The Well-Tempered Ear
Check out the 2022 classical music Grammys for trends and suggested listening
4 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
No doubt you have already heard about the 64th annual Grammy Awards, which were awarded last Sunday night.
But chances are you haven’t heard much about the classical music Grammys.
That’s just not where the money and publicity are for major record companies and for the music industry in general, compared to other, much more profitable genres such as hip-hop, rock and pop.
But the classical Grammy nominations and winners can be a good source about what composers, performers and music you might want to check out via streaming or by buying a CD.
You can also get a good idea of trends in classical music.
Contemporary or new music is big again this year, dominating the old standard classics.
Just like local, regional, national and international performers, both individuals and groups, the Grammys show an emphasis on female composers and performers, and a similar emphasis on rediscovering composers and performers of color from both the past and the present.
You might also notice that the New Orleans-born, Juilliard-trained jazz pianist and singer Jon Batiste (below) — who plays on CBS’ The Late Show with Stephen Colbert and directs the house band Stay Human and who seems a one-man Mardi Gras — was nominated for a record 11 Grammys and won five in other categories, seems to be the new Wynton Marsalis. Like Marsalis, with whom Batiste worked, Batiste seems perfectly at home in classical music as well as jazz, soul, blues and pop. And his original classical work Movement 11 was nominated for a Grammy this year.
Social activism, in short, has finally brought diversity and inclusion into the Grammys in a way that seems permanent.
Below are the nominations and winners of the 2022 classical music Grammys. Winners are boldfaced. I have also offered a few examples of those musicians who have performed in Madison and for what venue, although there are many more connections than indicated.
If you want to see the nominations and winners in other categories, here is a link:
https://www.npr.org/2022/04/03/1090342877/2022-grammys-full-list-winners-nominees
75. Best Engineered Album, Classical
- Archetypes — Jonathan Lackey, Bill Maylone and Dan Nichols, engineers; Bill Maylone, mastering engineer (Sérgio Assad, Clarice Assad and Third Coast Percussion)
- Beethoven: Cello Sonatas – Hope Amid Tears — Richard King, engineer (Yo-Yo Ma and Emanuel Ax)
- Beethoven: Symphony No. 9 — Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck, Mendelssohn Choir Of Pittsburgh and Pittsburgh Symphony Orchestra)
- Chanticleer Sings Christmas — Leslie Ann Jones, engineer (Chanticleer)
- Mahler: Symphony No. 8, ‘Symphony Of A Thousand’ — Alexander Lipay and Dmitriy Lipay, engineers; Alexander Lipay and Dmitriy Lipay, mastering engineers (Gustavo Dudamel, Fernando Malvar-Ruiz, Luke McEndarfer, Robert Istad, Grant Gershon, Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus, Pacific Chorale and Los Angeles Philharmonic)
76. Producer Of The Year, Classical
- Blanton Alspaugh
- Steven Epstein
- David Frost
- Elaine Martone
- Judith Sherman (below, who also recorded the UW-Madison Pro Arte Quartet’s centennial commissions)
CLASSICAL
77. Best Orchestral Performance
- “Adams: My Father Knew Charles Ives; Harmonielehre” — Giancarlo Guerrero, conductor (Nashville Symphony Orchestra)
- “Beethoven: Symphony No. 9” — Manfred Honeck, conductor (Mendelssohn Choir Of Pittsburgh and Pittsburgh Symphony Orchestra)
- “Muhly: Throughline” — Nico Muhly, conductor (San Francisco Symphony)
- “Florence Price: Symphonies Nos. 1 and 3″ — Yannick Nézet-Séguin, conductor; Philadelphia Orchestra (below)
- “Strauss: Also Sprach Zarathustra; Scriabin: The Poem Of Ecstasy” — Thomas Dausgaard, conductor (Seattle Symphony Orchestra)
78. Best Opera Recording
- “Bartók: Bluebeard’s Castle” — Susanna Mälkki, conductor; Mika Kares and Szilvia Vörös; Robert Suff, producer (Helsinki Philharmonic Orchestra)
- “Glass: Akhnaten” — Karen Kamensek, conductor; J’Nai Bridges, Anthony Roth Costanzo, Zachary James and Dísella Lárusdóttir; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
- “Janáček: Cunning Little Vixen” — Simon Rattle, conductor; Sophia Burgos, Lucy Crowe, Gerald Finley, Peter Hoare, Anna Lapkovskaja, Paulina Malefane, Jan Martinik & Hanno Müller-Brachmann; Andrew Cornall, producer (London Symphony Orchestra; London Symphony Chorus and LSO Discovery Voices)
- “Little: Soldier Songs” — Corrado Rovaris, conductor; Johnathan McCullough; James Darrah and John Toia, producers (The Opera Philadelphia Orchestra)
- “Poulenc: Dialogues Des Carmélites” — Yannick Nézet-Séguin, conductor; Karen Cargill, Isabel Leonard, Karita Mattila, Erin Morley and Adrianne Pieczonka; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
79. Best Choral Performance
- “It’s A Long Way” — Matthew Guard, conductor (Jonas Budris, Carrie Cheron, Fiona Gillespie, Nathan Hodgson, Helen Karloski, Enrico Lagasca, Megan Roth, Alissa Ruth Suver and Dana Whiteside; Skylark Vocal Ensemble)
- “Mahler: Symphony No. 8, ‘Symphony Of A Thousand'” — Gustavo Dudamel, conductor; Grant Gershon, Robert Istad, Fernando Malvar-Ruiz and Luke McEndarfer, chorus masters (Leah Crocetto, Mihoko Fujimura, Ryan McKinny, Erin Morley, Tamara Mumford, Simon O’Neill, Morris Robinson and Tamara Wilson; Los Angeles Philharmonic; Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus and Pacific Chorale)
- “Rising w/The Crossing” — Donald Nally, conductor (International Contemporary Ensemble and Quicksilver; The Crossing)
- “Schnittke: Choir Concerto; Three Sacred Hymns; Pärt: Seven Magnificat-Antiphons” — Kaspars Putniņš, conductor; Heli Jürgenson, chorus master (Estonian Philharmonic Chamber Choir)
- “Sheehan: Liturgy Of Saint John Chrysostom” — Benedict Sheehan, conductor (Michael Hawes, Timothy Parsons and Jason Thoms; The Saint Tikhon Choir)
- “The Singing Guitar” — Craig Hella Johnson, conductor (Estelí Gomez; Austin Guitar Quartet, Douglas Harvey, Los Angeles Guitar Quartet and Texas Guitar Quartet; Conspirare)
80. Best Chamber Music/Small Ensemble Performance
- “Adams, John Luther: Lines Made By Walking” — JACK Quartet
- “Akiho: Seven Pillars” — Sandbox Percussion
- “Archetypes” —Sérgio Assad, Clarice Assad and Third Coast Percussion
- “Beethoven: Cello Sonatas – Hope Amid Tears” — Yo-Yo Ma and Emanuel Ax (who have frequently performed individually and together at the Wisconsin Union Theater)
- “Bruits” — Imani Winds
81. Best Classical Instrumental Solo
- “Alone Together” — Jennifer Koh (below, who has performed with the Wisconsin Chamber Orchestra)
- “An American Mosaic” — Simone Dinnerstein
- “Bach: Solo Violin Sonatas and Partitas” — Augustin Hadelich (a favorite of the Madison Symphony Orchestra)
- “Beethoven and Brahms: Violin Concertos” — Gil Shaham; Eric Jacobsen, conductor (The Knights)
- “Mak Bach” — Mak Grgić
- “Of Power” — Curtis Stewart
82. Best Classical Solo Vocal Album
- Confessions — Laura Strickling; Joy Schreier, pianist
- Dreams Of A New Day – Songs By Black Composers — Will Liverman (who has sung with the Madison Opera); Paul Sánchez, pianist (below at in the YouTube video at the bottom)
- Mythologies — Sangeeta Kaur and Hila Plitmann (Virginie D’Avezac De Castera, Lili Haydn, Wouter Kellerman, Nadeem Majdalany, Eru Matsumoto and Emilio D. Miler)
- Schubert: Winterreise — Joyce DiDonato; Yannick Nézet-Séguin, pianist
- Unexpected Shadows — Jamie Barton; Jake Heggie, pianist (Matt Haimovitz)
83. Best Classical Compendium
- American Originals – A New World, A New Canon — AGAVE and Reginald L. Mobley; Geoffrey Silver, producer
- Berg: Violin Concerto; Seven Early Songs and Three Pieces For Orchestra — Michael Tilson Thomas, conductor; Jack Vad, producer
- Cerrone: The Arching Path — Timo Andres and Ian Rosenbaum; Mike Tierney, producer
- Plays — Chick Corea; Chick Corea and Birnie Kirsh, producers
- Women Warriors – The Voices Of Change — Amy Andersson, conductor; Amy Andersson, Mark Mattson and Lolita Ritmanis, producers (below)
84. Best Contemporary Classical Composition
- “Akiho: Seven Pillars” — Andy Akiho, composer (Sandbox Percussion)
- “Andriessen: The Only One” — Louis Andriessen, composer (Esa-Pekka Salonen, Nora Fischer and Los Angeles Philharmonic)
- “Assad, Clarice and Sérgio, Connors, Dillon, Martin & Skidmore: Archetypes” — Clarice Assad, Sérgio Assad, Sean Connors, Robert Dillon, Peter Martin and David Skidmore, composers (Sérgio Assad, Clarice Assad and Third Coast Percussion)
- “Batiste: Movement 11′” — Jon Batiste, composer (Jon Batiste)
- “Shaw: Narrow Sea” — Caroline Shaw, composer (Dawn Upshaw, Gilbert Kalish and Sō Percussion)
Tags: #AlbanBerg, #AlexanderScriabin, #AlfredSchnittke, #AmericanSymphonyOrchestra, #ArtExhibition, #ArvoPärt, #AugustinHadelich, #BelaBartok, #BestPerformance, #BlackComposer, #BlackMusic, #BlogPost, #BlogPosting, #Bluebeard'sCastle, #BluesMusic, #CarolineShaw, #CelloSonata, #CelloSuite, #ChamberChoir, #ChamberMusic, #CharlesIves, #ChickCorrea, #ChoralMusic, #ChristmasMusic, #ClassicalGuitar, #CompactDisc, #ComposersofColor, #ConcertHall, #ContemporaryComposer, #ContemporaryMusic, #CoronavirusPandemic, #CorradoRavaris, #COVID-19, #DavidFrost, #DialoguesoftheCarmelites, #EmanuelAx, #FacebookPost, #FacebookPosting, #FemaleComposers, #FemaleMusicians, #FlorencePrice, #FrancisPoulenc, #FranzSchubert, #GasparCassado, #GilShaham, #GrammyAward, #GrammyAwards, #GrammyNominations, #GuitarMusic, #GustavMahler, #GustavoDudamel, #Hip-hopmusic, #HispanicMusic, #ImaniWinds, #J'NaiBridges, #JacobStockinger, #JakeHeggie, #JenniferKoh, #JohannesBrahms, #JohannSebastianBach, #JohnAdams, #JonBatiste, #JoyceDiDonato, #JudithSherman, #LatinAmerican, #LeosJanacek, #LiveStreaming, #londonSymphonyOrchestra, #LosAngelesPhilharmonic, #LouisAndriessen, #LudwigVanBeethoven, #MadisonOpera, #MadisonSymphonyOrchestra, #ManfredHoneck, #MardiGras, #MattHaimovitz, #MeadWitterSchoolofMusic, #MetropolitanOpera, #MichaelTilsonThomas, #NashvilleSymphony, #NashvilleTennessee, #NewOrleans, #NicoMuhly, #OfColor, #OperaMusic, #OrchestralMusic, #PacificChorale, #PercussionMusic, #PerformersofColor, #PeterIlyichTchaikovsky, #PhiladelphiaOrchestra, #PhilipGlass, #PianoAccompaniment, #PopMusic, #ProArteQuartet, #RacialJustice, #RichardStrauss, #RockMusic, #SaintJohn, #SandboxPercussion, #SanFranciscoSymphony, #SeattleSymphony, #SimoneDinnerstein, #SimonRattle, #SocialActivism, #SocialJustice, #SoulMusic, #SoundEngineer, #SouthKorea, #SouthKorean, #StayHuman, #StephenColbert, #StreamingService, #StringMusic, #SundayNight, #SusannaMalkki, #SymphonyofaThousand, #TexasGuitarQuartet, #TheEar, #TheGrammys, #TheKnights, #TheMet, #TheUW, #TheUW-Madison, #ThirdCoastPercussion, #ThomasDausgaard, #UniverstyofWisconsin, #ViolinMusic, #VocalMusic, #WillLivermore, #WindMusic, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #WisconsinUnionTheater, #WORT-FM89.9, #WyntonMarsalis, #YannickNezet-Seguin, #Yo-YoMa, #YouTubevideo, Activism, activity, African American, Akhnaten, Alban Berg, Alexander Scriabin, Alfred Schnittke, alone, American, annual, arrt, art exhibition, Arts, Arvo Part, asian, Asian American, audience, Augustin Hadelich, Bach, band, Baroque, Bartok, Batiste, Béla Bartók, Beethoven, Berg, best, BIPOC, black, black music, blog, Bluebeard, Bluebeard's Castle, blues, Book, Brahms, Brahms Violin Concerto, brown, buy, Canon, Caroline Shaw, category, CBS, CBS-TV, CD, Cello, chamber, Chamber choir, Chamber music, change, Chanticleer, Charles Ives, checm, Chick Correa, children, China, Chinese, Choir, choral, choral music, chorus, Christmas, Classical, Classical music, classics, collaboration, color, commission, Compact Disc, compendium, compose, composer, composer of color, Composition, Concert, concert hall, concerto, conductor, contemporary, coronavirus, coronavirus pandemic, Corrado Ravaris, covid, David Frost, day, dialogue, Dialogues of the Carmelites, Dinnerstein, diversity, dominate, Dreams, Dudamel, Early music, ecstasy, Emanuel Ax, emphasis, engineer, Estonia, examples, Facebook, female, Florence Price, Franz Schubert, gender, genre, Gil Shaham, Glass, Grammy, Grammy Award for Best Classical Compendium, group, guitar, guitar music, Gustav Mahler, Gustavo Dudamel, Hadelich, hip-hop, Hispanic, Home, hope, House, hymn, idea, Imani Winds, inclusion, indicate, individual, industry, international, Ives, J'Nai Bridges, Jacob Stockinger, Jake Heggie, Janacek, Jazz, Jennifer Koh, Johann Sebastian Bach, Johannes Brahms, John Adams, Jon Batiste, Joyce DiDonato, Judith Sherman, Juilliard, Juilliard School, justice, Koh, Korean, LA, LateShowwithStephenColbert, Latin, Leos Janacek, like, link, liturgy, Livermore, local, London, London Symphony Orchestra, Los Angeles, Los Angeles Guitar Quartet, Los Angeles Philharmonic, Louis Andriessen, Ludwig van Beethoven, Madison, Madison Opera, Madison Symphony, Madison Symphony Orchestra, Magnificat, Mahler, Manfred Honeck, Mardi Gras, Marsalis, Matt Haimovitz, Mead Witter School of Music, Mednelssohn, Met, Metropolitan Opera, Michael Tilson Thomas, mosaic, movement, Mozart, MSO, MTT, Music, Nashville, Nashville Symphony, national, new, New Orleans, Nico Muhly, nomination, nominee, of color, old, one-man, opera, Orchestra, orchestral music, original, Overture Center, Pacific, Pacific Chorale, pandemic, part, partita, pasrt, percussion, performance, performer, performers of color, permanent, Peter Ilyich Tchaikovsky, Philadelphia, Philip Glass, Pianist, Piano, piano accompaniment, piece, pillar, Pitssburgh, poem, Poem of Ecstasy, pop, Poulenc, power, present, price, Pro Arte Quartet, producer, profit, profitable, project, publisher, Publishing, racial justice, Radio, recording, rediscover, regional, Richard Strauss, Rock, sacred, Saint John, San Francisco, San Francisco Symphony, Sandbox Percussion, Schnittke, School of Music, Schubert, Scriabin, sea, Seattle, Seattle Symphony, sex, share, Shaw, show, Simon Rattle, Simone Dinnerstein, sing, singer, Singing, social, social activism, social justice, soldier, solo, solo violin, Sonata, song, soul, source, South Korea, standard, Stay Human, Stephen Colbert, Strauss, streaming, string, string music, subscriber, Sunday night, Susanna Malkki, symphony, Symphony of a Thousand, tag, Tchaikovsky, tears, Tennessee, Texas, Texas Guitar Quartet, The Ear, The Knights, Third Coast Percussion, Thomas Dausgaard, together, trend, TV, United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW School of Music, UW-Madison, venue, video, Violin, Violin concerto, violinist, vixen, vocal music, voice, warrior, way, WCO, Will Livermore, wind music, winner, Winterreise, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin Union Theater, Wolfgang Amadeus Mozart, women, work, world, WORT-FM 89.9, WPR, Wynton Marsalis, Yannick Nézet-Séguin, year, Yo-Yo Ma, YouTube
Salon Piano Series posts pianist Kangwoo Jin playing the Liszt transcription of Schumann’s song “Dedication”
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has the following announcement to post from the Salon Piano Series.
As the series has done during the COVID-19 pandemic, it is offering a FREE excerpt from a past concert.
In this case, it is the South Korean pianist Kangwoo Jin (below, in a photo by Andy Manis) playing Franz Liszt’s solo piano transcription of Robert Schumann’s song “Widmung” (Dedication). which you can hear in the YouTube video at the bottom. It is a sensitive and lyrical performance full of unrushed songfulness.
It is often used as an encore, and was a favorite of Van Cliburn and others.
Here it was part of a larger program that Jin – who last summer received his doctorate from the University of Wisconsin’s Mead Witter School of Music — did virtually and only during the pandemic.
For more information about the complete concert, go to: https://welltempered.wordpress.com/2021/04/22/this-sunday-at-4-p-m-the-salon-piano-series-debuts-an-online-recital-by-pianist-kangwoo-jin-he-plays-music-by-scarlatti-beethoven-liszt-and-schumann-it-will-be-available-until-may-9/
Here is the announcement from the Salon Piano Series, which is sponsored by and held at Farley’s House of Pianos on Madison’s far west side near West Towne:
Please take a break from your day to see and hear Kangwoo Jin perform a portion of Franz Liszt’s Transcriptions for Piano.
This video was recorded (below), without an audience, at Luther Memorial Church on April 15, 2021 as part of the Salon Piano Series.
Over the years, many of you have supported the Salon Piano Series with your attendance, individual sponsorships and donations.
We look forward to bringing you world-class musical performances in our unique salon setting again soon.
Please stay tuned for the announcement of our 2021-22 season.
Sincerely,
Salon Piano Series
Tags: #BlogPost, #BlogPosting, #ChristianChurch, #CoronavirusPandemic, #COVID-19, #DomenicoScarlatti, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FranzLiszt, #GraduateSchool, #JacobStockinger, #KangwooJin, #LudwigVanBeethoven, #LutherMemorialChurch, #MeadWitterSchoolofMusic, #MusicEducation, #NewSeason, #OnlineConcert, #RobertSchumann, #SalonPIanoSeries, #ScarlattiSonatas, #SoloPiano, #SouthKorea, #staytuned, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #VanCliburn, #VirtualConcert, #WestTowneMall, #YouTubevideo, again, announcement, April, Arts, attendance, audience, Beethoven, blog, Blog post, break, Christian, Christian church, church, Classical music, complete, composer, Concert, concert series, coronavirus, day, dedication, doctorate, Domenico Scarlatti, donation, encore, Facebook, Farley's House of Pianos, favorite, forward, Franz Liszt, free, graduate, individual, information, Jacob Stockinger, Kangwoo Jin, large, like, link, Liszt, Ludwig van Beethoven, Luther, Luther Memorial Church, lyrical, lyricism, Mead Witter School of Music, Music, Music education, musical, online, pandemic, perfromer, Pianist, Piano, post, pre-recorded, program, recorded, Robert Schumann, salon, Salon Piano Series, Scarlatti, Schumann, Season, sensitive, setting, share, solo piano, Sonata, song, songfulness, soon, South Korea, sponsorship, stay tuned, Student, support, tag, The Ear, transcriptuion, unique, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unrushed, UW, UW-Madison, Van Cliburn, video, virtual, virtually, vocal music, West Town Mall, West Towne, Wisconsin, world-class, your, YouTube, YouTube channel
Con Vivo woodwind quintet plays a FREE outdoor concert TONIGHT on Madison’s west side
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear wants to thanks the many readers who sent congratulations and best wishes to him on the return of his blog.
He also wants to post the following announcement:
Con Vivo! … music with life has been opening its 18th season of chamber music concerts with free concerts in city parks performed by CVQ — the con vivo! woodwind quintet (below).
The last FREE performance will take place TONIGHT – Saturday, June 12 — at 7 p.m. at Rennebohm Park (below, the exterior and interior of the shelter), 115 North Eau Claire Ave., on Madison’s west side not far where the old state DMV building used to be.
The concert will include music by Aaron Copland, Louis Moreau Gottschalk, Franz Danzi and Beethoven.
The woodwind quintet is composed of flute, oboe, clarinet, bassoon and French horn.
The event is free and everyone is welcome. So bring a lawn chair or blanket, and join us for what will prove to be an enjoyable evening of live music!
For more information, visit www.convivomusicwithlife.org or call (608) 277-8087.
This project is supported in part by Dane Arts with additional funds from the Endres Mfg. Company Foundation; The Evjue Foundation, Inc., the charitable arm of The Capital Times; the W. Jerome Frautschi Foundation; and the Pleasant T. Rowland Foundation.
Tags: #AaronCopland, #AmericanComposer, #BlogPost, #BlogPosting, #ChamberMusic, #CityofMadison, #ConVivo, #ConVivoQuintet, #DaneArts, #DepartmentofMotorVehicles, #DrpartmentofTransportation, #EndresMfg.Company, #EvjueFoundation, #FacebookPost, #FacebookPosting, #FranzDanzi, #FrenchHorn, #HolidaySeason, #InstrumentalMusic, #JacobStockinger, #LiveMusic, #LouisMoreauGottschalk, #LudwigVanBeethoven, #MadisonWisconsin, #MusicWithLife, #PleasantT.Rowland, #RennebohmPark, #TheCapitalTimes, #TheEar, #W.JeromeFrautschi, #WestSide, #WindMusic, #WoodwindInstruments, #WoodwindMusic, #WoodwindQuintet, Aaron Copland, American, arm, Arts, audience, Bassoon, bassoonist, Beethoven, blanket, blog, building, chair, Chamber music, charitable, charity, city, city of Madison, clarinet, clarlinetist, Classical music, composer, Con Vivo, Concert, Copland, CVQ, Dane Arts, Department of Motor Vehicles, Department of Transportation, DMV, DOT, Early music, Endres Mfg. Company, enjoyable, Evjue Foundation, exterior, Facebook, Facebook post, Facebook posting, flutist, forward, foundation, Franz Danzi, free, French horn, funding, Gottshalk, hornist, instrument, instrumental music, interior, Jacob Stockinger, journalism, last, lawn, life, like, link, live music, Louis Moreau Gottschalk, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, manufactoring, Mozart, Music, Music With Life, obie, Oboe, oboist, old state, Orchestra, outdoors, parks, performance, Pleasant T. Rowland, post, posting, Rennebohm Park, Saturday, Season, share, Sonata, sponsor, state, tag, The Capital Times, The Ear, tonight, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, W. Jerome Frautschi, welcome, west side, wind music, Wisconsin, woodwind music, Woodwind quintet
Wisconsin Ensemble Project’s string quartet program to benefit the United Way of Dane County debuts online this Friday night
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Friday night, May 14, the Wisconsin Ensemble Project will present a recorded concert (below, in an image by Katrin Talbot) in partnership with United Way of Dane County (UWDC).
This is their second in a series of performances to benefit local and international organizations.
This production offers viewers a meaningful program that leads to direct impact with a focus on housing stability and family well-being. You will hear the story and see the face of UWDC woven throughout a chamber music performance.
The program of works for string quartet includes “Park” by Daniel Bernard Roumain (below top); the “Heiliger Dankgesang” (Sacred Hymn of Thanksgiving, which you can hear played by the Alban Berg Quartet in the YouTube video at the bottom) from Beethoven’s Opus 132; and selections from Five Folksongs in Counterpoint by Florence Price (below bottom).
WE Project members and performers are local, professional musicians who work together in the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra: violinists Leanne League and Mary Theodore; violist Jen Paulson; and cellist Karl Lavine.
“The WE Project is rooted in the quartet’s desire not only to delve deeply into chamber music repertoire, but also to address some of the many pressing social justice issues of our time,” says member Mary Theodore.
When exploring organizations to partner with for their second project, the quartet was inspired by the work of United Way of Dane County. The WE Project approached United Way out of their concern over housing security, with the understanding that one of UWDC’s key goals is to help more individuals and families find pathways out of poverty through housing and employment initiatives.
The recorded production will be available by registering at https://www.eventbrite.com/e/wisconsin-ensemble-project-spring-benefit-concert-registration-151923670789 from 6 p.m. this Friday, May 14, for 72 hours. Admission is free and contributions are strongly encouraged.
Contributions can be made through the website and will help to cover basic production costs and get funds directly into the hands of this very worthy organization which, most importantly, brings aid to the people they serve.
Tags: #AaronDworkin, #AfricanAmerican, #AlbanBerg, #AlbanBergQuartet, #BenefitConcert, #BlackComposer, #BlackMusic, #BlogPost, #BlogPosting, #ChamberMusic, #DaneCounty, #DanielBernardRoumain, #FacebookPost, #FacebookPosting, #FlorencePrice, #folksongs, #FreeConcert, #Fridaynight, #HeiligerDankgesang, #HousingInsecurity, #HousingSecurity, #JacobStockinger, #JenPaulson, #LeanneLeague, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MaryTheodore, #MusicalDiversity, #NonprofitOrganization, #OnlineConcert, #SacredHymnofThanksgiving, #SocialJustice, #StringQuartet, #TheEar, #TheHomeless, #UnitedWay, #UnitedWayofDaneCounty, #VirtualConcert, #WEProject, #WisconsinChamberOrchestra, #WisconsinEnsembleProject, #YouTubevideo, address, admission, African American, aid, Alban Berg, Alban Berg Quartet, Arts, audience, available, basic, Beethoven, benefit, benefit concert, Berg, black composer, Black composers, black music, blog, cellist, Cello, Chamber music, charity, Classical music, composer, Concert, contribution, cost, counterpoint, Dane County, Daniel Bernard Roumain, deep, delve, desire, diversity, donation, employment, encourage, face, Facebook, Family, Florence Price, Focus, folk song, forwrad, free, Friday, fundraiser, goal, hear, Heiliger Dankgesang, homeless, Homelessness, housing, housing insecurity, housing security, hymn, include, insecurity, international, issue, Jacob Stockinger, Jacob StockingerYesterday, Jen Paulson, Karl Lavine, KarlLavine, key, Lavine, league, Leanne League, like, link, local, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, Mary Theodore, member, members, money, Music, Musician, night, nonprofit, Nonprofit organization, online, Orchestra, organization, Park, partner, People, performance, play, poor, post, posted, posting, poverty, present, price, production, professional, program, recorded, recorded music, register, repertoire, root, Roumain, Sacred Hymn of Thanksgiving, second, series, serve, share, site, social justice, stability, story, String quartet, tag, team members, The Ear, time, together, unemployment, United States, United Way, United Way of Dane County, Viola, Violin, violinist, violist, virtual, we, WE Project, Website, well-being, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Ensemble Project, work, worthy, YouTube
The Wisconsin Union Theater closes its 2020-21 season with only one online concert this weekend. Sō Percussion on Saturday night has been CANCELED. The Wisconsin Sound all-Beethoven concert with the Pro Arte Quartet will take place at noon on Sunday.
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Two online concerts this weekend were supposed to close the 2020-21 season at the Wisconsin Union Theater.
On Saturday night at 7:30 p.m., the usual subscriber season was supposed to wind up with an online concert by the Sō Percussion Ensemble with the contemporary Pulitzer Prize-winning American composer Caroline Shaw.
That concert has been CANCELED. No reason is listed.
On this Sunday, May 2, at noon CDT, however, the University of Wisconsin-Madison’s acclaimed string quartet, the Pro Arte Quartet (below top), will by joined by pianist and UW-Madison graduate Thomas Kasdorf (below bottom) in an all-Beethoven concert.
This will be the last concert of the WUT’s innovative Wisconsin Sounds – they feature local performers– this season.
Here are more details:
PROGRAM and PERFORMERS
The “Beethoven in C Minor” program will feature two works:
String Trio in C minor, Op. 9, No. 3 (1797-98). Performers are Sally Chisholm, viola; Parry Karp, cello; and David Perry, violin.
Piano Trio in C Minor, Op. 1, No. 3 (1793-4). Performers are: Suzanne Beia, violin; Parry Karp, cello; and Thomas Kasdorf, piano. You can hear the opening movement in the YouTube video at the bottom.
The Pro Arte Quartet’s performance of early works by the young Beethoven (below) is part of the Wisconsin Sound Series, which showcases and supports local musicians and artists during the coronavirus pandemic.
Learn more about the series.
To learn more about the Pro Arte Quartet, go to the group’s Website or page on Facebook
TICKETS
Tickets cost $15 and are available at the Wisconsin Union Theater box office. You can purchase tickets and also see more information about the program and performers here: https://union.wisc.edu/events-and-activities/event-calendar/event/pro-arte-quartet/
For ticket buyers who purchase a ticket less than two hours before the event start time, the link to view the concert will be in the confirmation email you will receive immediately following your purchase. This link will be accessible for seven days following the initial broadcast.
For all other purchases, all emails will come from https://union.wisc.edu/visit/wisconsin-union-theater/theater-tickets/
If you do not receive your email to your inbox, please check your junk or spam folder in case it was filtered there. If you have questions or problems, the box offices phone number is (608) 265-ARTS (2787).
Tags: #All-Beethoven, #AmericanComposer, #BeethoveninCMinor, #BlogPost, #BlogPosting, #BoxOffice, #CampusArtsTicketing, #CarolineShaw, #CentralTime, #ChamberMusic, #CityofMadison, #CMinor, #ConcertSeries, #ContemporaryComposer, #CoronavirusPandemic, #COVID-19, #CriticallyAcclaimed, #DavidPerry, #FacebookPage, #FacebookPost, #FacebookPosting, #HomeWebsite, #JacobStockinger, #LiveStreaming, #LudwigVanBeethoven, #MadisonWiscosnin, #MemorialUnion, #OnlineConcert, #ParryKarp, #PercussionEnsemble, #PianoTrio, #ProArteQuartet, #SallyChisholm, #SoPercussion, #StringMusic, #StringQuartet, #StringTrio, #SuzanneBeia, #TheEar, #TheUW, #ThomasKasdorf, #UniversityofWisconsin-Madison, #VirtualFestival, #WisconsinSound, #WisconsinUnionTheater, #YouTubevideo, 2020, 2020-21, acclaimed, acessible, American, Arts, audience, Beethoven, Beethoven in C Minor, blog, box offce, Broadcast, buyers, C minor, Campus, Campus Arts Ticketing, canceled, Caroline Shaw, cellist, Cello, Central Daylight Saving Time, Central Time, Chamber music, Classical music, close, composer, Concert, concert program, concert series, confirmation, contemporary, coronavirus, critically acclaimed, David Perry, day, Daylight Saving, early, email, Facebook, Facebook page, Facebook post, Facebook posting, file, filtered, folder, forward, graduate, hear, help, inbox, information, initial, innovate, innovative, Jacob Stockinger, junk, key, last, like, link, live-stream, local, Ludwig van Beethoven, Madison, May, Memorial Union, movement, Music, noon, online, Op., opening, opus, pandemic, Parry Ksrp, Percussion Ensemble, performer, Pianist, Piano, Piano Trio, post, posting, Pro Arte Quartet, program, purchase, Sally Chisholm, Season, share, showcase, So percussion, spam, string msuic, String quartet, string trio, Student, subscriber, support, supposed, Suzanne Beia, tag, The Ear, Thomas Kasdorf, ticket, trio, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, Viola, Violin, violinist, violist, virtual, Website, Wisconsin, Wisconsin Sound, Wisconsin Union Theater, works, young, YouTube
Edgewood College will live-stream its FREE Spring Celebration concert this Friday night
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
At 8 p.m. CDT this Friday night, April 30, the music department at Edgewood College will live-stream its FREE online Spring Celebration concert.
Here is the link: music.edgewood.edu
Here is the program:
The Edgewood Chamber Orchestra (below) will perform music by the Austrian composer Johann Nepomuk Hummel, who studied with Mozart and knew Haydn, Beethoven and Schubert (see the Wikipedia bio at https://en.wikipedia.org/wiki/Johann_Nepomuk_Hummel; Krzysztof Penderecki, a Polish composer who died a year ago March; and the Argentinean “new tango” composer Astor Piazzolla, whose birth centennial was last month. Soloists include Gwyneth Ferguson on trumpet, and Malia Huntsman on oboe.
The Chamber Singers (below) will offer selections from Broadway musicals and contemporary choral arrangements, including Lord of the Rings by Enya, works from Josh Groban, and the Polish composer Henrik Gorecki.
The Guitar Ensemble will perform Haru no Umi (The Sea in Spring) by the Japanese composer Michio Miyagi (below), and a medley from the 1970s rock group Chicago: 25 or 6 to 4/Saturday in the Park, by Mark Lamm.
The Chamber Winds will perform selections from Crooner’s Serenade; Josef Rheinberger’s Evening Song (Abendlied, in the YouTube video at the bottom); and an arrangement of John Williams’ movie score for Star Wars: The Force Awakens.
Tags: #ArgentineanComposer, #BlogPost, #BlogPosting, #BroadwayMusical, #CentralTime, #ChamberMusic, #ChamberOrchestra, #ChoralMusic, #CoronavirusPandemic, #Crooner'sSerenade, #DaylightTime, #EdgewoodCollege, #EdgewoodCollegeChamberOrchestra, #EdgewoodCollegeChamberSingers, #EdgewoodCollegeChamberWinds, #EdgewoodCollegeGuitarEnsemble, #EveningSong, #FacebookPost, #FacebookPosting, #FranzSchubert, #GuitarMusic, #GwynethFerguson, #HaruNoUmi, #HenrickGorecki, #JacobStockinger, #JapaneseComposer, #JapaneseMusic, #JohannNepomukHummel, #JohnWilliams, #JosefRheinberger, #JoshGroban, #KrzysztofPenderecki, #LiveStreaming, #LordoftheRings, #LudwigVanBeethoven, #MailaHuntsman, #MarkLamm, #MichioMyagi, #MovieScore, #MusicalTheater, #NewMusic, #NewTango, #OboeMusic, #OnlineConcert, #OrchestralMusic, #PolishComposer, #RockandRoll, #RomanCatholic, #SergeiPavlov, #StarWars, #StarWars:TheForceAwakens, #TheEar, #TrumpetMusic, #VirtualConcert, #VocalMusic, #Wikipediaentry, #WindMusic, #WolfgangAmadeusMozart, #YouTubevideo, 1970s, Abendlied, Argentina, arrangement, arrangements, Arts, Asia, asian, audience, Austria, Austrian, Ástor Piazzolla, Beethoven, biography, blog, blog posting, Broadway, Broadway musical, Catholic, centennial, Central Time, Chamber music, chamber orchestra, Chicago, Choir, choral music, Classical music, composer, Concert, contemporary, coronavirus, coronavirus pandemic, crooner, Crooner's Serenade, daylight time, Edgewood College, Edgewood College Chamber Orchestra, Edgewood College Chamber Winds, Edgewood College Guitar Ensemble, Enya, evening, Evening Song, Facebook, film, forward, Franz Schubert, German, Germany, group, guitar, guitar music, guitarist, Gwyneth Ferguson, Haru no Umi, Henrik Gorecki, Hummel, Jacob Stockinger, Japan, Japanese, Johann Nepomuk Hummel, John Williams, Josef Rheinberger, Josh Groban, Krzysztof Penderecki, like, link, live-stream, livestream, Lord of the Rings, Ludwig van Beethoven, Madison, Malia Huntsman, march, Mark Lamm, medley, Michio Myagi, month, movie, movie score, Mozart, Musical theater, new, new nusic, new tango, Oboe, oboist, online, orchestral music, pandemic, Penderecki, perform, performer, Piazzolla, player, Poland, Polish, post, posting, Rock, rock and roll, Roman Catholic, Schubert, sea, seledtions, Serenade, Sergei Pavlov, share, sing, singer, Singing, soloist, song, Spring, Star Wars, Star Wars: The Force Awakens, Student, study, tag, tango, The Ear, Trumpet, trumpeter, Viola, Violin, virtual, vocal music, Wikipedia, wind instruments, wind music, Wisconsin, Wolfgang Amadeus Mozart, works, year, YouTube
Songs by Black composers trace their cultural realities in a free online UW performance TONIGHT of “Verisimilitudes.” Plus, the five winners of this year’s Beethoven Competition perform Sunday.
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: This Sunday, April 25, from 3:30 to 5:30 p.m. the five winners of this year’s Beethoven Competition at the UW-Madison will perform in a winners’ concert. Included in the program are the popular and dramatic “Appassionata” Sonata, Op. 57, and the famous and innovative last piano sonata, No. 32 in C minor, Op 111. Here is a link to the YouTube video: https://www.youtube.com/watch?v=eMF0Hd1MJwMg. Click on “Show More” and you can see the full programs and biographical profiles of the winners.
By Jacob Stockinger
The concert could hardly be more timely or the subject more relevant.
Think of the events in and near Minneapolis, Chicago and elsewhere in the U.S.; of the Black Lives Matter movement and social protest; of the political fight for D.C. statehood and voting rights – all provide a perfect context for an impressive student project that will debut online TONIGHT, Saturday, April 24, at 7 p.m.
The one-hour free concert “Verisimilitudes: A Journey Through Art Song in Black, Brown and Tan” originated at the UW-Madison’s Mead Witter School of Music. It seems an ideal way for listeners to turn to music and art for social and political commentary, and to understand the racial subtexts of art.
Soprano Quanda Dawnyell Johnson (below) created, chose and performs the cycle of songs by Black composers with other Black students at the UW-Madison.
Here is a link to the YouTube video: https://youtu.be/-g5hjeuSumw
Click on “Show More” to see the complete program and more information.
Here is the artist’s statement:
“Within the content of this concert are 17 art songs that depict the reality of the souls of a diasporic people. Most of the lyricists and all of the composers are of African descent. In large part they come from the U.S. but also extend to Great Britain, Guadeloupe by way of France, and Sierra Leone.
“They speak to the veracity of Black life and Black feeling. A diasporic African reality in a Classical mode that challenges while it embraces a Western European vernacular. It is using “culture” as an agent of resistance.
“I refer to verisimilitude in the plural. While syntactically incorrect, as it relates to the multiple veils of reality Black people must negotiate, it is very correct.
“To be packaged in Blackness, or should I say “non-whiteness” is to ever live in a world of spiraling modalities and twirling realities. To paraphrase the great artist, Romare Bearden, in “calling and recalling” — we turn and return, then turn again to find the place that is our self.
“I welcome you to… Verisimilitudes: A Journey Through Art Song in Black, Brown, and Tan”
Here, by sections, is the complete program and a list of performers:
I. Nascence
Clear Water — Nadine Shanti
A Child’s Grace — Coleridge-Taylor Perkinson
Night — Florence Price (below)
Big Lady Moon — Samuel Coleridge-Taylor
II. Awareness
Lovely, Dark, and Lonely — Harry T. Burleigh
Grief –William Grant Still (below)
Prayer — Leslie Adams
Interlude, The Creole Love Call — Duke Ellington
III. The Sophomore
Mae’s Rent Party, We Met By Chance –Jeraldine Saunders Herbison
The Barrier — Charles Brown
IV. Maturity
Three Dream Portraits: Minstrel Man, Dream Variation; I, Too — Margaret Bonds (below)
Dreams — Lawren Brianna Ware
Song Without Words — Charles Brown
Legacy
L’autre jour à l’ombrage (The Other Day in the Shade) — Joseph Boulogne (Chevalier de Saint-Georges, below)
The Verisimilitudes Team
Quanda Dawnyell Johnson — Soprano and Project Creator
Lawren Brianna Ware – -Pianist and Music Director
Rini Tarafder — Stage Manager
Akiwele Burayidi – Dancer
Jackson Neal – Dancer
Nathaniel Schmidt – Trumpet
Matthew Rodriguez – Clarinet
Craig Peaslee – Guitar
Aden Stier –Bass
Henry Ptacek – Drums
Dave Alcorn — Videographer
Here is a link to the complete program notes with lyrics and composer bios. And a preview audio sample is in the YouTube video at the bottom: https://simplebooklet.com/verisimilitudesprogramnotes#page=1
Tags: #Americanhistory, #AppassionataSonata, #ArtSong, #BeethovenCompetition, #BeethovenPianoSonatas, #Blackcomposers, #BlackCulture, #BlackHistory, #Blacklife, #BlackLivesMatter, #BlackMusic, #BlackMusician, #BlogPost, #BlogPosting, #CentralTime, #ChamberMusic, #CharlesBrown, #ChevalierdeSaint-Georges, #ChicagoIllinois, #Coleridge-TaylorPerkinson, #CoronavirusPandemic, #DukeElington, #DukeEllington, #FacebookPost, #FacebookPosting, #FlorencePrice, #GreatBritain, #HarryT.Burleigh, #IrvingShain, #JacobStockinger, #JeraldineSaundersHerbison, #JosephBoulogne, #LawrenBriannaWare, #LeslieAdams, #LosAngelesGuitarQuartet, #LudwigVanBeethoven, #MargaretBonds, #MeadWitterSchoolofMusic, #MinneapolisMinnesota, #MusicDirector, #NadineShanti, #OnlineConcert, #PoliticalProtest, #ProgreamNotes, #QuandaJohnson, #RomareBearden, #SamuelColeridge-Taylor, #SierreLeone, #SingWithoutWords, #SocialProtest, #SongCycle, #SopranoSinger, #StageDirector, #TheEar, #TheU.S., #TheUK, #TheUW, #UnitedStates, #UniversityofWisconsin-Madison, #VirtualConcert, #VocalMusic, #VotingRights, #WashingtonD.C., #WesternEuropean, #WilliamGrantStill, #YouTubeChannel, #YouTubevideo, African, agent, America, Appassionata Sonata, Art, art song, Arts, audience, barrier, bass, bassist, Beethoven, Beethoven Competition, big, biography, black, Black composers, Black culture, Black life, Black Lives Matter, black music, Blackness, blog, bonds, brown, call, Central Daylight Time, Central Time, Chamber music, chance, Charles Brown, Chevalier de Saint Georges, Chicago, Child, choose, clarinet, clarinetist, Classical music, Coleridge-Taylor, Coleridge-Taylor Perkinson, commentary, Competition, complete, composer, Concert, content, context, coronavirus, correct, Creole, culture, cycle, D.C., dance, dancer, dark, day, debut, depict, descent, diaspora, dramatic, dream, Dreams, drummer, drums, Ellington, Europe, Facebook, Facebook post, Facebook posting, famous, feeling, Florence Price, forward, France, free, grace, Great Britain, Guadeloupe, guitarist, Harry T. Burleigh, History, hour, ideal, impressive, information, interlude, Irving Shain, Jacob Stockinger, Jeraldine Saunders Herbison, Joseph Boulogne, journey, journeyt, lady, Lauren Brianna Ware, legacy, Leslie Adams, life, like, link, live, Love, lovely, Ludwig van Beethoven, lyricist, lyrics, Madison, man, Margaret Bonds, maturity, Mead Witter School of Music, Minneapolis, minstrel, modality, mode, moon, multiple, Music, Music director, Musician, Nadine Shanti, nascence, night, online, originate, other, package, pandemic, party, People, percussion, perfect, perform, performer, Pianist, Piano, Piano sonata, plural, political protest, popular, portrait, post, posting, prayer, preview, price, program, program notes, project, Quanda Johnson, racial, read, reality, recall, recital, Rent, resistance, right, Romare Bearden, sample, Samuel Coleridge-Taylor, shade, share, show, Sierra Leone, singer, Singing, social protest, Sonata, song, song cycle, Song Without Words, sophomore, soprano, soul, speak, spiral, stage director, statehood, statement, Still, students, subtext, syntax, tag, Tan, team, The Ear, tonight, Trumpet, trumpeter, U.S., UK, understand, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, veil, veracity, verisimilitude, vernacular, videographer, virtual, vocal music, voting, voting rights, Washington, water, way, Western European, whiteness, William Grant Still, winner, Wisconsin, year, YouTube, YouTube video
This Sunday at 4 p.m., the Salon Piano Series debuts an online recital by pianist Kangwoo Jin. He plays music by Scarlatti, Beethoven, Liszt and Schumann. It is up until May 9
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Sunday afternoon at 4 p.m. CDT, the Salon Piano Series, hosted by Farley’s House of Pianos, will debut an online concert by pianist Kangwoo Jin (below, in a photo by Andy Manis).
The concert, which was recorded at Luther Memorial Church, costs $10 and will be available online through May 9.
The program is:
Scarlatti – Sonatas in D minor and D Major, K. 213 and 214 (ca. 1756-1757)
Beethoven – Sonata in C-sharp minor, Op. 27, No. 2, “Moonlight” (1801)
Liszt – Transcriptions for solo piano of the songs “Widmung” (Dedication) by Robert Schumann and “Litanei” (Litany) by Franz Schubert
Schumann – Symphonic Etudes, Op.13 (1830)
Bishop – Home, Sweet Home
Tickets are only available online at eventbrite.com. Service fees apply. Complete program and concert information is at salonpianoseries.org
PROGRAM NOTES
Jin has written the following program notes for The Ear:
“As a musician, I am always eager to share music with the public. I am very excited to be able to reach out to the audience with this unprecedented Salon Piano Series Virtual Concert.
“I believe music soothes our mental health in difficult times regardless of age, gender or race. I very much hope my performance will contribute to this collective healing we feel through music.
“I wanted to include three different styles, as I usually do for recitals. This time I have Baroque, Classical and Romantic music.
“I chose one of the most famous Beethoven sonatas in order to celebrate his 250th birth year (2020), which I did not have a chance to mark last year.
“This piece is popular with the title of “Moonlight,” which Beethoven (below) never intended. Five years after his death, the German critic Ludwig Rellstab used the word “Moonlight” in order to describe the first movement. But it was really inspired by the funeral march in Mozart’s opera “Don Giovanni.” I try to bring out the tragic color of the first movement. (You can hear Jin play the exciting final movement of the sonata in the YouTube video at the bottom.)
“I also wanted to play the virtuosic masterpiece “Symphonic Etudes,” Op. 13, by Robert Schumann (below), including the beautiful posthumous variations 4 and 5.
I find this piece special in the sense that Schumann intended to make this piece “symphonic.” He created multiple layers of voices in various ways through each etude and created orchestral sounds. This polyphonic writing with multiple layers and a thick texture is what makes this piece difficult to play.
“I also specifically wanted to include one of the piano transcriptions by Franz Liszt (below) of Schubert’s Litanei auf das Fest Aller Seelen (Litany for the Feast of All Souls), D. 343.
“Schubert (below) used the poem “Litany” by Johann Jacobi (1740-1814). It is written for comforting the deceased. Robert Capell, the author of the book “Schubert’s Songs” (1929), said about this lied: There was never a truer or more touching expression of simple devotion and consoled grief … “The music rises from a pure well of affection and humility.”
“I would like to dedicate this piece to all the people who suffered from Covid 19.”
BACKGROUND
Here is a link to Kangwoo Jin’s impressive website where you can see many photos, learn about his extensive career as a teacher and hear many samples of his playing: https://www.pianistkangwoojin.com
Praised for his “refined tone quality with powerful energy” (Chosun Daily Newspaper), Jin (below, in a photo by Steve Apps for the Wisconsin State Journal) concertizes nationally and internationally, including performances in Germany, Italy, China, Indonesia and South Korea.
He gave his debut concert at the Sejong Arts Center in Seoul, South Korea, sponsored by the Chosun Daily Newspaper. He has given live performances on Wisconsin Public Radio and WORT 89.9 FM.
Jin appears frequently as a guest artist at music festivals, universities and various concert series. Recent invitations include UW-River Falls, Texas A&M University-Corpus Christi, and Tongji University in Shanghai. Kawai Pianos USA has also invited him as a guest artist at the annual Piano Technicians Guild Convention and Technical Institute in Florida.
Jin completed the Bachelor of Music degree at Hanyang University in South Korea, then earned his Performer Diploma and Master’s of Music at Indiana University, where he worked as an associate instructor.
He is the recipient of the J. Battista Scholarship for performance excellence at Indiana University and received the Collins Distinguished Fellowship for his doctoral studies, completed last year, at the University of Wisconsin-Madison, where he studied piano with Christopher Taylor and piano pedagogy with Jessica Johnson.
Tags: #AmericanPlayersTheatre, #ArtsCenter, #ArtSong, #BachelorofMusic, #BaroqueEra, #BaroqueMusic, #BeethovenYear, #BeijingChina, #BlogPost, #BlogPosting, #ChosunDailyNewspaper, #ChristianChurch, #ChristopherTaylor, #Classicalera, #ClassicalMusician, #CoronavirusPandemic, #CorpusChristi, #COVID-19, #DifficultTime, #DoctoralStudies, #DomenicoScarlatti, #DonGiovanni, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FeastofAllSouls, #FranzLiszt, #FranzSchubert, #FuneralMarch, #GuestArtist, #HanyangUniversity, #HomeWebsite, #IndianaUniversity, #JacobStockinger, #JohannJacobi, #KangwooJin, #KawaiPianos, #LivePerformance, #LudwigVanBeethoven, #LutherMemorialChurch, #MajorKey, #MeadWitterSchoolofMusic, #MentalHealth, #MinorKey, #MoonlightSonata, #MusicCritic, #Musicfaculty, #MusicProfessor, #OnlineConcert, #OperaMusic, #PerformerDiploma, #PianoTechnician, #PolyphonicMusic, #ProgramNotes, #RobertSchumann, #RomanticEra, #RomanticMusic, #SalonPIanoSeries, #SchubertLieder, #SeoulSouthKorea, #ServiceFee, #ShanghaiChina, #SouthKorea, #SouthKorean, #SteveApps, #Sundayafternoon, #SymphonicEtudes, #TexasA&M, #TheEar, #TheUW, #Tongjiniversity, #UniversityofWisconsin-Madison, #UW-RiverFalls, #VirtualConcert, #VocalMusic, #WisconsinPublicRadio, #WisconsinStateJournal, #WolfgangAmadeusMozart, #YouTubevideo, affection, afternoon, age, April, art song, Arts, arts center, audience, auhtor, available, Bachelor of Music, Baroque, Baroque music, beautiful, Beethoven, Beethoven Year, birth, Bishop, blog, Blog post, blog posting, Book, China, Chosun Daily Newspaper, Christian, Christian church, Christopher Taylor, church, Classical, Classical era, Classical music, classicalmusic, collective, Collins, color, comfort, complete, composer, Concert, concertize, console, contribute, convention, coronavirus, coronavirus pandemic, Corpus Christi, cost, create, dead, death, deceased, dedicate, dedication, degree, different, difficult, difficult time, diploma, doctoral studies, doctorate, Domenico Scarlatti, Don Giovanni, Early music, energy, era, etude, excited, exciting, expression, Facebook, Facebook post, Facebook posting, Farley's House of Pianos, feast, Feast of All Souls, fee, festival, final, Florida, forward, Franz Liszt, Franz Schubert, funeral march, gender, German, Germany, grief, guest artist, guild, Hanyang University, healing, hear, Home, home website, hope, host, humiity, imformation, impressive, Indiana University, Indonesia, instructor, intend, internationally, Italy, Jacob Stockinger, Johann Jacobi, Johann Sebastian Bach, Kangwoo Jin, Kawai, Kawai PIanos, Korea, layer, layers, lied, like, link, link'share, Liszt, litany, live performance, Ludwig van Beethoven, Luther, Luther Memorial Church, Madison, major key, masterpiece, May, Mead Witter School of Music, Mental health, minor key, Moonlight Sonata, movement, Mozart, multipile, multiple, Music, music critic, music faculty, music professor, Musician, nationally, Newspaper, online, opera, Orchestra, orchestral, pandemic, People, Performer Diploma, photo, photos, Pianist, Piano, piano technician, piece, play, playing, poem, Poetry, polyphonic, polyphony, popular, post, posthumous, posting, powerful, professor, program, program notes, Protestant, public, race, Radio, reach, recital, Robert Schumann, Romantic, Romantic music, Salon Piano Series, sample, Scarlatti, scholarship, Schubert, sense, Seoul, service, service fee, Shanghai, share, simple, Singing, Sonata, song, soothe, soul, Sound, South Korea, special, sponsor, Steve Apps, study, style, suffer, Sunday, Sweet Home, SweetHome, Symphonic Etudes, symphony, tag, Teacher, teaching, Texas A&M, texture, The Ear, theme and variations, thick, ticket, times, tone, Tongji University, touching, tragedy, Tragic, transcription, true, United States, universities, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unprecedented, USA, UW, UW-Madison, UW-River Falls, variation, virtual, virtuosic, vocal music, voice, Website, Wisconsin, wisconsin public radio, Wisconsin State Journal, Wolfgang Amadeus Mozart, WORT, WORT-FM 89.9, WPR, write, YouTube
As the semester ends, virtual concerts allow UW students to reach many more family members, friends and listeners. Here is how the public can connect to them
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Starting tonight and over the next two weeks, as the spring semester at the UW-Madison comes to a close, there will be more than two dozen student recitals to listen to. (Below is the YouTube video for the concert this Thursday night, April 15, at 6:30 p.m. of the Marvin Rabin String Quartet that is comprised of graduate students.)
Often two or more concerts a day are scheduled, often at 3:30 p.m. and 6:30 p.m.
That much is typical.
What is not typical during the pandemic is that technology will allow the recitals to be presented live-streamed and virtual.
The downside is that the students will not experience performing before a live audience.
But there is an upside.
Going virtual also means that the recitals will be available longer to family, friends and interested listeners here as well as around the country and — especially for international students — the world. (Below, in a photo by Bryce Richter for the UW-Madison, is the Mead Witter Foundation Concert Hall in the Hamel Music Center.)
It also means you can hear them when it is convenient for you and not at the actual scheduled times.
The Ear has heard his share of student recitals and often finds them to be exceptional events.
If you go to the Mead Witter School of Music’s website, you can see the concerts and the lineups.
You will see that there will be student recitals of vocal music, brass music, wind music, string music and piano music. There are solo recitals, chamber music and even a symphony orchestra concert. (Below, in a photo by Bryce Richter for the UW-Madison, is the Collins Recital Hall in the Hamel Music Center.)
There are too many details for each concert to list them all here individually.
But if you go to the Concerts and Events page on the music school’s outstanding website, you can hover the cursor over the event and then click on the event and get everything from the performers and programs to program notes, a performer biography and a photo with a link to the YouTube performance.
On the YouTube site, if you click on “See More” you will see more details and can even set up an alarm for when the concert starts.
Here is a link: https://www.music.wisc.edu/events/
Try it and see for yourself. Below is the YouTube link for pianist Mengwen Zhu, who performs his recital this Saturday, April 17, at 6 p.m.)
Happy listening!
Let us know what you think, especially if it is encouraging for the students.
The Ear wants to hear.
Tags: #BaroqueMusic, #BenjaminBritten, #BlogPost, #BlogPosting, #BrassMusic, #CarolineShaw, #CecileChaminade, #CelloMusic, #ChamberMusic, #Chinesecomposer, #ClarinetMusic, #ClassicalGuitar, #ClaudeDebussy, #CoronavirusPandemic, #DmitriShostakovich, #FacebookPost, #FacebookPosting, #FluteMusic, #ForeignStudent, #FranzJosephHaydn, #GabrielFaure, #GeorgeFridericHandel, #GeorgPhilippTelemann, #GraduateStudent, #GuitarMusic, #HamelMusicCenter, #JacobStockinger, #JohannesBrahms, #JohannSebastianBach, #KatoPerlman, #LeosJanacek, #LiveAudience, #LiveMusic, #LiveStreaming, #LudwigVanBeethoven, #MarvinRabin, #MarvinRabinStringQuartet, #MauriceRavel, #MengwenZhu, #OboeMusic, #OnlineConcert, #PercussionMusic, #PerlmanQuartet, #PianoMusic, #ProgramNotes, #SergeiRachmaninoff, #SergeiRachmaninov, #StringMusic, #StringQuartet, #SymphonyOrchestra, #TheEar, #TheUW, #TromboneMusic, #TrumpetMusic, #UniversityofWisconsin-Madison, #UW-MadisonSymphonyOrchestra, #ViolaMusic, #ViolinMusic, #VirtualConcert, #VocalMusic, #WindMusic, #WisconsinYouthSymphonyOrchestras, #WolfgangAmadeusMozart, #YouTubeChannel, #YouTubevideo, alarm, Arts, Asia, asian, audience, available, Bach, Baroque, Baroque music, Beethoven, Benjamin Britten, biography, blog, Brahms, brass music, Britten, Caroline Shaw, Cecile Chaminade, cellist, Cello, cello music, Chamber music, Chaminade, China, Chinese, clarinet, clarinetist, Classical music, Claude Debussy, click, close, composer, comprise, computer, Concert, convenient, coronavirus, country, cursor, Debussy, Dmitri Shostakovich, downside, dozen, Early music, encourage, encouragement, end, event, experience, Facebook, Family, Faure, flute, flute music, flutist, foreign, foreign student, forward, Franz Joseph Haydn, friends, Gabriel Fauré, Georg Philipp Telemann, George Frideric Handel, graduate student, guitar, Hamel Music Center, Handel, Haydn, hear, information, international, Jacob Stockinger, Janacek, Johann Sebastian Bach, Johannes Brahms, Leos Janacek, like, link, live, live audience, live music, livestream, Ludwig van Beethoven, Madison, Marvin Rabin, Marvin Rabin String Quartet, Maurice Ravel, member, Mengwen Zhu, Mozart, Music, music student, Oboe, oboe music, oboist, online, Orchestra, pandemic, percussion, Percussion music, percussionist, performance, performer, Perlman, Perlman Quartet, photo, Pianist, Piano, piano music, post, posting, program, program notes, public, Rachmaninoff, Rachmaninov, Ravel, recital, schedule, see, semester, Sergei Rachmaninoff, set, share, Shaw, Shostakovich, solo, Sonata, Spring, start, string music, String quartet, Student, symphony, symphony orchestra, tag, technology, Telemann, The Ear, time, tonight, Trombone, trombone music, Trumpet, trumpeter, try, typical, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, upside, UW, UW Symphony Orchestra, UW-Madison, Viola, viola music, Violin, violin music, violinist, violist, virtual, vocal music, week, wind music, Wisconsin, Wisconsin Youth Symphony Orchestras, Wolfgang Amadeus Mozart, world, WYSO, YouTube, Zhu
Recent Comments
The Well-Tempered Ear 
Going live! Here are some links to newly announced summer concerts and 2021-22 seasons
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Get out your datebooks.
Now that the pandemic is fast abating, at least locally, music groups and music presenters in the Madison area have been announcing a return to live music and their new seasons and summer events in a relentless way.
The Ear had been out of commission since mid-May until this week. But in any case, The Ear was overwhelmed and just couldn’t keep up with a separate post for each one.
Still, he thought it might be helpful to be able to check the dates, performers, programs, tickets and other information in one place.
Remember that the Madison Early Music Festival is no more. It has been absorbed into the regular music curriculum at the UW.
Please know that many groups – including, but not limited to, the University of Wisconsin-Madison’s Mead Witter School of Music (below is the UW Symphony Orchestra — masked, socially distanced and virtually streamed — during the pandemic), University Opera, Edgewood College, Just Bach, Grace Presents, the Salon Piano Series, the First Unitarian Society of Madison, Bach Around the Clock, the Festival Choir of Madison, the Wisconsin Chamber Choir and the Madison Bach Musicians – have not yet released details of their new seasons.
But most of their websites say that an announcement of their new season is coming soon.
There are also some trends you may notice.
Many of the groups are raising prices and persistently seek donations as well as subscribers, no doubt to help make up for the loss of revenue during the pandemic.
The Madison Symphony Orchestra and the Wisconsin Chamber Orchestra have reduced the number of concerts or start later.
Some have simply rescheduled events, like the Wisconsin Union Theater closing its season with soprano Renée Fleming. And the Madison Symphony Orchestra’s new season is largely the same one they were planning to have to celebrate the Beethoven Year in 2020-21.
The Bach Dancing and Dynamite Society, the Middleton Community Orchestra and the Willy Street Chamber Players all have pop-up concerts and scheduled outdoor concerts in parks. Some have also scheduled individual mini-concerts or personal sessions.
If you look at programs, you will see an emphasis on Black composers and performers by almost all groups. (The Madison Symphony Orchestra has scheduled “Lyric for Strings” by George Walker, below. You can hear it performed by the Los Angeles Philharmonic under Gustavo Dudamel in the YouTube video at the bottom.)
What is most disappointing is that no group seems to have announced a special concert or event to pay homage to the public ordeal, health care workers and victims of the COVID-19 pandemic.
The Ear keeps thinking a performance of a suitable requiem (by perhaps Mozart, Faure, Brahms, Verdi or Britten) or Beethoven’s Ninth Symphony would have been an appropriate way to start the in-person season and, at the same time, acknowledge the more than 7,000 deaths in Wisconsin and almost 600,000 deaths in the U.S. and almost 4 million worldwide as of now. Maybe even Barber’s overplayed Adagio for Strings would suffice.
Finally, very few groups seem to be offering online virtual concert attendance as a possibility for those listeners who found that they actually enjoyed at least some the music in their own homes and at their own times.
IN ANY CASE, HERE IS WHAT HAS ALREADY TAKEN PLACE OR IS STILL ON TAP. CHECK IT OUT!
Bach Dancing and Dynamite Society in free live and for-pay recorded concerts: https://bachdancing.org
Middleton Community Orchestra’s summer concerts at Fireman’s Park (below) in Middleton: https://middletoncommunityorchestra.org
Madison Bach Musicians summer workshops (below): https://madisonbachmusicians.org/2021-summer-chamber-music-workshop/
Concerts on the Square with limited paid admission at Breese Stevens Field (below): https://wcoconcerts.org/concerts-tickets/concerts-on-the-square
Madison Symphony Orchestra (below, in a photo by Peter Rodgers): https://madisonsymphony.org/concerts-events/madison-symphony-orchestra-concerts/
Madison Opera and Opera in the Park (below): https://www.madisonopera.org/oitp21/; and https://www.madisonopera.org/21-22/
Wisconsin Union Theater: https://union.wisc.edu/visit/wisconsin-union-theater/seasonevents/concert-series/
Willy Street Chamber Players (below) at Orton Park: http://www.willystreetchamberplayers.org/2021-summer-concert-series.html
If you know of more entries or have observations to make about these, please leave word and, when possible, a link in the comment section.
The Ear wants to hear.
Share this:
Like this:
Tags: #AdagioforStrings, #African-AmericanComposer, #AncoraStringQuartet, #BachAroundtheClock, #BachDancingandDynamiteSociety, #BeethovenYear, #BenjaminBritten, #BlackComposer, #Blackcomposers, #BlogPost, #BlogPosting, #BreeseStevensField, #ChristianChurch, #CollageNewMusic, #ConcertsontheSquare, #CoronavirusPandemic, #COVID-19, #EdgewoodChamberOrchestra, #FacebookPost, #FacebookPosting, #FestivalChoirofMadison, #FiremansPark, #GabrieFaure, #GiuseppeVerdi, #GraceEpiscopalChurch, #GracePresents, #GustavoDudamel, #HealthCare, #JacobStockinger, #JohannesBrahms, #JohannSebastianBach, #JustBach, #LiveMusic, #LosAngeles, #LosAngelesPhilharmonic, #MadisonBachMusicians, #MadisonEarlyMusicFestival, #MadisonOpera, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MiddletonCommunityOrchestra, #MusicEducation, #NewMusic, #NinthSymphony, #OperaInThePark, #OrtonPark, #RecordedMusic, #RenéeFleming, #SalonPIanoSeries, #SamuelBarber, #ShannonHall, #SocialDistance, #SopranoSinger, #StringMusic, #StringQuartet, #TakePlace, #TheEar, #TheU.S., #TheUW, #UnitedStates, #UniversityofWisconsin-Madison, #UniversityOpera, #UWSymphonyOrchestra, #WillyStreetChamberPlayers, #WisconsinChamberChoir, #WisconsinChamberOrchestra, #WisconsinUnionTheater, #YouTubeChannel, #YouTubevideo, abate, absorb, acknowledge, Adagio for Strings, admission, African American, America, Ancora String Quartet, Arts, audience, Bach, Bach Around the Clock, Bach Dancing and Dynamite Society, Barber, Baroque, BDDS, Beethoven, Beethoven Year, Benjamin Britten, black, black composer, blog, Blog post, blog posting, Brahms, Breese Stevens Field, Britten, celebrate, Chamber music, choral music, Christia, church, Classical music, comment, commission, composer, Concert, concerto, Concerts on the Square, coronavirus, COS, curriculum, death, deaths, details, donation, Dudamel, Early music, Edgewood College, enjoy, entry, Facebook, Facebook page, Facebook post, fast, Faure, Festival Choir of Madison, Firemans Park, for-pay, forward, free, funding, Gabriel Fauré, Giuseppe Verdi, Grace Episcopal Church, Grace Presents, group, Gustavo Dudamel, health care, homage, Home, indoors, information, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, Just Bach, later, like, limited, link, listener, live music, live-stream, local, Los Angeles, Los Angeles Philharmonic, loss, Ludwig van Beethoven, Madison, Madison Bach Musicians, Madison Early Music Festival, Madison Opera, Madison Symphony Orchestra, mask, MCO, Mead Witter School of Music, MEMF, Middleton, Middleton Community Orchestra, Mozart, Music, Music education, new, New Music, Ninth Symphony, notice, opera, Opera in the Park, Orchestra, ordeal, Orton Park, outdoors, overplay, Overture Center, overwhelm, overwhelming, paid, pandemic, performers, persistent, personal, Pianist, Piano, pop-up, presenter, price, program, public, recorded music, Renée Fleming, Requiem, revenue, Salon Piano Series, Samuel Barber, schedule, Season, seating, seek, separate, Shannon Hall, share, singer, Singing, social distance, Sonata, soprano, start, stream, string music, String quartet, strings, subscriber, suffice, summer, symphony, tag, take place, tap, The Ear, ticket, tickets, times, trend, U.S., United State, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, UW, UW Symphony Orchestra, Verdi, victim, Violin, vocal music, Website, Willy Street Chamber Players, Wisconsin, Wisconsin Chamber Choir, Wisconsin Chamber Orchestra, Wisconsin Union Theater, Wolfgang Amadeus Mozart, workers, workshop, YouTube