The Well-Tempered Ear
Check out the 2022 classical music Grammys for trends and suggested listening
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By Jacob Stockinger
No doubt you have already heard about the 64th annual Grammy Awards, which were awarded last Sunday night.
But chances are you haven’t heard much about the classical music Grammys.
That’s just not where the money and publicity are for major record companies and for the music industry in general, compared to other, much more profitable genres such as hip-hop, rock and pop.
But the classical Grammy nominations and winners can be a good source about what composers, performers and music you might want to check out via streaming or by buying a CD.
You can also get a good idea of trends in classical music.
Contemporary or new music is big again this year, dominating the old standard classics.
Just like local, regional, national and international performers, both individuals and groups, the Grammys show an emphasis on female composers and performers, and a similar emphasis on rediscovering composers and performers of color from both the past and the present.
You might also notice that the New Orleans-born, Juilliard-trained jazz pianist and singer Jon Batiste (below) — who plays on CBS’ The Late Show with Stephen Colbert and directs the house band Stay Human and who seems a one-man Mardi Gras — was nominated for a record 11 Grammys and won five in other categories, seems to be the new Wynton Marsalis. Like Marsalis, with whom Batiste worked, Batiste seems perfectly at home in classical music as well as jazz, soul, blues and pop. And his original classical work Movement 11 was nominated for a Grammy this year.
Social activism, in short, has finally brought diversity and inclusion into the Grammys in a way that seems permanent.
Below are the nominations and winners of the 2022 classical music Grammys. Winners are boldfaced. I have also offered a few examples of those musicians who have performed in Madison and for what venue, although there are many more connections than indicated.
If you want to see the nominations and winners in other categories, here is a link:
https://www.npr.org/2022/04/03/1090342877/2022-grammys-full-list-winners-nominees
75. Best Engineered Album, Classical
- Archetypes — Jonathan Lackey, Bill Maylone and Dan Nichols, engineers; Bill Maylone, mastering engineer (Sérgio Assad, Clarice Assad and Third Coast Percussion)
- Beethoven: Cello Sonatas – Hope Amid Tears — Richard King, engineer (Yo-Yo Ma and Emanuel Ax)
- Beethoven: Symphony No. 9 — Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck, Mendelssohn Choir Of Pittsburgh and Pittsburgh Symphony Orchestra)
- Chanticleer Sings Christmas — Leslie Ann Jones, engineer (Chanticleer)
- Mahler: Symphony No. 8, ‘Symphony Of A Thousand’ — Alexander Lipay and Dmitriy Lipay, engineers; Alexander Lipay and Dmitriy Lipay, mastering engineers (Gustavo Dudamel, Fernando Malvar-Ruiz, Luke McEndarfer, Robert Istad, Grant Gershon, Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus, Pacific Chorale and Los Angeles Philharmonic)
76. Producer Of The Year, Classical
- Blanton Alspaugh
- Steven Epstein
- David Frost
- Elaine Martone
- Judith Sherman (below, who also recorded the UW-Madison Pro Arte Quartet’s centennial commissions)
CLASSICAL
77. Best Orchestral Performance
- “Adams: My Father Knew Charles Ives; Harmonielehre” — Giancarlo Guerrero, conductor (Nashville Symphony Orchestra)
- “Beethoven: Symphony No. 9” — Manfred Honeck, conductor (Mendelssohn Choir Of Pittsburgh and Pittsburgh Symphony Orchestra)
- “Muhly: Throughline” — Nico Muhly, conductor (San Francisco Symphony)
- “Florence Price: Symphonies Nos. 1 and 3″ — Yannick Nézet-Séguin, conductor; Philadelphia Orchestra (below)
- “Strauss: Also Sprach Zarathustra; Scriabin: The Poem Of Ecstasy” — Thomas Dausgaard, conductor (Seattle Symphony Orchestra)
78. Best Opera Recording
- “Bartók: Bluebeard’s Castle” — Susanna Mälkki, conductor; Mika Kares and Szilvia Vörös; Robert Suff, producer (Helsinki Philharmonic Orchestra)
- “Glass: Akhnaten” — Karen Kamensek, conductor; J’Nai Bridges, Anthony Roth Costanzo, Zachary James and Dísella Lárusdóttir; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
- “Janáček: Cunning Little Vixen” — Simon Rattle, conductor; Sophia Burgos, Lucy Crowe, Gerald Finley, Peter Hoare, Anna Lapkovskaja, Paulina Malefane, Jan Martinik & Hanno Müller-Brachmann; Andrew Cornall, producer (London Symphony Orchestra; London Symphony Chorus and LSO Discovery Voices)
- “Little: Soldier Songs” — Corrado Rovaris, conductor; Johnathan McCullough; James Darrah and John Toia, producers (The Opera Philadelphia Orchestra)
- “Poulenc: Dialogues Des Carmélites” — Yannick Nézet-Séguin, conductor; Karen Cargill, Isabel Leonard, Karita Mattila, Erin Morley and Adrianne Pieczonka; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
79. Best Choral Performance
- “It’s A Long Way” — Matthew Guard, conductor (Jonas Budris, Carrie Cheron, Fiona Gillespie, Nathan Hodgson, Helen Karloski, Enrico Lagasca, Megan Roth, Alissa Ruth Suver and Dana Whiteside; Skylark Vocal Ensemble)
- “Mahler: Symphony No. 8, ‘Symphony Of A Thousand'” — Gustavo Dudamel, conductor; Grant Gershon, Robert Istad, Fernando Malvar-Ruiz and Luke McEndarfer, chorus masters (Leah Crocetto, Mihoko Fujimura, Ryan McKinny, Erin Morley, Tamara Mumford, Simon O’Neill, Morris Robinson and Tamara Wilson; Los Angeles Philharmonic; Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus and Pacific Chorale)
- “Rising w/The Crossing” — Donald Nally, conductor (International Contemporary Ensemble and Quicksilver; The Crossing)
- “Schnittke: Choir Concerto; Three Sacred Hymns; Pärt: Seven Magnificat-Antiphons” — Kaspars Putniņš, conductor; Heli Jürgenson, chorus master (Estonian Philharmonic Chamber Choir)
- “Sheehan: Liturgy Of Saint John Chrysostom” — Benedict Sheehan, conductor (Michael Hawes, Timothy Parsons and Jason Thoms; The Saint Tikhon Choir)
- “The Singing Guitar” — Craig Hella Johnson, conductor (Estelí Gomez; Austin Guitar Quartet, Douglas Harvey, Los Angeles Guitar Quartet and Texas Guitar Quartet; Conspirare)
80. Best Chamber Music/Small Ensemble Performance
- “Adams, John Luther: Lines Made By Walking” — JACK Quartet
- “Akiho: Seven Pillars” — Sandbox Percussion
- “Archetypes” —Sérgio Assad, Clarice Assad and Third Coast Percussion
- “Beethoven: Cello Sonatas – Hope Amid Tears” — Yo-Yo Ma and Emanuel Ax (who have frequently performed individually and together at the Wisconsin Union Theater)
- “Bruits” — Imani Winds
81. Best Classical Instrumental Solo
- “Alone Together” — Jennifer Koh (below, who has performed with the Wisconsin Chamber Orchestra)
- “An American Mosaic” — Simone Dinnerstein
- “Bach: Solo Violin Sonatas and Partitas” — Augustin Hadelich (a favorite of the Madison Symphony Orchestra)
- “Beethoven and Brahms: Violin Concertos” — Gil Shaham; Eric Jacobsen, conductor (The Knights)
- “Mak Bach” — Mak Grgić
- “Of Power” — Curtis Stewart
82. Best Classical Solo Vocal Album
- Confessions — Laura Strickling; Joy Schreier, pianist
- Dreams Of A New Day – Songs By Black Composers — Will Liverman (who has sung with the Madison Opera); Paul Sánchez, pianist (below at in the YouTube video at the bottom)
- Mythologies — Sangeeta Kaur and Hila Plitmann (Virginie D’Avezac De Castera, Lili Haydn, Wouter Kellerman, Nadeem Majdalany, Eru Matsumoto and Emilio D. Miler)
- Schubert: Winterreise — Joyce DiDonato; Yannick Nézet-Séguin, pianist
- Unexpected Shadows — Jamie Barton; Jake Heggie, pianist (Matt Haimovitz)
83. Best Classical Compendium
- American Originals – A New World, A New Canon — AGAVE and Reginald L. Mobley; Geoffrey Silver, producer
- Berg: Violin Concerto; Seven Early Songs and Three Pieces For Orchestra — Michael Tilson Thomas, conductor; Jack Vad, producer
- Cerrone: The Arching Path — Timo Andres and Ian Rosenbaum; Mike Tierney, producer
- Plays — Chick Corea; Chick Corea and Birnie Kirsh, producers
- Women Warriors – The Voices Of Change — Amy Andersson, conductor; Amy Andersson, Mark Mattson and Lolita Ritmanis, producers (below)
84. Best Contemporary Classical Composition
- “Akiho: Seven Pillars” — Andy Akiho, composer (Sandbox Percussion)
- “Andriessen: The Only One” — Louis Andriessen, composer (Esa-Pekka Salonen, Nora Fischer and Los Angeles Philharmonic)
- “Assad, Clarice and Sérgio, Connors, Dillon, Martin & Skidmore: Archetypes” — Clarice Assad, Sérgio Assad, Sean Connors, Robert Dillon, Peter Martin and David Skidmore, composers (Sérgio Assad, Clarice Assad and Third Coast Percussion)
- “Batiste: Movement 11′” — Jon Batiste, composer (Jon Batiste)
- “Shaw: Narrow Sea” — Caroline Shaw, composer (Dawn Upshaw, Gilbert Kalish and Sō Percussion)
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Classical music: Grace Presents HD offers a free virtual online concert by the acclaimed Willy Street Chamber Players this Saturday at noon
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By Jacob Stockinger
Cellist and UW-Madison graduate student James Waldo has sent the following announcement about a FREE virtual online concert by Grace Presents, which he coordinates.
The hi-def, one-hour concert by the critically acclaimed and popular Willy Street Chamber Players (below) is at noon (CDT) this Saturday, Aug. 22.
Says Waldo:
“This is a pre-recorded event, and as such, I had the singular pleasure of sitting in the room while these fantastic musicians recorded their program. This event is not to be missed!
“Grace Presents HD brings you free, crystal-clear performances by local Madison musicians in the nave of historical Grace Episcopal Church – located downtown on the Capitol Square — from the comfort and safety of your own home.
“The Willy Street Chamber Players will have a video premiere that will be available on the Grace Presents YouTube channel on this Saturday, Aug. 22 at noon CDT. (This virtual concert is available for a limited time only!)
You can see and hear a preview of the concert in the YouTube video at the bottom.
Artists in the Willy Street Chamber Players are: Paran Amirinazari, artistic director, violin and viola; Eleanor Bartsch, violin and viola; Mark Bridges, cello; and Lindsay Crabb, cello, five-string cello.
You can find more information about the chamber music ensemble, including a link to a post in which The Ear named them as Musicians of the Year for 2016, at: http://willystreetchamberplayers.org
As is typical for The Willys, the program reflects diversity and includes both classical masters and contemporary composers:
Schubert: String trio in B-flat major, D. 47
Tania León (below) – Four Pieces for Solo Cello: II. Prayer
Heinrich Ignaz Franz Biber – Passacaglia
George Walker (below) – “Bleu”
J.S. Bach – Solo Cello Suite No. 6 in D major: I. Prelude and IV. Sarabande
Kimo Williams (below): “Quiet Shadows”
Beethoven: String Trio in G major, Op. 9, No. 1 / I. Adagio-Allegro
“We will be hosting a Zoom meet-and-greet with our guest artists following the performance. If you’d like to attend this virtual gathering, please RSVP to Grace Presents Program Coordinator James Waldo (gracepresents@gmail.com) for more information.
“Here is biographical background: The Willy Street Chamber Players (WSCP) are dedicated to creating community through classical music. Established in 2015, the group has become a fixture of the Willy Street neighborhood’s vibrant cultural scene.
“Recently awarded a gold medal in Madison Magazine’s prestigious “Best of Madison” reader poll, WSCP has received numerous accolades for its accessible and exciting performances, intelligent and fun programming, and community partnerships.
“Today, the group consists of four core members. Led by Artistic Director and violinist Paran Amirinazari, each player brings a fresh, imaginative take to classical music.
WSCP convenes each July – this summer’s concerts were canceled because of the coronavirus pandemic — to present their popular summer concert series at Immanuel Lutheran Church (below) on Spaight Street. For these programs, the group has collaborated with many well-known guest artists from Madison and beyond.
“In addition, WSCP presents an array of events throughout the year including the admission-free Community Connect series that aims to bring classical music to inclusive spaces.
“WSCP has also performed at many other popular Madison venues including Marquette Waterfront Fest; Summer Serenades at Memorial Union Terrace; the Frank Lloyd Wright Taliesin compound in Spring Green; the Madison New Music Festival; and the Madison Museum of Contemporary Art (MMoCA).”
OTHER DETAILS
Video recording and editing has been done by: https://www.microtonemedia.com/
Audio engineering has been done by Bruce Kasprzyk.
Grace Presents is supported in part by generous project grants from Dane Arts, the Madison Arts Commission, the Episcopal Church Women (ECW) and the Grace Episcopal Development Fund Trust as well as individual gifts and in-kind support.
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Classical music: Musical America offers an exhaustive and helpful guide to international FREE streaming of operas, concerts and recitals, complete with program notes and links for listening
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
During the COVID-19 pandemic, so much music is being streamed – through both live streaming and delayed pre-recorded streaming – that it can be hard to keep track of it all.
After all, the events are taking place locally, regionally, nationally and internationally.
How do you know what operas, orchestral concerts, chamber music concerts and individual recitals will take place? Where and when they will take place? What time is it in your time zone? And where do you find links to the performances, such as those by the famed Berlin Philharmonic (below)?
Getting so much information can be daunting.
But one loyal reader has helped The Ear by sending word about the most exhaustive compilation or online guide to FREE streaming of classical music events he has seen so far.
It is done by Musical America, and The Ear highly recommends it.
The Musical America website advises users that the guide will be updated twice weekly, and that Central European Time (CET) is six hours ahead of Eastern Daylight time (EDT) — or seven hours ahead of Central Daylight Time (CDT).
It also tells you how long many of the streamed videos are available for. A full 23 or 24 hours after the initial airing seems pretty average. But many appealing events – by some of the most prestigious organizations and individual performers in the world — will be available for the entire duration of the coronavirus pandemic.
You also get concise notes about the performers and the programs.
Today and tonight, for example, you could take in productions by the Berlin State Opera, the Zurich Opera and Ballet, the Metropolitan Opera (below) and the Vienna State Opera.
You could also take in the historical performances from the ongoing Cliburn Watch Party from the Cliburn International Piano Competition, and the twice weekly concerts by the six musically talented children in the acclaimed Kanneh-Mason family in England, now dubbed “The Von Trapp’s of classical music.” (Below is cellist brother Sheku Kanneh-Mason performing at the royal wedding of Prince Harry and Meghan Markle.)
And you could listen to award-winning cellist Alisa Weilerstein (below) will also discuss and play all 36 movements of the six solo cello suites by Johann Sebastian Bach that she recently recorded and just released.
The guide lists some of the more outstanding paid websites such as Medici TV but also lists events that took place much earlier but are still available for free watching and listening.
The guide has a link so that organizations can submit their own events for listing or users can make suggestions.
In short, the Musical America guide is extremely useful. You should probably bookmark it if you are planning to listen to a lot of musical events online through streaming.
But don’t take The Ear’s word for it. Take a look and check it out for yourself.
Here is a link: https://www.musicalamerica.com/news/newsstory.cfm?storyid=44766&categoryid=1&archived=0
What do you think of it?
Do you find it useful and think you will?
Do you see any major shortcomings or overlooked events?
Recommendations of your own?
The Ear wants to hear.
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Classical music: This week’s “Just Bach” concert on Wednesday afternoon features Halloween fare as well as instrumental and vocal music typical of Johann Sebastian
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By Jacob Stockinger
BOO!!
But this time it’s all treat and no trick!
This month’s FREE concert in the new midday series of Just Bach (below, in a photo by John W. Barker) falls on Wednesday – that is, on Halloween!
In keeping with the spooky holiday, this week’s Just Bach concert will feature one of the traditional pieces of classical music used on Halloween: the mighty and well-known Toccata and Fugue in D minor for organ. (You can see an abstract and fascinating animated graphic depiction of the work in the YouTube video at the bottom.)
The FREE concert runs from 1 to 2 p.m. at Luther Memorial Church (below) at 1021 University Avenue. The audience is permitted to eat lunch and drink refreshments during the midday concert.
Two other works are on the program.
One is the Suite No. 5 in C minor for solo cello, played by James Waldo (below). A discerning friend of The Ear heard Waldo play a different solo cello suite at a concert last month by the Madison Bach Musicians, and said it was probably the finest interpretation he had ever heard. And he has heard a lot of them.
The last work will be the Cantata No. 163 “Nur Jedem das Seine,” or “To Each His Own,” with singers and instrumentalists performing on period instruments with historically informed performance practices.
For information about the series, go to: https://justbach.org
Specifically, if you want to know more about the dates and programs, go to:
https://justbach.org/concerts/
And if you want to know more about the performers, go to: https://justbach.org/about-us/
Finally, if you want to know more about the background and genesis of the new concert series, here is a link to a previous post:
https://welltempered.wordpress.com/?s=Just+Bach
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