The Well-Tempered Ear

Classical music: This 90-year-old Belgian classical pianist learned how to play slow movements by Mozart and Beethoven by hearing Ray Charles – and shows why The Ear likes the arts reporting on PBS and NPR

January 15, 2017
5 Comments

By Jacob Stockinger

Yesterday, I posted a disconcerting story from the Columbia Journalism Review about how most mainstream newspapers and traditional media are cutting way back on art coverage.

After all, runs the conventional wisdom, how can the arts compete with sports, politics and crime for attracting readers?

Here is a link to that post:

https://welltempered.wordpress.com/2017/01/14/classical-music-newspapers-and-media-continue-to-cutback-on-arts-writers-and-arts-critics-what-is-the-effect-on-the-arts/

Well, that kind of mistaken thinking is one reason why The Ear likes to watch PBS and national Public Radio or NPR. Especially on the PBS NewsHour, you find terrific stories about and interviews with major figures in the fine arts and the performing arts.

PBS treats the arts as vital and essential, not ornamental or secondary.

A wonderful example happened this week on the segment called “Brief But Spectacular” in which people offer their thoughts about their own lives and careers.

In this case, it was Jean Stark — a 90-year-old Belgian-born woman who was an accomplished concertizing classical pianist. She performed in Carnegie Hall and Town Hall in New York City, and in halls around the world, and who talks about her life and career for PBS.

jean-stark

In the four-minute interview, she laments how classical music isn’t promoted these days and emphasizes how wonderful it was to be alive during the golden years of classical music with such great figures as composer-pianist Sergei Rachmaninoff and Sergei Prokofiev.

But, she confesses, for all her accomplishments she was unsatisfied with how she played slow movements of sonatas by Classical-era masters Wolfgang Amadeus Mozart and Ludwig van Beethoven.

stark1-320x196

Until she came to the U.S. and went with a friend to a concert by Ray Charles.

Charles, she says, taught how to play slowly.

The Ear only wishes she had been more specific about the lessons she learned. Was it phrasing? Tempo? Accents? “Rubato,” or flexible timing?

It is a great, heart-warming story and typical of the kind of human interest arts coverage that you generally do not find on other television news channels, whether traditional networks like CBS, NBC, ABC and FOX or cable TV channels such as CNN and MSNBC.

So The Ear offers it as both an enjoyable and informative arts story, and as an endorsement of the PBS NewsHour and especially reporter Jeffrey Brown, who does such a terrific job of reporting on the arts.

Here is the segment, which you can find on YouTube, along with other recordings by Stark:

An after-thought: To the best of his knowledge, The Ear thinks that the music you hear her playing is the “Aeolian Harp” Etude in A-Flat Major, Op. 25, No. 1, by Frederic Chopin and part of the suite “Pour le piano” (For the Piano) by Claude Debussy.

What do you think of arts coverage on the mainstream media and on PBS?

What do you think Jean Stark learned from Ray Charles?

If you saw this story, how did it affect you?

The Ear wants to hear.


Classical music: Newspapers and media continue to cut back on arts writers and critics. What is the effect on the arts?

January 14, 2017
7 Comments

By Jacob Stockinger

The Ear got a message from an old friend who gave him a link to a story about the decline of arts criticism in the mainstream media.

“This is not big news to you, but an interesting update that puts the value of your blog in context,” the friend said.

The Ear thinks that the cutback in arts critics hurts local performing artists and also hurts readers who consume the arts as audiences. That is especially important in a city as rich in the arts for its size as Madison. (Below is the Madison Symphony Orchestra playing for a full house.)

MSO playing

Here is a link to the article from the Columbia Journalism Review:

http://www.cjr.org/the_feature/arts_music_critics.php

The story earned an interesting response, sort of a constructive dissent from most judgments, from Anne Midgette (below), an arts writer and arts critic who used to work for The New York Times and now works for The Washington Post. Here is a response she posted on Facebook:

“There’s one thing missing from this thoughtful valedictory on newspaper arts writing – the outrage about cutting critics is all very well, but one reason they get cut is that they don’t always have the readership papers want/need (which can be quantified now better than it used to be).

“I think newspapers could help remedy that by putting in more resources and figuring out a strategy for raising the profile of arts writing (and I think arts writers need to focus on thinking about fresh innovative ways to write about their fields, but that’s another story).

“In any case, I think those of us who love the arts need to recognize this as a big factor in the cuts, rather than simply wringing our hands about living in a world of Philistine editors.”

Anne Midgette BIG

What do you think of Anne Midgette’s response? How would you like arts coverage changed and improved?

How good a job do you think the local media do in covering the arts?

What do you think about the overall reduction in arts coverage?

Have you found alternative sources for news and for information, and what are they?

The Ear wants to hear.


Classical music: After six years of success, “Grace Presents” — a series of monthly FREE concerts at noon on Saturday — has been suspended indefinitely

January 12, 2017
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By Jacob Stockinger

The “Grace Presents” series of FREE monthly Saturday noon concerts has been suspended indefinitely.

The series presented folk music, jazz, ethnic, country and other genres in addition to classical music.

Grace Presents sign

The Ear feels sorry about the unfortunate move, but offers kudos and thanks for a job well done. (At bottom is a YouTube video of the Liebeslieder Waltzes by Johannes Brahms sung at Grace Presents.)

Over several years, he has heard memorable performances of sonatas and suites, cantatas and preludes, of vocal, string and piano music by Johann Sebastian Bach, Johannes Brahms and other composers. Included here are some photos of past events.

The concerts – held in the wonderful interior (below) of Grace Episcopal Church on the downtown Capitol Square — always attracted a large, friendly and appreciative crowd, and the series became a showcase to spotlight some performers who have a lower profile, including graduate students at the University of Wisconsin-Madison School of Music.

grace episcopal church ext

Grace Episcopal harpsichord

MBM Grace stained glass window

No specific reason for the action was given, and The Ear wonders if it had to do with finding financial sponsors or perhaps with the difficulty of booking performers in a city with such competitive programming of music.

It was not an easy job to set it up and keep it running. So The Ear offers congratulations and thanks to the many people who made the series successful for many years. (Below are violinist Laura Burns, who plays with the Madison Symphony Orchestra and the Rhapsodie Quartet, and pianist Jess Salek, who teaches and performs with the Mosaic Chamber Players and the Madison Youth Choirs.)

Laura Burns Jess Salek Brahms Grace Epis

Here is the official statement:

Dear Grace Presents Community:

After six seasons of offering free community concert programming monthly at the historic Grace Episcopal Church, the Grace Presents Concert Series has been suspended indefinitely.

From performers such as Yid Vicious, Kenn Lonquist, The Dang-It’s, the Madison Bach Musicians (below) and so many others we have enjoyed presenting these concerts free of charge to the Madison community and the thousands of downtown Madison visitors.

MBM Grace cantatas singers 2

It is our hope that this concert series may find a champion in the near future, but until then, the red doors will no longer be open on Saturdays for free concerts to the public.

Thank you for your support of this series and local musicians. (Below is pianist Yana Groves who played music by Bach and Rachmaninoff at Grace Presents).

Most Sincerely,

Grace Presents Board Members

Yana Groves 1

PS: Thank you to the following:

– Bruce Kasprzyk for recording dozens of our concerts and providing his services free of charge

– Oakwood University Woods for printing our programs each month

– Bruce Croushore for initiating the Grace Presents Concert Series seven years ago

– folks who have served on the Grace Presents board

– over 100 musicians who performed for a Grace Presents concert

– all of you who have attended and supported live music at Grace Church

We especially thank our many donors and supporters over the years, and in particular Dane Arts, the W. Jerome Frautschi Foundation, the Madison Arts Commission, and the Wisconsin Arts Board


Classical music: Are they warhorses or masterpieces? Do you agree with the Top 100 classical music pieces as selected by listeners of WQXR?

January 7, 2017
5 Comments

By Jacob Stockinger

Are they warhorses?

Or are they simply great, surefire masterpieces of classical music that have meaning to many, many people even after repeated listening?

Can they be both?

Can one critic’s warhorse be another listener’s masterpiece? 

Think about it and then decide for yourself.

Here is some help.

Every year, WQXR-FM, the famed classical music radio station in New York City, asks its listeners to nominate the Top 100 pieces of classical music. From the holidays through New Years’ Day, Jan. 1, the radio station then airs those pieces in a countdown format. (You can also check out and stream much of WQXR’s regular and special programming by going to: http://www.wqxr.org/#!/

At the top of this year’s list, not surprisingly, is Ludwig van Beethoven (below). Johann Sebastian Bach and Wolfgang Amadeus Mozart are also well represented.

Beethoven big

Here is a link to this year’s selections:

http://www.wqxr.org/#!/story/wqxr-2016-classical-music-countdown/

Many, if not most or even all, of the titles will seem quite familiar.

But before you dismiss them as too easy or too popular or overperformed, The Ear reminds  readers of what the famed American playwright Edward Albee, who died last year, once observed.

Albee said something to the effect: Great art should move you and make you feel different. If it doesn’t do that, then forget it. You’re wasting your time. Find art that does.

How many of these pieces would fit that criterion for you and how many would you also have named? For The Ear, an awful lot.

How many have you heard, live or on a recording?

How many do you look forward to hearing again – on the assumption that repeated listening brings repeated pleasure and deeper appreciation and understanding?

It is also useful to remember what the great and, at the same time, popular pianist-composer Sergei Rachmaninoff  (below) once said: “Classical music is enough for a lifetime, but a lifetime is not enough for classical music.”

So much music!

So little time!

Rachmaninoff

Enjoy the list and the music, and leave your thoughts about these selections or about what is missing in the COMMENT section.

The Ear wants to hear.


Classical music: Here are memorable local concerts in 2016 from critic John W. Barker and The Ear. What ones would you add?

January 4, 2017
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ALERT: The FREE Friday Noon Musicales at the First Unitarian Society of Madison, 900 University Bay Drive, resume this week after a break for Christmas, New Year’s and other holidays. This Friday, from 12:15 to 1 p.m., pianist Olivia Musat will perform music by Olivier Messiaen, Isaac Albeniz and Paul Constantinesco.

By Jacob Stockinger

It seems a tradition throughout the media to offer a roundup of the Year’s Best with a local slant.

The Ear already offered a national and international roundup. Here is a link to that, especially to the surprisingly rich roundup that he unexpectedly found on Wikipedia:

https://welltempered.wordpress.com/2017/01/02/classical-music-wikipedia-and-wfmt-in-chicago-offer-a-review-of-classical-music-of-2016-that-includes-important-performances-new-music-and-deaths/

For a more local perspective, The Ear trusts and generally agrees with critic John W. Barker (below), who writes frequently for this blog and more often for Isthmus.

John-Barker

Here is a link to Barker’s list of memorable concerts in the Madison area, Because Isthmus mixes classical with other genres like pop, folk and jazz, you have to scroll down to “Classical cornucopia”:

http://isthmus.com/music/year-in-music-2016/

Although I agree with all the concerts that Barker mentions, he left out some that The Ear really loved. One was the absolutely riveting and moving performance in November by the Madison Symphony Orchestra under John DeMain of the momentous Fifth Symphony by Dmitri Shostakovich.

For example just about everything that the Pro Arte Quartet does at the University of Wisconsin-Madison School of Music is first-rate and memorable, whether they play in Mills Hall or on “Sunday Afternoon Live From the Chazen Museum of Art.”

But this past fall, a free noontime concert by the Pro Arte with legendary pianist Leon Fleisher especially stood out. Together (below), they performed the Piano Quintet in F Minor by Johannes Brahms – an unquestionable masterpiece in an unforgettable performance.

leon-fleisher-and-pro-arte-quartet-2016

The Ear would also add two events, both violin recitals, at the Wisconsin Union Theater.

Last spring Hilary Hahn (below top, in a photo by Peter Miller) turned in a stunningly superb recital. Then this fall, superstar Joshua Bell (below bottom) did the same. Both artists displayed terrific musicality combined with terrific virtuosity in generous and first-rate, ambitious programs.

Hilary Hahn 2016 CR Peter Miller

joshua-bell-2016

He would add several summer concerts by the Bach Dancing and Dynamite Society, especially the sizzling dueling violin concert (below) where the BDDS interspersed “The Four Seasons” buy Antonio Vivaldi with “The Four Seasons in Buenos Aires” by Astor Piazzolla.

axel-strauss-bdds-2016-piazzolla

The Ear would also add an experimental concert at which UW-Madison pianist Christopher Taylor (below) unveiled his reworked two-keyboard “Hyperpiano.” While the concert, which featured the “Goldberg” Variations by Johann Sebastian Bach, wasn’t successful musically, it certainly was intriguing, unusual and highly memorable, even with imperfect digital technology.

Hyperpiano stage

And The Ear also recalls a fine concert by the Rhapsodie Quartet (below) of the Madison Symphony Orchestra at the Overture Center.

Rhapsodie Quartet MSO Greg Anderson

And let’s not forget the University Opera’s production of “Falstaff” by Giuseppe Verdi that was impressively and successfully updated to Hollywood by director David Ronis.

uw-falstaff-benjamin-schultz-left-paul-rowe-and-jiabao-zhang

The Ear is sure there are more memorable concerts that escape him right now. Madison just features so much wonderful music-making in the course of a year.

Moreover, The Ear is also sure you have your favorites – whether they are individual plays; small chamber music groups such as duos, string quartets and piano trios; larger ensembles like the Madison Symphony Orchestra and the Wisconsin Union Theater; or entire events like the UW Brass Festival.

I am sure that fans of the innovative percussion group Clocks in Motion and the acclaimed Madison Choral Project have a concert or two to nominate.

So please use the COMMENT section to tell us what were your most memorable classical concerts in Madison during 2016.

The Ear wants to hear.


Classical music: Wikipedia and WFMT in Chicago offer reviews of classical music in 2016 that include important performances, new music and deaths

January 2, 2017
1 Comment

By Jacob Stockinger

Is there a better way to greet the New Year than to take a look back at the past year?

2016 was a year of big losses: composer and conductor Pierre Boulez (below top), conductor Sir Neville Marriner (below middle) and early music pioneer and conductor Nikolaus Harnoncourt (below bottom) among the many whose names you might recognize.

Pierre Boulez obit portrait

nevlle-marriner-old

Nikolaus Harnoncourt conducting

What better way to start 2017 than to recall the figures we lost and hope that the coming year is kinder.

Here is a list from WFMT, the famed classical radio station in Chicago. It includes pictures and quotes along with dates:

http://www.wfmt.com/2016/12/29/in-their-own-words-inspiring-quotes-by-classical-musicians-we-loved-and-lost-in-2016/

And here is an entry from, of all places, Wikipedia that includes an exhaustive and detailed list of important events, performances and compositions as well as of classical musicians who died.

It seems as good a summing up as any that The Ear has seen, and demonstrates just how prolific the composers of new classical music are:

https://en.wikipedia.org/wiki/2016_in_classical_music

We remember and we revere.

Which is why The Ear has included the Funeral March movement from the Symphony No. 3 “Eroica” by Ludwig van Beethoven on a YouTube video below that features an intriguing graphic arts representation of the music.

We are lucky: We have the music even when we no longer have the musicians.


Classical music: The Ear names The Willy Street Chamber Players as “Musicians of the Year” for 2016

December 30, 2016
1 Comment

By Jacob Stockinger

It can’t be easy to start a new classical music group in a city that already has so many outstanding classical music groups and events.

Yet that is exactly what The Willy Street Chamber Players (below) have done – and with remarkable success.

Willy Street Chamber Players 2016 outdoors

To be honest, The Ear thought of awarding the same honor to them last year.

But that was their inaugural year. And launching a new enterprise is often easier than continuing and sustaining it.

But continue and sustain it they have – and even improved it.

The main season for The Willy Street Players is in July,, usually around noon or 6 p.m.

But they also usually offer a preview concert in the winter, and will do so again at 1:30 p.m. on Saturday, Jan. 21, and Sunday, Jan. 22, when they will perform string quartets by Franz Joseph Haydn, Felix Mendelssohn, Astor Piazzolla and Daniel Bernard Roumain at A Place to Be, 911 Williamson Street. Admission is $20.

Willy Street Chamber Players string quartet cr JWB

For tickets and more information about that concert as well as the group in general, go to: http://www.willystreetchamberplayers.org

The Ear finds so much to like about The Willy Street Chamber Players.

To start, the quality of the playing of the mostly string players and pianists — most of whom are products of the UW-Madison — is unquestionably superb. So are their guest artists such as Suzanne Beia. They have never disappointed The Ear, and others seem to agree. 

Willy Street audience

The programming is ideal and adventurous, combining beloved classics, neglected works and new music from contemporary composers. And it all seems to fit together perfectly.

The ensemble’s repertoire ranges from the Baroque era through the Classical, Romantic and modernist eras to today. They have performed an impressively eclectic  mix of music by Johann Sebastian Bach, George Frideric Handel, Ludwig van Beethoven, Wolfgang Amadeus Mozart, Johannes Brahms, Peter Tchaikovsky, Pietro Mascagni, Arnold Schoenberg, George Crumb, Philip Glass, Pulitzer Prize-winner Caroline Shaw and UW-Madison composer Laura Schwendinger

The concerts are very affordable.

The concerts are short, usually running only about an hour or 75 minutes. That allows you both to fully focus or concentrate on the performance but then also to do something else with your precious leisure time.

The group of sonic locavores stays true to its name and mission, playing at various venues on or near Williamson Street on Madison’s near east side – including the Immanuel Lutheran Church (below) on Spaight Street and at the Wil-Mar Neighborhood Center on Jenifer Street. But they have also collaborated with the Madison Museum of Contemporary Art.

Willy Street Mozart Ave

At the post-concerts receptions, they even offer outstanding snack food from local purveyors in the Willy Street area. And it’s there that you can also meet the performers, who are fun, informative and congenial whenever they talk to the public, whether before and after a performance.

Willy Street snacks 2016

Most of all, The Ear has never heard anything dull or second-rate from the Willy Street Chamber Players. They are a fantastic breath of fresh air who invest their performances of even well-known works, such as the glorious Octet by Mendelssohn, with energy and drive, zest and good humor.

They are exactly what classical music – whether chamber music or orchestral music, choral or vocal music –needs to attract new and younger audiences and well as the usual fans. They have just the right balance of informality and professionalism.

The many musicians, all of them young, work hard but make the results seem easy. That is the very definition of virtuosity. Small wonder that many of them play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Middleton Community Orchestra and the Madison Bach Musicians among other groups. But this group seems special to them, and it shows.

If you don’t already know the Willy Street Chamber Players, you should get to know them. You should attend their concerts and, if you can, support them. They are a new gem, and constitute an outstanding and invaluable addition to Madison’s music scene.

NOTE: The Ear offers one piece of advice to The Willy Street Chamber Players: Since he can’t find a sample of you in action, please post some of your outstanding performances, which have been recorded by radio host Rich Samuels and broadcast on WORT-FM 89.9, on YouTube. The public needs a way to hear them and whet its appetite for your live performances.

Willy Street Chamber Players logo

In any case, The Ear wishes them well and hopes that, despite the inevitable personnel changes that will surely come in the future, The Willy Street Chamber Players stay on the Madison music scene for many years to come.

The Ear sends his best wishes for the New Year and another great season, the group’s third, to The Willy Street Chamber Players as Musicians of the Year for 2016.

 


Classical music education: Retiring UW-Madison and Wisconsin Youth Symphony Orchestras maestro James Smith gets the monthly ‘Making a Difference’ award from NBC TV Channel 15

December 29, 2016
1 Comment

ALERT: In yesterday’s post about the upcoming house concert of keyboard music by Trevor Stephenson, The Ear listed the wrong date in the headline. It was corrected, but The Ear apologizes and feels a correction is still needed for those who missed it: The concert is on Friday, Jan. 6, at 7 p.m. For more information, go to:

https://welltempered.wordpress.com/2016/12/28/classical-music-trevor-stephenson-will-use-a-variety-of-period-keyboard-instruments-to-perform-a-house-concert-of-music-by-baroque-classical-romantic-and-impressionistic-composers-on-jan-7/

By Jacob Stockinger

It comes as welcome and heart-warming news at a time when so much news is negative, accusatory and depressing.

Maestro James Smith (below, in a photo by Michael Anderson) — who has been conducting the UW-Madison Symphony Orchestra, the UW-Madison Chamber Orchestra and the University Opera as well as the Wisconsin Youth Symphony Orchestras for 32 years — has received a fine piece of community recognition.

UW Chamber Orchestra, James Smith, conductor

Smith has just received the monthly “Making a Difference” award from NBC TV Channel 15, which also broadcast once again three times WYSO’s traditional concert “Sounds of the Season” on Christmas Eve and Christmas Day.

james smith Jack Burns

Here is the 3-1/2 minute video, which includes an interview with Smith as well as testimony from a former student who has gone on to have a professional career in music, about the NBC award:

http://www.nbc15.com/content/news/Maestro-making-a-difference–408450735.html

Such recognition is nothing new for Smith, who has won many honors as well as the esteem of his colleagues, his students and his audiences.

Smith_Jim_conduct07_3130

Six years ago, The Ear named Smith as ‘Musician of the Year’ for 2010:

Here is that post:

https://welltempered.wordpress.com/2010/12/31/classical-music-uw-and-wyso-conductor-james-smith-is-“musician-of-the-year”-for-2010/

WYSO 50th James Smith conducting

More recently, The Ear talked about Smith’s upcoming retirement and his post-retirement plans in a post about four major people who will retire this spring from the UW-Madison School of Music:

https://welltempered.wordpress.com/2016/12/19/classical-music-four-major-retirements-this-spring-will-put-the-uw-madison-school-of-music-in-a-staffing-bind-and-could-further-hurt-the-standing-of-the-uw-madison/

The Ear loves Smith’s reply when he was asked by anchor John Stofflet of NBC for advice to his successor:

“Learn from the students,” said Smith, a trained professional and concertizing clarinetist who turned to conducting.

The Ear, who was a longtime teacher himself, knows the truth of that answer.

Thank you and bravo, Maestro Smith.

Bravissimo!!


Classical music: Trevor Stephenson will use a variety of period keyboard instruments to perform a house concert of music by Baroque, Classical, Romantic and Impressionistic composers on Friday, Jan. 6

December 28, 2016
3 Comments

By Jacob Stockinger

The Ear has received the following word to share from Trevor Stephenson, the founder and artistic director of the Madison Bach Musicians who is also an accomplished keyboard player in addition to being an entertaining and informative lecturer about early music and period instruments:

Dear Friends,

We’re giving a house concert to celebrate the New Year, 2017.

On Friday evening, Jan. 6, at 7 p.m., I’ll play a program of solo keyboard music on harpsichord, fortepiano and the restored 1855 Bösendorfer concert grand piano (below). (NOTE: The Ear earlier mistakenly had said Jan. 7 in the headline only, and apologizes for the error.)

trevor-stephenson-with-1855-bosendorfer-grand

The program includes selections by Johann Sebastian Bach, George Frideric Handel, Domenico Scarlatti, Franz Joseph Haydn, Ludwig van Beethoven, Frederic Chopin and Claude Debussy. Sorry, no word about specific pieces. (In the YouTube video at the bottom, you can hear Stephenson play the first movement of Beethoven’s “Moonlight” Sonata on a fortepiano.)

Refreshments will be served.

Admission is $40.

Reservations are required. To let us know that you’d like to attend, please email trevor@trevorstephenson.com

Happy Holidays!

Trevor and Rose Stephenson


Classical music: Here are the best classical recordings of 2016 as chosen by critics for The New York Times. Plus, take a break from Christmas music when the Middleton Community Orchestra plays music by Dvorak, Mendelssohn and Brahms tomorrow night

December 20, 2016
1 Comment

REMINDER: Had your fill of holiday music yet? The Ear sure has. Listening to too much Christmas music is a little like drinking too much eggnog or eating too much fruitcake.

So he is grateful to the Middleton Community Orchestra, a mostly amateur but very accomplished ensemble that performs tomorrow night, Wednesday, Dec. 21, at 7:30 p.m. in the Middleton Performing Arts Center that is attached to Middleton High School.

Happily, the MCO has a program that features conductor Kyle Knox and Madison Symphony Orchestra concertmaster Naha Greenholtz. The music runs counter-intuitive to most seasonal programming and offers a break from all things Christmas except for beauty and joy: some Slavonic Dances by Antonin  Dvorak, the terrific Violin Concerto in E minor by Felix Mendelssohn and the sunny Symphony No. 2 by Johannes Brahms.

Admission is $15 (NOT $10 as mistakenly stated earlier); free to students.

For more information, go to:

https://welltempered.wordpress.com/2016/12/16/classical-music-the-mostly-amateur-middleton-community-orchestra-will-give-its-holiday-concert-of-works-by-mendelssohn-dvorak-and-brahms-on-wednesday-night-dec-21/

By Jacob Stockinger

There is still time for giving and getting this holiday season.

So here are The Best Classical Recordings of 2016, as chosen by critics for The New York Times.

nyt-best-of-2016-1

The Times listing has good discerning commentaries and even some audiovisual excerpts of the recordings named. And at least one of the recordings — a CD of Haydn and Ligeti by pianist Shai Wosner — has connections to Madison and the Wisconsin Chamber Orchestra.

One can also use this list as a starting point.

The Ear likes to package a recording with a book and even a ticket to a live performance. And these choices offer much food for thought. For example. the recording of the Symphony No. 1 by Edward Elgar, recorded by conductor Daniel Barenboim, will be performed at the Wisconsin Union Theater this spring by the Milwaukee Symphony Orchestra under its outgoing director Edo de Waart.

nyt-best-of-2016-2

Here is a link:

https://www.nytimes.com/2016/12/15/arts/music/best-classical-music-recordings-2016.html?_r=0

And here is a link to two other gift guides.

The first is the post-Thanksgiving guide, which includes books and DVDs, by The New York Times:

https://welltempered.wordpress.com/2016/11/27/classical-music-here-is-the-new-york-times-holiday-gift-guide-of-classical-music-for-2016/

The second is the list of nominations for the 2017 Grammy Awards:

https://welltempered.wordpress.com/2016/12/10/classical-music-here-are-the-classical-music-nominations-for-the-2017-grammy-awards-they-make-a-great-holiday-gift-list-of-gives-and-gets/

Enjoy and leave word of your agreement or disagreement along with other selections in the COMMENT section.

The Ear wants to hear.

nyt-best-of-2016-3


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