The Well-Tempered Ear

New York Times critics choose 10 online classical music concerts to stream in February, starting this Thursday

February 2, 2021
1 Comment

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By Jacob Stockinger

As they have done for previous months during the coronavirus pandemic, the classical music critics for The New York Times have named their top 10 choices of online concerts to stream in February, which is also Black History Month, starting this Thursday, Feb. 4.

Also predictably, they focus on new music – including a world premiere — new conductors and new composers, although “new” doesn’t necessarily mean young in this context.

For example, the conductor Fabio Luisi (below) is well known to fans of Richard Wagner and the Metropolitan Opera. But he is new to the degree that just last season he became the new conductor of Dallas Symphony Orchestra and its digital concert series.

Similarly, the Finnish composer Magnus Lindberg (below top, in a photo by Saara Vuorjoki) and the American composer Caroline Shaw (below bottom, in a photo by Kait Moreno), who has won a Pulitzer Prize, have both developed reputations for reliable originality.

But chances are good that you have not yet heard of the young avant-garde cellist Mariel Roberts (below top) or the conductor Jonathon Heyward (below bottom).

Nor, The Ear suspects, have you probably heard the names and music of composers Angélica Negrón (below top), who uses found sounds and Tyshawn Sorey (below bottom). (You can sample Negrón’s unusual music in the YouTube video at the bottom.)

Of course, you will also find offerings by well-known figures such as the Berlin Philharmonic and its Kurt Weill festival; conductor Alan Gilbert; pianists Daniil Trifonov and Steven Osborne; violinist Leonidas Kavakos; and the JACK Quartet.

Tried-and-true composers are also featured, including music by Beethoven, Schnittke, Weber, Ravel and Prokofiev. But where are Bach, Vivaldi, Telemann and Handel? No one seems to like Baroque music. 

Here is a link to the events with links and descriptions. All times are Eastern: https://www.nytimes.com/2021/01/28/arts/music/classical-music-streaming.html

Do you have other virtual and online concerts to suggest? Please leave details in the Comment sections.

 


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Classical music: Pianist Yuja Wang’s controversial and sexy micro-skirts are all part of her musical performance, says New York Times critic Zachary Woolfe in his rave review of Wang’s Carnegie Hall recital last week.

May 21, 2013
10 Comments

By Jacob Stockinger

The Ear recently wondered about the relative silence and quiet of the young pianist Yuja Wang.

No more.

Wang has own more than her fair share of rave reviews and Grammy nominations for her intense and virtuosic playing. But she has also sparked controversies with her sexy and minimalist fashion that some people deem inappropriate concert attire that distracts from the music-making.

Witness Wang’s performances in the Hollywood Bowl of Rachmaninoff’s man-eating Piano Concerto No. 3. Here are photos and also a link to another post I did about Wang — you can find many more about Yuja Wang by using the search engine on The Ear blog site –that drew a lot of responses and comments from readers:

https://welltempered.wordpress.com/2011/08/17/classical-music-poll-was-yuja-wang’s-concert-skirt-too-short-what-is-inappropriate-concert-attire-for-a-performer-male-or-female/

yuja wang dress times 3

But last week New York Times critic Zachary Woolfe (below op) found Wang’s controversial attire to go beyond marketing and hype to be an integral part of the effect of her terrific recital — a true “performance,” Woolfe says, in part precisely because of her short skirt and spiky heels attire . It was in Carnegie Hall (below bottom in a photo by Ian Douglas for The New York Times) and featured  big and sexy post-Romantic works by Rachmaninoff, Scriabin, Ravel, plus Chopin and other composers including Lowell Liebermann. (At bottom is a YouTube video of some shorter Scriabin works that Wang performed in Santa Fe.)

zachary woolfe ny times critic

Yuja Wang Ian Douglas NYT May 2013

Here is a link to Woolfe’s review:

http://www.nytimes.com/2013/05/18/arts/music/yuja-wang-at-carnegie-hall.html?_r=0

The Ear also thinks that Yuja Wang’s taste in fashion not only helps her with PR and promotion or publicity, but also serves as a mirror of or natural accompaniment to her high-powered way of playing. She surely is a major pianist for a new century. (Below is another photo, by Ruby Washington of The New York Times, of Wang wearing a long black gown with a thigh-high slit for her Carnegie Hall debut, which also won a rave review from the Times’ senior music critic Anthony Tommasini.

Yuja Wang at Carnegie Ruby Washington NYTimes

What do you think of Woolfe’s point, his linking the fashion and the music? Are you convinced?

The Ear wants to hear.


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