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By Jacob Stockinger
The Ear has received the following announcement to post about an interim job at Just Bach:
Do you love the music of Johann Sebastian Bach (below)?
Would you love to perform it every month in one of the most beautiful churches (below, in a photo by Barry Lewis) in Madison?
Are you a professional instrumentalist with training and experience in period performance practice?
Do you have strong organizational skills?
If the answer to all these questions is yes, then Just Bach needs you!
Because Co-Artistic Director Marika Fischer Hoyt (below) will leave on a sabbatical starting in November, Just Bach is looking for an instrumentalist to join the Artistic Team. (You can check out the typical format by using the search engine on this blog or going to Just Bach’s Facebook page or YouTube Channel.)
The popular monthly concert series, which made it to the final round of the 2021 “Best of Madison” awards, seeks an Interim Artistic Co-Director for its upcoming fourth season.
POSITION SUMMARY
The Interim Artistic Co-Director works with the Just Bach team and the staff at Luther Memorial Church to program, produce, promote and perform monthly Bach concerts (below) from September through May.
The Interim Co-Artistic Director helps finalize the programming, contract any remaining needed players, schedule rehearsals and performances, perform in the concerts as needed, and upload the concert video to the Just Bach YouTube channel.
The Co-Artistic Director devotes about 4 hours per month to administrative tasks, on a volunteer basis.
The Co-Artistic Director rehearses and performs as needed in the monthly concerts — and is paid $100 per concert. (You can hear and see the closing concert of this past season in the YouTube video at the bottom. Click on Show More to see other instruments, players, singers and the program.)
The current Artistic Team will provide training for this position, and will be available for assistance once the season begins.
A detailed job description is available at:: https://docs.google.com/document/d/1CDis-RSY5FUnfUGCBvYunWZ1fR4EtyfzSo3xYiMyjUs/edit#
For more information, please contact and apply to Just Bach at: justbachseries@gmail.com
APPLICATION ARE DUE BY JULY 5.
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The U.S. Library of Congress (LOC, exterior is below top and interior is below bottom) has started a new artistic project relevant to a public health crisis in both a historical era and the current times.
The LOC has commissioned 10 different short works, experienced in 10 different performance videos recorded at their homes — that pertain to the coronavirus pandemic and COVID-19 from American composers and performers.
It is called The Boccaccio Project after the Renaissance poet Giovanni Boccaccio (below), a 14th-century Italian writer who wrote “The Decameron,” a series of stories told by 10 people who fled from Florence, Italy, to find refuge in the countryside during the Black Plague.
The musical works will start being premiered on weekdays this coming Monday, June 15, at the Library of Congress website. The works will also be broadcast on social media including Facebook, Twitter and YouTube.
The website, which now has a complete list of performers and works, will soon have a complete schedule of world premieres, running on weekdays from Monday, June 15, to Friday, June 26. Then the manuscripts will be transferred to the LOC archives.
Here is a link: https://loc.gov/item/prn-20-038/
Many of the names will be unfamiliar to the general public. But an excellent story about the background and genesis of the project, including music samples, can be found on National Public Radio (NPR), which aired the story Friday morning.
Here is a link to that 7-minute story (if you listen to it rather than read it, you will hear samples of the music): https://www.npr.org/2020/06/12/875325958/a-new-library-of-congress-project-commissions-music-of-the-coronavirus-pandemic
And here are some of the participants, who are noteworthy for their ethnic and geographic diversity:
Flutronix (below) includes flutist Allison Loggins-Hull, left, and composer Nathalie Joachim.
The work by composer Luciano Chessa (below top) will be performed by violist Charlton Lee (below bottom), of the Del Sol Quartet:
And the work by Damien Sneed (below top) work will be performed by Jeremy Jordan (below bottom):
The new project strikes The Ear as a terrific and timely undertaking — the musical equivalent of the photographic project, funded and staffed by the Farm Security Administration (FSA) during The Great Depression of the 1930s. That project yielded enduring masterpieces by such eminent photographers as Dorothea Lange and Walker Evans.
But several questions arise.
How much did the project cost?
Will the general public be able to get copies of and rights to these works to perform? One assumes yes, since it is a public project funded with public money.
And will this project give rise to similar projects in other countries that are also battling the pandemic? New art – literature, films, painting, dance and so on — arising from new circumstances seems like something that is indeed worth the undertaking.
Listen to them.
What works stand out for you?
What do you think of the project?
The Ear wants to hear.
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