The Well-Tempered Ear
Madison Opera cancels its January production of “She Loves Me.” Will other groups follow suit? Plus, tonight is the last online concert by the LunART Festival of music by Black women
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: TONIGHT, Oct. 17, at 7 p.m. the third LunART Festival will wrap up with the second of its two FREE streamed “Human Family” concerts featuring the works of Black women (below). Due to popular demand, last week’s concert is still posted and available for viewing. This week’s concert will be followed by a virtual party. Here are links for information, programs and biographies: https://www.lunartfestival.org/2020virtualfestival and https://welltempered.wordpress.com/?s=LunART
By Jacob Stockinger
The coronavirus pandemic continues to slowly take its toll on local live productions during the current season.
The Madison Opera has now canceled its second production of the season, the Broadway musical “She Loves Me” by Jerry Bock and Sheldon Harnick, which was scheduled for late January in the Capitol Theater of the Overture Center.
Here are details from Madison Opera: “We will replace She Loves Me with a Digital Winter season that lasts from January to March. Details will be announced in December. (She Loves Me will be part of our 2021/22 season, so it’s only a delay!)”
For more about Madison Opera’s digital fall season – which costs $50 per household to subscribe to – go to: https://www.madisonopera.org/Fall2020
The next digital event is at 7:30 p.m. next Saturday, Oct. 24, by Sun Prairie bass-baritone Kyle Ketelsen (below, in a photo by Lawrence Brownlee), who has performed around the world, including at the Metropolitan Opera.
He will perform a live-streamed concert from the Madison Opera Center that will be a tribute to the American bass Giorgio Tozzi (below), who was Ketelsen’s teacher at Indiana University. (In the YouTube video at the bottom, you can hear Tozzi sing “This Nearly Was Mine” from “South Pacific” by Rodgers and Hammerstein.)
Here is Tozzi’s biography from Wikipedia: https://en.wikipedia.org/wiki/Giorgio_Tozzi
Soprano Emily Secor (below top) and pianist Scott Gendel (below bottom) will perform with Ketelsen.
Here is a link to details of Kyle Ketelsen’s recital: https://www.madisonopera.org/class/liveketelsen/?wcs_timestamp=1603567800
___________________________________________________________________________
The cancellation makes The Ear wonder: Are local groups and presenters being too timid or too hopeful when it comes to future plans for the current season?
After all, this past week we learned that both the Metropolitan Opera and the New York Philharmonic have canceled the rest of the current season due to public health concerns about the COVID-19 pandemic. And all indications are that it will be a very rough, unsafe winter and spring in Wisconsin and Madison.
That’s why The Ear suspects that, unfortunately, the rest of the season will either be canceled or be virtual and moved online. It even seems more than plausible that there will be no live performances until the winter or spring of 2022.
So you can probably expect further word pretty soon of more cancellations, postponements and virtual online performances from the Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra, the Wisconsin Union Theater, the UW-Madison Mead Witter School of Music, the University Opera and others.
What do you think?
Will there be operas, orchestral performances and live chamber music sometime yet this season?
When do you think it will be safe to perform and attend live concerts?
The Ear wants to hear.
Tags: #African-AmericanComposer, #Blackcomposers, #BlackWomen, #BlogPost, #BlogPosting, #BloomingtonIndiana, #BroadwayMusical, #CapitolTheater, #ChamberMusic, #CityofMadison, #CollaborativePianist, #ConcertProgram, #ConcertSeason, #CoronavirusPandemic, #COVID-19, #DigitalWinter, #EmilySecor, #FacebookPost, #FacebookPosting, #FlorencePrice, #GiogioTozzi, #HumanFamily, #IndianaUniversity, #JacobStockinger, #JerryBock, #KyleKetelsen, #LiveConcerts, #LiveStreaming, #LunARTFestival, #MadisonOpera, #MadisonOperaCenter, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MetropolitanOpera, #MusicEducation, #MusicPresenter, #NewYorkCity, #NewYorkPhilharmonic, #OnlineConcert, #OrchestralMusic, #OscarHammerstein, #OvertureCenter, #PianoAccompaniment, #PianoAccompanist, #PopularDemand, #PublicHealth, #RichardRodgers, #RodgersandHammerstein, #ScottGendel, #SeasonSubscriber, #SheldonHarnick, #SheLovesMe, #SouthPacific, #SunPrairie, #SunPrairieWisconsin, #TheEar, #TheMet, #TheUW, #UniversityofWisconsin-Madison, #UniversityOpera, #VirtualConcert, #VirtualFestival, #VocalMusic, #Wikipediabiography, #Wikipediaentry, #WisconsinChamberOrchestra, #WomenComposer, #WrapUp, #YouTubevideo, 2020, 2020-21, 2021, 2022, accompaniment, accompany, African American, American, announce, artists, Arts, attend, audience, bass, bass-baritone, biography, Black composers, Black women, blog, Bloomington, Broadway, cacnel, cancellation, Capitol Theater, Chamber music, Classical music, classicalmusic, composer, Concert, coronavirus, current, December, delay, demand, details, digital, Digital Winter, Emily Secor, expect, Facebook, Florence Price, forward, free, further, future, Gendel, Giorgio Tozzi, group, hopeful, household, human family, Indiana, Indiana University, indication, information, Jacob Stockinger, January, Jerry Bock, Ketelsen, Kyle Ketelsen, last, like, link, live, live concerts, live streaming, livestream, local, LunART Festival, Madison, Madison Opera, Madison Opera Center, Madison Symphony Orchestra, make, Mead Witter School of Music, Metropolitan Opera, move, Music, Music education, musical, New York City, New York Philharmonic, online, opera, Orchestra, orchestral, Oscar Hammerstein, Overture Center, pandemic, party, perform, performance, Pianist, Piano, plans, plausible, popular, post, posting, postpone, postponements, presenter, price, production, program, Public health, recital, replace, Richard Rodgers, rough, safe, scheduled, Scott Gendel, Season, Secor, share, She Loves Me, Sheldon Harnick, South Pacific, stream, Student, subscribe, Sun Prairie, suspect, symphony, tag, Teacher, The Ear, the Met, think, timid, toll, Tozzi, tribute, unfortunately, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, unsafe, UW, UW-Madison, virtual, vocal music, week, what, when, Wikipedia, winter, Wisconsin Chamber Orchestra, Wisconsin Union Theater, women composer, wonder, word, world, wrap up, you, YouTube
Classical music: Wisconsin Union Theater concerts will go virtual and online for the fall of the new season. Updated details about dates, ticket prices and programs are forthcoming
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
With continuing spikes in cases of coronavirus and COVID-19, classical music presenters are seeing history repeat itself and are feeling forced to adapt, cancel or postpone their events, much as happened last spring and this summer.
The Madison Symphony Orchestra has canceled its concerts through January and the Madison Opera has canceled its fall production of Verdi’s “Il Trovatore” with digital online substitutions. And we can, unfortunately, expect more.
Now comes word from the Wisconsin Union Theater (below is Shannon Hall) is moving its fall events to a virtual and online presentation.
Here is the latest announcement from communications director Shauna Breneman of the Wisconsin Union Theater:
“The determination has been made that all fall Wisconsin Union Theater events in our 2020-21 season will be virtual in light of public health guidance and for the health and safety of our patrons and team members in light of COVID-19.”
Editor’s note: That includes second postponement of the concert by superstar soprano Renée Fleming (below), booked to celebrate the WUT’s centennial season, from May 2 to Oct. 24 and now to still unspecified date.
Other artists affected in the lineup of 101st season include the eclectic singing group Roomful of Teeth (below top, in a photo by Bonica Ayala; cellist Camille Thomas (below middle, in a photo by Dan Carabas) and pianist Jeremy Denk (below bottom, in a photo by Shervin Lainez).
Adds Breneman:
“We will share information for each show as we finalize details. While we wish we could share these experiences in-person, we are grateful to be able to continue to offer performing arts experiences.”
Here is the link to the announcement of the performers in the full 2020-21 season: https://welltempered.wordpress.com/?s=wisconsin+union+theater
Tags: #BlogPost, #BlogPosting, #CamilleThomas, #ChamberMusic, #ChoralMusic, #CommunicationsDirector, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #GiuseppeVerdi, #IlTrovatore, #JacobStockinger, #JeremyDenk, #MadisonOpera, #MadisonSymphonyOrchestra, #OperaMusic, #OvertureCenter, #PerformingArts, #PublicHealth, #RenéeFleming, #ShannonHall, #ShaunaBreneman, #SongsWithoutWords, #SopranoSinger, #SuperstarSoprano, #TheEar, #UniversityofWisconsin-Madison, #VocalMusic, #WisconsinUnionTheater, #YouTubevideo, 2020, 2020-21, 2021, announcement, Arts, audience, audiences, available, blog, booked, Camille Thomas, cancel, canceled, celebrate, cellist, Cello, centennial, Chamber music, choral music, communications, Concert, continue, coronavirus, date, details, digital, director, eclectic, events, experience, experiences, Facebook, fall, finalize, forward, Giuseppe Verdi, greatful, group, Health, History, Il Trovatore, in person, information, Jacob Stockinger, Jeremy Denk, like, lineup, link, Madison, Madison Opera, Madison Symphony Orchestra, members, MSO, Music, online, opera, Overture Center, pandemic, patrons, performers, Performing arts, Pianist, Piano, post, posting, postpone, postponed, postponement, presentation, presenters, price, production, Public health, Renée Fleming, repeat, safety, Season, Shannon Hall, share, Shauna Breneman, sing, singer, Singing, soprano, spikes, Spring, substitution, summer, superstar, tag, team, team members, The Ear, ticket, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, Verdi, virtual, vocal music, Wisconsin, Wisconsin Union Theater, wish, word
Classical music: Is this summer’s Token Creek Festival on or off? And if it is on, what form will it take? We will know the delayed decision by July 15
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
For 30 years, the Token Creek Festival (below), which takes place in a refurbished barn, has been a welcome and distinguished bridge from the summer concert season to the autumn season.
It usually takes place from late August through early September.
And by this time we usually know the theme, the performers and the ever-inventive programs that co-directors John and Rose Mary Harbison (below), along with managing director Sarah Schaffer, have put together. (Editor’s note: You can hear festival participants rehearsing the beautiful opening of the slow movement to the Piano Quartet by Robert Schumann in the YouTube video at the bottom.)
But not this year.
Thanks to challenges and complications from the coronavirus and the public health crisis posed by COVID-19, a stop-or-go decision has been postponed until July 15.
Will there be one or more live events? Will the festival be virtual and online? Will guest artists and even the Harbisons risk traveling by plane? Will the mainly older public attend? There are many variables to take into account.
Here is an official announcement from the festival:
Dear Friends,
The middle of June is when we usually announce our concerts for the season, scheduled every year to begin in late August and run through Labor Day.
As we continue to endure the many shifts of the crises of health, politics and civil rights, we find ourselves struggling to understand all the contradictions.
In spite of it all, we have some hopes for a concert emblematic of the festival — perhaps a single event taking advantage of the small venue (below top and bottom), with the audience socially distanced or virtually engaged, or perhaps new dates later in the season — having a chance to recall what we have enjoyed together.
So we are delaying our announcement of what the Token Creek Festival might present, with a final decision by July 15. (Editor’s note: You can check at: http://tokencreekfestival.org.)
It is hard to give up something that has been evolving for 30 years and counting. It is a luxury and a lifeline for both the performers and the listeners, something that holds us fast in spite of the present challenges.
We are not yet advertising or taking ticket orders or building new facilities. But we, and the artists who are holding dates for us, are doing something else: We are practicing, imagining, thinking in real terms about presenting concerts again.
If for no other than those reasons, we beg the indulgence of our friends as we become perhaps the last to depart the season, or among the few to be able to propose some radical, slim, socially distanced, barn-size festival.
We hope you will stay tuned, as we are staying tuned.
And we’ll let you know what’s possible by mid-July.
With warm wishes,
John and Rose Mary and Sarah, TCF Directors
Tags: #AlphabeticalOrder, #ArtSongs, #BlogPost, #BlogPosting, #ChamberMusic, #CivilRights, #ConcertSeason, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #GuestArtist, #HarvardUniversity, #JacobStockinger, #JohnHarbsion, #LaborDay, #LiveConcert, #LiveMusic, #LivingComposer, #ManagingDirector, #NewMusic, #OnlineConcert, #PianoQuartet, #PublicHealth, #RobertLevin, #RobertSchumann, #RoseMaryHarbison, #SarahSchaffer, #SlowMovement, #SocialDistance, #TheEar, #TokenCreekChamberMusicFestival, #TokenCreekFestival, #VirtualConcert, #VocalMusic, #YouTubevideo, account, advertise, announce, announcement, artist, Arts, attend, audience, August, Autumn, Bach, barn, beg, blog, bridge, challenge, Chamber music, chance, civil rights, Classical music, complication, composer, Concert, concerto, contemporary, continue, contradiction, coronavirus, date, decision, delay, demonstration, depart, distinguished, Early music, emblematic, endure, enjoy, event, evolution, evolve, Facebook, facilities, facility, festival, form, forward, friends, guest, guest artist, Harvard, Harvard University, Holiday, hope, imagine, imagining, indulgence, inventive, Jacob Stockinger, Johann Sebastian Bach, John Harbison, July, know, Labor Day, later, lifeline, like, link, listener, listeners, live, live concert, live music, Living composer, luxury, Madison, managing director, New Music, official, older, online, order, pandemic, performer, Pianist, Piano, Piano Quartet, plane, Politics, post, posting, postpone, practicing, presenting, program, programming, protest, public, Public health, racism, radical, real, recall, refurbish, rehearse, Robert Levin, Rose Mary Harbison, Sarah Schaffer, scholar, Schumann, Season, September, shape, share, shift, single, slim, Slow movement, small, social distance, song, struggle, summer, tag, terms, The Ear, think, thinking, ticket, time, together, Token Creek Chamber Music Festival, Token Creek Festival, travel, understand, United States, unrest, variables, venue, Viola, Violin, violinist, virtual, vocal music, welcome, word, years, YouTube
Classical music: This summer’s Handel Aria Competition is postponed again — until next summer. But a Virtual Gala with new performances will be held online on Sept. 10
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement to post:
Due to the COVID-19 pandemic, the 8th Annual Handel Aria Competition (below) has been postponed for a second time — until 2021 — for the safety of our singers, musicians and audience members.
The upper age limit for the competition will be extended when the competition resumes, so that all singers eligible this year can still participate.
We are introducing a new initiative to support the finalists from the past seasons of the competition – all of whom have had their opportunities to perform severely curtailed by the coronavirus pandemic. Your assistance in spreading the word would be much appreciated!
Originating in Madison, the Handel Aria Competition Virtual Gala will take place online and worldwide on Thursday, Sept. 10, at 7:30 p.m.
While the gala will not actually be live, since it requires editing together many separate elements of video, it will be shared via Facebook Live and also be available on YouTube and our website (see below).
It is our plan to feature professionally recorded Baroque arias specially performed for the occasion by past finalists and winners, as well as some of the videos recorded during the competition itself. (In the YouTube video at the bottom, you can hear bass-baritone Jonathan Woody singing an aria from the oratorio “Belshazzar” in 2019.)
We are also going to ask the finalists to record short video quotes about how the Handel Aria Competition has helped their careers, and why they love singing Handel.
Our host will be the Handel Aria Competition’s artistic director — and first prize-winner in 2015 — Sarah Brailey (below), who is also pursuing her doctorate at the UW-Madison.
Thanks to individual donations and foundation grants, all of the funds raised during the gala will be shared among the participating singers.
We hope you will join us in showing that we value their talent, and want to help them get through this difficult time.
For news updates and details, go to: https://handelariacompetition.com
Tags: #ArtisticDirector, #AudienceMember, #AudienceMembers, #BaroqueMusic, #BaroqueOpera, #BaroqueOratorio, #Baroquesinging, #BlogPost, #BlogPosting, #CityofMadison, #COVID-19, #DifficultTime, #FacebookLive, #FacebookPost, #FacebookPosting, #GeorgeFridericHandel, #HandelAriaCompetition, #HomeWebsite, #JacobStockinger, #JonathanWoody, #LiveConcert, #MadisonBachMusicians, #MainstreamMedia, #MeadWitterSchoolofMusic, #OnlineConcert, #OperaAria, #OrchestralMusic, #PerformingArts, #PublicHealth, #RecordedMusic, #SarahBrailey, #TheEar, #UniversityofWisconsin-Madison, #VocalMusic, #YouTubevideo, 2020, 2021, age, announcement, appreciate, appreciated, aria, Artistic director, Arts, assistance, audience member, available, Baroque, Baroque music, bass-baritone, Belshazzar, blog, cancel, career, Chamber music, Classical music, Competition, Concert, conductor, coronavirus, curtail, details, difficult, difficult time, doctorate, donation, Early music, editing, eligible, extend, Facebook, Facebook LIve, finalists, forward, foundation, funds, gala, George Frideric Handel, gift, grant, Handel, Handel Aria Competition, home website, host, individual, initiative, Jacob Stockinger, Jonathan Woody, like, limit, link, live, Love, Madison, Madison Bach Musicians, Mead Witter School of Music, Music, Musician, new, news, occasion, online, opera, oratorio, orchestral music, originate, pandemic, participate, past, perform, Performing arts, post, posting, postpone, profession, professionally, Public health, pursue, quote, quotes, record, recorded, resume, safety, Sarah Brailey, Season, severe, share, short, show, singer, Singing, spread, stream, support, tag, talent, The Ear, time, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, update, UW-Madison, value, virtual, vocal music, Website, winner, Wisconsin, word, worldwide, year, YouTube
Classical music: Musical America offers an exhaustive and helpful guide to international FREE streaming of operas, concerts and recitals, complete with program notes and links for listening
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
During the COVID-19 pandemic, so much music is being streamed – through both live streaming and delayed pre-recorded streaming – that it can be hard to keep track of it all.
After all, the events are taking place locally, regionally, nationally and internationally.
How do you know what operas, orchestral concerts, chamber music concerts and individual recitals will take place? Where and when they will take place? What time is it in your time zone? And where do you find links to the performances, such as those by the famed Berlin Philharmonic (below)?
Getting so much information can be daunting.
But one loyal reader has helped The Ear by sending word about the most exhaustive compilation or online guide to FREE streaming of classical music events he has seen so far.
It is done by Musical America, and The Ear highly recommends it.
The Musical America website advises users that the guide will be updated twice weekly, and that Central European Time (CET) is six hours ahead of Eastern Daylight time (EDT) — or seven hours ahead of Central Daylight Time (CDT).
It also tells you how long many of the streamed videos are available for. A full 23 or 24 hours after the initial airing seems pretty average. But many appealing events – by some of the most prestigious organizations and individual performers in the world — will be available for the entire duration of the coronavirus pandemic.
You also get concise notes about the performers and the programs.
Today and tonight, for example, you could take in productions by the Berlin State Opera, the Zurich Opera and Ballet, the Metropolitan Opera (below) and the Vienna State Opera.
You could also take in the historical performances from the ongoing Cliburn Watch Party from the Cliburn International Piano Competition, and the twice weekly concerts by the six musically talented children in the acclaimed Kanneh-Mason family in England, now dubbed “The Von Trapp’s of classical music.” (Below is cellist brother Sheku Kanneh-Mason performing at the royal wedding of Prince Harry and Meghan Markle.)
And you could listen to award-winning cellist Alisa Weilerstein (below) will also discuss and play all 36 movements of the six solo cello suites by Johann Sebastian Bach that she recently recorded and just released.
The guide lists some of the more outstanding paid websites such as Medici TV but also lists events that took place much earlier but are still available for free watching and listening.
The guide has a link so that organizations can submit their own events for listing or users can make suggestions.
In short, the Musical America guide is extremely useful. You should probably bookmark it if you are planning to listen to a lot of musical events online through streaming.
But don’t take The Ear’s word for it. Take a look and check it out for yourself.
Here is a link: https://www.musicalamerica.com/news/newsstory.cfm?storyid=44766&categoryid=1&archived=0
What do you think of it?
Do you find it useful and think you will?
Do you see any major shortcomings or overlooked events?
Recommendations of your own?
The Ear wants to hear.
Tags: #BerlinPhilharmonic, #BerlinStateOpera, #BlogPost, #BlogPosting, #CelloMusic, #CelloSuite, #CentralDaylightTime, #CentralEuropeanTime, #ChamberMusic, #CliburnWatchParty, #COVID-19, #EasternDaylightTime, #EnglishMusicians, #FacebookPost, #FacebookPosting, #GreatBritain, #JacobStockinger, #JohannSebastianBach, #Kanneh-Mason, #LiveStreaming, #MediciTV, #MeghanMarkle, #MetropolitanOpera, #MusicalAmerica, #NewsProgram, #OrchestralMusic, #PandemicPlaylist, #PrinceHarry, #ProgramNotes, #RoyalWedding, #ShekuKanneh-Mason, #SoloCelloSuites, #TakePlace, #TheEar, #TheMet, #TheU.K., #TimeZone, #VanCliburn, #VanCliburnInternationalPianoCompetition, #ViennaStateOpera, #VonTrapp, #YouTubevideo, #ZurichBallet, #ZurichOpera, #ZurichSwitzerland, air, airing, appealing, audience, average, award, award-winning, Bach, Berlin Philharmonic, Berlin State Opera, blog, bookmark, brother, CDT, cellist, Cello, Central Daylight Time, Central European Time, CET, Chamber music, check, Cliburn Watch Party, compilation, Concert, concise, coronavirus, daunting, discuss, duration, Eastern Daylight Time, EDT, England, ensembles, entire, Europe, event, exhaustive, extreme, Facebook, Family, forward, free, Great Britain, groups, guide, individual, individuals, information, inital, initial, international, Jacob Stockinger, Johann Sebastian Bach, like, link, listing, livestream, local, look, loyal, medici.tv, Meghan Markle, Metropolitan Opera, movement, Music, Musical America, national, notes, online, opera, orchestral music, organizations, overlooked, pandemic, pandemic playlist, participant, party, paylist, performance, Pianist, Piano, play, post, posting, pre-recorded, prestigious, Prince Harry, program, program notes, reader, recital, recommendation, regional, royal, royalty, share, Sheku Kanneh-Mason, shortcoming, solo, Solo Cello Suites, stream, subscriber, suggestion, Suite, Switzerland, tag, take place, The Ear, the Met, time, time zone, tonight, TV, U.K., update, useful, user, Van Cliburn, Van Cliburn International Piano Competition, video, Vienna, Vienna State Opera, von Trapp, watch, wedding, week, when, where, winning, word, world, YouTube, Zurich, Zurich Opera
Classical music: Starting this Sunday, radio station WORT-FM 89.9 will air recordings that Rich Samuels made of many live performances in the Madison area
6 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: The Wisconsin Youth Symphony Orchestras (WYSO) will be suspending the remainder of its spring season until further notice. Music director Kyle Knox and executive director Bridget Fraser says they are hopeful that an adjusted end-of-year schedule might be possible. Many ideas are under consideration. But they say they have no idea at this point what might be possible given the restrictions currently in place at the UW-Madison. “All we can do is explore possible scenarios and be ready to react if the restrictions are lifted,” they add.
By Jacob Stockinger
The Ear has received the following note from Rich Samuels (below), a retired Chicago reporter and broadcaster who is often seen at concerts with microphones and a laptop computer. His public service is especially commendable and useful during the current coronavirus pandemic when almost all live concerts in music-rich Madison have been canceled or postponed for the foreseeable future.
Jake:
WORT (89.9 FM and at wortfm.org) will shortly start to air recordings of past public performances by Madison area classical musicians within its regularly scheduled classical music broadcasts.
This should help keep our local musician friends in the public ear even though their local venues have been shuttered and their gigs canceled.
I’ve had the good fortune to record hundreds of hours of local performances since 2012. I’m now editing them into segments that can be inserted into the shows of WORT’s classical music hosts.
The first segment to air, if all goes well, will be part of the “Musica Antiqua” early music program, hosted by Carol Moseson, this Sunday, March 22, from 8 to 11 a.m.
It will feature Eric Miller on viola da gamba and Daniel Sullivan on harpsichord performing a suite by French Baroque composer Louis Couperin. I recorded the concert (below) last Oct. 11 in the Landmark Auditorium of the First Unitarian Society of Madison (FUS).
Other such segments will follow on the weekday classical music shows that air from 5 to 8 a.m. We are still working on the details.
Additionally, I’ll be pre-recording three-hour broadcasts that can be run in place of the regularly scheduled classical music shows, assuming the host, for whatever reason, is unable to make it to the station.
These will hopefully include complete concert performances from the FUS Friday Noon Musicale, Grace Presents (in the YouTube video at the bottom) and Willy Street Chamber Players (below) series.
I gave up my own Thursday morning WORT show about a year ago after my wife developed some health issues. But I’ve continued to record local musicians whenever possible. (My wife, by the way, is presently in good shape).
Hopefully, this WORT effort will benefit both local musicians and their audiences. (Below is Samuels recording at Bach Around the Clock, which has been canceled this year.)
Please join The Ear in thanking Rich Samuels and WORT for their service to the community by leaving word in the Comment section.
What do you think of his project?
Tags: #BachAroundtheClock, #BaroqueEra, #BaroqueMusic, #BlogPost, #BlogPosting, #BridgetFraser, #CarolMoseson, #ChamberMusic, #CityofMadison, #ClassicalMusician, #COVID-19, #DanielSullivan, #EricMiller, #ExecutiveDirector, #FacebookPost, #FacebookPosting, #FirstUnitarianSocietyofMadison, #Frenchcomposer, #FridayNoonMusicale, #GoodFortune, #GracePresents, #HarpsichordMusic, #HistoricallyInformedPerformancePractices, #JacobStockinger, #JohannesBrahms, #JohannSebastianBach, #KyleKnox, #LandmarkAuditorium, #LaptopComputer, #LiebesliederWaltzes, #LiveConcert, #LiveMusic, #LivePerformances, #LocalMusicians, #LouisCouperin, #MadisonWisconsin, #MeadWitterSchoolofMusic, #MusicaAntiqua, #MusicDirector, #NewsUpdate, #PeriodInstruments, #PublicService, #RadioBroadcast, #RadioHost, #RadioStation, #RichSamuels, #SundayMorning, #TheEar, #UniversityofWisconsin-Madison, #VioladaGamba, #WillyStreetChamberPlayers, #WisconsinYouthSymphonyOrchestras, #WORT-FM89.9, #YouTubevideo, adjust, air, area, assume, attract, audience, Bach, Bach Around the Clock, blog, Brahms, Bridget Fraser, Broadcast, broadcaster, cancel, canceled, Carol Moseson, Chamber music, Chicago, Classical, classicalmusic, commendable, comment, community, complete, computer, conductor, consideration, coronavirus, Couperin, current, Daniel Sullivan, details, ear, Early music, earlymusic, edit, end, Eric Miller, event, Executive director, explore, Facebook, first, First Unitarian Society of Madison, fortune, forward, France, French, Friday Noon Musicale, friends, FUS, future, gigs, good, good fortune, Grace Presents, harpsichord, Health, historically informed performance practices, hope, hopeful, host, hours, hundreds, idea, insert, issues, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, join, journalism, Kyle Knox, laptop, laptop computer, Liebeslieder Waltzes, like, link, live, live concert, live music, live performances, local, local musicians, Louis Couperin, Love, Madison, Mead Witter School of Music, microphone, Music, Music director, Musica Antiqua, Musician, news, nite, notice, own, pandemic, performances, performers, period instruments, possible, post, posting, postpone, pre-recording, project, public, public service, Radio, radio station, react, reader, record, recording, remainder, reporter, restrictions, retired, Retirement, rich, Rich Samuels, scenario, schedule, Season, segment, series, service, share, show, shows, shuttered, Spring, station, subscriber, Suite, Sunday, suspend, tag, thank, thanking, The Ear, think, unable, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, update, usefuul, UW-Madison, venue, viola da gamba, Waltz, weekday, wife, Willy Street Chamber Players, Wisconsin, Wisconsin Youth Symphony Orchestras, word, work, WORT-FM 89.9, WYSO, year, YouTube
Classical music: Home or concert hall? Will older listeners follow new CDC guidelines about the coronavirus to stay home and avoid attending concerts? What will performers and presenters do in response?
17 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Late yesterday the U.S. Centers for Disease Control (CDC) issued new guidelines for behavior during the outbreak of the coronavirus and COVID-19.
The CDC is asking all adults over 60, especially those with compromised immune systems and serious underlying illnesses and conditions, to “stay home as much as possible” and avoid attending events with big crowds. (Below is a sample of a full house at the Madison Symphony Orchestra in Overture Hall.)
Here is the full story — which also mentions other kinds of mass events such as movie theaters, mall shopping, sports events and religious services — from CNN: https://www.cnn.com/2020/03/06/health/coronavirus-older-people-social-distancing/index.html
Moreover, the new guidelines apply nationwide — including here in Wisconsin where only one case has been confirmed and is now healthy– during the increasingly widespread, worldwide outbreak of confirmed cases and deaths.
The Ear wonders if the new advice will hit classical music especially hard because so much of the audience for it is made up of older people who are more vulnerable.
Will the guidelines affect your own attendance at concerts, even tonight and this weekend at the Madison Symphony Orchestra, the University of Wisconsin-Madison and the Wisconsin Union Theater?
Will a lack of attendance and a more severe outbreak lead to empty concert halls and the cancellation of concerts? Refunds for seniors?
Will the guidelines lead to alternative ways of “attending” and hearing, such as live-streaming and other virtual attendance?
Pretty soon we should start hearing from music presenters and performers about their reactions, solutions and advice.
Meanwhile, here is a news story from The New York Times about what one string quartet did in Venice, Italy: https://www.nytimes.com/2020/03/04/arts/music/arts-coronavirus.html
Are you an older or vulnerable person?
Will you go to concerts or stay home?
What do you think presenters and performers should do to deal with the situation?
Please leave word about your plans and your thoughts.
The Ear wants to hear.
Tags: #BigCrowd, #BlogPost, #BlogPosting, #CentersforDiseaseControl, #ChamberMusic, #CNNNews, #ConcertHall, #COVID-19, #FacebookPost, #FacebookPosting, #FullHouse, #HomeWebsite, #ImmuneSystem, #JacobStockinger, #MadisonSymphonyOrchestra, #MallShopping, #MovieTheaters, #NewsUpdate, #ReligiousServices, #SeniorCitizen, #SocialDistance, #SportsEvents, #StringQuartet, #TheEar, #TheNewYorkTImes, #TheU.S., #UnitedStates, #UniversityofWisconsin-Madison, #VeniceItaly, #WisconsinUnionTheater, 60, adult, advice, advisory, alert, alternative, America, American, Arts, ask, audience, Beethoven, behavior, blog, cancel, cancellation, case, cases, CDC, Centers for Disease Control, Chamber music, church, Classical music, classicalmusic, CNN, compromised, Concert, concert hall, condition, confirm, confirmed, coronavirus, crowd, death, distance, empty, Facebook, forward, full house, games, guidelines, hearing, hit, Home, home website, idea, ill, illness, immune, immune system, isolate, isolation, Italy, Jacob Stockinger, Johannes Brahms, know, large, like, live-stream, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, mall, mall shopping, mass, movie theaters, Music, nationwide, new, New York City, news, online, opera, Orchestra, outbreak, Overture Center, performer, performers, plans, post, posting, presenter, prevention, quarantine, reaction, refund, Religion, religious services, senior, senior citizen, share, Shopping, sick, social, social distance, solution, Sports, spread, stay, story, String quartet, symphony, tag, The Ear, The New York Times, The U.S., theater, theatre, think, tonight, underlying, United States, University of Wisconsin–Madison, UW-Madison, Venice, virtual, virus, vulnerable, way, Website, weekend, widespread, Wisconsin, Wisconsin Union Theater, word, worldwide, yesterday
Classical music: Weekends are a good time to explore music and listen to it. So today The Ear starts a “2020” series for the new year.
6 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
It’s a new year and the first weekend of the new year. And The Ear wanted to find some kind of organizing principle to explore recorded music in the coming weeks and months.
Turns out the year 2020 – with its symmetry of numerals and suggestions of excellent vision — held a certain appeal.
So he checked out musical works that were either Op. 20 or No. 20. They could even occur together, like, say, a Prelude that is Op. 20, No. 20.
What he found was more than he expected: Dozens of composers and works that qualify as interesting and of suitable quality.
Some are well known, but many are rarely performed live or are neglected in recordings.
They come from all periods and styles, from early music to contemporary music.
And they come in all kinds of genres from vocal and choral music to chamber music, solo instrumental music and symphonic music.
Some works are short, some are medium and some are long.
For the longer ones, which are often divided up into smaller movements or other sections, it seems better to post the whole piece and let the reader decide how long they want to listen at a time rather than to post one part at a time and limit or force the reader.
Anyway, here is the first installment.
It is a wonderful solo piano piece that is too often overlooked, even though it is by a great composer who wrote it in his prime when he was writing many of his other more popular piano works.
It is the Humoresque, Op. 20, by the German Romantic composer Robert Schumann (below). It lasts about 29 minutes but is divided into other sections.
And the performance, often praised as outstanding or even definitive, is by the Romanian pianist Radu Lupu (below, young and old, the latter by Roberto Serra), the 1966 first prize-winner of the Van Cliburn International Piano Competition who recently retired because of ill health.
Here is a link to a detailed biography of the distinguished and somewhat reclusive and enigmatic 74-year-old pianist:
https://en.wikipedia.org/wiki/Radu_Lupu
Here is YouTube video of Radu Lupu playing the Schumann Humoresque in a live recording from 1983:
Let The Ear know what you think of this piece and this idea for a 2020 series.
A long playlist for future 2020 postings – including works by Bach, Vivaldi, Haydn, Mozart, Beethoven, Schubert, Chopin, Dvorak, Tchaikovsky, Brahms and others — has already been compiled.
But if you have a favorite or suggested “2020” piece, leave word in the comment section.
Tags: #AntoninDvorak, #AntonioVivaldi, #BaroqueMusic, #BlogPost, #BlogPosting, #FacebookPost, #FacebookPosting, #FirstPrize, #FranzJosephHaydn, #FranzSchubert, #FredericChopin, #IllHealth, #InstrumentalMusic, #JohannesBrahms, #JohannSebastianBach, #LudwigVanBeethoven, #MusicalStyle, #NewMusic, #NewYear, #PeterIlyichTchaikovsky, #PianoMusic, #RaduLupu, #RobertSchumann, #RomanticEra, #RomanticMusic, #VanCliburn, #VanCliburnInternationalPianoCompetition, #VocalMusic, #Wikipediabiography, #Wikipediaentry, #WolfgangAmadeusMozart, #YouTubevideo, 2020, Antonín Dvořák, Antonio Vivaldi, appeal, Arts, audience, Bach, Baroque, Beethoven, biography, blog, Brahms, certain, Chamber music, Chopin, choral music, Classical music, coming, comment, Compact Disc, compile, composer, composers, Concert, contemporary, distinguished, dozens, Dvorak, Early music, enigmatic, excellent, expect, Facebook, favorite, first prize, force, forward, Franz Schubert, Frédéric Chopin, future, genre, German, Germany, great, Haydn, Health, Humoresque, ill health, installment, instrumental, interesting, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, like, limit, link, live, long, Ludwig van Beethoven, Madison, medium, month, movement, Mozart, Music, musical style, New Music, New Year, number, numeral, opera, opus, Opus number, Orchestra, organize, others, outstanding, performer, period, Peter Ilyich Tchaikovsky, Pianist, Piano, piano music, playlist, popular, post, posting, Prelude, prime, qualify, quality, Rady Lupu, reader, reclusive, recording, retire, Robert Schumann, Romantic, Schubert, share, short, small, solo, Sonata, style, suggestion, symmetry, symphony, tag, Tchaikovsky, time, United States, Van Cliburn, Van Cliburn International Piano Competition, Viola, Violin, vision, Vivaldi, vocal music, week, weekend, whole, Wikipedia, winner, Wolfgang Amadeus Mozart, word, work, YouTube
Classical music: In 2019 who died? What recordings won prizes? What music had its premiere? Here is a comprehensive and detailed worldwide retrospective from Wikipedia
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
A new year is always a good time to do a review and take a look backward to assess the previous year.
Many local publications – newspapers and magazines — do Best of the Year round-ups.
But The Ear has never seen a more comprehensive list with major news and almost daily entries around the world than he found in Wikipedia, which has retrospectives going back to 2009 and looking forward to 2029.
In short, all the reviws are well worth exploring for the reminders they hold that, as the proverb goes, “Ars longa, vita brevis” or “Art is long, life is short.” (It is usually quoted in Latin translation from the original ancient Greek that was written by Hippocrates.)
There are seven different categories to click on, each with long entries. If you hover the cursor over the names or words that are spelled in blue, you will see more text and often a photograph. The categories are:
EVENTS
NEW WORKS
NEW OPERAS
ALBUMS
DEATHS
MAJOR AWARDS
REFERENCES
There are so many details that you may want to check out just one or two categories at a time over several days.
Here is a link: https://en.wikipedia.org/wiki/2019_in_classical_music
Do you know of someone or something – especially of local importance, such as the death in October of longtime Madison music critic John W. Barker (below, in a photo by Mark Golbach) – that did not make the list? Please leave word in the Comment section.
And here’s hoping that 2020 brings us even more important and memorable new and old music, but less loss.
Tags: #BaroqueMusic, #BestoftheYear, #BlogPost, #BlogPosting, #ChamberMusic, #ChoralMusic, #ClassicalGreek, #FacebookPost, #FacebookPosting, #GrammyAward, #GramophoneAward, #GramophoneMagazine, #InstrumentalMusic, #JohnW.Barker, #JunoAwards, #LatinLanguage, #MadisonWisconsin, #MarkGolbach, #MusicCritic, #NewMusic, #NewYear, #OperaMusic, #OrchestralMusic, #TheEar, #VocalMusic, #Wikipediaentry, 2019, 2020, Album, ancient, Ars longa, Arts, assess, audience, award, Bach, backward, Baroque, Beethoven, Best of the Year, blog, blue, brass, category, Cello, Chamber music, choral music, Classical, Classical music, classicalmusic, comment, Compact Disc, composer, comprehensive, concerto, conductor, cursor, daily, day, dead, death, detail, Early music, entries, event, explore, Facebook, forward, Franz Schubert, Grammy, Gramophone, Gramophone Award, Greek, Hippocrates, hover, important, instrumental, instrumental music, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, John W. Barker, journalism, Juno, Latin, like, link, list, local, look, Ludwig van Beethoven, Madison, magazine, major, Mark Golbach, memorable, Mozart, Music, music critic, name, new, New Music, New Year, news, Newspaper, October, old, online, opera, Orchestra, orchestral music, performer, photograph, Piano, post, posting, prize, proverb, publication, recording, reference, retrospective, review, round-up, share, Sonata, spell, symphony, tag, text, The Ear, translation, United States, Viola, Violin, vita brevis, vocal music, Website, Wikipedia, winds, Wisconsin, Wolfgang Amadeus Mozart, word, world, year
Classical music: Joel Thompson’s “The Seven Last Words of the Unarmed” is an eloquent and timely testament to Black victims of racism. It deserves to be performed in Madison and elsewhere
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
A reader recently wrote in and suggested that fellow blog fans should listen to “The Seven Last Words of the Unarmed” by the Atlanta-based American composer Joel Thompson (below).
So The Ear did just that.
He was both impressed and moved by the prescient piece of choral and orchestral music. It proved both powerful and beautiful.
The title alludes to the Bible’s depiction of the crucifixion of Jesus Christ, but also to the musical setting of it that was composed by Franz Joseph Hadyn in the 18th century. But it stands on its own as a much needed and very accomplished updating, especially with the “last word” or phrase “I can’t breathe.”
It is hard to believe the work was written five years ago, and not last week or last month. But it couldn’t be more relevant to today.
It shows how deeply artists have been engaging with the social and political issues of the day, particularly the role of personal and structural racism in national life, and the plight of young Black men and women who face discrimination, brutality and even death at the hands of the police and a bigoted public.
The work was premiered by the Men’s Glee Club at the University of Michigan-Ann Arbor in 2015. This performance comes from the San Francisco Symphony Orchestra.
The SSO and featured guest University of Michigan-Ann Arbor Men’s Glee Club, led by conductor Eugene Rogers (below) – who directs choral music and teaches conducting at the UM — premiered a 2017 commissioned fully orchestrated version of “The Seven Last Words of the Unarmed.” You can hear it in the YouTube video below.
It is an eminently listenable and accessible, multi-movement work honoring the lives, deaths and personal experiences of seven Black men.
The seven last words used in the work’s text are: “Why do you have your guns out?” – Kenneth Chamberlain, 66; “What are you following me for?” – Trayvon Martin, 16; “Mom, I’m going to college.” – Amadou Diallo, 23; “I don’t have a gun. Stop shooting.” – Michael Brown, 18; “You shot me! You shot me!” – Oscar Grant, 22; “It’s not real.” – John Crawford, 22; “I can’t breathe.” – Eric Garner, 43.
The Ear thinks that once live concerts begin again after the coronavirus pandemic is contained, it should be programmed locally. It could and should be done by, among others, the Madison Symphony Orchestra and Choir; or the UW-Madison Symphony Orchestra and Choral Union; or the Wisconsin Chamber Orchestra with the Festival Choir of Madison; or the Wisconsin Chamber Choir.
They have all posted messages about standing in solidarity with Black Lives Matter and the protesters against racism. But will words lead to commitment and action?
It will be interesting to see who responds first. In addition to being timely, such a performance certainly seems like a good way to draw in young people and to attract Black listeners and other minorities to classical music.
Here is a link if you also want to check out the almost 200 very pertinent comments about the work, the performance, the performers and of course the social and political circumstances that gave rise to the work — and continue to do so with the local, regional, national and international mass protests and demonstrations.
https://www.youtube.com/watch?v=zdNXoqNuLRQ&app=desktop
And here is the performance itself:
What do you think of the work?
How did you react to it?
Would you like to see and hear it performed live where you are?
The Ear wants to hear.
Share this:
Like this:
Tags: #18thCentury, #African-AmericanComposer, #African-Americanmusician, #AmadouDiallo, #AmericanComposer, #Americanconductor, #BlackLivesMatter, #BlackMen, #BlogPost, #BlogPosting, #ChoralMusic, #ChoralUnion, #ChristianReligion, #CommissionedMusic, #CoronavirusPandemic, #COVID-19, #DeadlyForce, #EricGarner, #EugeneRogers, #FacebookPost, #FacebookPosting, #FranzJosephHaydn, #GleeClub, #GuestArtist, #HolyBible, #ICan'tBreathe, #JacobStockinger, #JesusChrist, #JoelThompson, #JohnCrawford, #KennethChamberlain, #LastWord, #MadisonSymphonyOrchestra, #MassProtests, #MeadWitterSchoolofMusic, #MichaelBrown, #OrchestralMusic, #OscarGrant, #PersonalExperience, #PoliceBrutality, #PoliticalActivism, #PoliticallyRelevant, #PoliticalNews, #RacialDiscrimination, #SanFranciscoSymphony, #SevenLastWords, #SevenLastWordsofChrist, #SociallyRelevant, #TheBible, #TheCrucifixion, #TheEar, #TheSevenLastWordsoftheUnarmed, #TheUW, #TrayvonMartin, #UniversityOfMichigan, #UniversityofMichigan-AnnArbor, #UniversityofWisconsin-Madison, #UW-MadisonSymphonyOrchestra, #UWChoralUnion, #VocalMusic, #WisconsinChamberChoir, #WisconsinChamberOrchestra, #WisconsinChamberOrchestraChorus, #WorldPremiere, #YoungPeople, #YouTubevideo, 18th century, accessible, accomplish, action, African American, ago, allude, Amadou Diallo, American, Arts, Atlanta, attract, audience, be, beautiful, Bible, bigot, bigoted, black, Black Lives Matter, black men, blog, brutality, choral music, Choral Union, Christian, Christianity, circumstance, Classical music, college, comments, commission, commitment, compose, composer, Concert, Conducting, conductor, contain, coronavirus, crucifixion, deadly force, death, demonstration, depiction, direct, discrimination, Eric Garner, Eugene Rogers, experience, Facebook, fan, forward, Franz Joseph Haydn, Georgia, Glee Club, guest, guest artist, guns, gunshot, Hadyn, hear, honor, I can't breathe, impress, impressed, international, issue, Jacob Stockinger, Jesus Christ, Joel Thompson, John Crawford, Kenneth Chamberlain, last, last word, lead, life, like, link, listenable, listeners, lives, local, locally, Madison, Madison Symphony Chorus, Madison Symphony Orchestra, mass protests, Mead Witter School of Music, men, men's, message, Michael Brown, minorities, minority, month, move, moved, movement, Music, musical, must, national, need, Orchestra, orchestral music, orchestrated, Oscar Grant, pandemic, performer, pertinent, phrase, police, police brutality, political, Politics, post, posting, powerful, premiere, prescient, program, protest, protesters, public, racial discrimination, racism, racist, react, reaction, regional, relevant, Religion, religious, respond, rise, San Francisco Symphony, school, see, setting, seven, Seven Last Words, Seven Last Words of Christ, share, shoot, shooting, shot, singer, Singing, social, socially relevant, solidarity, stand, standing, suggest, symphony, tag, teach, testament, text, The Ear, The Seven Last Words of the Unarmed, timely, title, today, Trayvon Martin, unarm, unarmed, United States, University of Michigan, University of Michigan-Ann Arbor, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, update, updating, use, UW, UW Choral Union, UW-Madison, UW-Madison Symphony Orchestra, victim, vocal music, week, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Chamber Orchestra Chorus, women, word, words, work, world premiere, wrote, year, young people, YouTube