The Well-Tempered Ear

Music education: The Madison Youth Choirs explore the theme of “Legacy” in three concerts this Saturday and Sunday in the Capitol Theater of the Overture Center

May 8, 2019
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By Jacob Stockinger

The Ear has received the following announcement to post from the Madison Youth Choirs about their upcoming concerts this weekend:

This spring, Madison Youth Choirs singers are exploring the meaning of “Legacy,” studying works that have endured throughout history, folk traditions that have been passed on, and musical connections that we maintain with those who have come before us. Along the way, we’re discovering how our own choices and examples are leaving a lasting impact on future generations.

In our upcoming concert series in the Capitol Theater of the Overture Center, 201 State Street, on this Saturday, May 11, and Sunday, May 12, we’ll present a variety of works. They  include Benjamin Britten’s “The Golden Vanity,” Palestrina’s beloved “Sicut Cervus,” Sweet Honey in the Rock’s “Wanting Memories,” the final chorus of Handel’s oratorio Samson, American and Scottish folk songs, and Zoe Mulford’s powerful modern folk piece, “The President Sang Amazing Grace.”

The concert will also pay tribute to our alumni, with selections featured on the very first Madison Boychoir album, and past Cantabile singers invited to join us on stage for “Sisters, Now Our Meeting is Over.”

At the Saturday concert, MYC will present the 2019 Carrel Pray Music Educator of the Year award to Diana Popowycz (below), co-founder of Suzuki Strings of Madison.

DETAILS ABOUT “LEGACY” MYC’S SPRING CONCERT SERIES

Saturday
7:30 p.m. Purcell, Britten, Holst and Ragazzi (boychoirs)

Sunday
3:30 p.m. Choraliers, Con Gioia, Capriccio, Cantilena and Cantabile (girlchoirs)

7:30 p.m. Cantilena, Cantabile and Ragazzi (high school ensembles)

THREE WAYS TO PURCHASE TICKETS:

  1. In person at the Overture Center Box Office (lowest cost)
  2. Online (https://www.overture.org/events/legacy)
  3. By phone (608-258-4141)

Tickets are $15 for adults and $7.50 for students. Children under 7 are free, but a ticket is still required and can be requested at the Overture Center Box Office. Seating is General Admission.

This concert is supported by the Pleasant T. Rowland Foundation, American Girl’s Fund for Children, BMO Harris Bank, the Green Bay Packers Foundation, the Kenneth A. Lattman Foundation and Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, charitable arm of The Capital Times, and the W. Jerome Frautschi Foundation. This project is also made possible by a grant from the Wisconsin Arts Board with additional funds from the State of Wisconsin and the National Endowment for the Arts.

ABOUT MADISON YOUTH CHOIRS (MYC):

Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community. Cultivating a comprehensive music education philosophy that inspires self-confidence, responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.

REPERTOIRE

SATURDAY

For the 7:30 p.m. Concert (featuring MYC Boychoirs)

Britten

“The Golden Vanity,” by Benjamin Britten (to our knowledge, this will be the first time the work has ever been performed in Madison)

Purcell

“Simple Gifts” by Joseph Brackett, arr. Aaron Copland

“Tallis Canon” by Thomas Tallis

“Sound the Trumpet” from Come Ye Sons of Art by Henry Purcell

Britten   

“Ich jauchze, ich lache” by Johann Sebastian Bach

Holst

“Hallelujah, Amen” from Judas Maccabeus by George Frideric Handel

“Sed diabolus” by Hildegard von Bingen

“Bar’bry Allen” Traditional ballad, arr. Joshua Shank

“Ella’s Song” by Bernice Johnson Reagon

Ragazzi

“Let Your Voice Be Heard” by Abraham Adzenyah

“Sicut Cervus” by Giovanni Pierluigi da Palestrina

“Agincourt Carol,” Anonymous, ca. 15th century

Ragazzi & Holst

“The President Sang Amazing Grace” by Zoe Mulford, arr. Randal Swiggum

Holst

“Shosholoza,” Traditional song from Zimbabwe

Combined Boychoirs

“Will Ye No Come Back Again?” Traditional Scottish, arr. Randal Swiggum

Legacy Choirs

“Day is Done” by Peter Yarrow, arr. Randal Swiggum

SUNDAY

For the 3:30 p.m. Concert (featuring MYC Girlchoirs)

Choraliers

“Music Alone Shall Live,” Traditional German canon

“Ut Queant Laxis,” Plainsong chant, text attributed to Paolo Diacono

“This Little Light of Mine” by Harry Dixon Loes, arr. Ken Berg

“A Great Big Sea,” Newfoundland folk song, arr. Lori-Anne Dolloff

Con Gioia

“Seligkeit” by Franz Schubert

“Blue Skies” by Irving Berlin, arr. Roger Emerson

“When I am Laid in Earth” from Dido and Aeneas by Henry Purcell

“Pokare Kare Ana” by Paraire Tomoana

“Ah, comme c’est chose belle” Anonymous, 14th century

“Hope” by Marjan Helms, poem by Emily Dickinson

Capriccio

“Non Nobis Domine,” attributed to William Byrd

“Ich Folge Dir Gleichfalls” from St. John Passion by Johann Sebastian Bach

“Dirait-on” by Morten Lauridsen

Cantilena

“Aure Volanti” by Francesca Caccini

“Ella’s Song” by Bernice Johnson Reagon

Cantabile

“Come All You Fair and Pretty Ladies” Traditional Ozark song, adapted by Mike Ross

“Wanting Memories” by Ysaye M. Barnwell

Legacy Choir

“Music in My Mother’s House” by Stuart Stotts

For the 7:30 p.m. concert (featuring High School Ensembles)

Cantilena

“Aure Volanti” by Francesca Caccini

“Una Sañosa Porfía by Juan del Encina

“Ella’s Song” by Bernice Johnson Reagon

“O Virtus Sapientiae” by Hildegard von Bingen

Ragazzi

“Sicut Cervus” by Giovanni Pierluigi da Palestrina

“Agincourt Carol,” Anonymous, ca. 15th century

“Let Your Voice Be Heard” by Abraham Adzenyah

“The President Sang Amazing Grace” by Zoe Mulford, arr. Randal Swiggum

Cantabile

“In a Neighborhood in Los Angeles” by Roger Bourland

“Sed Diabolus” by Hildegard von Bingen

“Come All You Fair and Pretty Ladies” Traditional Ozark song, adapted by Mike Ross

“Wanting Memories” by Ysaye M. Barnwell

Combined Choirs

“Let Their Celestial Concerts All Unite” by George Frideric Handel

 Cantabile and Alumnae

“Sisters, Now Our Meeting is Over,” Traditional Quaker meeting song


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Classical music: This Friday night, the Wisconsin Union Theater presents a world-class Spanish string quartet and will also announce the special concerts to mark its centennial anniversary next season

February 28, 2019
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By Jacob Stockinger

Think of it as a two-fer, and then some, at the Wisconsin Union Theater this Friday night, March 1.

The main event is the Madison debut of a world-class string quartet from Spain.

The other event is the announcement of the schedule for the Concert Series’ 2019-2020 season — the series’ 100th season.

The first event is the concert by Cuarteto Casals (below) at 7:30 p.m. in Shannon Hall.

Prices for the event are: the general public, $25-40; for Union members, $25-36; for UW faculty and staff members, $25-38; for young people, $20; and for UW-Madison students, $10. Tickets can be bought online, by phone at 608-265-ARTS (2787) or in person. See locations and hours here.

The program includes the String Quartet in C Major “The Bird,” Op. 33, No. 3, by Franz Joseph Haydn; the String Quartet No. 3 by Bela Bartok; selections from the Fantasies for String Quartet by Henry Purcell; and the String Quartet in G Minor, Op. 10, by Claude Debussy. (You can hear the Cuarteto Casals play a movement of a different Haydn string quartet in the YouTube video at the bottom.)

Cuarteto Casals was founded in 1997 at the Escuela Reina Sofia in Madrid. They are named after great 20th-century Catalan cellist Pau (Pablo) Casals (below). Members of the quartet are Vera Martinez Mehner and Abel Tomas, violins; Jonathan Brown, viola; and Arnau Tomas, cello.

The group achieved international recognition after winning First Prizes at the London and Brahms-Hamburg competitions. After receiving the prestigious Burletti-Buitoni Trust award designed to assist young musicians, the quartet acquired a matching set of Baroque and Classical period bows, used to distinguish between musical styles.

The year 2017 marked the 20th anniversary of the quartet, and also the start of a commemorative project: a six-concert series of the complete Beethoven quartets, accompanied by six commissioned works from great composers since the 17th century.

The quartet was selected as ambassadors of Catalan culture by the Generalitat of Catalunya, and accompanies the King of Spain on diplomatic visits.

It is the quartet-in-residence at the Spanish Royal Palace through 2020 and the quartet-in-residence at the Escola Superior de Musica de Catalunya in Barcelona.

Carol Carlson (below) will offer a free pre-concert lecture at 6 p.m. Carol holds both Doctor of Musical Arts and Master of Music degrees in violin performance from the UW-Madison.

Carlson dedicates herself to music education as co-founder, co-director and teacher of Music con Brio, a non-profit organization that provides affordable violin lessons and equipment for students at Emerson Elementary School in Madison. Music con Brio (below, in a photo by Scott Maurer) will perform on the stage of Shannon Hall from 7 to 7:20 p.m.

This program was supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. The media sponsor is WORT 89.9 FM.


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Classical music: The Wisconsin Youth Symphony Orchestras (WYSO) perform their annual Winterfest concerts this Saturday afternoon — with guest clarinetist Amitai Vardi — and on Saturday, March 2

February 15, 2019
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By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO, below is the Youth Orchestra) will present the Diane Ballweg Winterfest Concerts this Saturday, Feb. 16, and Saturday, March 2, in Mills Concert Hall in the Mosse Humanities Building, 455 North Park Street in Madison, at the University of Wisconsin-Madison’s Mead Witter School of Music.

WYSO orchestras will perform pieces by Carl Maria von Weber, Antonin Dvorak, Georges Bizet, Sergei Prokofiev, Richard Wagner, Peter Ilyich Tchaikovsky, Manuel DeFalla, Johann Strauss, Modest Mussorgsky  and others.  For a complete program listing, go to: https://www.wysomusic.org/diane-ballweg-winterfest-2019-repertoire/

“These are wonderful works and the orchestras are progressing beautifully in rehearsal,” said WYSO music director Kyle Knox (below). “It looks to be a memorable concert series.”

Guest clarinetist Amitai Vardi (below) will perform Weber’s Concertino for Clarinet and Orchestra, Op. 26,  with the Youth Orchestra during their Feb. 16 concert. (You can hear Weber’s Concertino in the YouTube video at the bottom.)

Amitai Vardi — his father Uri Vardi teaches cello at the UW-Madison — is a WYSO alumnus who grew up in Madison. He performs regularly with the Cleveland Orchestra and is currently a professor at Kent State University in Ohio.

“WYSO was the first orchestra I ever played in,” Vardi said. “The experience developed my listening skills, knowledge about ensemble playing, love for orchestral music, and taught me how to be a well-rounded musician.”

Concert tickets are available 45 minutes prior to each concert, and are $10 for adults and $5 for youth 18 and under.

Visit www.wysomusic.org to learn more about the various orchestras and about the WYSO program.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois each weekend throughout the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students, including ensembles and chamber groups.

Diane Ballweg Winterfest Concerts

Saturday, Feb. 16 in Mills Hall
4 p.m. Youth Orchestra
With guest artist Amitai Vardi, clarinet

Saturday, March 2, 2019, Mills Hall
11:30 a.m. Opus One and Sinfonietta
1:30 p.m. Concert Orchestra
4 p.m. Philharmonia Orchestra and Harp Ensemble


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Classical music: Bach Around the Clock 2019 is looking for performers of all kinds to play on March 2

January 20, 2019
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By Jacob Stockinger

Do you like the music of Johann Sebastian Bach (below, followed by photos of performances from past years)?

Then attention individuals and groups!

Amateurs and professionals!

Students and teachers!

Young people and old!

Instrumentalists and singers!

Bach Around the Clock – the annual one-day festival to mark the birthday of composer Johann Sebastian Bach – is looking for performers for the 12 hours of celebration.

This year, the event takes place on Saturday, March 2.

Here is an official announcement with complete details about participating in and supporting the event:

Would YOU like to perform at Bach Around the Clock (BATC)?

Plan to join in the celebration of the 334th birthday of Johann Sebastian Bach (1685-1750).

Musicians — amateur and professional — are invited to perform their favorite piece by Bach.

To request a performance spot, go to the BATC website and click on “Contact Us” to find our online sign-up request form.

Tell us who you are, whether it’s you alone or in a group, what you would like to perform, what instrument(s) and the approximate amount of time you would like for your performance. We will get back in touch with you with complete details.

Here is a link: https://bachclock.com/

Performances will take place on Saturday, March 2, at St. Andrew’s Church, 1833 Regent St., Madison, from 10 a.m. until 10 p.m. It will be live-streamed on local radio stations and websites.

P.S.  You can help keep this festival free and open to all! Bach Around the Clock welcomes donations to help meet the costs of offering this free community event. To make a secure online contribution, click below:

Donate

Bach Around the Clock is a 501(c)(3) non-profit organization; contributions are tax-deductible to the extent allowed by law.

The Ear, who finds the event instructive and enjoyable, wants to add that although he loves and appreciates performances of Bach’s works as they were originally intended, he especially enjoys unusual arrangements that show the plasticity and genius of Bach’s music. He loves bluegrass Bach, roots Bach, jazz Bach, fell Bach and more.

From past years, he remembers hearing Two-Part Inventions written for keyboard played by a bassoon and flute duo. (You can hear it in the YouTube video at the bottom.) Similarly, he found it entrancing when one of the suites for solo cello was played on a saxophone and another on an electric bass guitar.

The Ear loves such unexpected variety – and is sure that Johann Sebastian himself, who often borrowed from and transcribed his own works, would approve.


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Classical music: The amateur Middleton Community Orchestra performs a non-traditional “holiday” concert of Mahler and Kodaly this Wednesday night

December 17, 2018
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By Jacob Stockinger

During the holiday season, many — maybe even most — classical music groups program music that goes with the theme of the holidays from Christmas and Hanukkah to Kwanzaa and the New Year.

But some groups wisely give listeners a respite from holiday fare.

That happened one week ago when the University of Wisconsin-Madison Choral Union and the UW Symphony Orchestra, under the baton of Beverly Taylor, performed a memorable program that featured the brassy “Te Deum” by Zoltan Kodaly and especially the calming Requiem by Maurice Duruflé.

Something similar will happen again this Wednesday night, Dec. 19, at 7:30 p.m. in the comfortable Middleton Performing Arts Center, attached to Middleton High School, 2100 Bristol St.

That is when the mostly amateur but critically acclaimed Middleton Community Orchestra (below, in a photo by Brian Ruppert) will perform its “holiday” concert that is holiday-ish more as a matter of timing than of content or theme, since you won’t hear any carols or sing-alongs or the usual or traditional holiday fare. The Ear thinks it’s a smart approach and a welcome break.

The non-holiday “holiday” program includes “Songs of a Wayfarer” by Gustav Mahler, sung by UW-Madison baritone Paul Rowe (below).

Also on the program is “Le Boeuf sur le Toit” (The Steer on the Roof) by Darius Milhaud with violinist soloist Naha Greenholtz (below, in a photo by Greg Anderson), who is the concertmaster of the Madison Symphony Orchestra.

Matthew Coley (below top), a member of the acclaimed Madison-based percussion group “Clocks in Motion,” will perform two pieces of Hungarian music that use the rarely heard cimbalom (below bottom): the “Czardas” by Vittorio Monti and the “Hary Janos Suite” by Kodaly. (You can hear Monti’s familiar “Czardas” in a version for violin and piano in the YouTube video at the bottom.)

Kyle Knox (below), who is the new music director of the Wisconsin Youth Symphony Orchestras and the new associate conductor of the Madison Symphony Orchestra, and who is also the husband of Naha Greenholtz, will once again be the guest conductor.

Admission is $15 for the general public with students and young people getting in for free. Tickets can be bought at the Willy Street Co-op West and at the door. The box office opens at 6:30 p.m. and doors to the hall open at 7 p.m.

As usual, there will be a meet-and-greet reception (below) – complete with Christmas cookies, you can be sure – at the end of the concert.

For more information about future MCO concerts, reviews of past concerts and details about how to join the orchestra or support it, go to: http://middletoncommunityorchestra.org/home


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Classical music: The Madison Choral Project will sing and celebrate young people’s “Hope for the Future” at its concerts this Saturday night and Sunday afternoon

December 13, 2018
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By Jacob Stockinger

Christmas is for the children, goes the old saying — and in more than one way such as gift-giving. The birth of Jesus represents the birth of hope and salvation in Christianity.

Other holiday traditions can claim the same — the extra light theme of Hanukkah in Judaism and the harvest theme of the African celebration of Kwanzaa, for example — and of course the New Year will soon be here with its promise of hope and change.

Now the critically acclaimed and professional Madison Choral Project (below top, in a photo by Ilana Natasha) and its founder, artistic director and conductor Albert Pinsonneault – who used to teach at Edgewood College and now works at Northwestern University near Chicago while living in Madison – has taken that saying to a new level and given it new meaning.

You can hear the results for yourself this Saturday night, Dec. 15, at 7:30 p.m. and Sunday afternoon, Dec, 16, at 3 p.m. in Madison, and at 7:30 p.m. on Tuesday night, Dec. 18, in Milwaukee.

The Madison performances are at Christ Presbyterian Church, 944 East Gorham Street. The Milwaukee performance is at the Cathedral of St. John the Evangelist, 812 Jackson St.

Tickets are $24 in advance online; $28 at the door. Students with ID are $10. Preferred seating is $40.

The theme of the sixth holiday concert by MCP is “Hope in the Future,” which is relevant at any time but seems particularly so this year. So it includes specially commissioned writings by young people, middle school and high school students from grades 6 through 12. Their work will be read by Noah Ovshinsky (below), the news director at Wisconsin Public Radio.

There’s no need to reinvent the wheel, so The Ear wants instead to direct you to a fine story about the MCP concert by reporter Gayle Worland for The Wisconsin State Journal.

There you will find out much more about the identities of the young writers, with a couple of examples of their work, and the inspiration or background of the theme that Pinsonneault (below) came up with.

Here is a link:

https://madison.com/wsj/entertainment/music/madison-choral-project-offers-young-vision-of-hope/article_9aff921e-2446-51d7-9c8c-5195e41f4b32.html

Unfortunately, what you will not find in that story or at the MCP’s home web page is the music program. No composers or specific works are mentioned.

But judging from past performances, you can count on outstanding repertoire of both classics and new music.

For more information about the MCP and its past concerts as well as it personnel and singers, go to: http://themcp.org

Here is a sample of the outstanding work by the Madison Choral Project:


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Classical music: The Winter Concert Series by the Madison Youth Choirs next Saturday and Sunday feature the theme of “Resilience” with guest artist Tony Memmel

December 2, 2018
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By Jacob Stockinger

The Ear has received the following announcement to post:

This semester, the Madison Youth Choirs welcome guest artist Tony Memmel, a singer-songwriter and guitarist whose story of ingenuity and resilience will inspire young singers and audience members alike.

Born without a left forearm or hand, Memmel (below) taught himself to play guitar by building a homemade cast out of Gorilla Tape, and has become an internationally acclaimed musician, thoughtful teacher and ambassador for young people with limb differences. (You can hear Memmel talk about  himself in the YouTube video at the bottom.)

On this coming Saturday night, Dec. 8, and Sunday afternoon, Dec., 9, at the Middleton Performing Arts Center that is attached to Middleton High School at 2100 Bristol Street, Memmel will join the Madison Youth Choirs in a Winter Concert Series called “Resilience” because it focuses on the ability to overcome challenges both visible and invisible, and along the way discover the limitless possibilities that exist inside each of us.

Here is the schedule:

Saturday, Dec. 8, at 7:00 p.m. – Purcell, Britten, Holst and Ragazzi choirs

Sunday, Dec. 9, at 4:00 p.m. – Choraliers, Con Gioia, Capriccio, Cantilena and Cantabile choir

Tickets will be available at the door, $10 for general admission; $5 for students 7-18; and free for children under 7.

These concerts are generously endowed by the Diane Ballweg Performance Fund with additional support from our sponsors, American Girl’s Fund for Children, BMO Harris Bank, Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation. This project is also supported by the Madison Arts Commission and the Wisconsin Arts Board with funds from the National Endowment for the Arts.

About Madison Youth Choirs (MYC): Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.

Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.

For more information about supporting or joining MYC, go to: https://www.madisonyouthchoirs.org

HERE IS THE COMPLETE REPERTOIRE OF THE MYC 2018 WINTER CONCERT SERIES “RESILIENCE”:

SATURDAY, DEC.  8, at 7:00 p.m. Concert (featuring MYC Boychoirs)

Combined Boychoirs with Tony Memmel

“Clenched Hands, Brave Demands” by Tony Memmel

“Though My Soul May Set in Darkness,” text by Sarah Williams, composer unknown

 Purcell

“Who Can Sail” Scandinavian Folk Song, arr. Jeanne Julseth-Heinrich

“Hine Ma Tov” Hebrew Folk Song, arr. Henry Leck

Britten   

“Jerusalem,” poem by William Blake, music by Sir Hubert Parry

“This Little Babe” from A Ceremony of Carols by Benjamin Britten

Holst

“Keep Your Lamps,” traditional spiritual, arr. André Thomas

“Out of the Deep” by John Wall Callcott

“Shosholoza,” Traditional song from Zimbabwe, arr. Albert Pinsonneault

Combined Boychoirs

“Angels’ Carol” by John Rutter

Tony Memmel

Selections to be announced

Ragazzi

“Wie Melodien” (Op. 5, No. 1) by Johannes Brahms

“The Chemical Worker’s Song” by Ron Angel, arr. after Great Big Sea

“Abraham Lincoln Walks at Midnight” by Abbie Betinis

Combined Boychoirs with Tony Memmel (below)

“America to Go” by Tony Memmel

SUNDAY, DEC. 9, at 4:00 p.m. Concert (featuring MYC Girlchoirs)

Combined Girlchoirs with Tony Memmel

“Clenched Hands, Brave Demands” by Tony Memmel

Choraliers

“Be Like a Bird,” Text from Victor Hugo, music by Arthur Frackenpohl

“Art Thou Troubled” by George Frideric Handel

“Blustery Day” by Victoria Ebel-Sabo

Con Gioia

“Bist du bei mir” by Johann Sebastian Bach from “The Notebook of Anna Magdalena Bach”

“I Heard a Bird Sing” by Cyndee Giebler

“Ask the Moon” from Three Settings of the Moon by Ron Nelson

“I’ll Overcome Someday” by C.A. Tindley

“We Shall Overcome” arr. by Marie McManama and Con Gioia

“i shall imagine” by Daniel Brewbaker, text by e.e. cummings

South African National Anthem by E.M. Sontonga and M.L. de Villiers

Capriccio

“Resilience” by Abbie Betinis

“Be Like the Bird” by Abbie Betinis

“Esurientes” from Magnificat in G minor by Antonio Vivaldi

“And Ain’t I a Woman!” by Susan Borwick, adapted from a speech by Sojourner Truth

Tony Memmel

Selections to be announced by Tony Memmel

Cantilena

“Vanitas vanitatum” by Jan Pieterszoon Sweelinck

“Chant for a Long Day” by Stephen Hatfield

“Wir eilen mit schwachen doch emsigen Schritten”(from BWV 78) by Johann Sebastian Bach

“The Storm is Passing Over” by Charles Albert Tindley, arr. Barbara Baker

Cantabile

“Ich weiss nicht”(Op. 113, No. 11) by Johannes Brahms, text by Friedrich Rueckert

“Widmung” (Op.25, No. 1) by Johannes Brahms, text by Friedrich Rueckert

“I Never Saw Another Butterfly” by Charles Davidson

Combined Choirs with Tony Memmel

“America to Go” by Tony Memmel


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Classical music education: The all-student Madison Area Youth Chamber Orchestra (MAYCO) performs music by Mozart and Aaron Copland this coming Saturday night and Sunday afternoon

August 1, 2018
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By Jacob Stockinger

This coming weekend, the Madison Area Youth Chamber Orchestra (MAYCO, below in a photo by Steve Rankin) performs “Interplay,” featuring music by Mozart, Copland and Grieg.

There will be two performances.

The first is on Saturday, Aug. 4, at 7:30 p.m. at the First United Methodist Church (below), 203 Wisconsin Avenue, off the Capitol Square.

Then on Sunday, Aug. 5, MAYCO will perform at 12:30 p.m. in Brittingham Gallery 3 at the UW-Madison’s Chazen Museum of Art as part of the monthly “Sunday Afternoon Live at the Chazen” series, which can be STREAMED LIVE by going to: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen-8-5-18/

Admission for the Saturday performance is $10 at the door; students by donation. The Sunday performance is FREE, and reservations can be made by going to the above link.

For more information, visit www.mayco.org or www.facebook.com/madisonchamberorchestra.

ABOUT THE ORCHESTRA

MAYCO is a free summer festival ensemble dedicated to providing an intensive small orchestra experience for advanced high school and college musicians.

Founded in 2010 by music director Mikko Rankin Utevsky, the orchestra prepares a full program over the course of each one-week summer session, culminating in a public concert (below is a photo by Dennis Gotowksi of the concert this past June).

For The Ear, Utevsky (below top) and his general manager and concertmaster-wife Thalia Coombs (below bottom) answered some questions about the concerts:

WHAT CAN YOU TELL US ABOUT THE PROGRAM?

The orchestra will be joined by guest soloist Trevor Stephenson (below), who is the artistic director and keyboard player of the Madison Bach Musicians. On fortepiano, he will solo in Mozart’s Piano Concerto No. 9 in E-flat Major, K. 271, sometimes nicknamed the “Jeunehomme” Concerto. (You can hear the lively, tuneful and infectious last movement of the Mozart concerto in the YouTube video at the bottom.)

Stephenson has led workshops on historical performance practices with the orchestra in past seasons, and we’re delighted to work with him to bring one of Mozart’s weirdest and wildest youthful masterpieces to life.

The ballet suite from “Appalachian Spring” by Aaron Copland (below) is one of the defining works of his classic American sound, juxtaposing the pastoral beauty of the countryside with his trademark rhythmic vitality. We are performing the original chamber version, in which the clarity of texture illuminates the intricate internal structure of the piece.

Two high school students from our Conducting Apprenticeship Program will lead Grieg’s affecting miniature, “Last Spring,” for string orchestra. Cellist Elizabeth Strauss and violinist Monona Suzuki (below, in 2013) are this year’s Apprentices.

WHY IS THE CONCERT CALLED “INTERPLAY”?

We wanted to highlight the sense of conversation and interaction present in the two major works on this program.

The Mozart concerto is remarkable for the degree of interplay between soloist and orchestra. From the opening bars they are constantly interrupting each other, finishing each other’s sentences. It’s what gives the piece its unique sense of drama.

There’s a truism that Mozart made everything he wrote into an opera, and it’s certainly evident here: the melodies could have been lifted straight out of “The Marriage of Figaro.”

In the Copland work, it’s more about the intricacy of texture and the sense of playfulness in the way the various parts interact.

This project is funded in part by a grant from the Madison Arts Commission, with additional funds from the Wisconsin Arts Board; and by Dane Arts, with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation.


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Classical music: The Madison Savoyards marks its 55th anniversary with six performances of “Die Fledermaus” starting this Friday night

July 17, 2018
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ALERT: Tomorrow, on Wednesday night, July 18, at 7:30 p.m. in the First Congregational United Church of Christ, 1609 University Avenue near Camp Randall Stadium, the Madison Summer Choir will mark its 10th anniversary with a performance of the choral and orchestral Mass in D Minor by Anton Bruckner and other works including one by Johannes Brahms. For more information, go to:

http://www.madisonsummerchoir.org

https://welltempered.wordpress.com/?s=Madison+summer+choir

By Jacob Stockinger

Starting this weekend, the Madison Savoyards presents Die Fledermaus, or The Bat, by Johann Strauss Jr. — sung in English with supertitles — at UW Music Hall at the base of Bascom Hill.

Evening performances are on Friday, July 20; Friday, July 27; and Saturday, July 28; matinees are at 3 p.m. on Saturday, July 21; Sunday, July 22; and Sunday, July 29.

Ticket prices are $30 for the public; $28 for seniors; $15 for students and youth under 17; and $5 for children under 5. Tickets can be purchased through UW Box Office at (608) 265-2787, www.arts.wisc.edu, or in person at the door. Group sales of 10 or more available by telephone only.

For more information, go to the website: www.madisonsavoyards.org

The production marks the 55th anniversary of the Madison Savoyards, best known for presenting the operettas of Gilbert and Sullivan.

For this production, board director J. Adam Shelton makes his debut as stage director and Kyle Knox (below), a UW-Madison graduate, returns as music director and conductor. He is also the music director of the Wisconsin Youth Symphony Orchestras and the new associate conductor of the Madison Symphony Orchestra. (You can hear the popular Overture to Die Fledermaus in the YouTube video at the bottom.)

Die Fledermaus is the story of a romantically stale couple that learns to love again all the while playing the fools in this comedy of errors.

Eisenstein and his wife Rosalinda, fall prey to a cruel joke by their old pal Falke involving their chambermaid, a Russian prince, a prison warden and a tenor who can’t get the girl. Everyone works his or her way up and down the social ladder in this futuristic production set in 2021.

The famous second act masquerade ball is a menagerie theme featuring a ballet performance by Central Midwest Ballet Academy of Middleton.

The choreographer is Kristin Roling, with costumes by Rebecca Stanley and set design by Corey Helser.

The cast includes Tim Rebers (below top) as Eisenstein and Erica K. Bryan (below bottom) as Rosalinda.

Also featured are Michelle Buck (below top) as Adele; Ben Swanson (below second) as Falke; Kirsten Larson (below third) as Prince Orlofsky; and Tom Kastle (below bottom) as Frosch.

Grant funding supports the artists and underwrites the Children’s Pre-Show (1 p.m. on July 22 at UW-Madison’s Music Hall) where children will meet members of the cast and crew, and learn about the show and its music, tour the theater, and create a show-centric craft for free.

American Sign Language service is available, by request, for the July 21 performance.

ABOUT THE SAVOYARDS 

It is the mission of the Madison Savoyards “to preserve the works of Gilbert and Sullivan (below) and other light opera by producing and promoting live performances; to develop the skills and talent of cast, crew and musicians of all ages; and to inspire, entertain, and educate the community through performances and other initiatives.”

More information can be found on the company’s Facebook page along with behind-the-scenes insights to the production.

J. ADAM SHELDON (below) ANSWERS TWO QUESTIONS FROM THE EAR:

Why does the anniversary production feature Johann Strauss Jr. rather than Gilbert and Sullivan?

“We decided to celebrate our 55th anniversary with Die Fledermaus to try something new as a company.  Strauss Jr.’s Fledermaus is always a party and will elevate our audiences in the same ways as they have come to expect with G&S.

“We have actually continued our tie to G&S by choosing a libretto that is based upon Gilbert’s translation of the original Meilhac and Halevy play, Le Réveillon. Gilbert’s On Bail brandishes the same humor, socio-political commentary, and alliterative patters we expect from his pen. It only seemed logical to use a translation steeped in Gilbert’s.

“Additionally, our company has performed nearly every work in the G&S collaborative canon — the only exceptions being the reconstructed Thespis & Pineapple Poll — and we want to see how the community embraces us peppering in other light opera and operettas into our repertoire. Some celebrate 55 years with emeralds; we’re celebrating with love… and a twist!

“The story of Fledermaus really did not need a ton of punching up to meet the year. For fun we have included Wisconsin references like Spotted Cow beer, cheese curds (my personal favorite), and Old Fashioneds, which enliven the second act even more, but the core of the story is timeless.

“Whether told with Viennese costumes, or modern attire and cell phones, this story could happen anytime, anywhere.  People still play practical jokes on one another, people escape to costume parties for fun, and lovers still fall in, and maybe out, of love.

“Furthermore, Rebecca Stanley (our costume designer) and I imagined a grand masquerade ball in the second act where high fashion meets “cosplay.”  (EDITOR’S NOTE: For a definition of “cosplay,” here is a link to Wikipedia: https://en.wikipedia.org/wiki/Cosplay)

Why did you choose to do it in English?

“The Madison Savoyards is dedicated to continuing the tradition of performing in English. It offers accessibility to our audiences that larger operatic works sometimes cannot. Plus, light opera historically is offered in the vernacular of wherever it’s performed.

“Likewise, we are continuing to offer comedic works as the core of our repertoire.

“We recognize we have a powerful place in the community offering comedic works exclusively in English. But we will offer supertitles this summer for those who might not be familiar with the story.”


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Classical music education: NPR gets rid of pianist Christopher O’Riley as a long-time host of “From the Top”

July 15, 2018
9 Comments

By Jacob Stockinger

If you are a fan of the award-winning program “From the Top” – which spotlights talented young classical musicians (below) and is broadcast weekly on National Public Radio (NPR) – you will want to know that this season is the last one for pianist Christopher O’Riley (below), who has hosted the show for the past 18 years.

NPR is not renewing his contract and O’Riley will NOT return for the 2018-19 season.

“From the Top” airs locally on Sunday nights — including tonight — at 8 p.m. on Wisconsin Public Radio (WPR).

You might recall that O’Riley — a gifted and award-winning pianist is his own right — has also played his own concerts in Madison.

Years ago, he played his solo piano transcriptions of rock songs by Radiohead at the Wisconsin Union Theater.

This past spring, he played a Mozart piano concerto to close the season of the Madison Symphony Orchestra.

For more about the 61-year-old O’Riley, here is a link to his biography on Wikipedia:

https://en.wikipedia.org/wiki/Christopher_O%27Riley

For the radio program, he accompanied some of the talented young classical musicians who were featured, and also provided short interludes of solo piano music, which were compiled on a CD several years ago.

For more about the show (below), go to: https://www.fromthetop.org and view the YouTube video at the bottom, which features a behind-the-scenes look at the show:

Although it focuses on string players who have appeared on “From the Top,” here is a story, with many names and details, from The Violin Channel:

https://theviolinchannel.com/christopher-oriley-from-the-top-radio-tv-let-go-contract-not-renewed/

One thing worth mentioning is that O’Riley’s departure will NOT mark the end of the show. “From the Top” will continue with guest hosts, some of whom will be successful or famous alumni of the show.

What do you think of the news about Christopher O’Riley?

What do you think of “From the Top”?

What do you think of Christopher O’Riley as a host and a pianist?

The Ear wants to hear.


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