The Well-Tempered Ear
The New York Times names the top 25 classical recordings of 2020 and includes sample tracks
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FOWARD A LINK TO IT or SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
What did the holidays bring you?
Did Hanukkah, Christmas or Kwanzaa bring you a gift card?
A subscription to a streaming service?
Maybe some cash?
Or maybe you just want to hear some new music or new musicians or new interpretations of old classics?
Every year, the music critics of The New York Times list their top 25 recordings of the past year. Plus at the end of the story, the newspaper offers a sample track from each recording to give you even more guidance.
This year is no exception (below).
In fact, the listing might be even more welcome this year, given the coronavirus pandemic with the lack of live concerts and the isolation and self-quarantine that have ensued.
The Ear hasn’t heard all of the picks or even the majority of them. But the ones he has heard are indeed outstanding. (In the YouTube video at the bottom, you can hear a sample of the outstanding Rameau-Debussy recital by the acclaimed Icelandic pianist Vikingur Olafssen, who scored major successes with recent albums of Philip Glass and Johann Sebastian Bach.)
Here is a link: https://www.nytimes.com/2020/12/17/arts/music/best-classical-music.html
Of course not all critics agree.
The Ear has already listed the nominations for the Grammy Awards (a link is below), and more critics’ picks will be featured in coming days.
You should also notice that a recording of Ethel Smyth’s “The Prison” — featuring soprano Sarah Brailey (below), a graduate student at the UW-Madison’s Mead Witter School of Music and a co-founder of Just Bach — is on the Times’ list as well as on the list of Grammy nominations.
What new recordings – or even old recordings — would you recommend?
The Ear wants to hear.
Tags: #AlexanderScriabin, #AmazonMusic, #AmericanJazz, #AnnaThorvaldsdottir, #AnthonyTommasini, #AntoineForqueray, #ArchivMusic, #AshFure, #AvieRecords, #BangonaCan, #BarnesandNoble, #BaroqueDance, #BaroqueMusic, #BaroqueOpera, #BavarianRadioSymphoyOrchestra, #BenjaminGrosvenor, #BlackAmericans, #BlogPost, #BlogPosting, #CarolinWidmann, #CelloSuites, #ChamberMusic, #ChandosRecords, #ChoralMusic, #ChristmasHoliday, #ClaudeDebussy, #CorinnadaFonseca-Wollheim, #CoronavirusPandemic, #COVID-19, #CriticallyAcclaimed, #DanillTrifonov, #DavidGreilsammer, #DavidHertzberg, #DeccaRecords, #DeutscheGrammophon, #DriftMultiply, #DukeEllington, #ElimChan, #EriksEsenvalds, #EthelSmyth, #FacebookPost, #FacebookPosting, #FairyTale, #FergusonMissouri, #FranzSchubert, #FredericChopin, #GeorgeFridericHandel, #GeorgeLewis, #GiftCard, #GraduateStudent, #GrammyAward, #GrammyAwards, #HermannScherchen, #HistoricallyInformedPerformancePractices, #HolidayGift, #HolidayGiftGuide, #IgorStravinsky, #InternationalContemporaryEnsemble, #JacobStockinger, #JanLadislavDussek, #Jean-EfflamBavouzet, #Jean-FéryRebel, #Jean-PhilippeRameau, #JohannNepomukHummel, #JohannSebastianBach, #JohnnyGandelsman, #JosephC.PhillipsJr., #JosephWölfl, #JoshuaBarone, #JoyceDiDonato, #JustBach, #KarimSulayman, #KirillGerstein, #LiliBoulanger, #LincolnCenter, #LiveConcert, #LivingComposers, #LudwigVanBeethoven, #MariinskyOrchestra, #MariinskyTheaterOrchestra, #MeadWitterSchoolofMusic, #MeredithMonk, #Mezzo-sopranoSinger, #MirareRecords, #MusicalInterpretation, #MusicCritics, #Muzio, #NadiaBoulanger, #NaiveRecords, #NathalieJoachim, #NewMusic, #NewYorkCity, #NewYorkTimes, #NicholasPhan, #OldClassics, #OlivierMessiaen, #PeriodInstruments, #PhilipGlass, #PianoConcerto, #PianoSonata, #PierreHantai, #RebeccaSaunders, #RichardWagner, #RoyalScottishNationalOrchestra, #SampleTrack, #SarahBrailey, #Self-Isolation, #Self-Quarantine, #SergeiProkofiev, #ShiverLung, #SilverAge, #SoloPiano, #SopranoSinger, #SoundSample, #StreamingService, #TenorSinger, #TheBeethovenConnection, #TheEar, #TheExterminatingAngel, #ThePrison, #TheUK, #TheUW, #ThomasAdès, #TopRecordings, #TristanPerich, #UnitedKingdom, #UniversityofWisconsin-Madison, #ValeryGergiev, #ViennaStateOperaOrchestra, #VikingurOlafsson, #VocalMusic, #WyntonMarsalis, #Yi-hengYang, #YouTubevideo, #ZacharyWoolfe, 2020, acclaimed, African American, Agrippina, Alexander Scriabin, Amazon, Amazon Music, amazon.com, America, Anna Thorvaldsdottir, Anthony Tomassini, Antoine Forqueray, Archiv Music, Arts, Ash Fure, audience, Avie Records, award, Bach, Bang on a Can, Barnes and Noble, Baroque, Baroque music, Baroque opera, Bavarian Radio Symphony Orchestra, Beethoven, Benjamin Grosvenor, Berceuse, black, blog, brilliant, BrowandBeige, Brown and Beige, Carolin Widmann, cash, Cello, Cello Suite, centuries, Chamber music, Chandos Records, chaos, China, Chinese, Chopin, choral music, Christmas, Classical music, classics, Claude Debussy, Clementi, coming, composer, Concert, concerto, conductor, connection, conversation, Corinna da Fonseca-Wollheim, coronavirus, dance, Daniil Trifonov, David Greilsammer, David Hertzberg, days, Debussy, Decca, Decca Records, Deutsche Grammophon, DG, drift, Drift Multiply, Duke Ellington, Dussek, Early music, Earth, Elim Chan, end, Eriks Esenvalds, Ethel Smyth, exception, Facebook, Facebook post, Facebook posting, fairy tale, Ferguson, fortepiano, Franz Schubert, Frédéric Chopin, George Frederic Handel, George Lewis, gift, gift card, gigue, Glass, graduate student, Grammy, guidance, Handel, Hanukkah, harpsichord, hear, Hermann Scherchen, historically informed performance practices, Holiday, Hummel, Iceland, Icelandic, Igor Stravinsky, International Contemporary Ensemble, interpretation, isolation, Jacob Stockinger, Jan Ladislav Dussek, Jazz, Jean-Efflam Bavouzet, Jean-Féry Rebel, Jean-Philippe Rameau, Johann Nepomuk Hummel, Johann Sebastian Bach, Johnny Gandelsman, Joseph C. Phillips Jr., Joseph Wölfl, Joshua Barone, Joyce DiDonato, Just Bach, Karim Sulayman, Kirill Gerstein, Kwanzaa, Labyrinth, lack, like, Lili Boulanger, LIncoln Center, link, listing, live concert, living composers, Love, Ludwig van Beethoven, lullaby, Mariinsky Orchestra, Mariinsky Theatre Orchestra, me, Mead Witter School of Music, Meredith Monk, Messiaen, Mezzo-soprano, Mirare Records, Missouri, multiply, Music, music critics, Musician, Muzio Clementi, Nadia Boulanger, Naive Records, Nathalie Joachim, new, New Music, New York City, New York Times, Newspaper, Nicholas Phan, nominations, old, old classics, Olivier Messiaen, opera, Orchestra, Overture, pandemic, past, period instruments, Philip Glass, Pianist, Piano, Piano concerto, Piano Concerto No. 1, Piano sonata, Pierre Hantai, post, posting, Prokofiev, quiet, Rameau, Ravel, reader, Rebecca Saunders, Rebel, recital, Recordings, reverential, Richard Wagner, Romance, Royal Scottish National Orchestra, sample, sample track, Sarah Brailey, Schubert, Scotland, Scottish, Scriabin, Sergei Prokofiev, share, Shiver Lung, Silver Age, Solo Cello Suites, solo piano, Sonata, song, songs, soprano, Spotify, story, Stravinsky, streaming service, subscriber, subscription, Suite, symphony, tag, teach, tender, tenor, The Beethoven Connection, The Ear, The Exterminating Angel, The Prison, Thomas Ades, top, top recordings, track, transcription, Tristan Perich, UK, United Kingdom, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, Valery Gergiev, Vienna State Opera Orchestra, Vikingur Olafsson, Viola, Violin, violinist, violist, vocal music, Wagber, Wynton Marsalis, Yang, year, Yi-heng Yang, you, YouTube, Zachary Woolfe
Classical music: This afternoon is your last chance to hear rave-winning performances by pianist Joyce Yang and the Madison Symphony Orchestra. Here’s a review to read
5 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This afternoon — Sunday, Nov. 10 — at 2:30 p.m. in Overture Hall is your last chance to hear South Korean pianist Joyce Yang and the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) under the baton of music director John DeMain.
The program features the exciting, popular and beautiful Piano Concerto No. 3 by the Russian modernist composer Sergei Prokofiev as well as “Newly Drawn Sky” by contemporary American composer and Yale School of Music professor Aaron Jay Kernis (below) and the Symphony No. 2 by the German Romantic master Robert Schumann.
For more information about the performers, the program and tickets, go to: https://welltempered.wordpress.com/2019/11/04/classical-music-this-weekend-prize-winning-pianist-joyce-yang-solos-in-prokofievs-most-popular-piano-concerto-with-the-madison-symphony-orchestra-works-by-schumann-and-aaron-jay-kernis-are/
The prize-winning Yang (below), who at 19 won the silver medal at the 2005 Van Cliburn International Piano Competition, rewarded a standing ovation with the late Earl Wild’s virtuosic arrangement of George Gershwin’s song “The Man I Love,” which you can hear Yang play in the YouTube video at the bottom.
The reviews that have appeared so far agreed: It is a rave-winning concert with special attention going to Yang, who is making her MSO debut after performing a solo recital several years ago at the Wisconsin Union Theater.
The Ear cannot find a link to the rave review by Bill Wineke for Channel 3000.
But here is the rapturous review that Michael Muckian wrote for Isthmus:
https://isthmus.com/music/joyce-yang-triumphs-with-prokofiev/
But you be the critic.
What did you think of Joyce Yang and the MSO?
The Ear wants to hear.
Tags: #AaronJayKernis, #AmericanComposer, #AsianMusician, #BIllWineke, #BlogPost, #BlogPosting, #Channel3000, #EarlWild, #FacebookPost, #FacebookPosting, #FacultyMember, #GermanComposer, #GermanRomanticism, #HomeWebsite, #IsthmusMagazine, #IsthmusNewspaper, #JohnDeMain, #JoyceYang, #LastChance, #MadisonSymphonyOrchestra, #MedalWinner, #MichaelMuckian, #ModernMusic, #MusicCritic, #MusicDirector, #Musicfaculty, #MusicProfessors, #MusicReview, #NewMusic, #OvertureHall, #PianoConcerto, #PianoMusic, #Prize-Winning, #RobertSchumann, #RomanticComposer, #RomanticMusic, #RussianComposer, #SergeiProkofiev, #SilverMedal, #SouthKorea, #SouthKorean, #Sovietcomposer, #Sundayafternoon, #TheEar, #VanCliburn, #VanCliburnInternationalPianoCompetition, #VocalMusic, #WisconsinUnionTheater, #YaleSchoolofMusic, #YaleUniversity, #YouTubevideo, Aaron Jay Kernis, afternoon, American, Asia, audience, baton, beautiful, Bill Wineke, blog, chance, Channel 3000, Channel 3000.com, Channel3000.com, composer, concerto, critic, Earl Wild, exciting, Facebook, forward, George Gershwin, georgegershwin, German, German Romanticism, Germany, hear, Home, home website, Isthmus, Joyce, Joyce Yang, Korea, Korean, last, like, link, Love, Madison Symphony Orchestra, man, medal, Michael Muckian, modern music, modernism, modernist, music critic, Music director, music review, New Music, online, Overture Hall, performer, Pianist, Piano, Piano concerto, play, popular, post, posting, prize, professor, program, read, recital, review, Robert Schumann, Romanticism, Sergei Prokofiev, share, silver, solo, soloist, song, Soviet, Sunday, symphony, tag, The Ear, ticket, tickets, USSR, Van Cliburn, Van Cliburn International Piano Competition, virtuosic, vocal music, Website, win, winner, Wisconsin Union Theater, Yale, Yale School of Music, Yale University, Yang, YouTube, YouTube video
Classical music: This weekend, prize-winning pianist Joyce Yang solos in Prokofiev’s most popular piano concerto with the Madison Symphony Orchestra. Works by Schumann and Aaron Jay Kernis round out the program
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This weekend, prize-winning pianist Joyce Yang (below) will return to Madison to join the Madison Symphony Orchestra in her local concerto debut and perform Prokofiev’s brilliant, bravura and tuneful Piano Concerto No. 3 in C major, Op. 26.
The concert opens with Kernis’ Newly Drawn Sky and concludes with Schumann’s Symphony No. 2 in C Major, Op. 61.
Performances will be held in Overture Hall, 201 State Street, on Friday night, Nov. 8, at 7:30 p.m.; on Saturday night, Nov. 9, at 8 p.m.; and Sunday afternoon, Nov. 10, at 2:30 p.m.
Tickets are $19-$95 with discounts available. See below for details.
Speaking about the program, music director and maestro John DeMain (below, in a photo by Greg Anderson) says: “November brings us another Madison Symphony debut, that of the amazing pianist Joyce Yang. She will perform the Prokofiev’s dazzling Piano Concerto No. 3, one of the great and most popular concertos, and certainly a favorite of mine.”
Adds DeMain: “I can’t wait for audiences to experience the hauntingly beautiful Newly Drawn Sky by Aaron Jay Kernis. And of the four symphonies by Robert Schumann, many regard his second as the greatest of them all.”
According to Aaron Jay Kernis (below), who has won the Pulitzer Prize and a Grammy Award and who teaches at the Yale School of Music, “Newly Drawn Sky” is “a lyrical, reflective piece for orchestra, a reminiscence of the first summer night by the ocean spent with my young twins, and of the summer sky at dusk.”
The chromatically shifting three-note chords that begin in the strings and transfer to the winds are a central element in the creation of this work. The works last approximately 17 minutes and was premiered at the Ravinia Festival in 2005 by the Chicago Symphony Orchestra.
To read more about Kernis and his successful career, go to: https://en.wikipedia.org/wiki/Aaron_Jay_Kernis
Sergei Prokofiev (below) himself played the solo part at the world premiere of his Piano Concerto No. 3 on Dec. 16, 1921 in Chicago with the Chicago Symphony Orchestra. Although he started work on the composition as early as 1913, the majority of it was completed in 1921 and the piece didn’t gain popularity until 1922 when it was confirmed in the 20th-century canon. (You can hear Prokofiev play the first movement in the YouTube video at the bottom.) The Ear thinks that the work has much Russian Romanticism in it and if you like Rachmaninoff, you will probably like this Prokofiev.
Originally a composer for keyboard, Robert Schumann (below with wife Clara) began writing symphonies around the time of his marriage to his virtuoso pianist and composer wife Clara Wieck, who encouraged his compositional expansions.
The uplifting Symphony in C major was created while the composer was troubled with depression and hearing loss; a Beethovenian triumph over pessimism and despair, the creation of this symphony served as a healing process for Schumann.
ABOUT JOYCE YANG
Blessed with “poetic and sensitive pianism” (The Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), Grammy-nominated pianist Joyce Yang, who years ago played a recital at the Wisconsin Union Theater, captivates audiences with her virtuosity, lyricism and interpretive sensitivity.
Yang first came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: Best Performance of Chamber Music (with the Takacs Quartet), and Best Performance of a New Work.
In 2006 Yang (below) made her celebrated New York Philharmonic debut alongside conductor Lorin Maazel at Avery Fisher Hall in Lincoln Center along with the orchestra’s tour of Asia, making a triumphant return to her hometown of Seoul, South Korea.
CONCERT, TICKET AND EVENT DETAILS
The lobby opens 90 minutes prior to each concert.
One hour before each performance, Wisconsin Public Radio host Anders Yocom (below, in a photo by James Gill )will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.
The MSO recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.
Program notes for the concerts are available online: http://bit.ly/msonov19programnotes.
- Single Tickets are $19-$95 each and are on sale now at: https://madisonsymphony.org/event/joyce-yang-plays-prokofiev/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
- Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
- Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
- Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
- Flex-ticket booklets of 8-10 vouchers for 2019-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
- Subscriptions for the 2019–2020 season are available now. Learn more at: https://madisonsymphony.org/19-20
Discounted seats are subject to availability, and discounts may not be combined.
Major funding for this concert is provided by Madison Magazine, Stephen D. Morton, National Guardian Life Insurance Company, Scott and Janet Cabot, and Peggy and Tom Pyle. Additional funding provided by Foley & Lardner LLP, Howard Kidd and Margaret Murphy, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts
Tags: #20thCentury, #AaronJayKernis, #AcademicFestivalOverture, #AndersYocom, #AsianComposer, #AveryFisher, #BestPerformance, #BlogPost, #BlogPosting, #BoxOffice, #ChamberMusic, #ChicagoIllinois, #ChicagoSymphonyOrchestra, #ClaraSchumann, #ClaraWieck, #ContemporaryComposer, #ContemporaryMusic, #FacebookPost, #FacebookPosting, #FoleyandLardner, #Fridaynight, #GrammyAward, #GrammyNominations, #HearingLoss, #husband-and-wife, #JohnDeMain, #JoyceYang, #KeyboardMusic, #LifeInsurance, #LincolnCenter, #LivingComposer, #LorinMaazel, #MadisonMagazine, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MelodicMusic, #MusicalInterpretation, #MusicDirector, #NationalEndowmentfortheArts, #NationalGuardianLifeInsurance, #NewMusic, #NewWork, #NewYorkCity, #NewYorkPhilharmonic, #OrchestralMusic, #OvertureCenter, #OvertureHall, #PianoCompetition, #PianoConcerto, #Pre-concertLecture, #PreludeDiscussion, #Prize-Winning, #ProgramNotes, #PulitzerPrize, #RadioHost, #RaviniaFestival, #RobertSchumann, #RomanticMusic, #RussianRomanticism, #SaturdayNight, #SeniorCitizen, #SeoulSouthKorea, #SergeiProkofiev, #SergeiRachmaninoff, #SergeiRachmaninov, #SilverMedal, #SouthKorea, #SouthKorean, #Sovietcomposer, #SovietUnion, #StateOfWisconsin, #StephenD.Morton, #StringQuartet, #StringSection, #StudentRush, #SubscriptionTicket, #SummerNight, #Sundayafternoon, #TakacsQuartet, #TheEar, #TheWashingtonPost, #TomPyle, #UniversityofWisconsin-Madison, #VanCliburnInternationalPianoCompetition, #Wikipediabiography, #Wikipediaentry, #WindSection, #WisconsinArtsBoard, #WisconsinPublicRadio, #WisconsinUnionTheater, #WorldPremiere, #YaleSchoolofMusic, #YaleUniversity, #YouTubevideo, 20th-century, Aaron Jay Kernis, afternoon, Anders Yocom, Arts, Asia, audience, Avery Fisher, Avery Fisher Hall, award, beautiful, Beethoven, Beethovenian, best performance, biography, blog, box office, bravura, brilliant, Canon, career, central, Chamber music, Chicago, Chicago Symphony Orchestra, children, chord, chords, chromatic, Clara Schumann, Clara Wieck, Classical music, classicalmusic, color, composer, Composition, Concert, concerto, conclude, conductor, contemporary, contestant, Creation, debut, depressing, depression, despair, discount, discussion, donor, drawn, dusk, early, element, experience, Facebook, favorite, favorite composers, Foley and Lardner, forward, Friday, funding, funds, Grammy Award, group, haunting, healing, hearing, hearing loss, hometown, husband, interpretation, interpretive, Jacob Stockinger, John DeMain, Joyce Yang, Keyboard, kids, Korean, lecture, life insurance, like, Lincoln, LIncoln Center, link, listening, living, Living composer, lobby, local, Lorin Maazel, loss, Love, Ludwig van Beethoven, lyrical, lyricism, Madison, Madison Magazine, Madison Symphony Orchestra, Maestro, majority, Marriage, Mead Witter School of Music, melodic, modern, MSO, Music, Music director, musical, National Endowment for the Arts, National Guardian Life Insurance, NEA, New Music, new work, New York City, New York Philharmonic, newly, night, note, ocean, Orchestra, orchestral music, Overture Center, Overture Center for the Arts, Overture Hall, perform, performance, performer, pessimism, Pianist, Piano, Piano concerto, piece, poetic, popular, post, posting, pre-concert, premiere, prize, process, program notes, Prokofiev, Pulitzer Prize, Rachmainoff, Rachmaninoff, Rachmaninov, Radio, radio host, Ravinia, Ravinia Festival, read, recital, reflective, reminiscence, Robert Schumann, Romantic, Romanticism, rush, Russia, Russian, San Francisco, Saturday night, Schumann, seats, security, senior, sense, sensitive, Seoul, Sergei Prokofiev, Sergei Rachmaninoff, Sergei Rachmaninov, share, silver medal, sky, Soviet Union, speak, State of Wisconsin, Stephen D. Morton, string music, String quartet, strings, Student, subscription, summer, summer night, Sunday, support, symphonies, symphony, tag, Takacs Quartet, The Ear, The Washington Post, tickets, Tom Pyle, tour, transfer, triumph, trouble, tune, tuneful, twin, understanding, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, uplifting, USSR, Van Cliburn, Van Cliburn International Piano Competition, video, virtuosity, virtuoso, voice, weekend, wife, Wikipedia, wind section, winds, Wisconsin, Wisconsin Arts Board, wisconsin public radio, Wisconsin Union Theater, work, world premiere, WPR, Yale, Yale School of Music, Yale University, Yang, young, YouTube, YouTube video
Recent Comments
The Well-Tempered Ear 