The Well-Tempered Ear
Classical music: On Saturday and Sunday, the Madison Savoyards and Central Wisconsin Ballet team up in Gilbert and Sullivan’s “Pineapple Poll” and “Trial by Jury.” Plus, the first Stoughton Chamber Music Festival starts Saturday
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ALERT: The two concerts of the first Stoughton Chamber Music Festival will take place on this Saturday afternoon, Aug. 17, at 3 p.m. and on Monday night, Aug. 19, at 7 p.m. at the Stoughton Opera House, 381 East Main Street. Admission is FREE with a suggested donation of $15.
Featured is music by Johann Sebastian Bach, Johannes Brahms, Samuel Barber, Edvard Grieg, George Gershwin and Paul Schoenfield as well as Norwegian folk music. The Ear did not receive details, but here is more information from a story in Isthmus: https://isthmus.com/events/stoughton-chamber-music-festival/
By Jacob Stockinger
This weekend, the Madison Savoyards and Central Midwest Ballet Academy team up to present two of the less well-known works by Gilbert and Sullivan: the comic ballet Pineapple Poll and the operetta Trial by Jury (below, in a photo by Kat Stiennon).
The performances of the two one-acts are in the Mitby Theater at Madison College (formerly Madison Area Technical College), located at 1701 Wright Street on Madison’s east side, at 7:30 p.m. on Saturday night, Aug. 17, and at 3 p.m. on Sunday afternoon, Aug. 18.
Tickets are $30 for adults; $28 for seniors; and $15 for young people and students. Children 3 and under get in for free.
For more information, call the Mitby Theater Box Office at (608) 243-4000 or got to: www.TrialbyPineapple.com
The music director and conductor of the professional orchestra, who is making his debut with the Madison Savoyards, is Sergei Pavlov (below), who teaches at Edgewood College and directs the Festival Choir of Madison.
The “Pineapple Poll” choreography is by Marguerite Luksik (below) of the Central Midwest Ballet Academy.
The stage director of “Trial by Jury” is J. Adam Shelton (below).
PROGRAM NOTES
Here are some program notes provided by The Madison Savoyards:
In an age of international copyright and patent tension, Pineapple Poll ballet suite is an intriguing story. The composer, Arthur Sullivan, had died in 1900. The 50-year copyright moratorium on his music expired in 1950, but his librettist partner, W.S. Gilbert, died in 1911. So in 1950, the leading 20th-century conductor, the late Sir Charles Mackerras (below), could only use the work of the former to create a new work in their honor.
From this legal oddity came the only ballet based on the works of Gilbert and Sullivan (below) and, according to The Times of London, one of the best loved of English ballets. It was first performed in the United States in 1970 by the Joffrey Ballet in New York City; and, most recently, in El Paso, Tulsa, Pittsburgh, Seattle, Livermore, Sarasota and Northampton, Mass.
The music for Pineapple Poll,as a suite, has been played in numerous venues in the U.S., including a performance with band director Mike Leckrone at the UW-Madison in 2008 and at the UW-La Crosse in 2015, thus indicating a strong Wisconsin interest in the music alone.
From its opening notes leaping off the pages of Mikado, Pineapple Poll is a vigorous listen and a visual delight. Clement Crisp of the Financial Times called it, “that rarest of delights, a true balletic comedy.” The National Association for Music Education had identified it as a model piece for elementary school children. In 2003, Christopher Rawson of the Pittsburgh Post-Gazette observed that, in its pairing with Trial by Jury, “if there’s ever been a Gilbert and Sullivan show for people who don’t like Gilbert and Sullivan, this is it.”
Trial by Jury contrasts with the non-verbal Pineapple Poll, showcasing Gilbert’s lyric style in songs that tell the Victorian tale of marital promissory breach with the resulting farcical trial ending in marriage. It was Gilbert and Sullivan’s second collaboration and established their successful reputations. (In photos by Aimee Broman, below top shows Thore Dosdall playing the defendant Edwin (at left) getting the feeling that the jury is not on his side. Below bottom shows the plaintiff Angelina, played by Megan McCarthy).
The Central Midwest Ballet Academy’s Marguerite Luksik and Michael Knight have created original choreography for Pineapple Poll, and performances will feature students from the Academy’s pre-professional level.
In contrast to the tragic-dramatic plots of traditional ballets, the lighthearted nature of Pineapple Poll appeals to a broader audience. Pineapple Poll presents a combination of balanced spectacle and the challenge of experimental work.
Yoked to Trial by Jury, the two productions spark social and artistic novelty, critique and entertainment.
It is worth noting that the performances this weekend are a new collaboration between two homegrown Madison troupes. The Savoyards have been performing every summer since 1963, while Central Midwest Ballet has been active since 2015.
Here is an example of the Sullivan operetta tunes patched together in the Opening Dance of “Pineapple Poll.” (You can hear the Overture in the YouTube video at the bottom):
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- The Mikado, Opening Act 1.
- Trial By Jury, “Hark, the hour of Ten is sounding.”
- The Mikado, “So please you, sir, we much regret” (“But youth, of course, must have its fling. . .”
- Patience, “The Soldiers of our Queen.”
- Trial by Jury, “He will treat us with awe” (“Trial-la- law”).
- The Gondoliers, “Good Morrow, Pretty Maids” (orchestral accompaniment).
- Trial By Jury, “Hark, the hour of Ten is sounding.”
- The Mikado, “So please you, sir, we much regret.”
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Classical music education: The 18th annual family-friendly and FREE Concert in the Park by the Wisconsin Youth Symphony Orchestras, with two student soloists, is this Wednesday night on the far west wide of Madison
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By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras will perform its 18th annual FREE summer Concert in the Park (below) on this coming Wednesday, Aug. 7, at 1200 John Q. Hammons Drive in the Old Sauk Trails Business Park. (The rain date is this Thursday.)
Hosted by The Gialamas Company, the Concert in the Park is designed to be fun for all ages and is FREE to the public. The Ear can attest to the excellent quality of the musical performances.
Led by WYSO’s music director and Youth Orchestra conductor Kyle Knox (below), who is a graduate of the UW-Madison and the associate conductor of the Madison Symphony Orchestra, WYSO’s Youth Orchestra will perform works by Antonin Dvorak, Peter Ilyich Tchaikovsky, Modest Mussorgsky, Felix Mendelssohn, Camille Saint-Saens, John Philip Sousa and Dmitri Shostakovich.
The program includes concerto performances by two WYSO student soloists: violinist Ellen Zhou; and cellist Grace Kim.
The grounds will open at 5 p.m. for setting up lawn chairs and blankets for picnics and socializing, and for engaging in pre-concert activities, including an ice cream social (below top) and a WYSO instrument petting zoo. Also scheduled are a visit by The Big Red Reading Bus (below bottom) from the Madison Reading Project and activities by the Madison Children’s Museum.
The concert begins at 7 p.m., followed by a fireworks display.
Here is the concert program:
Slavonic Dances Nos. 1, 3, 4, 6, 8 by Antonin Dvorak
Violin Concerto by Felix Mendelssohn
- Allegro molto appassionato
Ellen Zhou, violin (below)
Cello Concerto No. 1 in A minor, Op. 33, by Camille Saint-Saens
III. Tempo primo
Grace Kim, cello (below)
Symphony No. 4 in F minor, Op. 36, by Peter Ilyich Tchaikovsky
- Finale: Allegro con fuoco
Intermission
“Tahiti Trot” (Tea for Two) by Dmitri Shostakovich (orchestrated by Dave Brubeck and heard in the YouTube video at the bottom)
“Stars and Stripes Forever” March by John Philip Sousa (orchestrated by Leopold Stokowski)
“Pictures at an Exhibition” by Modest Mussorgsky (orchestrated by Maurice Ravel)
1st Promenade
Gnomus
2nd Promenade
4th Promenade
Ballet of Unhatched Chicks
The Hut on Hen’s Legs (Baba Yaga)
The Great Gate of Kiev
For more information, food and beverage menus, and information about how to reserve tables, call (608) 836-8000 or visit www.Gialamas.com (click on Events) or email office@Gialamas.com
For more information about WYSO, including how to join it, support it, learn about its background and attend future events, go to https://www.wysomusic.org
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Classical music: Mozart’s “Don Giovanni” meets “The Sopranos” when an all-female mob gets even in Fresco Opera Theatre’s new show this Thursday, Friday and Saturday nights
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By Jacob Stockinger
The Ear has received the following information about what promised to be another unusual take, perfect for the age of the MeToo movement, on the standard opera repertoire from Fresco Opera Theatre.
The show takes place on this coming Thursday, Friday and Saturday nights in Promenade Hall of the Overture Center. Dinner table seats are $50 and other seats are $35.
We are doing a production called the “The Sopranos: Don Giovanni’s Demise,” which is our re-imagining of Wolfgang Amadeus Mozart’s “Don Giovanni.”
We feature an all female-mob, who put a hit on “The Don.” And who can blame them? “The Sopranos” is the story of a score settled, and a scoundrel silenced. Don Giovanni is a rat, who has pushed the family too far. And the family has put out a hit on him.
“This is a fun production, which retains the music of “Giovanni,” but with a slightly different take using 20th-century Mafia imagery. (You can hear the dark and ominous Overture to the “Don Giovanni” in the YouTube video at the bottom.)
“We have a strong cast, featuring Ryan White as Don Giovanni, Erin Sura as Donna Elvira, Katie Anderson as Donna Anna, Ashley McHugh as Zerlina and Diana Eiler as Leporello. We are excited to have Vincent Fuh as our piano accompanist, and Melanie Cain will be directing.
“We will have limited seating on stage, which will be tables on which meals will be served, adding to the ambiance. Fresco is very excited to present our interpretation of this classic tale, including the timeless music.”
Adds director Melanie Cain:
“I’ve always been intrigued with the way Mozart portrayed female characters in his operas. They are daring, courageous and bold. He also was not afraid to give the women who were from the non-privileged classes, such as his spunky maids, the task of fixing all their bosses messes and oftentimes saving the day.
“Don Giovanni” resonates so well in today’s social landscape. The idea of women uniting to take down the males who take advantage, suffocate and demoralize the female gender runs through the core of this opera.
“What better way to portray a bunch of strong women than to have them run the male dominant world of the mob? As I was thinking about the look of this show, I came across the art of Tamara de Lempicka, a painter of the Art Deco era, best known for her portraits of powerful women. She was a brave, strong-willed openly bisexual artist who wasn’t afraid to be herself at a time that wasn’t accepted.
“Not only will you hear some vivacious female singers, you will see many of Lempicka’s works displayed throughout the production, which really resonates not only with this show, but in the way I like to create opera: “I live life in the margins of society and the rules of normal society don’t apply to those who live on the fringe.””
For tickets and a plot summary, here is the link to Overture Center:
And for more information about Fresco Opera Theatre, here is link to its home page:
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Classical music: Holiday carols, gospel music and classical music mix at the Madison Symphony Orchestra’s Christmas concerts this weekend — which will air later on Wisconsin Public Television for the first time
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By Jacob Stockinger
You have to hand it to the Madison Symphony Orchestra for embracing the community and putting on a memorable show.
When it comes to celebrating the holidays – and yes, the MSO does use the Christmas word – the MSO does so with a big variety of musical styles and a wide diversity of performers. That might explain why the concerts usually sell out year after year.
Beginning with caroling in the lobby before the concert to the sing-along finale, where music director and conductor John DeMain and the Madison Symphony Orchestra don their Santa hats (below, in a photo by Peter Rodgers) and more, “A Madison Symphony Christmas” is a joyous time for all.
Christmas classics are interwoven with enchanting new holiday music featuring members of the Madison Symphony Chorus, the Madison Youth Choirs and the Mount Zion Gospel Choir as well as guests soloists soprano Cecilia Violetta Lopez and bass-baritone Kyle Ketelson.
This tradition marks the embrace and start of the holiday season for many people in Madison.
Performances of “A Madison Symphony Christmas”will be held in Overture Hall, 201 State Street, on Friday night, Nov. 30, at 7:30 p.m.; Saturday night, Dec. 1 at 8 p.m.; and Sunday afternoon, Dec. 2, at 2:30 p.m. Ticket details are below.
In addition, 45 minutes before each concert, audiences are invited to share the spirit of the holiday season singing carols along with the Madison Symphony Chorus.
TV PREMIERE
For the first time, “A Madison Symphony Christmas”can be experienced again in December — airing on Wisconsin Public Television (NOT Wisconsin Public Radio as mistakenly listed in an earlier edition) on Monday, Dec. 17, at 8 p.m., and on Christmas Day, Tuesday, Dec. 25, at 9:30 p.m.
“Our annual Christmas concert has become a very meaningful experience for everyone involved — the choruses, orchestra musicians, singers and the audience,” says DeMain. “With the Mt. Zion Gospel Choir, Madison Youth Choirs, and Madison Symphony Chorus joining our internationally acclaimed opera singers, and climaxing with the entire audience participating in our Christmas carol sing-along — one cannot help but leave the Overture Hall with a feeling that the holiday season has begun. And hopefully, you will have a big glow in your heart.”
For more information and the full program, which includes the excerpt from Handel’s “Messiah” in the YouTube video at the bottom, go to: https://madisonsymphony.org/event/a-madison-symphony-christmas/
ABOUT THE SOLOISTS
Celebrated soprano Cecilia Violetta Lopez (below, in a photo by Devon Cass) has been named one of opera’s “25 Rising Stars” by Opera News.
Lopez has received accolades for her signature role of Violetta in Verdi’s La Traviata, which she has performed countless times throughout North America.
Her debut of the role was with Martina Arroyo Foundation’s prestigious summer festival, Prelude to Performance. She has also performed the role with Opera Tampa, Opera Idaho, Ash Lawn Opera, and in her company debut with Virginia Opera. Lopez also recently made her European debut as Norina in Donizetti’s Don Pasquale with Zomeropera in Belgium.
Based in the Madison suburb of Sun Prairie, bass-baritone Kyle Ketelsen (below, in a photo by Lawrence Brownlee) is in frequent demand by the world’s leading opera companies and orchestras for his vibrant and handsome stage presence and his distinctive vocalism.
He has won first prize in several international vocal competitions, including those sponsored by the Metropolitan Opera National Council, the Richard Tucker Music Foundation (Career Grant), the George London Foundation, the Licia Albanese Puccini Foundation, the Sullivan Foundation, Opera Index, and the MacAllister Awards.
Highlights of Ketelsen’s recent seasons include performances at the Opernhaus Zurich, Staatsoper Berlin, Minnesota Opera, Lyric Opera of Chicago, Canadian Opera Company and the Metropolitan Opera, as well as performances with the San Francisco Symphony, the National Symphony and performances at Carnegie Hall.
ABOUT THE MADISON SYMPHONY CHORUS
The Madison Symphony Chorus (below top, in a photo by Greg Anderson) gave its first public performance on February 23, 1928 and has performed regularly with the Madison Symphony Orchestra ever since. The Chorus is comprised of more than 150 volunteer musicians who come from all walks of life and enjoy combining their artistic talent under the direction of Beverly Taylor (below bottom), who directs the choral program at the University of Wisconsin-Madison’s Mead Witter School of Music.
ABOUT THE MADISON YOUTH CHOIRS
Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) inspires enjoyment, learning and social development through the study and performance of high-quality and diverse choral literature. The oldest youth choir organization in Wisconsin, MYC serves more than 1,000 young people, ages 7-18, in a wide variety of choral programs. In addition to a public concert series, MYC conducts an annual spring tour of schools and retirement centers, performing for more than 7,000 students and senior citizens annually.
ABOUT THE MOUNT ZION GOSPEL CHOIR
Under the leadership of Leotha Stanley and his wife, Tamera Stanley, the Mount Zion Gospel Choir (below) has been a part of the MSO Christmas concerts since 2005. The choir is primarily comprised of members from Mount Zion Baptist Church and includes representatives from other churches as well. The choir has traveled extensively throughout the Midwest and has journeyed to Europe, singing in France and Germany.
The Symphony recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations.
The lobby opens 90 minutes prior to each concert.
More information about A Madison Symphony Christmasis found here: https://madisonsymphony.org/event/a-madison-symphony-christmas/.
Tickets for A Madison Symphony Christmascan be purchased in the following ways:
- Single Tickets are $18-$93 each and are on sale August 18 at https://madisonsymphony.org/concerts-events/buy-tickets/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.
- Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://madisonsymphony.org/concerts-events/buy-tickets/group-discounts/
- Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://madisonsymphony.org/concerts-events/buy-tickets/offers-discounts/
- Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
- Flex-Ticket booklets of 10 vouchers for 2018-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
Discounted seats are subject to availability, and discounts may not be combined.
Major funding for the holiday concert is provided by: American Printing, Fiore Companies, Inc., Nedrebo’s Formalwear, Maurice and Arlene Reese Family Foundation, BMO Harris Bank, Hooper Foundation/General Heating & Air Conditioning, Judith and Nick Topitzes, and An Anonymous Friend. Additional funding provided by Colony Brands, Inc., J.H. Findorff & Son Inc., Flad Architects, Forte Research Systems & Nimblify, Reinhart Boerner Van Deuren s.c., and Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. The Community Carol Sing is presented in partnership with Overture Center for the Arts.
Tags: #BaptistReligion, #BerlinGermany, #BeverlyTaylor, #BlogPost, #BlogPosting, #BMOHarrisBank, #BoxOffice, #CanadianOperaCompany, #CarnegieHall, #CeciliaViolettaLopez, #ChoralMusic, #ChristianReligion, #ChristmasCarol, #ChristmasDay, #ChristmasMusic, #CriticallyAcclaimed, #DonPasquale, #EthnicDiversity, #EuropeanDebut, #FacebookPost, #FladArchitects, #FranzSchubert, #Fridaynight, #GaetanoDonizetti, #GeorgeFridericHandel, #GeorgeLondon, #GiuseppeVerdi, #GospelMusic, #Handel'sMessiah, #HolidayCarol, #HolidaySeason, #J.H.Findorff, #JesusChrist, #JohannSebastianBach, #JohnDeMain, #JohnRutter, #LaTraviata, #LawFirm, #LeothaStanley, #LyricOperaofChicago, #MadisonSymphonyChorus, #MadisonSymphonyOrchestra, #MadisonYouthChoirs, #MeadWitterSchoolofMusic, #MetropolitanOpera, #MinnesotaOpera, #MountZionBaptistChurch, #MountZionGospelChoir, #MusicalStyle, #MusicDirector, #MusicEducation, #NationalEndowmentfortheArts, #NationalSymphony, #NewMusic, #NewYorkCity, #NorthAmerica, #OperaIdaho, #OperaNews, #OperaSinger, #OperaTampa, #OvertureCenter, #OvertureHall, #PublicPerformance, #RetirementCenter, #RichardTucker, #SanFranciscoCalifornia, #SanFranciscoSymphony, #SantaClaus, #SaturdayNight, #SeniorCitizen, #SingAlong, #SopranoSinger, #StaatsoperBerlin, #StateOfWisconsin, #Sundayafternoon, #SunPrairieWisconsin, #TameraStanley, #TampaFlorida, #TheMet, #TraditionalMusic, #UniversityofWisconsin-Madison, #ViriginiaOpera, #VocalMusic, #WisconsinArtsBoard, #WisconsinPublicRadio, #WisconsinPublicTelevision, #WolfgangAmadeusMozart, #YouTubevideo, #ZurichSwitzerland, acclaimed, air, anonymous, Arts, audience, Bach, bank, Baptist, Baptist religion, baritone, Baroque, bass, bass-baritone, Belgium, Berlin, Beverly Taylor, blog, BMO Harris Bank, box office, Canada, Canadian Opera Company, Carnegie Hall, Cecilia Violetta Lopez, Chicago, choral music, Christian religion, Christmas and holiday season, Christmas Carol, Classical music, community, composer, conductor, debut, December, discount, Don Pasquale, donor, Early music, ethnic diversity, Europe, Facebook, feeling, Flad Architects, Florida, France, Franz Schubert, Friday night, Gaetano Donizetti, George Frideric Handel, George London, Germany, gospel, gospel music, hat, heart, holiday carol, holiday season, Idaho, international, Jesus Christ, Johann Sebastian Bach, John DeMain, John Rutter, Joy, joyous, La Traviata, law firm, learning, Leotha Stanley, Lyric Opera of Chicago, Madison, Madison Symphony Orchestra, Madison Youth Choirs, Mead Witter School of Music, Messiah, Metropolitan Opera, Midwest tour, Minnesota Opera, Mount Zion Baptist Church, Mount Zion Gospel Choir, Mozart, Music, Music director, Music education, musical style, National Endowment for the Arts, National Symphony, NEA, New Music, New York City, North America, opera, Opera Idaho, Opera News, opera singer, Opera Tampa, Orchestra, Overture Center, Overture Hall, performer, public, public performance, Retirement, Richard Tucker, San Francisco Symphony, Santa Claus, Saturday night, senior, senior citizen, sing-along, singer, social, soloist, soprano, sponsor, Staatsoper Berlin, star, State of Wisconsin, Student, Sunday afternoon, Switzerland, symphony, Tamera Stanley, Tampa, Television, the Met, ticket, time, traditional, TV, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Verdi, Viola, Violin, Virginia, Virginia Opera, vocal music, volunteer, Wisconsin, Wisconsin Arts Board, wisconsin public radio, Wisconsin Public Television, Wolfgang Amadeus Mozart, WPR, WPT, year, YouTube, Zurich
Classical music: Madison Bach Musicians hold their fourth annual Baroque Summer Chamber Music Workshop with a faculty concert and afternoon performances and classes this coming Tuesday through Friday. Many events are open to the public
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By Jacob Stockinger
The fourth annual Madison Bach Musicians Summer Chamber Music Workshop offers an evening Faculty Concert and various afternoon classes exploring baroque dance, ornamentation, continuo playing, specific instrument master classes, and more. (Below is a photo by Mary Gordon from last year’s workshops.)
The workshops, classes and concerts will be held this coming Tuesday through Thursday, July 24-27, at the West Middleton Lutheran Church, 3763 Pioneer Road, in Verona, Wisconsin.
Tickets for the Madison Bach Musicians Faculty Concert on Wednesday night from 7:30 to 8:30 p.m. are $15.
The Friday all-workshop concert from 2 to 3:30 p.m. is FREE and open to the public.
An Auditor’s Pass for afternoon programing for the entire festival — including the Faculty Concert — is $40.
MBM artistic director Trevor Stephenson, MBM concertmaster Kangwon Kim and other outstanding faculty members will share their expertise over four afternoons.
Adds Stephenson: “We’re excited about a wonderful new venue for the event—at West Middleton Lutheran Church, which is located at the intersection of Mineral Point and Pioneer Roads, just 10 minutes west of West Towne Mall.
“Twenty-four participants ranging in age from high school to older adulthood will get personalized ensemble coaching from outstanding instructors in violin, cello, piano, harpsichord, recorder and flute.”
Kim (below) adds: “I am thrilled. Of our 24 participants this year, almost half are returning students, which we love. Most of the our participants come from the Dane County area, but last year we had a participant from France and this year we have a couple from Oklahoma.
“Chamber music is the best way to get to know people as you are learning a new piece – you have a personal voice, but you also need to listen and blend with the other voices. I am always amazed to see the transformation both musically and socially over the four days of the workshop. I am so excited to meet everyone and to see the magic that happens when these musicians work together.”
Harpsichordist Jason Moy (below) will be returning this year to discuss the art of continuo playing.
Lisette Kielson (below) who offers recorder workshops throughout the United States will lead a class “To Flourish and Grace: Ornamentation!”
Sarah Edgar (below), a specialist in 18th-century stage and dance performance, will focus on the interplay of music and dance rhythms in two afternoon baroque dance classes.
MBM cellist Martha Vallon (below) will explore how to play creative and enjoyable continuo lines for cellists and bassoonists.
The Wednesday night Faculty Concert from 7:30 to 8:30 p.m. will feature works by J.S. Bach, Mozart, Telemann, Boismortier, Biber and a special Baroque dance performance-–all performed by the faculty members who specialize in early music with play period instruments.
For information about the specific schedule and enrolling in the workshops, go to take a look the schedule
You can also find more general information at: http://madisonbachmusicians.org/education-and-outreach/summer-workshop/
Tags: #ArtisticDirector, #BaroqueBassoon, #BaroqueCello, #BaroqueContinuo, #BaroqueDance, #BaroqueEra, #BaroqueFlute, #BaroqueMusic, #BaroqueOrnamentation, #BaroqueRecorder, #BaroqueViolin, #ChamberMusic, #ChristianChurch, #DaneCounty, #FacultyMember, #FluteMusic, #GeorgPhilippTelemann, #HeinrichBiber, #HighSchool, #Jason Moy, #JohannSebastianBach, #JosephBodindeBoismortier, #KangwonKim, #LisetteKielson, #LutheranChurch, #MadisonBachMusicians, #MarthaVallon, #MusicFestival, #OpentothePublic, #PeriodInstrument, #PeriodInstruments, #PianoMusic, #RecorderMusic, #SarahEdgar, #TrevorStephenson, #UnitedStates, #VeronaWisconsin, #WestMiddletonLutheranChurch, #WestTowneMall, #WolfgangAmadeusMozart, admission, Artistic director, Arts, auditor, Bach, Baroque, Bassoon, Biber, Boismortier, cellist, Cello, Chamber music, class, Classical music, composer, Concert, concertmaster, continuo, dance, Dane County, drama, Early music, earlymusic, expertise, faculty, festival, flute, France, free, harpsichord, Heinrich Biber, high school, Jacob Stockinger, Johann Sebastian Bach, Kangwon Kim, Kim, learning, Lisette Kielson, Madison, Martha Vallon, masterclass, Mozart, Music, Oklahoma, open, ornamentation, pass, Piano, public, recorder, rhythm, Sarah Edgar, share, social, socially, Sonata, stage, Telemann, ticket, Trevor Stephenson, U.S., United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Verona, Viola, Violin, violinist, voice, Website, West Towne Mall, Wisconsin, Wolfgang Amadeus Mozart, workshop, YouTube
Classical music: The fifth annual Schubertiade is this Sunday afternoon at the UW-Madison and will chronicle Franz Schubert’s short but prolific career year by year
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CORRECTION: The concert by the Wisconsin Chamber Orchestra this Friday night in the Capitol Theater of the Overture Center starts at 7:30 p.m. — NOT at 7 as was incorrectly stated in an early version of yesterday’s posting and on Wisconsin Public Radio.
By Jacob Stockinger
On this Sunday afternoon at 3 p.m., the fifth annual Schubertiade — celebrating the music of Franz Schubert (1797-1828, below) will take place in Mills Hall on the UW-Madison campus.
The informal and congenial mix of songs and chamber music in a relaxed on-stage setting and with fine performers is always an informative delight. And this year promises to be a special one. (Performance photos are from previous Schubertiades.)
Tickets are $15 for the general public, and $5 for students. Students, faculty and staff at the UW-Madison’s Mead Witter School of Music get in for free.
A reception at the nearby University Club will follow the performance.
For more information about the event and about obtaining tickets, go to:
http://www.music.wisc.edu/event/schubertiade-with-martha-fischer-bill-lutes/
Pianist and singer Bill Lutes (below, in a photo by Katrin Talbot), who plans the event with his pianist-wife and UW-Madison professor Martha Fischer, explained the program and the reasoning behind it:
“This year’s Schubertiade is a program that could never have actually occurred during the composer’s lifetime. It is in fact a year-by-year sampling of Schubert’s music, spanning the full range of his all-too-brief career.
“As with our previous programs, we still focus on those genres which were most associated with the original Schubertiades (below, in a painting) – those informal social gatherings in the homes of Schubert’s friends and patrons, often with Schubert himself presiding at the piano, where performances of the composer’s lieder, piano music, especially piano duets, and vocal chamber music intermingled with poetry readings, dancing, games and general carousing.
“Our hope on this occasion is to present the development of Schubert’s unique art in much the same way we might view a special museum exhibition that displays the lifetime achievements of a great visual artist.
“Thus we will follow Schubert from his earliest work, heavily influenced by Haydn and Mozart, and his studies with Antonio Salieri, to the amazing “breakthrough” settings of Goethe’s poems in 1814 and 1815, and on to the rich procession of songs and chamber music from his final decade. (Below is a pencil drawing by Leopold Kupelwieser of Schubert at 14.)
As always we have chosen a number of Schubert’s best-known and loved favorites, along side of lesser-known, but equally beautiful gems.
We are also particularly delighted to work with a large number of School of Music students and faculty, as well as our featured guest, mezzo-soprano Rachel Wood (below), who teaches at the UW-Whitewater.
(D. numbers refer to the chronological catalogue of Schubert’s work by Otto Erich Deutsch, first published in 1951, and revised in 1978.)
SCHUBERTIADE 2018 – Schubert Year by Year: Lieder, Chamber Music and Piano Duets by Franz Schubert (1797-1828)
PERFORMERS
Rachel Wood (RW)
Katie Anderson (KA), Matthew Chastain (MC), James Doing (JD), Wesley Dunnagan (WD), Talia Engstrom (TE), Mimmi Fulmer (MFulmer), Benjamin Liupiaogo (BL), Claire Powling (CP), Cheryl Rowe (CR), Paul Rowe (PF), singers
The Hunt Quartet, Chang-En Lu, Vincius Sant Ana, Blakeley Menghini, Kyle Price (HQ)
Parry Karp, cello (PK)
Bill Lutes (BL) and Martha Fischer (MF), pianists (below)
PROGRAM
1811 Fantasie in G minor, D. 9 (MF, BL)
1812 Klaglied, D. 23 (Lament )– Johann Friedrich Rochlitz (MF, BL)
Die Advokaten, D. 37 (The Lawyers, comic trio) after Anton Fischer) (PR,BL, WD, MF)
1813 Verklärung, D. 59 Transfiguration – Alexander Pope (RW, BL)
1814 Adelaide, D. 95 – Friedrich von Matthisson (WD, MF)
Der Geistertanz, D. 116 The Ghost Dance – Matthisson (MC, BL)
Gretchen am Spinnrade, D. 118 Gretchen at the Spinning Wheel – Goethe (CP, MF)
1815 Wanderers Nachtlied I, D. 224 Wanderer’s Nightsong – Goethe (MF, BL)
Erlkönig, D. 328 The Erl-king – Goethe (TE, MC, WD, CP, MF, BL)
1816 Sonata for violin and piano in D Major, D. 384 (PK, below, BL)
Allegro, Andante, Allegro vivace
1817 Der Tod und das Mädchen, D. 531 Death and the Maiden – Matthias Claudius (RW, MF)
Erlafsee, D. 586 Lake Erlaff – Johann Mayrhofer (CR, BL)
Der Strom, D. 565 The River – anon. (PR, MF)
1818 Deutscher with 2 Trios in G (MF, BL)
Singübungen, D. 619 Singing Exercises (CP, TE, BL)
Intermission
1819 Die Gebüsche, D. 646 The Thicket – Friedrich von Schlegel (RW, BL)
1820 String Quartet #12 in C Minor “Quartetsatz” (HQ)
1821 Geheimes, D. 719 A Secret – Goethe (TE, MF)
1822 Des Tages Weihe, D. 763 Consecration of the Day (KA, MF, WD, MC,BL)
1823 Drang in die Ferne, D. 770 The Urge to Roam – K.G. von Leitner (MC,BL)
from Die Schöne Müllerin, Mein, D. 795 Mine – W. Müller (WD, MF)
1824 Grand March No. 6 in E major, D. 819 (MF, BL)
1825 Im Abendrot, D. 799 Sunset Glow – Karl Lappe (RW, MF)
An mein Herz, D. 860 To my Heart- Ernst Schulze (BenL, MF)
1826 Am Fenster, D. 878 At the Window – J. G. Seidl (MFulmer, below, BL)
1827 from Winterreise Frühlingstraum, D. 911 Dream of Spring – Muller(RW,MF)
1828 Die Sterne, D. 939 The Stars – Leitner (KA, BL)
from Schwanengesang (Swansong), D. 957
Ständchen (JD, MF) –Serenade – Ludwig Rellstab
Die Taubenpost (PR, MF) – The Pigeon Post – J.G. Seidl
An die Musik, D. 547 To Music (below) – Franz von Schober
Everyone is invited to sing along. You can find the words in your texts and translations.
Tags: #ChamberMusic, #FranzSchubert, #UniversityofWisconsin-Madison, #WisconsinPublicRadio, achievement, afternoon, Alexander Pope, An die Musik, annual, art song, artist, Arts, Beethoven, Bill Lutes, brief, Campus, career, carousing, Cello, Chamber music, Cheryl Rowe, Classical music, classicalmusic, club, comic, Compact Disc, composer, dance, dancing, day, death, Death and the Maiden, delight, development, Die Schöne Müllerin, drawing, duet, everyone, exercise, exhibition, faculty, Fantaisie, Franz Schubert, friend, game, gathering, ghost, Goethe, guest, Haydn, heart, Home, hope, informal, informative, Jacob Stockinger, James Doing, lawyer, lieder, lifetime, lyric, Madison, maiden, march, Martha Fischer, Mezzo-soprano, Mimmi Fulmer, Mozart, Museum, Music, night, occasion, on-stage, Overture Center, patron, Paul Rowe, pencil, performer, Piano, pigeon, Poetry, Pope, posting, professor, program, prolific, public, Quartet, Rachel Wood, reading, reasoning, reception, relaxed, river, roam, Salieri, sampling, Schlegel, Schubertiade, Schwanengesang, Serenade, singer, Singing, social, Sonata, song, spinning wheel, staff\, stage, String quartet, Student, Sunday, sunset, text, ticket, translation, trio, United States, University Club, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, urge, UW-Madison, UW-Whitewater, Viola, Violin, visual, vocal music, window, Winterreise, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, word, year, young, YouTube
Classical music: Want to know about Chinese classical music composers in our time? Read this story about the six-day Juilliard festival that starts today
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By Jacob Stockinger
Classical music – like everything else in China – has undergone momentous changes over the past few decades.
The importance of Western classical music in contemporary China is not seen only through the construction of new conservatories and opera houses; or through the many outstanding instrumentalists, especially pianists such as Lang Lang, Yundi Li, Haochen Zhang and Sa Chen, who have won prizes in Western competitions and become major performers.
Chinese composers have also left their mark, as the Juilliard School in New York City will prove over six days, starting today, during this year’s “Focus” festival.
One such older composer is Chou Wen Chung (below, in a photo by Andrew Reneissen for The New York Times).
A much younger composer is Chen Lin (below in a photo by Dawes Li).
You will find some but not a lot of their music on YouTube – yet.
But The Ear bets that many of the 33 Juilliard performances will soon find their way to social media.
Anyway, here is a link to the comprehensive preview in The New York Times, which also features some sound and video samples.
https://www.nytimes.com/2018/01/12/arts/music/juilliard-china-music.html
Tags: Arts, Bach, Baroque, Beethoven, change, Chen LIn, China, Chinese composers, Chinese music, Chou Wen Chung, Competition, composer, comprehensive, conservatory, contemporary, decade, decades, festival, Focus, Haochen Zhang, importance, instrumentalist, Jacob Stockinger, Juilliard School, Lang Lang, Madison, media, momentous, Music, New Music, New York City, New York Times, old, older, opera, Opera house, performer, Piano, preview, Sa Chen, sample, social, social media, Sound, symphony, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, video, Western, YouTube, Yundi Li
Classical music: Music Makers for young children gives its FREE debut concert as a WYSO group this Sunday afternoon. Plus, you can hear violin sonatas by Mozart and Brahms FREE on Friday at noon
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ALERT: This Friday’s FREE Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features violinist Tyrone Greive, retired UW-Madison Professor and former Madison Symphony Orchestra concertmaster, with pianist Michael Keller in the Sonata in E Minor by Wolfgang Amadeus Mozart and the Sonata in G Major by Johannes Brahms. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
Want to see where music and social justice meet?
WYSO Music Makers (below) will give its inaugural concert as a part of the Wisconsin Youth Symphony Orchestras on this Sunday, Nov. 19, at UW-Madison Music Hall, 925 Bascom Mall on Bascom Hill, at 4 p.m.
The program includes pieces by Beethoven, Tchaikovsky, Harold Arlen and more. (No specific titles were provided.)
Admission is FREE.
Free parking is available on Sundays in the nearby Grainger Hall garage.
The Madison Music Makers program was acquired by WYSO in July of 2017. Currently directed by accomplished violinist Paran Amirinazari (below), WYSO Music Makers aims to enrich and develop the music skills of children from all backgrounds in an inclusive, non-competitive environment. (You can hear more background about Music Makers in the YouTube videos below and at the bottom)
“We are proud of each of our students’ progress, their positive attitudes, the kindness they bring to class and show each other, and their openness to the changes this year,” said Amirinazari (below), a UW-Madison graduate who plays with the Madison Symphony Orchestra and the Willy Street Chamber Players and is the concertmaster of the Middleton Community Orchestra. “We are so proud they have chosen music as part of their voice.”
For more information about the program, call the WYSO office at (608) 263-3320, or e-mail Paran Amirinazari at paran@wysomusic.org.
WYSO Music Makers is supported by the Pleasant T. Rowland Foundation
Tags: afternoon, Art, Arts, attitude, background, Beethoven, Brahms, Cello, Chamber music, change, children, class, Classical music, Competition, composer, concertmaster, diversity, environment, First Unitarian Society of Madison, free, Friday, graduate, Harold Arlen, inclusive, Jacob Stockinger, justice, kindless, Ludwig van Beethoven, Madison, Madison Music Makers, Madison Symphony Orchestra, Middleton Community Orchestra, Mozart, musicale, non-competitive, noon, openness, Orchestra, Paran Amirinazari, parking, Pianist, Piano, Pleasant Rowland, positive, poverty, pride, progress, proud, skill, social, social justice, Sonata, Student, Sunday, symphony, Tchaikovsky, title, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, video, Viola, Violin, Willy Street Chamber Players, Wisconsin, Wisconsin Youth Symhony Orchestras, WYSO, year, Youth, YouTube
Classical music: UW trombonist Mark Hetzler explores Stravinsky with new music and alumni musicians in a FREE concert on FRIDAY night. Plus, you can hear FREE Brahms at noon this Friday
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ALERT: The music of Johannes Brahms will be featured at this Friday’s FREE Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive. Performers are Wes Luke and Valerie Sanders, violin; Ina Georgieva and Marie Pauls, viola; and Rachel Bottner, cello. (No word on specific works, but it sure sounds like a string quintet is on the program.) The concert runs from 12:15 to 1 p.m.
And more Brahms (below) fits into the question The Ear recently posted about what explains why we are hearing more music by Brahms these days. Here is a link to that post:
https://welltempered.wordpress.com/2017/10/07/classical-music-are-we-hearing-more-brahms-if-so-why/
By Jacob Stockinger
The always adventurous and inventive UW-Madison trombone professor Mark Hetzler (below) will once again perform an experimental and innovative FREE concert this FRIDAY night (NOT Saturday night, as incorrectly listed on here before) at 8 p.m. in Mills Hall.
“Solitude and Stravinsky“ is an exploration of social isolation and a reimagining of Igor Stravinsky’s popular Neo-Classical “Pulcinella” Suite (which you can hear in the YouTube video at the bottom).
According to the website at the UW-Madison’s Mead Witter School of Music: “This concert will showcase landmark works by contemporary composers and an experimental performance by the quartet combo Mr. Chair, with special guests and alumni Jason Kutz (piano, below top), Ben Ferris (double bass, below bottom) and Mike Koszewski (drums).”
Here is the full eclectic program:
Allemande, Suite No. 2 in D Major for Solo Cello……J.S. Bach
Brass Atmosphere…..Matthew Burtner
Disegno…….Anders Eliasson
Caravaggio….John Stevens (below)
- Realism; 2. Shadow; 3. Vulgarity; 4. Light
Luminous….Mark Engebretson
Onyzx Quartet…..Jason Kutz
PULCINELLA RE-IMAGINED……Igor Stravinsky (below)
Introduzione (Domenico Gallo)
Scherzino (Giovanni Battista Pergolesi)
Serenata (Pergolesi)
Allegro assai (Gallo)
Allegro alla breve (Pergolesi)
Largo (Pergolesi)
Tarantella (Count Unico Wilhelm Wasserader/Fortunato Chelleri)
Gavotta (Carlo Monza)
Andantino (Alessandro Parisotti)
Minuetto (Pergolesi)
Finale (Gallo)
For a biography of Mark Hetzler and his previous projects, including his many recordings, prizes and guest appearances, go to:
http://www.music.wisc.edu/faculty/mark-hetzler/
Tags: alumni, Arts, Bach, Baroque, bass, blog, Caravaggio, Cello, Chamber music, Classical music, combo, composer, contemporary, drum, Early music revival, experimental, finale, First Unitarian Society of Madison, Gavotte, guest, Igor Stravinsky, innovative, introduction, isolation, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, John Stevens, landmark, light, Madison, Mark Hetzler, Mead Witter School of Music, minuet, Mr Chair, Music, musicale, New Music, Orchestra, Pergolesi, Piano, posting, prize, project, Pulcinella Suite, Quartet, quintet, realism, recording, reimagining, Scherzo, Serenade, shadow, social, Stravinsky, Suite, Tarantella, Trombone, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, vulgar, Website, YouTube
Classical music: Madison Choral Project gives a concert of new music focusing on the social and political theme of “Privilege” this Friday night and Sunday afternoon
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ALERT: This week’s FREE Friday Noon Musicale, held at the First Unitarian Society of Madison, 900 University Bay Drive, features David Miller, trumpet; Amy Harr, cello; and Jane Peckham, piano. They will play music by Bach, Schmidt, Piazzolla, Honegger and Cooman. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
Call it activist beauty or beautiful activism.
It sure seems that political and social relevance is making a comeback in the arts during an era in which inequality in race, gender, ethnicity, wealth, education, health, employment, immigration status and other issues loom larger and larger.
For the Madison Choral Project (below), for example, singing is about more than making music. It can also be about social justice.
Writes the Project:
“The Madison Choral Project believes that too often the classical music concert is simply a museum of the beautiful. Yet the worlds of theater, art and literature can so brilliantly combine beauty with material that provokes contemplation and understanding.
“Our world is increasingly complicated, and we seek to provide voices exploring important emotional and social concerns of today.”
That means that, in its two concerts this weekend, the Madison Choral Project will explore the concept of privilege in two performances this weekend.
The repertoire is all new music or contemporary music by living composers.
The Madison Choral Project, under the direction of Albert Pinsonneault (below), who formerly taught at Edgewood College and is now at Northwestern University, presents their 10th Project – Privilege – on this Friday night, April 21, at 8:30 p.m. (NOT 7:30, as originally announced, because of noise from a nearby football game); and on Sunday afternoon, April 23, at 3 p.m.
Both performances are at the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.
General admission is $24 in advance and online; $28 at the door; and $10 for students either in advance or at the door. A limited number of preferred seats are offered for $40.
The Privilege concerts feature the work Privilege by Ted Hearne (b. 1982), which Hearne (below) writes “are settings of little texts questioning a contemporary privileged life (mine).”
With texts that range from the inequality of educational experiences, to the unfair playing field brought through race, the work sets thought-provoking texts in a beautiful and musically accessible way. (NOTE: You can hear it in the YouTube video at the bottom.)
The program also includes the world premiere of a new piece of music from Wisconsin composer and UW-Madison graduate D. Jasper Sussman (b. 1989, below), whose piece Work: “What choice?” is a contemplation of society’s confusing and hypocritical demands on women, their bodies and their appearance.
Sussman writes “I have never identified as a feminist. It’d be impossible, however, for me to remain ignorant of the clumsily uneven climate of our world, and certainly of this country. Work: “What Choice?” is an attempt at telling a common story shared by many.”
Included on the concert are two works of Pulitzer Prize-winning composer David Lang (b. 1957, below), whose new minimalism includes sonorities influenced by rock and popular music, but with layered repetition that gives the pieces a meditative and contemplative quality.
Also featured is When David Heard by Eric Whitacre (b. 1970, below), a gorgeous and devastating monologue contemplating the death of one’s child.
For more information and tickets, go to www.themcp.org
You can also go to a fine story in The Capital Times:
The Madison Choral Project is Wisconsin’s only fully professional choir. All the singers on stage are paid, professional musicians.
Tags: Activism, activist, Albert Pinsonneault, Art, Arts, Bach, Baroque, beautiful, beauty, Camp Randall Stadium, Chamber music, Child, choral music, Classical music, climate, composer, contemporary, Cooman, country, D. Jasper Sussman, David Lang, death, Edgewood College, Education, emotion, employment, Eric Whitacre, Ethnicity, feminism, feminist, First Unitarian Society of Madison, gender, Health, Honegger, immigration, Income Disparity, income inequality, inequality, Jacob Stockinger, Johann Sebastian Bach, literature, Madison, Madison Choral Project, minimalism, monologue, Music, New Music, Northwestern University, Piano, Piazzolla, political, Politics, pop, popular music, privilege, professional, Pulitzer Prize, race, relevance, repetition, Rock, Schmidt, singer, Singing, social, social justice, society, Ted Hearne, theater, Trumpet, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, vocal music, wealth, wealth gay, Wisconsin, world premiere, YouTube
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