The Well-Tempered Ear
Classical music: In two FREE concerts on Sunday afternoon and evening, the UW Wind Ensemble celebrates Black History Month and the guest duo Bridge of Song celebrates Nordic song
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By Jacob Stockinger
On a weekend with a lot of live music, two FREE concerts also take place at the University of Wisconsin-Madison’s new Hamel Music Center, 740 University Ave., on Sunday afternoon and early Sunday evening. Details are below:
BLACK HISTORY MONTH
At 2 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble (below) will celebrate Black History Month with a FREE concert.
The conductor is director Scott Teeple (below).
Also participating is the Madison-based Mt. Zion Baptist Church Gospel Choir (below), with director Leotha Stanley.
The program is:
Adolphus Hailstork (below): “American Guernica” (heard in the YouTube video at the bottom)
Armando Borolo: “Last Breaths”
DaSean Stokes, soloist
Aaron Copland: “A Lincoln Portrait”
Traditional/arr. Reynolds: “He’s Got the Whole World in His Hands”
Stephen Newby: “When I See His Glorious Face/Can’t Nobody Do Me Like Jesus”
Omar Thomas: “Of Our New Day Begun”
For more information, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-7/
NORDIC SONG
Then at 6:30p.m. in the Collins Recital Hall, there is a FREE concert to promote Nordic song by Bridge of Song.
Bridge of Song is a voice and piano duo. It features soprano Kathleen Roland-Silverstein (below top) and pianist Collin Hansen (below bottom).
Songs will be performed in three languages — Swedish, Finnish and English. For a complete program of composers and works – unfortunately, with no translations of the foreign-language titles – as well as extended biographies of the performers, go to: https://www.music.wisc.edu/event/bridge-of-song/
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Classical music: An newly formed early music trio will give two performances of rarely played 16th-century and 17th-century Baroque music this weekend at two Madison churches. Plus, Madison Symphony Orchestra maestro John DeMain discusses Dvorak’s “New World” Symphony on WORT-FM 89.9 Thursday morning.
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ALERT: Blog friend Rich Samuels, who hosts his “Anything Goes” show from 5 to 8 a.m. every Thursday on WORT-FM 89.9, writes: “John DeMain joins me at 7:08 a.m. on Thursday, Jan. 23, to talk about the Madison Symphony Orchestra‘s “Beyond the Score” presentation and performance of Antonin Dvorak‘s Symphony No. 9 on Sunday, 1/26. In addition to John DeMain’s take on the symphony “From the New World.” I’ll also be offering a 1927 discussion of the work by Leopold Stokowski (with musical examples performed by Artur Rodzinski, who was then Stokowski’s assistant at the Philadelphia Orchestra), and a 1956 analysis by Leonard Bernstein taken from an LP distributed by the Book of the Month Club. I’ll also be airing the one and only recording by African-American composer Harry T. Burleigh (below) who, as a young music student, introduced Dvořák to the Negro spiritual. And I’ll be playing Marian Anderson’s first recording (made when she was 26) of Burleigh’s arrangement of “Deep River.”
By Jacob Stockinger
The Ear met Eric Miller (below) at Wisconsin Public Radio‘s now defunct “Bach Around the Clock,” which used to e held annual to mark the birth of Johann Sebastian Bach. Miller, who plays the viola da gamba and is a friend of the blog, writes about two performances by an early music and period instrument trio of 16th-century and 17th-century Baroque music coming up this weekend:
Miller writes: “Come hear our new trio, as part of the newly formed Wisconsin Baroque Musicians Collective, a collection of musicians from across the state interested in historically informed performance.
“The musicians for this concert are: Theresa Koenig (below top), recorder and dulcian; Sigrun Franzen (below bottom) on organ; Koenig; and me on cornetto and baroque cello:
“Here is the program: Daniel Speer, Sonata II; Giovanni Cima, Capriccio and Sonate from “Concerti Ecclesiastici”; Girolamo Frescobaldi (below top), “Canzon Prima, Ricercar”; Phillipe Boddecker, Sonat Sopra la Monica; Giovanni Bassano (below bottom and in a YouTube video at the bottom), “Dolci rosate labia”; Giovanni Fontana, Sonata Nona”; and Bartolome de Selma, Canzon.
“There will be two chances to hear this program: on Saturday, Jan. 25, at 7 p.m. in Saint Andrew‘s Episcopal Church (below), 1833 Regent Street, with a $15 suggested donation; and on Sunday, Jan. 26, at 3 p.m. at Zion Lutheran Church, 2165 Linden Ave.; also with a $15 suggested donation, with all proceeds going to the Zion food pantry.
“The program will feature the beautiful organs at both Saint Andrew’s Episcopal and Zion Lutheran, both in Madison and a variety of instrument combinations, including the dulcian (below top), a predecessor of the modern bassoon, and the cornetto (below bottom), a wooden instrument with holes like a flute, but played with a brass embouchure.
For more information, here is a link to a Facebook page: https://www.facebook.com/events/496065417177605/?source=1
Tags: Antonín Dvořák, Bach, Baroque, Baroque music, Book of the Month Club, Chamber music, Classical music, Early music, Episcopal Church, Facebook, Giovanni Bassano, Giovanni Paolo Cima, Girolamo Frescobaldi, Harry T. Burleigh, Historically informed performance, Jacob Stockinger, Johann Sebastian Bach, John DeMain, Leopold Stokowski, Lutheranism, Madison, Madison Symphony Orchestra, Music, Saint Andrew, Saturday, Wisconsin, wisconsin public radio, YouTube, Zion, Zion Lutheran Church
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