmc2014conference@gmail.com if you plan to attend. (No registration is necessary for the New Music Concert).

The program includes:

Works for Clocks in Motion:

Kristina Warren, University of Virginia . . . Adelaide

Benjamin O’Brien, University of Florida . . . cadenceStudie

Works for Black Marigold (below):

Kenn McSperitt, University of Oklahoma . . . Eight  

Matthew R. Durrant, University of Utah . . . Quintet No. 2

Black Marigold

Then on Saturday night at 8 p.m. in the historic Gates of Heaven Synagogue (below), located at 300 East Gorham Street, in James Madison Park in downtown Madison, the Wisconsin Baroque Ensemble will perform a concert of vocal and instrumental early music on period instruments.

Wisconsin Baroque Ensemble composite

The program includes:

1.    Wilhelm Friedemann Bach – Duet No. 2 for two flutes in E-flat major, F. 55

2.    Jean Baptiste Barrière – Cello Sonata No. 3, Book 2

3.    Georg Philipp Telemann – Suite 1 from “Six Paris Quartets”

4.    Johann Friedrich Fasch – Sonata for bassoon and continuo in C major

INTERMISSION

5.    Benoit Guillement – Sonata No. 1 for two traversi

6.    Johann Sebastian Bach – “Die Schätzbarkeit der weiten Erde” from cantata BWV 204 (heard at the bottom in a YouTube video featuring violinist Itzhak Perlman and soprano Kathleen Battle.)

7.    Carl Friedrich Abel – Sonata a viola da gamba solo et basso, WKO 160.

8.    Johann Christian Bach – Quartetto for traverso, violin, viola, and bass.

9.    Joseph Bodin de Boismortier – Concerto a cing parties, from Op.37.

Tickets are available only at the door. Admission is $15, $10 for students. Feel free to bring your own chair or pillow. For more information, call (608) 238-5126 or visit www.wisconsinbaroque.org.

Madison Baroque Ensemble

Members of the Wisconsin Barqoue Ensemble are: Theresa Koenig – baroque bassoon; Brett Lipshutz – traverse; Mary Perkinson – baroque violin; Consuelo Sañudo – mezzo-soprano; Monica Steger – traverse; Eric Miller – viola da gamba, baroque cello; Anton TenWolde – baroque cello; and Max Yount – harpsichord.

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Classical music: In the next few days, three groups with a big and loyal local following will perform duo-piano music, woodwind music and clarinet trios.

March 12, 2014
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By Jacob Stockinger

With limited space — after all there are only so many days in the week and the local classical music scene keeps getting more and more crowded — sometimes The Ear has to combine performers and events. And that is the case today.

Several smaller concerts, some featuring performers with a loyal local following and all being offering for FREE, will take place this week and weekend.

DUO-PIANISTS VARSHAVSKI AND SHAPIRO

On Thursday night at 7 p.m. in the Oakwood Village West Center for Arts and Education, 6205 Mineral Point Road on Madison’s far west side near West Towne, duo-pianists Stanislava Varshavski and Diana Shapiro (below) will perform.

The program includes the “Allegro Brilliante” by Felix Mendelssohn; the “Lebenssturme” (Life Storm) by Franz Schubert; and “Petrushka” by Igor Stravinsky as arranged by Varshavi and Shapiro. (At the bottom you can hear a YouTube video in which the two women perform a beautiful Barcarolle from a suite by Sergei Rachmaninoff.)

For more information about the duo-pianists and samples of their music, visit:

http://www.piano-4-hands.com

Stanislava Varshavski-Diana Shapiro

THE KAT TRIO

On this Friday at 7:30 p.m., the Kat Trio -– short for the Ekaterinberg Trio that uses the violin, clarinet and piano  — will perform a FREE concert at First United Methodist Church, 203 Wisconsin Avenue in Madison.

The original violin, clarinet and piano ensemble (below) from Ekaterinburg, Russia, was formed in May of 1998 in Ekaterinburg by three friends: Victoria Gorbich (violin), Vladislav Gorbich (clarinet) and
 Vasil Galiulin (piano). They had just graduated from the Ural State Music Conservatory.

original Kat Trio

Today’s “The Kat Trio” (below) -– which is well-known to Madison audiences -– is made up of Victoria, Vladislav and pianist Justin Snyder (below standing). Victoria and Vlad are doctoral graduates of Arizona State University. Justin is a graduate of University of Michigan and recently finished studying in London at the Guildhall School of Music and Drama.

According to publicity materials, Kat Trio concerts showcase unique Russian arrangements and transpositions of timeless melodies and feature classical works, well-known inspirational songs, and even American pop standards, including Scott Joplin’s rags.

This week’s program includes: a trio by Aram Khachaturian, plus works by Vladimir Vavilov, Johannes Brahms, Robert Schumann, Peter Tchaikovsky, Louis Moreau Gottschalk; Amy Beach; Samuel Barber; Michael Joncas; Joseph Lamb; Jerry Bock; and Peter Schickele (aka PDQ Bach).

The concert begins at 7:30 p.m., but the three performers will do an audience Q&A prior to their performance, so you might arrive early.

The concert is FREE and OPEN TO THE PUBLIC. A free will offering will be taken.

The Ekaterinburg Trio’s website, www.thekattrio.net, features a Music page where fans can hear music files from all 10 CDs. The Video link also features dozens of Kat Trio videos on YouTube.

kat trio with justin

BLACK MARIGOLD

This week will also see two performances by the Madison-based woodwind quintet Black Marigold (below).

Black Marigold will perform on this Friday, March 14, at the First Unitarian Society of Madison’s FREE Noon Musicale from 12:15 to 1 p.m. They will perform in the Landmark Auditorium of the historic building that was designed by Frank Lloyd Wright.

Then on Sunday, Black Marigold will perform on “Sunday Afternoon Live From the Chazen.” The FREE concert will be held from 12:30 to 2 p.m. in Brittingham Gallery 3 of the Chazen Museum of Art on the University of Wisconsin-Madison campus. The concert will also be broadcast live by Wisconsin Public Radio (WERN 88.7 FM in the Madison area).

The program for both concerts includes: the Quintet, Op. 88, No. 2, by Anton Reicha; Six Bagatelles by Gyorgy Ligeti; “The Rite of Spring” by Igor Stravinsky, and arranged by Jonathan Russell; and “Vignettes Balletiques” by Brian DuFord.

For more information about Black Marigold, visit or write to:

https://www.facebook.com/BlackMarigold

blackmarigoldwinds@gmail.com

Black Marigold

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Classical music: Guitar, woodwind and trombone music is featured at the UW-Madison this week, while cello and piano music will be performed at the Unitarian Society’s Friday Noon Musicale.

November 20, 2013
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By Jacob Stockinger

There are some big events this week, including two performances by the UW Choral Union and UW-Madison Symphony Orchestra on Saturday night and Sunday afternoon. That event will be featured tomorrow.

But other music on a smaller scale is also available for FREE in the next several days.

WEDNESDAY

The FREE Guitar Departmental Recital by Student Ensembles at the UW-Madison School of Music will take place tonight at 8:30 p.m. in Morphy Recital Hall under faculty director and guitar department head Javier Calderon (below).

Sorry, no word yet on the program.

Javier Calderon color

THURSDAY

Then on Thursday night at 7:30 p.m. in Morphy Hall, the Wingra Woodwind Quintet (below, in a photo by Michael Anderson) will perform a FREE concert on the UW Faculty Concert Series.

Wingra Woodwind Quintet 2013 Michael Anderson

The program includes 
the Quintet in C by
 Claude Arrieu (Louise-Marie Simon, 1903-1990, below top)
 — heard in a YouTube video at the bottom — and the Wind Quintet by György Orban (below bottom, born 1947).

Claude Arrieu

Gyorgy Orban

After intermission will be the “Little Musical Offering” by Nino Rota (below top, 1911-1979), famous for his soundtracks to films by Federico Fellini; and the String Quartet Op. 12, No. 1 , by Felix Mendelssohn (below bottom, 1809-1847) in a transcription by David Walter.

nino rota at piano

Mendelssohn

Founded in 1965, the Wingra Woodwind Quintet is ensemble-in-residence at the University of Wisconsin-Madison School of Music. Since its formation, the quintet has established a tradition of artistic and teaching excellence. The ensemble has been featured in performance at national conferences of MENC (Miami), MTNA (Kansas City) and the International Double Reed Society (Minneapolis).

In addition to its regular statewide touring, the quintet has been invited to perform at such college campuses as the University of Alaska-Fairbanks, Cornell University, Northwestern University, the University of Chicago, the University of Nebraska, Western Michigan University and Florida State University.

New York Times critic Peter Davis, in reviewing the ensemble’s Carnegie Hall concert, wrote: “The performances were consistently sophisticated, sensitive, and thoroughly vital.” The Wingra Woodwind Quintet has recorded for Golden Crest, Spectrum, and the School of Music recording series, and has released an educational video entitled “Developing Woodwind Ensembles.”

Currents members of the Wingra Woodwind Quintet
 are: Linda Kimball, horn; 
Stephanie Jutt, flute; 
Marc Vallon, bassoon; 
and Linda Bartley, clarinet. Replacing the retired oboist Marc Fink is oboist Kostas Tiliakos (below, in a photo by Kathy Esposito).

kostas tiliakos 2013

FRIDAY

The FREE Friday Noon Musicale from 12:15 to 1 p.m. at the First Unitarian Society, 900 University Bay Drive, will feature cellist Ben Solomonow – seen below performing on the NPR show about young talent “From the Too” — and pianist Claire Mallory in the music of J.S. Bach and Ludwig van Beethoven.

Benjamin Solomonow playing cello on NPR's %22From the Top%22

SUNDAY

The Trombone Choir will perform on Sunday afternoon at at 5 p.m. in Luther Memorial Church, 1021 University Ave. (A photo of the church’s interior is below.)

luther memorial church madison

Members of the Trombone Choir are Alan Carr, Michael Donatello, Joseph Greer, Dan Joosten, Tom Kelly, Ty Peterson, Toby Shucha, Brittany Sperberg and Holly Wilinski.

The group will perform under director and UW trombonist Mark Hetzler (below, in a photo by Katrin Talbot).

The program includes: “O Mille Volte” by Luca Marenzio (1553-1599) as arranged by Jay Lichtmann; “Beati Estis” by Peter Philips (1560-1633) as arranged by Jay Lichtman; “Sweet Suffolk Owl” by Thomas Vautor (1579-1620) arranged by Jay Lichtmann; Two Movements (”Kyrie” and “Agnus Dei”) from the Mass in G minor by Ralph Vaughn-Williams (1872-1958) as arranged by Mark Hetzler; Fantasia in C Major by Johann Sebastian Bach (1685-1750); “Elegy for a Lion” by David P. Jones (b. 1958); and Concerto for 4 by Georg Philipp Telemann (1681-1767) as arranged by Alan Lumsden

Mark Hetzler 2011 BIG COLOR Katrin Talbot


Classical music: The University Club hosts a performance-dinner by the Wisconsin Brass Quintet dinner this coming Wednesday, Sept. 18. Later this season, dinners for the Pro Arte String Quartet and the Wingra Woodwind Quintet will be held. Plus, the Ancora Quartet performs tonight at 7:30 p.m. on Regent Street and Edgewood College singer Kathleen Otterson performs at 2:30 p.m. on Sunday — NOT Saturday.

September 13, 2013
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REMINDER: The FREE concert by the Ancora String Quartet (below top) with three guest wind players takes place tonight at 7:30 p.m. at St. Andrew’s Episcopal Church, 1833 Regent Street. Here is a link to my previous post, in which I originally, and embarrassingly, left out the starting time and had the wrong street:

https://welltempered.wordpress.com/2013/09/12/classical-music-the-ancora-string-quartet-will-perform-a-free-concert-of-rarely-heard-quartets-for-winds-and-strings-this-friday-night/

ALSO: Edgewood College mezzo-soprano Kathleen Otterson (below bottom) performs her recital at 2:30 p.m. on SUNDAY — NOT Saturday as The Ear mistakenly posted originally.

Here is more about her program:

https://welltempered.wordpress.com/2013/09/10/classical-music-edgewood-college-mezzo-soprano-kathleen-otterson-will-perform-a-recital-of-songs-by-gustav-and-alma-mahler-berlioz-rossini-and-andre-previn-this-coming-saturday-afternoon/

I apologize for both of the above errors and inaccuracies.

Ancora CR Barry Lewis

Kathleen Otterson 2

By Jacob Stockinger

A series of three $40 dinner-performances at the University of Wisconsin-Madison’s University Club (below), at 803 State Street across from the Library Mall, will be held over the new concert season.

university club uw in winter

The first one is next Wednesday, Sept. 18, starting at 5:30 p.m. with cocktails, and will feature the Wisconsin Brass Quintet (below, in a photo by Katrin Talbot), which last year marked its 40th anniversary as artists-in-residence at the UW-Madison School of Music. It starts playing at 7:30 p.m. Members are UW faculty members and include: John Aley and Jessica Jensen, trumpets; Daniel Grabois, horn; Mark Hetzler, trombone; and John Stevens, tuba. (You can hear the quintet perform with the UW Brass Ensemble in a YouTube video at the bottom.)

Here is the music program: “Canzona Bergamasca” by Samuel Scheidt (1587-1653), arranged by Conrad De Jong; “Kyrie” from “Messe de Nostre Dame” by Guillaume de Machaut (1300-1377), arranged by Daniel Grabois; “Mouse, pl. mice” by Raymond Dempsey (b. 1933); “Psalm 27” by Joseph Blaha (b. 1951); “Cinema Paradiso” by Ennio Morricone (b. 1928); and “Vuelta del Fuego” by Kevin McKee (b. 1980).

Wisconsin Brass Quintet Cr Katrin Talbot

The WBQ event is the first of three presented during the academic year. The Pro Arte Quartet (below top, in a photo by Rick Langer) will perform on Jan. 30, 2014 and the Wingra Woodwind Quintet (below bottom) will perform on May 8, 2014.

Pro Arte Qartet  Overture Rick Langer

Wingra Woodwind Quintet 2012

A partnership between the UW School of Music, Arts Outreach and the University Club make these events possible, according to Art Outreach director Mary Perkinson. They are non-profit and designed solely to provide community outreach for the various music groups.

The Arts Outreach Program, established in 1979, works hand-in-hand with the School of Music to share the expertise of its three faculty ensembles-in-residence with young musicians and community audiences around the state.

The UW-Madison continues to commit resources to support the Pro Arte String Quartet, the Wingra Woodwind Quintet and the Wisconsin Brass Quintet, having been the first American public institution of its kind to have artists-in-residence. In addition to performing as part of the School of Music Faculty Concert Series, each ensemble travels to Wisconsin high schools and concert halls, working with young musicians and performing for local concert series patrons.

To learn more about Arts Outreach or to book a faculty clinic or concert visit artsoutreach.wisc.edu, email mperkinson@wisc.edu, or call 608-890-4560

Here are the gourmet menu details about the generous dinner-performance  (the dinner is served at 6:30 p.m) at the University Club (below), which is open to the public for lunch and features terrific food, as The Ear knows from personal experience, with the Wisconsin Brass Quintet:

Wednesday, 9/18/13

University Club, 803 State St., Madison

 5:30 Cocktails & hors d’oeuvres

6:30 Dinner (three courses – scroll down for menu)

7:30 Concert

– Reservations Required –
Make your reservation online!

Reservations ($40 each)

608-262-5023

www.uclub@uclub.wisc.edu

MENU

FIRST COURSE  

Golden Beet Salad
Lemon dressed field greens with roasted fennel toasted
almonds & poached golden beets

SECOND COURSE

Osso Bucco
Braised veal shank with demi-glace & fried leeks accompanied by
duchesse potatoes & honey garlic glazed carrots

Roasted Pheasant
MacFarlane Farms roasted pheasant, fresh herb roasted
fingerling potatoes & braised brussel sprouts

Pumpkin Ravioli
House made ravioli filled with roasted pumpkin, tossed in a sage pine nut
cream reduction & garnished with shaved black truffle

THIRD COURSE

German Chocolate Cake
Chocolate cake with coconut pecan filled layers &
a chocolate butter cream frosting

The WISCONSIN BRASS QUINTET has presented concerts and master classes throughout the U.S., including performances at Carnegie Hall, international brass conferences, and major universities and conservatories. Their performances and recordings have been acclaimed by nationally recognized musicians and critics. Barry Kilpatrick writes for the American Record Guide, “I’ve reviewed over 250 brass recordings in the past five years, and this is one of the very best. The WBQ is a remarkable ensemble that plays with more reckless abandon, warmth, stylistic variety, and interpretive interest than almost any quintet in memory.” 


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