The Well-Tempered Ear

Classical music: Heard enough about Prince? Read about violinist Yehudi Menuhin. Plus, a FREE voice recital commemorating the 400th anniversary of the death of Shakespeare is at noon on Friday

April 28, 2016
6 Comments

ALERT: This week’s FREE Friday Noon Musicale, held from 12:15 to 1 p.m. in the Landmark Auditorium of the historic Frank Lloyd Wright-designed Meeting House of the First Unitarian Society of Madison, located at 900 University Bay Drive, features tenor Adam Shelton and pianist Vincent Fuh in the program “Assassinating Shakespeare.” The concert features music by Gerald Finzi, Roger Quilter, Erich Wolfgang Korngold, Franz Schubert and Dominick Argento.

By Jacob Stockinger

It’s a week later but news about the premature death at 57 on April 21 of the influential superstar pop rocker Prince continues to preoccupy the media.

To flood the media, really.

Prince with guitar

The Ear doesn’t want to take away from Prince and his substantial artistic achievements. Nor does The Ear mean to belittle Prince’s premature death, which is sad and unfortunate but hardly unusual in the world of pop music — and not really tragic in the larger scheme of things, given how the world is filled today with terrorism and refugees.

But he does think maybe a little perspective about this celebrity or star is required.

Does anyone else share The Ear’s impatience with such saturation coverage and think that the media have gone overboard? There have been so many stories, so much repetition, such meaningless follow-up and continuing coverage that it almost belittles Prince’s death with endless trivialities and predictable banalities.

So take a break.

Here is a story – from the Deceptive Cadence blog for NPR or National Public Radio — about this past weekend’s 100th anniversary of the April 22, 1916 birth of the famed British violinist, teacher and polymath Sir Yehudi Menuhin (below top as a child, from the Underwood Archives, and below bottom as an older man in a photo by Erich Auerbach for Getty Images).

yehudi menuhin young underwood archives

Yehudi Menuhin Erich Auerbach Getty Images

It is filled with inspiring details that command your respect for this great artist and humanitarian, who was international in his interests and many of whose accomplishments The Ear didn’t know. You can hear him playing Bach in the YouTube video at the t bottom.

It is written by Tom Huizenga and features a lot of commentary and recollection by the gifted violinist Daniel Hope (below), who played music of European Jewish composers exiled in Hollywood during World War II by Hitler and the Nazis coming to power, with the Madison Symphony Orchestra two seasons ago.

Daniel Hope playing

Here is a link:

http://www.npr.org/sections/deceptivecadence/2016/04/22/474824320/yehudi-menuhins-potent-blend-of-music-humanism-and-politics


Classical music: Violinist Alexander Sitkovetsky performs Samuel Barber’s beautiful and popular Violin Concerto this Friday night with the Wisconsin Chamber Orchestra, which also celebrates spring with works by Beethoven and other composers. Plus, University Opera’s production of “Transformations,’ which ends Tuesday night, gets a rave review from Isthmus

March 14, 2016
Leave a Comment

ALERT: University Opera’s production of “Transformations,” with dark and adult takes on fairy tales by the late Pulitzer Prize-winning American poet Anne Sexton and music by Conrad Susa, gets a rave review from critic Jay Rath writing for Isthmus. It calls the production breath-taking and an astonishing success. It also gives you tasty morsels of the show to whet your appetite.  The last performance is this Tuesday night at 7:30 p.m in Music Hall. Here is a link:

http://isthmus.com/arts/stage/university-opera-transformations/

And here is a link to the A Tempo blog, with more information, at the University of Wisconsin-Madison School of Music:

https://uwmadisonschoolofmusic.wordpress.com

By Jacob Stockinger

The Wisconsin Chamber Orchestra (below) will perform a captivating concert this Friday night at 8 p.m. in Capitol Theater of the Overture Center.

WCO lobby

As usual, longtime music director and conductor Andrew Sewell (below) has pulled together an arresting program of both well-known and rarely heard works.

Indeed, Sewell seems to have an endless knack for finding modern music that is not well-known but nonetheless appeals on first hearing.

andrewsewell

Not that he neglects tried-and-true masterpieces.

Take the famous Violin Concerto by American composer Samuel Barber — most famous for his “Adagio for Strings” – which will feature the return of the young European prize-winning soloist Alexander Sitkovetsky (below).

alexander-sitkovetsky

The Ear always finds the work by Barber (below) absolutely riveting. It takes all of about 10 seconds before you realize you are hearing a beautiful masterpiece that will endure. And then it just gets better. (You can hear the slow second movement — performed by James Ehnes who has played with the Madison Symphony Orchestra — in a YouTube video at the bottom.)

Samuel Barber

The concert opens with a work by Irish composer, Joan Trimble (below), specifically her ethereal Suite for Strings from 1955.

joan trimble

That work proves a perfect complement to the popular Pastorale by Swedish composer Lars-Erik Larsson (below).

Lars-Erik Larsson

The Symphony No. 4 in B flat major, by Ludwig van Beethoven (below) is like his Symphony No. 6 “Pastoral” in that it celebrates the joy, fullness and robust qualities of life. The slow movement has an other-worldly beauty. With its driving finale, the symphony packs a punch.

Yet wedged in between the three of Beethoven’s most famous symphonies – Nos. 3 “Eroica,” 5 and 6 “Pastoral” – the Symphony No. 4 often gets overlooked. Sewell’s mastery of the Classical style should bring it to life in a memorable performance.

Beethoven big

Tickets are $15-$80 with student rush tickets for $10, available on the day of the performance. For tickets, call the Overture Center box office at 608 258-4141 or visit www.wcoconcerts.org

ABOUT ALEXANDER SITKOVETSKY

Alexander Sitkovetsky, 32, was born in Moscow into a family with an established musical tradition and made his concerto debut at the age of eight. That same year he went to study at the Menuhin School in England.

Lord Yehudi Menuhin (below) was his inspiration throughout his school years and they performed together on several occasions, including the Double Concerto by Johann Sebastian Bach and Duos for Two Violins by Bela Bartok at the St. James Palace, and he played the Violin Concerto by Felix Mendelssohn under Menuhin’s baton.

Yehudi Menuhin

Since then, Sitkovetsky has gone on to perform with the Netherlands Philharmonic, the Philharmonia, Royal Philharmonic, London Mozart Players, Konzerthaus Orchester Berlin, Brussels Philharmonic, the European Union Chamber Orchestra, Malmo Symphony Orchestra, Anhaltische Philharmonie Dessau, Academy of St. Martin in the Fields, Moscow Chamber Orchestra, Mulhouse Symphony Orchestra, Stuttgart Chamber Orchestra, Lithuanian Chamber Orchestra, St. Petersburg Symphony, Welsh National Opera and the BBC Concert Orchestra among many others.

This season, Alexander Sitkovetsky will make his debut in Brussels, Poznan, Santa Cruz in Bolivia and St. Petersburg and will go on two nationwide tours of the UK with the Brussels Philharmonic and St. Petersburg Symphony. He will also tour Australia with the Australian Chamber Orchestra and perform with the Royal Philharmonic Orchestra at the Royal Albert Hall in London.

Sitkovetsky will return to the Kuhmo and Cheltenham Festivals and make debuts at the Verbier and Lockenhaus Festivals

Sitkovetsky, an avid chamber musician, has recorded for Angel/EMI, Decca, Orfeo, Onyx, BIS and Avanti Classics including the Bach Double Concerto with Julia Fischer.


    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,188 other followers

    Blog Stats

    • 2,033,709 hits
%d bloggers like this: