The Well-Tempered Ear
What are the best classical music festivals this summer?
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By Jacob Stockinger
Memorial Day 2024 will be celebrated his weekend.
In addition to remembering veterans, the holiday is the unofficial start of summer in the U.S. and brings picnics, barbecues, camping and travels.
It also brings music festivals of all kinds — pop, rock, jazz, folk, blues, ethnic and hip-hop.
So this weekend seems like a good time to pass along dozens of recommendations for major classical music festivals that you can attend in the U.S., the UK, Canada and Europe. Many of them are held outdoors — in tents, amphitheaters, sheds, bowls and shells at the summer residencies of major arts organizations such as symphony orchestras. (Below is the Tahoe Pavilion in Nevada.)
Curiously, I have not seen any classical music festivals listed for Asia, which has been experiencing a renaissance in performing and listening to Western classical music — especially in China, Taiwan, Japan and South Korea.
Anyway, here are links to the stories about summer festivals that were selected by critics for classical-music.com thanks to the BBCMusic Magazine.
Even if you can’t attend them it can be a lot of vicarious fun to check them out — much like reading cookbooks, recipes and travelogues.
It can be very informative to check out the genres (chamber music, orchestra and opera; old music and new), the programs, the composers and the performers as well as the venues — especially since the listings have many links that take you to more details and YouTube videos about those same items. (Below is a photo by Zach Mahone of the outdoor concert venue in Vail, Colorado)
In the United States and Canada:
https://www.classical-music.com/live-music/best-classical-music-festivals-in-usa-and-canada
In the UK including Great Britain, Australia and New Zealand:
https://www.classical-music.com/live-music/uks-best-classical-music-festivals
In Europe (see the YouTube trailer for the Edinburgh International Festival 2023 at the bottom):
https://www.classical-music.com/live-music/best-classical-music-festivals-europe-2024
And don’t forget the check out local festivals that don’t usually get included in national or international listings.
Do you have any festivals — local, regional, national and international — to recommend?
The Ear wants to hear.
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What classical music is good for studying, reading and writing?
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By Jacob Stockinger
It is about to be Finals Week here at the University of Wisconsin-Madison and in many other places.
Little wonder, then, that The Ear recently read a good story about the role of of music in studying.
It was written by a student journalist for The State Press at Arizona State University in Tempe. It covered more kinds of music than classical, but it had some good comments about the ability of music and its various components — melody, rhythm, tempo, text — to focus one’s attention or to distract from the necessary focus.
Here is a link to the story, which also includes 100 music selections from mixed genres:
It got me to wondering what classical music do you readers like for studying, reading and writing — if you like it at all for such serious and intense tasks.
The Ear tends to love listening to Baroque music — especially Vivaldi violin concertos and Bach harpsichord concertos such as the one in the YouTube video at the bottom — and to chamber music and solo piano music.
So, what music do you like to listen to when you are: studying? reading? writing?
Do you have a favorite style, or favorite composer, or favorite pieces?
The Ear wants to hear.
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Here are the classical music winners of the 2023 Grammy awards
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By Jacob Stockinger
The 2023 Grammy — officially known as the 66th Grammy Awards — took place on live TV Sunday night.
Big surprise: pop singer Taylor Swift — she of the $1,000 concert tickets, Kansas City Chiefs skybox and crazy right-wing conspiracy theories about about how she and the NFL are plotting to rig the Super Bowl and re-elect President Biden — dominated and took home a record-breaking fourth Album of the Year for “Midnights.”
In addition, all of the main events — the live performances — that aired on CBS were non-classical.
Does anyone else think that demonstrates just in what disregard — aside from atoning for past neglect of women, composers and performers of color, and contemporary compositions — most classical music is being held right now?
We must not forget that the Grammys are industry awards, designed to recognize and promote sales and profit above and beyond artistic merit, although the two aims sometimes coincide.
That lack of respect also seems demonstrated by the fact that if you go to the website with the complete list for Grammy winners and nominees, the classical Grammys rank dead last. Ahead of classical you will find (in rough order): pop; electronic dance; rock; alternative; rhythm and blues; rap; spoken word; jazz; Latin; contemporary; roots; bluegrass; blues; folk; gospel; Christian; global; African; reggae; new age; children’s; comedy; audiobook; soundtrack; video games; and album notes.
But enough grousing.
Or maybe not.
Anyway, if you want to see that complete listing of the winners along with the nominees, here is a link: https://www.grammy.com/awards/66th-annual-grammy-awards-2023
And excerpted from that list of the nominees and winners of the Grammy Awards are the winners, which have been capitalized and boldfaced.
87. Best Orchestral Performance
Award to the Conductor and to the Orchestra.
ADÈS: DANTE
Gustavo Dudamel, conductor (Los Angeles Philharmonic)
Bartók: Concerto For Orchestra; Four Pieces
Karina Canellakis, conductor (Netherlands Radio Philharmonic Orchestra)
Price: Symphony No. 4; Dawson: Negro Folk Symphony
Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
Scriabin: Symphony No. 2; The Poem Of Ecstasy
JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)
Stravinsky: The Rite Of Spring
Esa-Pekka Salonen, conductor (San Francisco Symphony)
88. Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists, and to the Composer and Librettist (if applicable) of a world premiere Opera recording only.
BLANCHARD: CCHAMPION
Yannick Nézet-Séguin, conductor; Ryan Speedo Green, Latonia Moore & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
Corigliano: The Lord Of Cries
Gil Rose, conductor; Anthony Roth Costanzo, Kathryn Henry, Jarrett Ott & David Portillo; Gil Rose, producer (Boston Modern Orchestra Project & Odyssey Opera Chorus)
Little: Black Lodge
Timur; Andrew McKenna Lee & David T. Little, producers (The Dime Museum; Isaura String Quartet)
89. Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
Carols After A Plague
Donald Nally, conductor (The Crossing)
The House Of Belonging
Craig Hella Johnson, conductor (Miró Quartet; Conspirare)
Ligeti: Lux Aeterna
Esa-Pekka Salonen, conductor (San Francisco Symphony Chorus)
Rachmaninoff: All-Night Vigil
Steven Fox, conductor (The Clarion Choir)
SAARIAHO: RECONNAISANCE
Nils Schweckendiek, conductor (Uusinta Ensemble; Helsinki Chamber Choir)
90. Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
American Stories
Anthony McGill & Pacifica Quartet
Beethoven For Three: Symphony No. 6, ‘Pastorale’ And Op. 1, No. 3; Yo-Yo Ma, Emanuel Ax & Leonidas Kavakos
Between Breaths
Third Coast Percussion
ROUGH MAGIC
Roomful Of Teeth
Uncovered, Vol. 3: Coleridge-Taylor Perkinson, William Grant Still & George Walker
Catalyst Quartet
91. Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.
Adams, John Luther: Darkness And Scattered Light
Robert Black
Akiho: Cylinders
Andy Akiho
THE AMERICAN PROJECT
Yuja Wang; Teddy Abrams, conductor (Louisville Orchestra)
Difficult Grace
Seth Parker Woods
Of Love
Curtis Stewart
92. Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with greater than 50% playing time of new material.
Because
Reginald Mobley, soloist; Baptiste Trotignon, pianist
Broken Branches
Karim Sulayman, soloist; Sean Shibe, accompanist
40@40
Laura Strickling, soloist; Daniel Schlosberg, pianist
Rising
Lawrence Brownlee, soloist; Kevin J. Miller, pianist
WALKING IN THE DARK
Julia Bullock, soloist; Christian Reif, conductor (Philharmonia Orchestra)
93. Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 50% playing time of the album, and to the Composer and Librettist (if applicable) with over 50% playing time of a world premiere recording only.
Fandango
Anne Akiko Meyers; Gustavo Dudamel, conductor; Dmitriy Lipay, producer
Julius Eastman, Vol. 3: If You’re So Smart, Why Aren’t You Rich?
Christopher Rountree, conductor; Lewis Pesacov, producer
Mazzoli: Dark With Excessive Bright
Peter Herresthal; Tim Weiss, conductor; Hans Kipfer, producer
PASSION FOR BACH AND COLTRANE
Alex Brown, Harlem Quartet, Imani Winds, Edward Perez, Neal Smith & A.B. Spellman; Silas Brown & Mark Dover, producers
Sardinia
Chick Corea; Chick Corea & Bernie Kirsh, producers
Sculptures
Andy Akiho; Andy Akiho & Sean Dixon, producers
Zodiac Suite
Aaron Diehl Trio & The Knights; Eric Jacobsen, conductor; Aaron Diehl & Eric Jacobsen, producers
94. Best Contemporary Classical Composition
A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
Adès: Dante
Thomas Adès, composer (Gustavo Dudamel & Los Angeles Philharmonic)
Akiho: In That Space, At That Time
Andy Akiho, composer (Andy Akiho, Ankush Kumar Bahl & Omaha Symphony)
Brittelle: Psychedelics
William Brittelle, composer (Roomful Of Teeth)
Mazzoli: Dark With Excessive Bright
Missy Mazzoli, composer (Peter Herresthal, James Gaffigan & Bergen Philharmonic)
MONTGOMERY: ROUNDS (in the YouTube video below)
Jessie Montgomery, composer (Awadagin Pratt, A Far Cry & Roomful Of Teeth)
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Here are the nominees, winners and trends of the 2023 classical music Grammys
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By Jacob Stockinger
Chances are good you have already heard about Beyoncé and Lizzo, about Bonnie Raitt and Harry Styles, and how they won their Grammy awards last Sunday night.
But it is not by chance that you have to scroll way, way, way down the list of Grammy nominees and winners to find the ones for classical music. (It comes a third from the end, just before the list of short-form and long-form videos.)
No doubt it is in part a question of respect. Classical is not even listed with other “Musical Genres” on the Grammys’ home website while you will find: Pop; Rock; R&B; Country; Rap; Latin; Global; Gospel and Contemporary Christian; New Age; Jazz; and Alternative.
It seems like the most important thing to say about classical music is that pop star Beyoncé (below above) surpassed the record for individual Grammys previously held for decades by the late Hungarian-born conductor Sir George Solti (below bottom). He had won 31, she has won 32. But it seems like an unfair comparison since The Ear suspects many more categories are open to Beyoncé and her pop music than were open to Solti and classical music.
But even more than respect, it is a question of popularity and money.
We mustn’t forget that the Grammys are above all an industry event designed to reward those who make the commercial recording industry flourish.
Still, there are trends to take note of.
You’ll notice that quite a few of the nominees and winners have performed had their music performed in Madison. They include composers Caroline Shaw and Kevin Puts; the Imani Winds and Valerie Coleman; the Attacca Quartet; singer Will Liverman; Third Coast Percussion; Hilary Hahn; and producer Judith Sherman (below, in 2016)), who has overseen recent recordings by the UW-Madison’s Pro Arte Quartet and won many such Grammys.
Also, just as in Madison this has also been a big year for performers and composers of color — Black, Indigenous, Latin and Asian — as well as women composers and performers. Florence Price, Valerie Coleman and Jessie Montgomery (below and in the YouTube video at the end of her composition “Strum”), who is now composer-in-residence at the Chicago Symphony Orchestra and was just named Composer of the Year by Musical America; and Valerie Coleman.
Local presenters and performers can be proud of reflecting the same priorities. They include: the University of Wisconsin-Madison School of Music; the Wisconsin Youth Symphony Orchestras (WYSO); the Madison Symphony Orchestra; the Madison Opera; the Wisconsin Union Theater; the Wisconsin Chamber Orchestra; the Willy Street Chamber Players; the Bach Dancing and Dynamite Society; Edgewood College; and Wisconsin Public Radio and WORT-FM among others.
See for yourself which ones you caught and which ones you missed.
Here is a list of the classical music winners of the 65th annual Grammy awards. It is provided by the insightful Australian arts and culture journal Limelight Magazine:
https://limelightmagazine.com.au/news/grammy-awards/
And here is the complete list of the Grammy nominees along with the winners, so you can compare them all, find out details and judge for yourself. The Ear thinks many of the nominees are often just as worthwhile to check out and listen to as the winners:
https://www.grammy.com/awards/65th-annual-grammy-awards-2022
What do you think of the Grammy nominees and winners?
The Ear wants to hear.
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Beethoven helps LeBron James break a big basketball scoring record
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By Jacob Stockinger
Sometime this coming week — maybe even by the time you read this — basketball superstar LeBron James (below) will break the all-time scoring record for the NBA.
The current record of 38,387 points is held by Kareem Abdul-Jabbar (known earlier in his career as Lew Alcindor) who he broke the previous record held by Wilt Chamberlain on April 5, 1984. Abdul-Jabbar, who is famous for his “skyhook,” retired at 42 in 1989 and is now 75.
At 38, James — who is just 63 points away from the record as of this writing — still has many years to play and score.
Based on what the James (below, in action) — who is also the first player to become a billionaire while playing in the NBA — usually scores each game, professional sports watchers expect he will surpass Abdul-Jabbar at a game against the Milwaukee Bucks this coming Thursday night, Feb. 9, in Milwaukee.
When he does, you will no doubt hear about it. It will be big news since the previous NBA scoring record has lasted for almost 34 years.
James, who plays for the Los Angeles Lakers, is known as a very disciplined, even obsessive, player who even follows a special diet to stay in shape.
What’s more, according to reports, James — who took his first piano lesson from the famous Chinese pianist Lang Lang — also listens to classical music. He especially likes to listen to Beethoven (below) after he listens to hip-hop while in the weight room, and then leaves to get ready and “calm down” before a game and heading out to the court.
Here is a link to that story on ClassicFM:
What Beethoven pieces do you think LeBron James listens to in order to calm down before a game? Symphonies? Concertos? Chamber music? A lot of Beethoven seems more aggressive than relaxing to The Ear. But the slow middle movement of the Piano Concerto No. 5 “Emperor” (played by Lang Lang in the YouTube video at the bottom) seems like a good choice.
Maybe James will even somehow read this and let us know his favorite works by Beethoven and other classical composers.
Do any other readers or athletes listen to classical music as part of their athletic training, preparation and activity? Do a lot of the runners who are listening to something through ear buds listen too classical music?
The Ear wants to hear.
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Check out the 2022 classical music Grammys for trends and suggested listening
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By Jacob Stockinger
No doubt you have already heard about the 64th annual Grammy Awards, which were awarded last Sunday night.
But chances are you haven’t heard much about the classical music Grammys.
That’s just not where the money and publicity are for major record companies and for the music industry in general, compared to other, much more profitable genres such as hip-hop, rock and pop.
But the classical Grammy nominations and winners can be a good source about what composers, performers and music you might want to check out via streaming or by buying a CD.
You can also get a good idea of trends in classical music.
Contemporary or new music is big again this year, dominating the old standard classics.
Just like local, regional, national and international performers, both individuals and groups, the Grammys show an emphasis on female composers and performers, and a similar emphasis on rediscovering composers and performers of color from both the past and the present.
You might also notice that the New Orleans-born, Juilliard-trained jazz pianist and singer Jon Batiste (below) — who plays on CBS’ The Late Show with Stephen Colbert and directs the house band Stay Human and who seems a one-man Mardi Gras — was nominated for a record 11 Grammys and won five in other categories, seems to be the new Wynton Marsalis. Like Marsalis, with whom Batiste worked, Batiste seems perfectly at home in classical music as well as jazz, soul, blues and pop. And his original classical work Movement 11 was nominated for a Grammy this year.
Social activism, in short, has finally brought diversity and inclusion into the Grammys in a way that seems permanent.
Below are the nominations and winners of the 2022 classical music Grammys. Winners are boldfaced. I have also offered a few examples of those musicians who have performed in Madison and for what venue, although there are many more connections than indicated.
If you want to see the nominations and winners in other categories, here is a link:
https://www.npr.org/2022/04/03/1090342877/2022-grammys-full-list-winners-nominees
75. Best Engineered Album, Classical
- Archetypes — Jonathan Lackey, Bill Maylone and Dan Nichols, engineers; Bill Maylone, mastering engineer (Sérgio Assad, Clarice Assad and Third Coast Percussion)
- Beethoven: Cello Sonatas – Hope Amid Tears — Richard King, engineer (Yo-Yo Ma and Emanuel Ax)
- Beethoven: Symphony No. 9 — Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck, Mendelssohn Choir Of Pittsburgh and Pittsburgh Symphony Orchestra)
- Chanticleer Sings Christmas — Leslie Ann Jones, engineer (Chanticleer)
- Mahler: Symphony No. 8, ‘Symphony Of A Thousand’ — Alexander Lipay and Dmitriy Lipay, engineers; Alexander Lipay and Dmitriy Lipay, mastering engineers (Gustavo Dudamel, Fernando Malvar-Ruiz, Luke McEndarfer, Robert Istad, Grant Gershon, Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus, Pacific Chorale and Los Angeles Philharmonic)
76. Producer Of The Year, Classical
- Blanton Alspaugh
- Steven Epstein
- David Frost
- Elaine Martone
- Judith Sherman (below, who also recorded the UW-Madison Pro Arte Quartet’s centennial commissions)
CLASSICAL
77. Best Orchestral Performance
- “Adams: My Father Knew Charles Ives; Harmonielehre” — Giancarlo Guerrero, conductor (Nashville Symphony Orchestra)
- “Beethoven: Symphony No. 9” — Manfred Honeck, conductor (Mendelssohn Choir Of Pittsburgh and Pittsburgh Symphony Orchestra)
- “Muhly: Throughline” — Nico Muhly, conductor (San Francisco Symphony)
- “Florence Price: Symphonies Nos. 1 and 3″ — Yannick Nézet-Séguin, conductor; Philadelphia Orchestra (below)
- “Strauss: Also Sprach Zarathustra; Scriabin: The Poem Of Ecstasy” — Thomas Dausgaard, conductor (Seattle Symphony Orchestra)
78. Best Opera Recording
- “Bartók: Bluebeard’s Castle” — Susanna Mälkki, conductor; Mika Kares and Szilvia Vörös; Robert Suff, producer (Helsinki Philharmonic Orchestra)
- “Glass: Akhnaten” — Karen Kamensek, conductor; J’Nai Bridges, Anthony Roth Costanzo, Zachary James and Dísella Lárusdóttir; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
- “Janáček: Cunning Little Vixen” — Simon Rattle, conductor; Sophia Burgos, Lucy Crowe, Gerald Finley, Peter Hoare, Anna Lapkovskaja, Paulina Malefane, Jan Martinik & Hanno Müller-Brachmann; Andrew Cornall, producer (London Symphony Orchestra; London Symphony Chorus and LSO Discovery Voices)
- “Little: Soldier Songs” — Corrado Rovaris, conductor; Johnathan McCullough; James Darrah and John Toia, producers (The Opera Philadelphia Orchestra)
- “Poulenc: Dialogues Des Carmélites” — Yannick Nézet-Séguin, conductor; Karen Cargill, Isabel Leonard, Karita Mattila, Erin Morley and Adrianne Pieczonka; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
79. Best Choral Performance
- “It’s A Long Way” — Matthew Guard, conductor (Jonas Budris, Carrie Cheron, Fiona Gillespie, Nathan Hodgson, Helen Karloski, Enrico Lagasca, Megan Roth, Alissa Ruth Suver and Dana Whiteside; Skylark Vocal Ensemble)
- “Mahler: Symphony No. 8, ‘Symphony Of A Thousand'” — Gustavo Dudamel, conductor; Grant Gershon, Robert Istad, Fernando Malvar-Ruiz and Luke McEndarfer, chorus masters (Leah Crocetto, Mihoko Fujimura, Ryan McKinny, Erin Morley, Tamara Mumford, Simon O’Neill, Morris Robinson and Tamara Wilson; Los Angeles Philharmonic; Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus and Pacific Chorale)
- “Rising w/The Crossing” — Donald Nally, conductor (International Contemporary Ensemble and Quicksilver; The Crossing)
- “Schnittke: Choir Concerto; Three Sacred Hymns; Pärt: Seven Magnificat-Antiphons” — Kaspars Putniņš, conductor; Heli Jürgenson, chorus master (Estonian Philharmonic Chamber Choir)
- “Sheehan: Liturgy Of Saint John Chrysostom” — Benedict Sheehan, conductor (Michael Hawes, Timothy Parsons and Jason Thoms; The Saint Tikhon Choir)
- “The Singing Guitar” — Craig Hella Johnson, conductor (Estelí Gomez; Austin Guitar Quartet, Douglas Harvey, Los Angeles Guitar Quartet and Texas Guitar Quartet; Conspirare)
80. Best Chamber Music/Small Ensemble Performance
- “Adams, John Luther: Lines Made By Walking” — JACK Quartet
- “Akiho: Seven Pillars” — Sandbox Percussion
- “Archetypes” —Sérgio Assad, Clarice Assad and Third Coast Percussion
- “Beethoven: Cello Sonatas – Hope Amid Tears” — Yo-Yo Ma and Emanuel Ax (who have frequently performed individually and together at the Wisconsin Union Theater)
- “Bruits” — Imani Winds
81. Best Classical Instrumental Solo
- “Alone Together” — Jennifer Koh (below, who has performed with the Wisconsin Chamber Orchestra)
- “An American Mosaic” — Simone Dinnerstein
- “Bach: Solo Violin Sonatas and Partitas” — Augustin Hadelich (a favorite of the Madison Symphony Orchestra)
- “Beethoven and Brahms: Violin Concertos” — Gil Shaham; Eric Jacobsen, conductor (The Knights)
- “Mak Bach” — Mak Grgić
- “Of Power” — Curtis Stewart
82. Best Classical Solo Vocal Album
- Confessions — Laura Strickling; Joy Schreier, pianist
- Dreams Of A New Day – Songs By Black Composers — Will Liverman (who has sung with the Madison Opera); Paul Sánchez, pianist (below at in the YouTube video at the bottom)
- Mythologies — Sangeeta Kaur and Hila Plitmann (Virginie D’Avezac De Castera, Lili Haydn, Wouter Kellerman, Nadeem Majdalany, Eru Matsumoto and Emilio D. Miler)
- Schubert: Winterreise — Joyce DiDonato; Yannick Nézet-Séguin, pianist
- Unexpected Shadows — Jamie Barton; Jake Heggie, pianist (Matt Haimovitz)
83. Best Classical Compendium
- American Originals – A New World, A New Canon — AGAVE and Reginald L. Mobley; Geoffrey Silver, producer
- Berg: Violin Concerto; Seven Early Songs and Three Pieces For Orchestra — Michael Tilson Thomas, conductor; Jack Vad, producer
- Cerrone: The Arching Path — Timo Andres and Ian Rosenbaum; Mike Tierney, producer
- Plays — Chick Corea; Chick Corea and Birnie Kirsh, producers
- Women Warriors – The Voices Of Change — Amy Andersson, conductor; Amy Andersson, Mark Mattson and Lolita Ritmanis, producers (below)
84. Best Contemporary Classical Composition
- “Akiho: Seven Pillars” — Andy Akiho, composer (Sandbox Percussion)
- “Andriessen: The Only One” — Louis Andriessen, composer (Esa-Pekka Salonen, Nora Fischer and Los Angeles Philharmonic)
- “Assad, Clarice and Sérgio, Connors, Dillon, Martin & Skidmore: Archetypes” — Clarice Assad, Sérgio Assad, Sean Connors, Robert Dillon, Peter Martin and David Skidmore, composers (Sérgio Assad, Clarice Assad and Third Coast Percussion)
- “Batiste: Movement 11′” — Jon Batiste, composer (Jon Batiste)
- “Shaw: Narrow Sea” — Caroline Shaw, composer (Dawn Upshaw, Gilbert Kalish and Sō Percussion)
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music, voice, warrior, way, WCO, Will Livermore, wind music, winner, Winterreise, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin Union Theater, Wolfgang Amadeus Mozart, women, work, world, WORT-FM 89.9, WPR, Wynton Marsalis, Yannick Nézet-Séguin, year, Yo-Yo Ma, YouTube
Classical music: Today is the Summer Solstice. What music best greets summer during this odd year? Plus, here is information about Make Music Madison this Sunday
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By Jacob Stockinger
Today – Saturday, June 20, 2020 – is the Summer Solstice.
Summer officially arrives this afternoon at 4:43 p.m. CDT.
Is The Ear alone in thinking that the time since the winter solstice has passed both more slowly and also more quickly than usual, thanks to the pandemic?
And now the days will start getting shorter. Can that be possible? Is the year really half over?
Well, it has been an unusual spring and promises to be an unusual summer, to say the least.
So how about some unusual Vivaldi?
If you listen to Wisconsin Public Radio, chances are good that today or sometime soon you will hear the hyper-popular original version of “Summer” from Vivaldi’s “The Four Seasons.”
But The Ear finds this unusual contemporary version a welcome change from the over-programmed and too familiar original version, and more appropriate to the special summer that will follow the special spring.
It is a version that has been “recomposed” by British composer Max Richter (below top) with violin soloist Daniel Hope (below bottom), a protege of the legendary Yehudi Menuhin, who performed several years ago with the Madison Symphony Orchestra.
The Ear finds the entire work very appealing, but here is the YouTube video of just the Summer section as it was being recorded.
If you don’t like this music, what music would you choose to listen to as you celebrate the coming of summer?
And if you like this excerpt, here is a link to the complete version of “Vivaldi Recomposed”:
https://www.youtube.com/watch?v=dJnxPgT83rw
MAKE MUSIC MADISON
Today may be the Summer Solstice, but this year’s Make Music Madison will take place this Sunday, which also happens to be Father’s Day.
The eight annual Make Music Madison – which includes classical music but also rock, jazz, folk, blues, hip-hop and country — is part of Make Music Day, an international celebration of the Summer Solstice that this year will take place in some 1,000 cities in 120 countries.
Here is a helpful listing with locations, time, performers and programs as well as form (virtual and online, with links, or real): http://www.makemusicmadison.org
Here is a story with more background about the event: http://www.makemusicday.org
If you attend or hear some of the events, let us know what you thought.
The Ear wants to hear.
Tags: #AmericanJazz, #AntonioVivaldi, #BaroqueMusic, #BlogPost, #BlogPosting, #BluesMusic, #BritishComposer, #ChamberMusic, #CoronavirusPandemic, #CountryMusic, #COVID-19, #DanielHope, #FacebookPost, #FacebookPosting, #Father'sDay, #FolkMusic, #FourSeasons, #GreatBritain, #Hip-hopmusic, #ItalianBaroque, #italianComposer, #JacobStockinger, #MadisonSymphonyOrchestra, #MakeMusicDay, #MakeMusicMadison, #MaxRichter, #MusicalExcerpt, #OriginalVersion, #RapMusic, #RockandRoll, #SummerSolstice, #TheBlues, #TheEar, #UnitedKingdom, #ViolinConcerto, #VocalMusic, #WinterSolstice, #WisconsinPublicRadio, #YehudiMenuhin, #YouTubevideo, alone, Antonio Vivaldi, appealing, arrive, Arts, attend, audience, background, Baroque, blog, blues, British, celebrate, Chamber music, change, cities, city, Classical music, complete, compose, composer, concerto, contemporary, coronavirus, countries, country, country music, Daniel Hope, day, Early music, England, event, excerpt, Facebook, fathers day, find, folk, form, forward, Four Seasons, Great Britain, greet, half, helpful, hip-hop, information, international, Italian, Jacob Stockinger, Jazz, June, legend, legendary, like, link, listing, location, Madison, Madison Symphony Orchestra, Make Music Day, Make Music Madison, Max Richter, Music, odd, official, online, original, over, pandemic, passed, perform, performer, Piano, popular, possible, post, posting, program, promise, protege, quickly, rap, real, recompose, Richter, Rock, Saturday, Season, share, shorter, slowly, soloist, solstice, Spring, story, summer, Summer solstice, Sunday, tag, thanks, The Ear, The Four Seasons, think, time, today, UK, United States, unusual, version, Violin, Violin concerto, violinist, virtual, Vivaldi, vocal music, welcome, winter solstice, Wisconsin, wisconsin public radio, years, Yehudi Menuhin, YouTube
Classical music: Summer begins today with Make Music Madison. Plus, both American pianists have advanced in the 16th International Tchaikovsky Competition
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By Jacob Stockinger
The summer solstice arrives this morning at 10:54 a.m.
That means today is when Make Music Madison takes place. Wisconsin’s capital city will join more than 1,000 other cities across the globe in celebrating live music-making of all kinds that is FREE and mostly outdoors.
Here is a link to the site with a map of various artists and venues – some 400 events in about 100 venues — and well as times around Madison:
http://www.makemusicmadison.org
Here is an earlier post with more details about the worldwide event:
But that’s not the only news today.
Last night, the 24 piano contestants in the preliminary round of the 16th International Tchaikovsky Competition in Moscow and Saint Petersburg were trimmed down to 14 semi-finalists. (It was supposed to be 12, but the jury couldn’t agree on 12.)
And the good news is that both Americans — Sara Daneshpour (below top) and Kenneth Broberg (below bottom, in a photo by Jeremy Enlow), who performed a recital last season in Madison at the Salon Piano Series held at Farley’s House of Pianos — made the cut. The next round starts very early today, given the 8 hours ahead time difference between here and Moscow, and runs into the afternoon.
Here is the complete list of the piano semi-finalists:
https://tch16.medici.tv/en/news/piano-first-round-results/
Of course, pianists aren’t the only ones who might be interested in the competition that became well known in the West when Van Cliburn won the inaugural competition in 1958.
These days, competitions are also going on in violin, cello, voice, brass and woodwinds as well as piano.
What’s more, the entire competition is being live-streamed on Medici TV, and all the performances, from the preliminaries through the finals, are being streamed in real time and also archived. Plus, it’s all FREE. Thank you, Medici!
Here is a link. You’ll find archived performances, which go up pretty fast, under replays. The Ear has found that the sound is excellent and the website pretty self-explanatory and easy to navigate. Check out the preliminary recitals with music by Bach, Haydn. Mozart, Beethoven, Chopin, Liszt, Rachmaninoff and of course Tchaikovsky. Here is a link:
Today being the first day of summer, you’ll probably get to hear “Summer” from “The Four Seasons” by Antonio Vivaldi.
But given other news, something by Tchaikovsky seems especially appropriate. So here is the “June” Barcarolle, or boat song, from the solo piano suite “The Four Seasons,” which features one piece for each of the 12 months in the year. You can hear “June” in the YouTube video at the bottom.
Tags: #AntonioVivaldi, #BlogPost, #BlogPosting, #BluesMusic, #BoatSong, #ChopinEtudes, #Classicalperiod, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FolkMusic, #FranzJosephHaydn, #FranzLiszt, #FredericChopin, #GospelMusic, #Hip-hopmusic, #InternationalTchaikovskyCompetition, #JazzMusic, #JohannSebastianBach, #KennethBroberg, #LiveMusic, #LiveStreaming, #LudwigVanBeethoven, #MakeMusicMadison, #MediciTV, #MoscowRussia, #PeterIlyichTchaikovsky, #PreludeandFugue, #RussianMusic, #SaintPetersburg, #SalonPIanoSeries, #SaraDaneshpour, #SergeiRachmaninoff, #SummerSolstice, #SwingMusic, #TchaikovskyInternationalCompetition, #TheFourSeasons, #VanCliburn, #VocalMusic, #Well-TemperedClavier, #WolfgangAmadeusMozart, #YouTubevideo, American, Antonio Vivaldi, archive, arrive, artist, artists, Arts, attract, audience, Bach, barcarolle, Baroque, Beethoven, blog, blues, boat song, brass, capital, celebrate, Cello, Chopin, cities, city, Classical, Classical music, classicalmusic, Competition, composer, Concert, concerto, details, difference, earlhours, Early music, etude, event, Facebook, Farley's House of Pianos, Folk music, forward, Franz Joseph Haydn, Franz Liszt, free, fugue, globe, gospel, hip-hop, interest, International Tchaikovsky Competition, Jacob Stockinger, Jazz, Johann Sebastian Bach, June, Kenneth Broberg, like, link, Liszt, live, live music, live streaming, live-streamed, Ludwig van Beethoven, Madison, Make Music Madison, map, Medici, medici.tv, month, morning, Moscow, Mozart, Music, new, news, Orchestra, outdoors, performance, performer, Pianist, Piano, piece, post, preliminary, Prelude, reader, real, round, Russia, Saint Petersburg, Salon Piano Series, Sara Daneshpour, semi-finalist, Sergei Rachmaninoff, share, site, solo, solstice, Sonata, song, streaming, subscriber, Suite, summer, Summer solstice, swing, tag, Tchaikovsky, Tchaikovsky International Competition, The Four Seasons, time, today, Van Cliburn, venue, Violin, vocal music, voice, Well-Tempered Clavier, Wisconsin, Wolfgang Amadeus Mozart, woodwinds, world, worldwide, year, YouTube
Classical music: The seventh annual Make Music Madison is on Friday, June 21, and features 17 different FREE classical concerts as well as dozens of performances of jazz, folk, blues, hip-hop, swing and other genres
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REMINDER: TODAY, Saturday, June 15, at noon in Grace Episcopal Church, 116 West Washington Avenue, on the Capitol Square, the Ancora String Quartet will give a FREE performance as part of “Grace Presents.” The one-hour program includes the String Quartet in A Major, Op. 13, by Felix Mendelssohn; the String Quartet in B-flat Major, “La Malinconia” (Melancholy), Op. 18, No. 6, by Ludwig van Beethoven; and “Entr’acte” by the contemporary Pulitzer Prize-winning composer Caroline Shaw. The Ear heard an earlier performance of the same program by the Ancora, and highly recommends it.
By Jacob Stockinger
This coming Friday, June 21, is the Summer Solstice, which arrives at 10:54 a.m. CDT.
That means not only the first day of summer, but also the seventh annual Make Music Madison – a day-long FREE mostly outdoor festival of live performances.
The event, which is organized and staffed by volunteers and costs about $45,000, will take place from easy morning until midnight. Madison will be joining more than 80 cities in the United States and more than 1,000 cities around the world for the global event. The estimated audience worldwide is in the tens of millions.
The local lineup is impressive.
More than 400 concerts at more than 100 venues will take place all around the Madison area.
Many genres of music besides classical will be featured: jazz, folk, ethnic, rock, blues, hip-hop, reggae, gospel, swing and more. (In the YouTube video at the bottom, you can hear a compilation of different music and assessments from Make Music Madison participants in 2014.)
And many forms of music, both instrumental and vocal, will be featured. (Below is the Madison Flute Club performing during last year’s event.)
Performers include professionals and amateurs, young people and adults, students and teachers, individuals and ensembles.
Some events will be more formal, while others will be jam sessions. Some events will have an open mic.
The Ear counts 17 different venues for classical music, including a public piano in the University of Wisconsin-Madison’s Alumni Park, between the Memorial Union and the Red Gym. Also featured there is opera singer Prenicia Clifton (below).
You will also find classical music at Metcalfe’s market in the Hilldale Mall; the First Congregational United Church of Christ near Camp Randall Stadium; branches of the Madison Public Library; and other places. You can hear the Suzuki Strings as well as violin, viola, cello, brass, winds, piano and guitar ensembles.
Unfortunately, though, specific programs and works are not listed, which might cut into the attendance at some performances.
To whet your appetite, here is a link to the Make Music Madison home website, with lots of background, some fine photos, a complete listing of events and the names of major funding sources, which include the Madison Arts Commission, Isthmus, Dane Arts, WORT FM 89.9, Wisconsin Public Radio. WSUM-FM 91.7 (the student radio at the University of Wisconsin-Madison) and La Voz de Latinoamerica Desde Wisconsin as well as individual private donors.
To help classical fans decide what to attend and what works in their weekday schedule, here is a map of concerts. Just click on “Classical” in “Filter Map,” which is first tab on the top right, to see classical events listed by genre, location and name:
http://www.makemusicmadison.org/listings/
Have you ever attended Make Music Madison?
What did you think of it? Did you have a good time? Did you hear good music and fine performances?
Do you have any words of advice, tips or recommendations for organizers, performers and listeners?
The Ear wants to hear.
Tags: #AlumniPark, #AmateurMusicians, #AncoraStringQuartet, #BandMusic, #BlogPost, #BlogPosting, #BluesMusic, #BrassMusic, #CampRandallStadium, #CapitolSquare, #CarolineShaw, #CelloMusic, #CentralDaylightTime, #ChamberMusic, #ChristianChurch, #EthnicMusic, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FirstCongregationalUnitedChurchofChrist, #FluteMusic, #FolkMusic, #GospelMusic, #GraceEpiscopalChurch, #GuitarMusic, #HilldaleMall, #Hip-hopmusic, #InstrumentalMusic, #IsthmusNewspaper, #JazzMusic, #JohannSebastianBach, #LatinMusic, #LaVozdeLatinaAmerica, #LiveMusic, #LivingComposer, #LocalArts, #LudwigVanBeethoven, #MadisonArtsCommission, #MadisonFluteClub, #MadisonPublicLibrary, #MakeMusic, #MakeMusicMadison, #MemorialUnion, #MusicGenre, #MusicTeacher, #OpenMic, #OperaMusic, #OperaSinger, #OutdoorConcert, #OutdoorMusic, #PIanoTeacher, #PreniciaClifton, #ProfessionalMusician, #PublicLibrary, #PulitzerPrize, #RedGym, #ReggaeMusic, #RockMusic, #StringQuartet, #SummerSolstice, #SuzukiMethod, #SuzukiStrings, #SuzukiStringsofMadison, #SwingMusic, #TheU.S., #UnitedStates, #UniversityofWisconsin-Madison, #ViolaMusic, #ViolinMusic, #VocalMusic, #WindMusic, #WisconsinArtsBoard, #WisconsinPublicRadio, #WORT-FM89.9, #WSUM-FM 91.7, #YoungPeople, #YouTubevideo, 2019, adult, advice, Alumni Park, Ancora String Quartet, appeal, area, Arts, audience, Bach, background, band, Baroque, Beethoven, blog, blues music, branch, brass, Camp Randall Stadium, Capitol Square, Caroline Shaw, CDT, Cello, Chamber music, choral music, Christian, church, cities, city, citywide, Classical music, classicalmusic, click, compilation, composer, Concert, contemporary, daylight, donation, donor, Early music, Episcopal, Episcopalian, ethnic, ethnic music, event, Facebook, Facebook post, Facebook posting, Felix Mendelssohn, festival, filter, First Congregational United Church of Christ, flute, folk, Folk music, free, genre, gospel, gospel music, Grace Episcopal Church, guitar, gym, Hilldale Mall, Hip hop music, hip-hop, instrumental, instrumental music, Isthmus, Jacob Stockinger, Jazz, Johann Sebastian Bach, La Voz de Latina America, Latin music, Latina, library, link, list, listen, listener, live music, Living composer, local, location, Ludwig van Beethoven, Madison, Madison Arts Commission, Madison Flute Club, Make Music, Make Music Madison, map, Memorial Union, mic, midnight, Music, name, open, open mic, opera, organize, organizer, outdoor, outdoor concerts, Overture Center, participant, performer, photo, Piano, pieces, Prenicia Clifton, professional, program, public, Pulitzer Prize, recommend, recommendation, red, Red Gym, reggae, reggae music, Rock, rock music, share, singer, Sonata, String quartet, strings, Summer solstice, Suzuki, swing, tab, tag, Teacher, time, tip, U.S., United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, venue, Viola, Violin, vocal music, volunteers, winds, winning, Wisconsin, Wisconsin Arts Board, wisconsin public radio, world, WORT-FM 89.9, WSUM, young people, YouTube
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The Well-Tempered Ear 
Here are the classical music nominations for the 63rd annual Grammy Awards in 2021
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By Jacob Stockinger
It’s time again for the annual Grammy Awards (below).
Although determined by the recording industry and often considered promotional marketing, they might be more helpful given the peculiar circumstances of the past year.
After all, the coronavirus pandemic has changed our listening habits.
Perhaps you now listen mostly via computer to virtual online concerts and performances that are streamed.
Perhaps you listen to Compact Discs using home stereo systems.
Perhaps you subscribe to a streaming service such as Apple Music, Amazon Music, Spotify and others.
However you listen to music, you might find the following list useful, especially as it comes at the beginning of the holiday shopping and gift-giving season.
You might also find the nominations for the 63rd annual Grammy Awards informative about individual musicians and musical groups in your area.
They can help you judge how many or how few contemporary composers and new works get performed.
Performers provide other examples. You might find it interesting, for example, that soprano Sarah Brailey (below) has been nominated for her role in the solo vocal work “The Prison” by Ethel Smyth. Brailey is a graduate student at the University of Wisconsin-Madison Mead Witter School of Music and a co-founder and performer of the free monthly Just Bach concerts.
Pianist Shai Wosner (below, in a photo by Marco Borggreve), who played late Schubert sonatas at the Salon Piano Series at Farley’s House of Pianos, is included in a list of producer awards for his recording of those sonatas.
The Milwaukee Symphony Orchestra and Florentine Opera have been nominated for a recording of Carlisle Floyd’s opera “Prince of Players.”
Conductor Julian Wachner (below top), violinist Augustin Hadelich (below middle) and pianist Jonathan Biss (below bottom) have all performed with the Madison Symphony Orchestra, some more than once.
Soprano Laquita Mitchell (below) — who has sung with the Madison Opera — has been nominated for her performance in the choral work “Sanctuary Road” by Paul Moravec.
Cellist Matt Haimovitz (below top) and composer Luna Pearl Woolf (below bottom) have been nominated for the latter’s “Fire and Flood.” Both have appeared with UW-Madison orchestral and choral groups.
If you notice more local connections, please leave word in the Comment section.
The winners will be announced on CBS Television the evening of Sunday, Jan. 31, 2021.
73. Best Engineered Album, Classical
An Engineer’s Award. (Artist names appear in parentheses.)
· DANIELPOUR: THE PASSION OF YESHUA
Bernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
· GERSHWIN: PORGY AND BESS
David Frost and John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)
· HYNES: FIELDS
Kyle Pyke, engineer; Jesse Lewis and Kyle Pyke, mastering engineers (Devonté Hynes & Third Coast Percussion)
· IVES: COMPLETE SYMPHONIES (below)
Alexander Lipay and Dmitriy Lipay, engineers; Alexander Lipay and Dmitriy Lipay, mastering engineers (Gustavo Dudamel and Los Angeles Philharmonic)
· SHOSTAKOVICH: SYMPHONY NO. 13, ‘BABI YAR’
David Frost and Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti and Chicago Symphony Orchestra)
·
74. Producer Of The Year, Classical
A Producer’s Award. (Artist names appear in parentheses.)
· BLANTON ALSPAUGH
• Aspects Of America – Pulitzer Edition (Carlos Kalmar and Oregon Symphony)
• Blessed Art Thou Among Women (Peter Jermihov, Katya Lukianov and PaTRAM Institute Singers)
• Dvorak: Symphony No. 9; Copland: Billy The Kid (Gianandrea Noseda and National Symphony Orchestra)
• Glass: The Fall Of The House Of Usher (Joseph Li, Nicholas Nestorak, Madison Leonard, Jonas Hacker, Ben Edquist, Matthew Adam Fleisher and Wolf Trap Opera)
• Kahane: Emergency Shelter Intake Form (Alicia Hall Moran, Gabriel Kahane, Carlos Kalmar and Oregon Symphony)
• Kastalsky: Requiem (Leonard Slatkin, Steven Fox, Benedict Sheehan, Charles Bruffy, Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale and Orchestra Of St. Luke’s)
• Massenet: Thaïs (Andrew Davis, Joshua Hopkins, Andrew Staples, Erin Wall, Toronto Mendelssohn Choir and Toronto Symphony Orchestra)
• Smyth: The Prison (Sarah Brailey, Dashon Burton, James Blachly and Experiential Orchestra)
• Woolf, L.P.: Fire And Flood (Julian Wachner, Matt Haimovitz and Choir Of Trinity Wall Street)
· DAVID FROST (below)
• Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss)
• Gershwin: Porgy And Bess (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra and Chorus)
• Gluck: Orphée ed Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra and Chorus)
• Holst: The Planets; The Perfect Fool (Michael Stern and Kansas City Symphony)
• Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra and Chorus)
• Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner)
• Shostakovich: Symphony No. 13, ‘Babi Yar’ (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra and Chorus)
· JESSE LEWIS
• Gunn: The Ascendant (Roomful Of Teeth)
• Harrison, M.: Just Constellations (Roomful Of Teeth)
• Her Own Wings (Willamette Valley Chamber Music Festival)
• Hynes: Fields (Devonté Hynes and Third Coast Percussion)
• Lang, D.: Love Fail (Beth Willer and Lorelei Ensemble)
• Mazzoli: Proving Up (Christopher Rountree, Opera Omaha and International Contemporary Ensemble)
• Sharlat: Spare The Rod! (NOW Ensemble)
• Soul House (Hub New Music)
• Wherein Lies The Good (The Westerlies)
· DMITRIY LIPAY
• Adams, J.: Must The Devil Have All The Good Tunes? (Yuja Wang, Gustavo Dudamel and Los Angeles Philharmonic)
• Cipullo: The Parting (Alastair Willis, Laura Strickling, Catherine Cook, Michael Mayes and Music Of Remembrance)
• Ives: Complete Symphonies (Gustavo Dudamel & Los Angeles Philharmonic)
• LA Phil 100 – The Los Angeles Philharmonic Centennial Birthday Gala (Gustavo Dudamel and Los Angeles Philharmonic)
• Langgaard: Prelude To Antichrist; Strauss: An Alpine Symphony (Thomas Dausgaard and Seattle Symphony Orchestra)
• Nielsen: Symphony No. 1 and Symphony No. 2, ‘The Four Temperaments’ (Thomas Dausgaard and Seattle Symphony)
· ELAINE MARTONE
• Bound For The Promised Land (Robert M. Franklin, Steven Darsey, Jessye Norman and Taylor Branch)
• Dawn (Shachar Israel)
• Gandolfi, Prior and Oliverio: Orchestral Works (Robert Spano and Atlanta Symphony Orchestra)
• Singing In The Dead Of Night (Eighth Blackbird)
• Whitacre: The Sacred Veil (Eric Whitacre, Grant Gershon and Los Angeles Master Chorale)
75. Best Orchestral Performance
Award to the Conductor and to the Orchestra.
· ASPECTS OF AMERICA – PULITZER EDITION (below)
Carlos Kalmar, conductor (Oregon Symphony)
· CONCURRENCE
Daniel Bjarnason, conductor (Iceland Symphony Orchestra)
· COPLAND: SYMPHONY NO. 3
Michael Tilson Thomas, conductor (San Francisco Symphony)
· IVES: COMPLETE SYMPHONIES
Gustavo Dudamel, conductor (Los Angeles Philharmonic)
· LUTOSLAWSKI: SYMPHONIES NOS. 2 and 3
Hannu Lintu, conductor (Finnish Radio Symphony Orchestra)
76. Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists.
· DELLO JOIO: THE TRIAL AT ROUEN
Gil Rose, conductor; Heather Buck and Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)
· FLOYD, C.: PRINCE OF PLAYERS
William Boggs, conductor; Keith Phares and Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)
· GERSHWIN: PORGY AND BESS (below)
David Robertson, conductor; Angel Blue and Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
· HANDEL: AGRIPPINA
Maxim Emelyanychev, conductor; Joyce DiDonato; Daniel Zalay, producer (Il Pomo D’Oro)
· ZEMLINSKY: DER ZWERG
Donald Runnicles, conductor; David Butt Philip and Elena Tsallagova; Peter Ghirardini and Erwin Sturzer, producers (Orchestra of The Deutsche Oper Berlin; Chorus of The Deutsche Oper Berlin)
·
77. Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
· CARTHAGE
Donald Nally, conductor (The Crossing)
· DANIELPOUR: THE PASSION OF YESHUA (below)
JoAnn Falletta, conductor; James K. Bass and Adam Luebke, chorus masters (James K. Bass, J’Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann and Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus and UCLA Chamber Singers)
· KASTALSKY: REQUIEM
Leonard Slatkin, conductor; Charles Bruffy, Steven Fox and Benedict Sheehan, chorus masters (Joseph Charles Beutel and Anna Dennis; Orchestra Of St. Luke’s; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale and The Saint Tikhon Choir)
· MORAVEC: SANCTUARY ROAD
Kent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather and Laquita Mitchell; Oratorio Society of New York Orchestra; Oratorio Society of New York Chorus)
· ONCE UPON A TIME
Matthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)
·
78. Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (24 or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
· CONTEMPORARY VOICES
Pacifica Quartet
· HEALING MODES
Brooklyn Rider
· HEARNE, T.: PLACE
Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods and Place Orchestra
· HYNES: FIELDS
Devonté Hynes and Third Coast Percussion
· THE SCHUMANN QUARTETS
Dover Quartet
·
79. Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.
· ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra)
· BEETHOVEN: COMPLETE PIANO SONATAS (below)
Igor Levit
· BOHEMIAN TALES
Augustin Hadelich; Jakub Hrusa, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)
· DESTINATION RACHMANINOV – ARRIVAL
Daniil Trifonov; Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
· THEOFANIDIS: CONCERTO FOR VIOLA AND CHAMBER ORCHESTRA
Richard O’Neill; David Alan Miller, conductor (Albany Symphony)
·
80. Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.
· AMERICAN COMPOSERS AT PLAY – WILLIAM BOLCOM, RICKY IAN GORDON, LORI LAITMAN, JOHN MUSTO
Stephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich and Jason Vieaux)
· CLAIRIÈRES – SONGS BY LILI and NADIA BOULANGER
Nicholas Phan; Myra Huang, accompanist
· FARINELLI
Cecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)
· A LAD’S LOVE
Brian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley and Ben Russell)
· SMYTH: THE PRISON
Sarah Brailey and Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)
·
81. Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.
· ADÈS CONDUCTS ADÈS
Mark Stone and Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer
· SAARIAHO: GRAAL THEATER; CIRCLE MAP; NEIGES; VERS TOI QUI ES SI LOIN
Clément Mao-Takacs, conductor; Hans Kipfer, producer
· SEREBRIER: SYMPHONIC BACH VARIATIONS; LAMENTS AND HALLELUJAHS; FLUTE CONCERTO
José Serebrier, conductor; Jens Braun, producer
· THOMAS, M.T.: FROM THE DIARY OF ANNE FRANK and MEDITATIONS ON RILKE
Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer
· WOOLF, L.P.: FIRE AND FLOOD
Matt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer
·
82. Best Contemporary Classical Composition
A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
· ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
Thomas Adès, composer (Kirill Gerstein, Thomas Adès and Boston Symphony Orchestra)
· DANIELPOUR: THE PASSION OF YESHUA
Richard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
· FLOYD, C.: PRINCE OF PLAYERS (below)
Carlisle Floyd, composer (William Boggs, Kate Royal, Keith Phares, Florentine Opera Chorus and Milwaukee Symphony Orchestra)
· HEARNE, T.: PLACE
Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods and Place Orchestra)
· ROUSE: SYMPHONY NO. 5
Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)
If you want to see many more nominations, including those for pop, rock, folk, hip hop, jazz and videos, go to: https://www.grammy.com/grammys/news/2021-grammys-complete-nominees-list
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