The Well-Tempered Ear

Classical music: Summer begins today with Make Music Madison. Plus, both American pianists have advanced in the 16th International Tchaikovsky Competition

June 21, 2019
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By Jacob Stockinger

The summer solstice arrives this morning at 10:54 a.m.

That means today is when Make Music Madison takes place. Wisconsin’s capital city will join more than 1,000 other cities across the globe in celebrating live music-making of all kinds that is FREE and mostly outdoors.

Here is a link to the site with a map of various artists and venues – some 400 events in about 100 venues — and well as times around Madison:

http://www.makemusicmadison.org

Here is an earlier post with more details about the worldwide event:

https://welltempered.wordpress.com/2019/06/15/classical-music-the-seventh-annual-make-music-madison-is-on-friday-june-21-and-features-17-different-free-classical-concerts-as-well-as-dozens-of-performances-of-jazz-folk-blues-hip-hop-swing-a/

But that’s not the only news today.

Last night, the 24 piano contestants in the preliminary round of the 16th International Tchaikovsky Competition in Moscow and Saint Petersburg were trimmed down to 14 semi-finalists. (It was supposed to be 12, but the jury couldn’t agree on 12.)

And the good news is that both Americans — Sara Daneshpour (below top) and Kenneth Broberg (below bottom, in a photo by Jeremy Enlow), who performed a recital last season in Madison at the Salon Piano Series held at Farley’s House of Pianos — made the cut. The next round starts very early today, given the 8 hours ahead time difference between here and Moscow, and runs into the afternoon.

Here is the complete list of the piano semi-finalists:

https://tch16.medici.tv/en/news/piano-first-round-results/

Of course, pianists aren’t the only ones who might be interested in the competition that became well known in the West when Van Cliburn won the inaugural competition in 1958.

These days, competitions are also going on in violin, cello, voice, brass and woodwinds as well as piano.

What’s more, the entire competition is being live-streamed on Medici TV, and all the performances, from the preliminaries through the finals, are being streamed in real time and also archived. Plus, it’s all FREE. Thank you, Medici!

Here is a link. You’ll find archived performances, which go up pretty fast, under replays. The Ear has found that the sound is excellent and the website pretty self-explanatory and easy to navigate. Check out the preliminary recitals with music by Bach, Haydn. Mozart, Beethoven, Chopin, Liszt, Rachmaninoff and of course Tchaikovsky.  Here is a link:

https://tch16.medici.tv/en/

Today being the first day of summer, you’ll probably get to hear “Summer” from “The Four Seasons” by Antonio Vivaldi.

But given other news, something by Tchaikovsky seems especially appropriate. So here is the “June” Barcarolle, or boat song, from the solo piano suite “The Four Seasons,” which features one piece for each of the 12 months in the year. You can hear “June” in the YouTube video at the bottom.


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Classical music: Music professor John Schaffer is retiring from UW-Madison. A benefit jazz concert on Saturday, June 1, will celebrate his career as a teacher and former director of the Mead Witter School of Music

May 23, 2019
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By Jacob Stockinger

Professor John Schaffer (below), who served as the director of the University of Wisconsin-Madison’s Mead Witter School of Music for 15 years from 1997 to 2012, is retiring this summer.

A jazz concert at 7:30 p.m. on Saturday, June 1, at Full Compass Systems, located at 9770 Silicon Prairie Parkway in Verona,  will celebrate his retirement. Details and ticket information are below.

Here is a summary of his major achievements, as compiled by a colleague:

During his tenure as director, John Schaffer:

• Raised more than $10 million for music scholarships, including the Paul Collins graduate fellowships and the Steenbock undergraduate scholarships, more than doubling all student support.

• Secured funding for three endowed professorships: Pro Arte Quartet first violinist David Perry; piano virtuoso and Van Cliburn International Piano Competition bronze medal winner Christopher Taylor; and acclaimed jazz pianist Johannes Wallmann.

• With then-chancellor John Wiley, he launched plans for the new performance facility – the Hamel Music Center — that will open this fall, and raised more than $20 million in private funds for its construction.

• Established the School of Music’s inaugural Board of Visitors, which actively connects the school with a broad community worldwide as it continues to serve in an advisory and support capacity.

• Built strong relations with community organizations including the Madison Symphony Orchestra by establishing the joint residency of the Hunt Quartet – creating further student funding opportunities – and the Independent String Teachers’ Association.

• Established the Perlman Piano Trio (below), an undergraduate scholarship opportunity funded by Kato Perlman.

• Recruited faculty professors/performers with national and international reputations.

• Collaborated with the UW Foundation and Alumni Associations to present UW student performers throughout the country and world.

• Expanded student musician performances across campus, and established the twice-annual Chancellor’s Concert Series.

• Oversaw the planning for the 100th anniversary of the Pro Arte Quartet, the school’s flagship ensemble-in-residence since 1938.

• Established the School of Music recording label, which during its active run released close to 50 albums of faculty artists.

• Created the Wisconsin Center for Music Technology, and was the founding editor of the journal Computers in Music Research.

• Revitalized the Jazz Studies program at UW-Madison that has expanded with additional faculty, new student jazz ensembles and the establishment of a major in jazz performance.

• Was actively involved in music administration on the national level by serving multiple terms on the board of directors of the National Association of Schools of Music, the national accrediting organization. He spent more than a decade training accreditation teams, and performing accreditation reviews of music schools and conservatories throughout the country.

• Served on numerous local boards including those of the Madison Symphony Orchestra, the Madison Country Day School, the Isthmus Jazz Festival, and the Token Creek Chamber Music Festival.

Schaffer’s own academic work in music theory focused initially on analysis of contemporary and non-tonal music, and in artificial intelligence applications in music theory. When he returned to the faculty from being director, he re-focused his teaching on the history, theory and performance of jazz and developed new courses in the discipline and regularly coached student jazz ensembles.

After a 40-year career in academia, Schaffer is retiring to pursue other interests. For the time being, he plans to remain in the Madison area. Initially trained as a classical guitarist, his performance emphasis long ago evolved to playing jazz bass, and he’ll still be heard gigging around town, playing frequently at venues and series such as Otto’s, Capital Brewery’s beer garden, Delaney’s Steak House, Coda Cafe and the North Street Cabaret.

“The biggest reward over all my years as an educator and administrator is the impact I’ve had on the thousands of students I’ve been privileged to teach and encounter,” says Schaffer. “It’s been immensely gratifying.”

Schaffer’s contributions to music in the greater Madison area will be recognized at a benefit concert, sponsored by the Greater Madison Jazz Consortium, on Saturday, June 1, at 7:30 p.m. at Full Compass Systems, 9770 Silicon Prairie Parkway in Verona. UW-Madison Chancellor Emeritus John Wiley will offer commentary and perspective. Light refreshments will be served.

Tickets for the benefit concert are $30 at the door, $25 in advance online. A limited number of student tickets are available at $15. VIP tickets are $150 and include reserved, best-in-house seating, a private pre-concert reception at 6 p.m. and other benefits.

For more information, go to: http://www.jazzinmadison.org/event/jazz-junction-benefit-concert-for-the-jazz-consortium-full-compass/

For tickets, go to:https://www.brownpapertickets.com/event/4236134


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Classical music: Saturday afternoon, Live From the Met in HD closes this season with an acclaimed production of “Dialogues of the Carmelites.” Here is a background story, two rave reviews, and next season’s 10 operas

May 10, 2019
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ALERT:The Brass Choirs of the Wisconsin Youth Symphony Orchestras will present an afternoon of brass music this Saturday afternoon, May 11, at 2:30 p.m. in Mills Concert Hall, 455 North Park Street, in Madison. Directed by Tom Curry, the program features brass musicians from WYSO’s Concert, Philharmonia and Youth Orchestras. The concert is FREE and OPEN TO THE PUBLC. Music to be played is by Johann Sebastian Bach, George Frideric Handel, Giovanni Gabrieli, Charles Gounod, Edward Elgar, Paul Hindemith, Alan Hovahaness and Karel Husa.

CORRECTION: The Madison Youth Choirs will perform its “Legacy” concerts this weekend in the Capitol Theater of the Overture Center on Saturday and Sunday — NOT Friday, as mistakenly listed and then corrected in the original post, which is below: https://welltempered.wordpress.com/2019/05/08/classical-music-the-madison-youth-choirs-will-explore-the-theme-of-legacy-in-three-concerts-this-saturday-and-sunday-in-the-capitol-theater-of-the-overture-center/

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By Jacob Stockinger

This Saturday afternoon, May 11, the last production of this season’s “Live From the Met in HD” series, broadcast worldwide via satellite to cinemas, is Francis Poulenc’s “Dialogues of the Carmelites.”

By all accounts, it would be hard to end on a higher, stronger or more darkly dramatic note, given the outstanding music and performance of the score as well as the superb acting. (There is a brief preview of short scenes in the YouTube video at the bottom.)

The world premiere of the opera took place in 1957 at La Scala in Milan, Italy. One of the most successful operas of the later decades of the 20th century,  “Dialogues of the Carmelites” is a rare case of a modern work that is equally esteemed by audiences and experts, according to program notes from the Metropolitan Opera.

The opera focuses on a young member of the order of Carmelite nuns, the aristocratic Blanche de la Force, who must overcome a pathological timidity in order to answer her life’s calling. The score reflects key aspects of its composer’s personality: Francis Poulenc (below) was an urbane Parisian with a profound mystical dimension, and the opera addresses both the characters’ internal lives and their external realities.

The opera takes place between 1789 and 1794 in Paris and in the town of Compiègne in northeastern France, the site of the Carmelite nuns’ convent.

Its historical basis is the martyrdom of a group of 16 Carmelite nuns and lay sisters from Compiègne, who chose to offer themselves as victims for the restoration of peace to France during the French Revolution.

The Met uses the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom.

Mezzo-soprano Isabel Leonard (below right) sings the touching role of Blanche and soprano Karita Mattila (below left), a legend in her own time, returns to the Met as the Prioress.

The conductor for the performance is the Met’s highly acclaimed new music director Yannick Nézet-Séguin, who also leads the Philadelphia Orchestra and the Metropolitan Orchestra of Montreal.

The high-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at noon and runs until 3:10 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)

The encore HD showings are next Wednesday, May 15, at 1 p.m. and 6:30 p.m.

The opera will be sung in French with supertitles in English, German and Spanish.

Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.

The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the far west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.

Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:

https://www.movietickets.com/movies

Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all 10 productions this past season — PLUS an announcement, with dates and titles, for next season’s 10 productions (which feature five new productions but no Verdi):

https://www.metopera.org/season/in-cinemas/

Here is a background story that focuses on the French-Canadian conductor Yannick Nézet-Séguin, who leads the orchestra in this production and is the new music director of the Metropolitan Opera:

https://www.nytimes.com/2019/05/02/arts/music/met-opera-dialogues-des-carmelites.html

Here is a rave review of “Dialogues of the Carmelites” by senior classical music critic Anthony Tommasini for The New York Times:

https://www.nytimes.com/2019/05/05/arts/music/dialogues-des-carmelites-met-opera-review.html

And here is another rave review from New York Classical Review:

http://newyorkclassicalreview.com/2019/05/met-closes-season-with-a-riveting-devastating-carmelites/

Here are links to a synopsis and program notes:

https://www.metopera.org/discover/synopses/dialogues-des-carmelites/

https://www.metopera.org/season/2018-19-season/dialogues-des-carmelites/

And here is a Wikipedia history of the hi-def broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.

https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD


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Classical music: Super-virtuoso pianist Marc-André Hamelin makes his Madison debut with the Madison Symphony Orchestra this weekend in concertos by Richard Strauss and Maurice Ravel

April 8, 2019
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By Jacob Stockinger

As a pianist, he is known as someone who can play more notes faster and more clearly than anyone one – in short, a “super-virtuoso.”

He is the Canadian pianist Marc-André Hamelin (below), who will make his Madison debut this weekend with the Madison Symphony Orchestra when he performs two concertos: “Burlesque” by Richard Strauss and the Piano Concerto in G Major by Maurice Ravel.

The program opens with Wolfgang Amadeus Mozart’s Symphony No. 38, “Prague,” and closes with Claude Debussy’s La Mer (The Sea).

Performances take place in Overture Hall, 201 State St., on Friday, April 12, at 7:30 p.m.; Saturday, April 13, at 8 p.m.; and Sunday, April 14, at 2:30 p.m.

An Open Rehearsal will be held on Thursday, April 11 — free and open to the public. Limited space is available (RSVP required by calling 608 257-3734). Patrons must arrive by 6:45 p.m. For more information about the concerts and rehearsal, go to: https://madisonsymphony.org/event/an-auspicious-debut-marc-andre-hamelin/

Maestro John DeMain (below, in a photo by Greg Anderson), who will conduct the concerts, says: “Marc-André Hamelin is one of the major pianists of our time. This program features two of the greatest German composers and two great French Impressionists. Always inspired by Mozart, I am delighted to open with his Prague symphony.

“Then comes Strauss’ Burlesque with Marc-André performing virtuosic and delightful musical fare. After intermission comes another favorite of mine, Ravel’s Piano Concerto with its sultry, cabaret-like slow movement that climaxes with a raucous but fun last movement. (In the YouTube video at the bottom, you can hear Martha Argerich play that second movement with conductor Claudio Abbado and the Berlin Philharmonic.)

“The concert closes with Claude Debussy’s La Mer, his amazing tone poem that conjures up images of the sea both raging and calm, placing ultimate demands on the orchestra and creating an aural thrill for the audience.”

ABOUT MARC-ANDRÉ HAMELIN 

The Oregonian summarizes the featured soloist concisely: “Is there anything Marc-André Hamelin can’t do at the piano?” Pianist Marc-André Hamelin is known worldwide for his unrivaled blend of consummate musicianship and brilliant technique, as well as for his exploration of the rarities of the 19th, 20th, and 21st centuries — in concert and on disc.

Although primarily a performer, Hamelin has composed music throughout his career. He was a distinguished jury member of the 15th Van Cliburn Competition in 2017, where each of the 30 competitors in the Preliminary Round were required to perform Hamelin’s “L’Homme armé.” It marked the first time the composer of the commissioned work was also a member of the jury.

A prolific maker of recordings, Hamelin (below) was honored with the 2014 ECHO Klassik Instrumentalist of Year (Piano) and Disc of the Year for his three-disc set of “Busoni: Late Piano Music.” An album of his own compositions, “Hamelin: Études,” received a 2010 Grammy nomination and a first prize from the German Record Critics’ Association. Hamelin is the recipient of a lifetime achievement award from the German Record Critics’ Association.

CONCERT AND TICKET DETAILS

The lobby opens 90 minutes prior to each concert. One hour before each performance, Michael Allsen will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket-holders.

The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bit.ly/april2019programnotes

  • Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/hamelin
 through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Flex-ticket booklets of 10 vouchers for 2018-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
  • Out at the Symphony tickets include a seat in the Circle level of Overture Hall (regular price ($70-93), plus the after-party, for $45. Reception-only tickets are available for $25 each. Learn more at: https://madisonsymphony.org/out

Discounted seats are subject to availability, and discounts may not be combined.

Major funding for these concerts was provided by Madison Gas & Electric Foundation, Inc., Fred and Mary Mohs, Skofronick Family Charitable Trust and WPS Health Insurance. Additional funding was provided by Forte, James and Joan Johnston, Gary and Lynn Mecklenburg, Rodney Schreiner and Mark Blank, Stafford Rosenbaum LLP, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


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Classical music: Saturday at noon, Bizet’s “Carmen” airs in cinemas during “Live from The Met in HD” and on Wisconsin Public Radio. Saturday night, the Pro Arte Quartet performs a FREE concert of Haydn, Schumann and Shostakovich

February 1, 2019
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ALERT: This Saturday night, Feb. 2, at 8 p.m. in Mills Hall, the University of Wisconsin-Madison’s Pro Arte Quartet performs a FREE concert. The program offers the String Quartet in D Major, Op. 50, No. 6, “The Frog” by Franz Joseph Haydn; the String Quartet No. 9 in E-flat Major by Dmitri Shostakovich; and the String Quartet in A Major, Op. 41, No. 3, by Robert Schumann. For more about the unusual history of the critically acclaimed Pro Arte Quartet, go to: https://www.music.wisc.edu/event/pro-arte-quartet-2/

By Jacob Stockinger

This Saturday, Feb. 2, the seventh production of this season’s “Metropolitan Opera Live in HD” series is Georges Bizet’s lusty, sultry  and violent “Carmen,” one of the most popular operas ever composed.

Its successful world premiere was in Paris in 1875, which Bizet did not live to see. But Bizet’s masterpiece of the gypsy seductress who lives by her own rules has had an impact far beyond the opera house.

The opera’s beautiful melodies are as irresistible as the title character herself, a force of nature who has become a defining female cultural figure. (You can hear one of Carmen’s signature arias– “Love Is a Wild Bird” — in the YouTube video at the bottom.)

“Carmen” was a scandal at its premiere but soon after became a triumphal success and has remained one of the most frequently staged operas in the world.

French mezzo-soprano Clémentine Margaine reprises her acclaimed portrayal of opera’s ultimate temptress, a triumph in her 2017 debut performances.

Opposite her is the impassioned tenor Roberto Alagna (below right, in a photo by Karen Almond for The Met) as her lover, Don José.

French native Louis Langrée (below, in a photo by Jennifer Taylor), who heads the Mostly Mozart Festival and is the artistic director of the Cincinnati Symphony Orchestra, will conduct Sir Richard Eyre’s production, a Met favorite since its 2009 premiere.

The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 3:45 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)

There will be encore HD showings next Wednesday, Feb. 6, at 1 p.m. and 6:30 p.m. (“Carmen” is so popular that some cities will also host a second encore showing on Saturday, Feb. 9.)

The opera will be sung in French with supertitles in English, German, Spanish and Italian.

Tickets for Saturday broadcasts are $24 for adults, and $22 for seniors and children under 13. For encore showings, all tickets are $18.

The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.

Here is a link to the Marcus Theaters website for addresses and more information. You can also use them to purchase tickets:

https://www.movietickets.com/movies

Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all Met productions this season:

https://www.metopera.org/season/in-cinemas/

Here is a link to a synopsis and cast list:

https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/carmen_global.pdf?performanceNumber=15202

Here is a link to other information about the production of “Carmen,” including photos and audiovisual clips:

https://www.metopera.org/season/2018-19-season/carmen/

And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.

https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD


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Classical music: Trio Celeste makes its Madison debut this Sunday afternoon playing music by Tchaikovsky, Rachmaninoff and Piazzolla. They give a FREE master class on Saturday afternoon

January 3, 2019
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By Jacob Stockinger

This is a slow time of the year for classical music concerts, the winter intermission between fall and spring semesters. But The Ear received for the Salon Piano Series the following announcement to post:

“We caught this West Coast group on a rare Midwest tour. Trio Céleste (below) has firmly established itself as one of the most dynamic chamber music ensembles on the classical music scene today. They’ve wowed audiences worldwide with their “unfailingly stylish” (The Strad) and “flawless” (New York Concert Review) interpretations.

“The piano trio has firmly established itself as one of the most dynamic chamber music ensembles on the classical music scene today. This season’s highlights include recital debuts at the Chicago Cultural Center and New York’s Carnegie Hall, and the world premiere of Paul Dooley’s Concerto Grosso for Piano Trio and Strings.

“Winners of the prestigious Beverly Hills Auditions and the recipients of the 2017 Emerging Artist Award from Arts Orange County, the ensemble has performed hundreds of recitals worldwide.

“Their first album on the Navona label debuted at No. 5 on iTunes for “Best Seller New Release.” (You can see them recording the first album in the YouTube video at the bottom.)”

The program for Trio Celeste’s concert on this Sunday afternoon, Jan. 6, at 4 p.m. at Farley’s House of Pianos, 6522 Seybold Road, on the far west side of Madison near West Towne Mall, will include:

Pyotr Ilyich Tchaikovsky – Piano Trio in A minor, Op. 50 (1882)

Sergei Rachmaninoff – Trio élégiaque No. 1 in G minor (1892)

Astor Piazzolla – Four Seasons of Buenos Aires (1965-1970)
(selections) arr. for piano trio by José Bragato

For more information, about the trio, go to: http://www.trioceleste.com

MASTER CLASS

On this Saturday, Jan. 5, at 4 p.m., Trio Céleste will teach a master class at Farley’s House of Pianos, where they will instruct students from Farley’s House of Pianos and the Wisconsin Youth Symphony Orchestras (WYSO). This is a FREE event that the public is invited to observe.

The master class program will include portions of:

Joseph Haydn – String Quartet Op. 33, No. 3 “The Bird”

Klaus Badelt (arr. Larry Moore) – Theme from “Pirates of the Caribbean”

Ludwig van Beethoven – String Quartet Op. 18, No. 1

Edvard Grieg – String Quartet Op. 27, No. 1

The master classes for the 2018-19 season are supported by the law firm of Boardman & Clark LLP.

Tickets are $45 in advance (students $10) or $50 at the door. You can purchase tickets at https://www.brownpapertickets.com/event/3499176

An artist’s reception will follow the concert.

For more information, go to https://salonpianoseries.org

Service fees may apply. Tickets also for sale at Farley’s House of Pianos.
 Student tickets can only be purchased online and are not available the day of the event.


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Classical music: This Saturday the critically acclaimed new production of Verdi’s “La Traviata” is featured in “Live from The Met in HD.” Read two reviews

December 14, 2018
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CORRECTION: Earlier versions of yesterday’s post about The Madison Choral Project incorrectly stated that the Milwaukee performance is Wednesday night. The Ear apologizes for the error. The correct time is TUESDAY night, Dec. 18. For more information about time, tickets and the program, here is a link to the story: https://welltempered.wordpress.com/2018/12/13/classical-music-the-madison-choral-project-will-sing-of-young-peoples-hope-for-the-future-at-its-concerts-this-saturday-night-and-sunday-afternoon/

By Jacob Stockinger

This Saturday, Dec. 15, the fourth production of this season’s “Live From the Met” in HD series is Giuseppe Verdi’s famous and popular “La Traviata” (The Fallen Woman).

The Metropolitan Opera production, sumptuously directed by Michael Mayer, stars soprano Diana Damrau (below left in a photo by Marty Sohl for The Met) as Violetta while the acclaimed Peruvian tenor Juan Diego Florez (below right) returns to the Met stage for the first time in five years to play her lover Alfredo.

It is also noteworthy because the new music director, French-Canadian Yannick Nézet-Séguin (below, in a photo by Jan Regan), will be making his “Live in HD” debut and opening a new era after his hiring to succeed James Levine. Though relatively young, he has drawn raves for his sensitive conducting and insightful interpretations of this and other operas and orchestral works.

Reportedly, he is also very popular with the singers, the orchestra players and other staff at The Met as well as with audiences.

The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 3:45 p.m. with two intermissions. (It will also air on Wisconsin Public Radio at noon.)

The encore showings are next Wednesday, Dec. 19, at 1 p.m. and 6:30 p.m.

The opera will be sung in Italian with supertitles in English, German, Spanish and Italian.

Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.

The movie theaters where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.

Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:

https://www.movietickets.com/movies

Here is a link to the Metropolitan Opera’s home website where you can find the titles, dates, casts, production information and video clips of all 10 productions this season, which include operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Cilea and Poulenc plus a new work, “Marnie,” by Nico Muhly:

https://www.metopera.org/season/in-cinemas/

Here is a rave review of “La Traviata” by senior classical music critic Anthony Tommasini for The New York Times:

https://www.nytimes.com/2018/12/05/arts/music/review-metropolitan-opera-traviata-yannick-nezet-seguin.html

And here is another positive review from Vulture magazine in New York City. Below are the impressive set and big cast in a photo by Sara Krulwich for The New York Times:

https://www.vulture.com/2018/12/la-traviata-the-met-opera-review.html

Here is a link to a synopsis and cast list: https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/traviata_us-global-pr.pdf?performanceNumber=15367

Here is a link to other information about the production of “La Traviata,” including photos and audiovisual clips (in the YouTube video preview at the bottom you can also hear the director, conductor and others speak and sing):

https://www.metopera.org/season/2018-19-season/la-traviata/

And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.

https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD


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Classical music: This Saturday the acclaimed German tenor Jonas Kaufmann returns to the Metropolitan Opera in Puccini’s “Girl of the Golden West. It’s the second “Live from The Met in HD” production this season

October 25, 2018
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By Jacob Stockinger

FORWARD A LINK TO IT OR SHARE IT (not just “Like” it IF YOU LIKE A CERTAIN BLOG POST, PLEASE”) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

This Saturday, Oct. 27, the second production of this season’s “Live From the Met” in HD series will be broadcast worldwide: It is Puccini’s “La Fanciulla del West” (Girl of the Golden West), his last work that, for some reason, has never achieved the popularity of “La Boheme,” “Tosca,” “Madama Butterfly” and “Turandot.”

The production features acclaimed superstar German tenor Jonas Kaufmann (below top), who is returning to the Met stage after four years. Soprano Eva-Maria Westbroek (below bottom) plays the gun-slinging title role.

The hi-definition broadcast of a live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 4 p.m. with two intermissions.

The encore showings are next Wednesday, Oct. 31, at 1 p.m. and 6:30 p.m.

The opera will be sung in Italian with supertitles in English, German, Spanish and Italian. (You can see the trailer preview in the YouTube video at the bottom.)

Tickets are for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.

The cinemas where the opera can be screened are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.

Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:

http://www.marcustheatres.com/movies/met-aida-live

Here is a link to the Metropolitan Opera’s web site where you can find the titles, dates, casts, production information and video clips of all 10 productions this season, which includes operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Cilea and Poulenc plus a new work, “Marnie,” by Nico Muhly:

https://www.metopera.org/season/in-cinemas/

Here is a review from The New York Times, which right now has a technical glitch that makes loading it difficult (the Times said the problem should be fixed soon):

https://www.nytimes.com/2018/10/18/arts/music/review-jonas-kaufmann-met-opera-puccini-fanciulla.html

And here is a more positive review from Opera Wire:

http://operawire.com/metropolitan-opera-2018-19-review-la-fanciulla-del-west-jonas-kaufmann-edition/

Here is a link to a synopsis and cast list:

https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/fanciulla_1819_hdsynopsis.pdf?performanceNumber=15221

Here is a link to other information about the production of “Girl of the Golden West,” including photos and audiovisual clips:

https://www.metopera.org/season/2018-19-season/la-fanciulla-del-west/

And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.

https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD


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Classical music: The 13th season of “Live from The Met in HD” opens this Saturday with Verdi’s opera “Aida” starring Anna Netrekbko

October 5, 2018
1 Comment

By Jacob Stockinger

PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like It”) IF YOU LIKE A CERTAIN BLOG POST ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

This Saturday, Oct. 6, the new 10-opera season of the series “Live From the Met in HD” starts with Giuseppe Verdi’s popular late masterpiece and epic opera “Aida.” 

The hi-definition broadcast of a live performance from the Metropolitan Opera (below) in New York City – which is a revival production with the superstar Russian soprano Anna Netrebko — starts at 11:55 a.m. and runs until 4:13 p.m. The encore showings are on next Wednesday, Oct. 10, at 1 p.m. and 6:30 p.m.

The opera will be sung in Italian with supertitles in English, German, Spanish and Italian.

Tickets are for Saturday broadcasts are $24 for adults and $22 for seniors. For encore showings, all tickets are $18.

The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison and the Palace Cinema in Sun Prairie.

Here is a link to the Marcus website for address and more information:

http://www.marcustheatres.com/movies/met-aida-live

Get out your datebooks!

Here is a link to the Metropolitan Opera’s web site where you can find the titles, dates, casts, production information and video clips of all 10 productions in the 2018-19 season, which include operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Cilea and Poulenc plus a new work, “Marnie,” by Nico Muhly. (You can also see and hear the season trailer in the YouTube video at the bottom.)

https://www.metopera.org/season/in-cinemas/

Here is a link to a very positive review of “Aida” — Anna Netrebko as Aida is on the left in the photo by Sara Krulwich for The New York Times — by senior music critic Anthony Tommasini that appeared in The New York Times:

https://www.nytimes.com/2018/09/27/arts/music/anna-netrebko-aida-met-opera-review.html

Here is a link to a synopsis and cast list, which can be printed out:

https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/aida_1819_hdsynopsis_global_nodates.pdf?performanceNumber=15145

Here is a link to other information about the production of “Aida,” including photos and audiovisual clips:

https://www.metopera.org/season/2018-19-season/aida/

And here is a Wikipedia history of the successful broadcast series that gives you more information about how many cinemas it uses, the size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.

https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD


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Classical music: This Saturday night, the Leonard Bernstein centennial will be marked at the UW-Madison with a faculty vocal concert and a sing-along

September 12, 2018
1 Comment

By Jacob Stockinger

The Ear has received the following announcement about this weekend’s celebration of the centennial of Leonard Bernstein’s birth:

Leonard Bernstein (1918-1990, below in a photo by Jack Mitchell) — the legendary composer, conductor and pianist — will be celebrated in a concert of his music on this coming Saturday night, Sept. 15, at 8 p.m. in Mills Hall at the University of Wisconsin-Madison’s Mead Witter School of Music.

Tickets are $17 for adults; $7 for students and children; and free to music majors, music faculty and music staff. To avoid long lines  you are asked to purchase tickets early. If you do purchase tickets at the door, you are asked to arrive 30 minutes before the concert begins. For details about tickets, see below.

This Faculty Concert Series event is one of the many world-wide observances of the 100th anniversary of Bernstein’s birth. They will include a special program by the Madison Symphony Orchestra under its music director and conductor John DeMain, who worked with Bernstein and who discussed Bernstein on Wisconsin Public Radio, which you can hear here:

https://www.wpr.org/madison-symphonys-john-demain-remembers-bernstein-during-centennial-birth-year

From Broadway to the concert stage, Bernstein embodied the eclectic nature of America’s music. As a composer, conductor and teacher he embraced all kinds of music, and in his own work created enduring masterpieces in both popular and classical styles.

Saturday’s concert will feature a number of lesser-known works that come from all periods of Bernstein’s career, as well as favorite selections from his classic Broadway scores On the Town, Wonderful Town, Candide and West Side Story, and songs from his exquisite incidental music for Peter Pan.

Cellist Alison Rowe (below top) will join her parents, baritone Paul Rowe and soprano Cheryl Bensman-Rowe (below bottom, in a photo by Katrin Talbot) in selections from Mass, Songfest and the beautiful song Dream With Me (heard in the YouTube video at the bottom).

Pianists Martha Fischer and Bill Lutes (below) will join the Rowes in a performance of one of Bernstein’s last major works for two singers and two pianists, Arias and Barcarolles. It is a song cycle in which “Lenny” fully explored the range of styles and subject matter that represent his unique achievement in American music.

There will be a short SING-ALONG at the end of the concert featuring some favorite and familiar Bernstein hits.

For more information, including how to obtain tickets, a video and a link to a Bernstein tribute in The New York Times, go to: https://www.music.wisc.edu/event/music-of-leonard-bernstein-a-100th-birthday-tribute/


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