By Jacob Stockinger
Norwegian violinist Henning Kraggerud plays beautifully, even flawlessly, but always expressively.
You can hear that for yourself tonight, Saturday night and Sunday afternoon when he solos in the popular Violin Concerto No. 1 in G Minor by Max Bruch with the Madison Symphony Orchestra under the baton of John DeMain. (The famous Symphony No. 6 “Pastorale” by Ludwig van Beethoven is also on the program.)
Here is a link to more about the MSO concerts:
But Kraggerud is also a serious thinker about music and musicians.
He recently appeared in a blog posting. There he praised the use of improvising and composing as ways to explore and expand one’s musicality. And he practices what he preaches: three of his own compositions are on the MSO program this weekend. (You can hear more about his own training in the YouTube interview with Henning Kraggerud at the bottom.) He also improvised Thursday afternoon on The Midday program of Wisconsin Public Radio.
Kraggerud laments the loss of well-rounded musicians who know more about the world than just music.
He puts the use of metronome markings in a subjective perspective by quoting famous composers like Johannes Brahms and Claude Debussy. He believes that expression, rather than precision, should be the ultimate goal.
And he condemned various practices, including teaching methods, recordings and competitions, that place technical perfection above personal, subjective interpretation as a goal. He praises the use of informed interpretative freedom from Johann Sebastian Bach onwards.
Here is a link to Kraggerud’s remarks and observations, which take on added interest and relevance due to his appearances in Madison this weekend: