The Well-Tempered Ear
Classical music: Thursday night brings FREE concerts of orchestral, wind and piano music at the UW-Madison – including recognition of construction workers who built the new Hamel Music Center
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By Jacob Stockinger
This is an extraordinarily busy week for classical music, as the past week of postings has demonstrated.
But there is always room for more, especially at the University of Wisconsin Mead Witter School of Music as the semester winds down.
Take the concerts on this Thursday, Dec. 5.
UW SYMPHONY ORCHESTRA and UW WIND ENSEMBLE
At 7:30 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Avenue, the UW-Madison Symphony Orchestra (below top, in Mills Hall) and the UW Wind Ensemble (below bottom) will join forces for a FREE concert.
The concert will be under the two groups’ directors and main conductors — Oriol Sans (below top) and Scott Teeple (below bottom), respectively.
The program features the Symphony “Circus Maximus” – which ends with a blank gunshot — by the contemporary American composer John Corigliano (below top); “Fratres” (Brothers) by the popular 84-year-old Estonian composer Arvo Pärt with UW violin professor Soh-Hyun Park Altino (below bottom, in a photo by Caroline Bittencourt) as soloist; and “The Pines of Rome” by Italian composer Ottorino Respighi.
You can hear “Fratres” in the YouTube video at the bottom.
Billed as a “Builder Appreciation Concert” for those men and women who worked on constructing the new Hamel Music Center, there is also a pre-concert reception starting at 6:30 p.m.
Admission is free and no tickets are required.
PIANO DEPARTMENT RECITAL
Also on this Thursday, the UW-Madison piano department with present a collective recital.
It takes place from 6:30 to 8 p.m. in the smaller Collins Recital Hall of the Hamel Music Center.
So far, no performers or pieces on the program have been listed on the School of Music’s website.
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Classical music: Award-winning prodigy pianist Maxim Lando performs a recital at Farley’s on Sunday afternoon and gives a free public master class on Saturday afternoon
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ALERT: At noon this Saturday, Nov. 16, Grace Presents offers a FREE one-hour concert by Lawren Brianna Ware and friends. The concert is at Grace Episcopal Church, 116 West Washington Avenue, downtown on the Capitol Square.
Pianist and composer Ware, the 2017 Grand Prize Winner of the Overture Rising Stars Competition, will perform a program of original, contemporary and classical solo and chamber works entitled “These Are a Few of My Favorite Things.” Featured are works by Aram Khachaturian, Fazil Say, Frederic Chopin, Ludwig van Beethoven, Robert W. Smith, Martin Ellerby and Eric Ewazen.
By Jacob Stockinger
You have to hand it to Farley’s House of Pianos and its Salon Piano Series: They sure know how to book young up-and-coming performers to stay ahead of the curve.
Last season, they presented Kenneth Broberg, a silver medalist at the last Van Cliburn International Piano Competition, before he was accepted into the International Tchaikovsky Competition in Moscow, where he won a bronze medal.
This weekend, the Salon Piano Series presents another timely choice.
This Sunday afternoon, Nov. 17, at 4 p.m., the 17-year-old American piano prodigy Maxim Lando (below, in a photo by Matt Dine) will perform a solo recital at Farley’s showroom, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.
Once again, Lando was booked just before winning a big award and honor.
In addition, at his Salon Piano Series premiere, Lando will have grandparents in the audience, as well as an aunt, uncle and cousins, all from the Madison area.
The son of pianist Pippa Borisy, who grew up in Madison, and clarinetist Vadim Lando, Maxim was raised in Great Neck, Long Island, New York, and has a full-time career as a touring pianist while still finishing high school.
Lando first received national attention in 2017 when he performed with superstar Chinese pianist Lang Lang and jazz great Chick Corea with the Philadelphia Orchestra at Carnegie Hall’s Gala Opening Night.
He won the 2018 Young Concert Artists auditions at the age of 16 and Susan Hall of Berkshire Fine Arts has described him as having “a very old musical soul.”
This fall he received a Gilmore 2020 Young Artist Award, which recognizes the most promising of the new generation of U.S.-based pianists, age 22 or younger. He will perform a series of concerts this season at the Gilmore Keyboard Festival as part of the recognition.
For this Salon Piano Series concert, Lando will perform the same program he performed for recent sold-out performances at the Kennedy Center in Washington, D.C., and Carnegie Hall in New York City.
Lando’s program includes: Nikolai Kapustin’s Concert Etude “Toccatina”; Ludwig van Beethoven’s Sonata No. 30 in E Major, Op. 109 (you can hear the opening movement in the YouTube video at the bottom); Alexander Scriabin’s Prelude in B major and Etude in D-sharp minor; and Franz Liszt’s “Transcendental Etudes.”
Tickets are $45 in advance (full-time students are $10) or $50 at the door (if any remain). Service fees may apply. Student tickets can only be purchased online and are not available the day of the concert.
Tickets can be purchased at: https://www.brownpapertickets.com/event/4275212
An artist’s reception will follow the concert.
For more information, go to: https://salonpianoseries.org/concerts.html
MASTER CLASS
Also, on this Saturday, Nov. 16, at 4 p.m., Maxim Lando will teach a master class at Farley’s House of Pianos, where he will instruct four local students.
This is a free event that the public is invited to observe.
For a complete list of the music by Beethoven, Prokofiev and Clementi to be performed as well as the names of the local students and their teachers, go to: https://salonpianoseries.org/concerts.html
The master classes for the 2019-20 season are supported by the law firm of Boardman and Clark LLP.
This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
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Classical music: Today at noon you can hear Japanese marimba music. At the UW-Madison, tonight offers a FREE concert of Eastern European music by the Wingra Wind Quintet. Tomorrow night is a FREE concert of vocal music by UW Chorale
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ALERT: TODAY, Nov. 8, from 12:15 to 1 p.m. at the FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, the veteran international marimbist Rebecca Kite (below) — who teaches and concertizes — will perform a program that features music of Handel, herself and contemporary Japanese composers including Keiko Abe and Minoru Miki. Kite recently moved to Madison.
By Jacob Stockinger
Tonight and tomorrow night feature two noteworthy and FREE concerts of chamber music for winds and choral music at the University of Wisconsin-Madison Mead Witter School of Music.
Here are details:
WINGRA WIND QUINTET
TONIGHT, Nov. 8, at 8 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave., the UW-Madison’s Wingra Wind Quintet performs a FREE concert of music from Eastern Europe.
Works by Bela Bartok, Leos Janacek, Gyorgy Kurtag and Endre Szervanszky will be featured.
The guest artist is clarinetist Brian Gnojek (below).
For more information about the concert, the works on the program and background of the Wingra Wind Quintet (below, in 2018, in a photo by Katrin Talbot) as an acclaimed faculty chamber music ensemble, go to: https://www.music.wisc.edu/event/wingra-wind-quintet-2/2019-11-08/
UW CHORALE
This Saturday night, Nov. 9, in the Mead Witter Foundation Concert Hall of the Hamel Music Center, the UW Chorale (below) will perform a FREE concert with an eclectic theme.
The program is called “How to Spice Up Your Life.” Selections include works about music, dance, chat, sports, love, outings and cooking.
The concert includes a performance of PDQ Bach’s The Seasonings, a parody of baroque oratorios, featuring faculty soloists Julia Rottmayer and Paul Rowe with student soloists Angela Peterson and Charles Hancin. (You can hear Part I of “The Seasonings” in the YouTube video at the bottom.)
For more information, go to: https://www.music.wisc.edu/event/uw-chorale-3/
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Classical music: This weekend, prize-winning pianist Joyce Yang solos in Prokofiev’s most popular piano concerto with the Madison Symphony Orchestra. Works by Schumann and Aaron Jay Kernis round out the program
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By Jacob Stockinger
This weekend, prize-winning pianist Joyce Yang (below) will return to Madison to join the Madison Symphony Orchestra in her local concerto debut and perform Prokofiev’s brilliant, bravura and tuneful Piano Concerto No. 3 in C major, Op. 26.
The concert opens with Kernis’ Newly Drawn Sky and concludes with Schumann’s Symphony No. 2 in C Major, Op. 61.
Performances will be held in Overture Hall, 201 State Street, on Friday night, Nov. 8, at 7:30 p.m.; on Saturday night, Nov. 9, at 8 p.m.; and Sunday afternoon, Nov. 10, at 2:30 p.m.
Tickets are $19-$95 with discounts available. See below for details.
Speaking about the program, music director and maestro John DeMain (below, in a photo by Greg Anderson) says: “November brings us another Madison Symphony debut, that of the amazing pianist Joyce Yang. She will perform the Prokofiev’s dazzling Piano Concerto No. 3, one of the great and most popular concertos, and certainly a favorite of mine.”
Adds DeMain: “I can’t wait for audiences to experience the hauntingly beautiful Newly Drawn Sky by Aaron Jay Kernis. And of the four symphonies by Robert Schumann, many regard his second as the greatest of them all.”
According to Aaron Jay Kernis (below), who has won the Pulitzer Prize and a Grammy Award and who teaches at the Yale School of Music, “Newly Drawn Sky” is “a lyrical, reflective piece for orchestra, a reminiscence of the first summer night by the ocean spent with my young twins, and of the summer sky at dusk.”
The chromatically shifting three-note chords that begin in the strings and transfer to the winds are a central element in the creation of this work. The works last approximately 17 minutes and was premiered at the Ravinia Festival in 2005 by the Chicago Symphony Orchestra.
To read more about Kernis and his successful career, go to: https://en.wikipedia.org/wiki/Aaron_Jay_Kernis
Sergei Prokofiev (below) himself played the solo part at the world premiere of his Piano Concerto No. 3 on Dec. 16, 1921 in Chicago with the Chicago Symphony Orchestra. Although he started work on the composition as early as 1913, the majority of it was completed in 1921 and the piece didn’t gain popularity until 1922 when it was confirmed in the 20th-century canon. (You can hear Prokofiev play the first movement in the YouTube video at the bottom.) The Ear thinks that the work has much Russian Romanticism in it and if you like Rachmaninoff, you will probably like this Prokofiev.
Originally a composer for keyboard, Robert Schumann (below with wife Clara) began writing symphonies around the time of his marriage to his virtuoso pianist and composer wife Clara Wieck, who encouraged his compositional expansions.
The uplifting Symphony in C major was created while the composer was troubled with depression and hearing loss; a Beethovenian triumph over pessimism and despair, the creation of this symphony served as a healing process for Schumann.
ABOUT JOYCE YANG
Blessed with “poetic and sensitive pianism” (The Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), Grammy-nominated pianist Joyce Yang, who years ago played a recital at the Wisconsin Union Theater, captivates audiences with her virtuosity, lyricism and interpretive sensitivity.
Yang first came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: Best Performance of Chamber Music (with the Takacs Quartet), and Best Performance of a New Work.
In 2006 Yang (below) made her celebrated New York Philharmonic debut alongside conductor Lorin Maazel at Avery Fisher Hall in Lincoln Center along with the orchestra’s tour of Asia, making a triumphant return to her hometown of Seoul, South Korea.
CONCERT, TICKET AND EVENT DETAILS
The lobby opens 90 minutes prior to each concert.
One hour before each performance, Wisconsin Public Radio host Anders Yocom (below, in a photo by James Gill )will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.
The MSO recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.
Program notes for the concerts are available online: http://bit.ly/msonov19programnotes.
- Single Tickets are $19-$95 each and are on sale now at: https://madisonsymphony.org/event/joyce-yang-plays-prokofiev/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
- Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
- Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
- Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
- Flex-ticket booklets of 8-10 vouchers for 2019-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
- Subscriptions for the 2019–2020 season are available now. Learn more at: https://madisonsymphony.org/19-20
Discounted seats are subject to availability, and discounts may not be combined.
Major funding for this concert is provided by Madison Magazine, Stephen D. Morton, National Guardian Life Insurance Company, Scott and Janet Cabot, and Peggy and Tom Pyle. Additional funding provided by Foley & Lardner LLP, Howard Kidd and Margaret Murphy, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts
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Classical music: This weekend guest violinist Rachel Barton Pine solos with the Madison Symphony Orchestra in an all-Russian program
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By Jacob Stockinger
This weekend the acclaimed Chicago violinist Rachel Barton Pine (below) makes her debut with the Madison Symphony Orchestra playing Khachaturian’s Violin Concerto in D minor.
The concert by the orchestra (below, in a photo by Peter Rodgers) opens with Prokofiev’s Suite from Lieutenant Kijé and concludes with Shostakovich’s Symphony No. 9.
Performances will be held in Overture Hall, 201 State St., on Friday night, Oct. 18, at 7:30 p.m.; Saturday night, Oct. 19, at 8 p.m.; and Sunday afternoon, Oct. 20, at 2:30 p.m. in Overture Hall. Tickets are $19-$95. See below for details.
“There will be great discoveries in our all-Russian concert, starting with the MSO debut of virtuoso violinist Rachel Barton Pine playing the Khachaturian Violin Concerto, a big, bold and beautiful work in its MSO premiere,” said MSO music director and conductor John DeMain (below, in a photo by Greg Anderson). Lieutenant Kijé is sure to delight you with its wonderful melodies and infectious rhythms. Shostakovich has become a favorite with our audiences, and his ninth symphony is delightfully upbeat.”
Lieutenant Kijé is the fictional protagonist of an anecdote about the reign of Emperor Paul I of Russia. The story was used as the basis of a novella by Yury Tynyanov published in 1928 and filmed in 1934, with music by Sergei Prokofiev (below). The plot is a satire on bureaucracy and is often parodied in fictional works making fun of bureaucracies, most famously in the form of the M*A*S*H television episode “Tuttle,” featuring a fictional captain of similar provenance. (You can hear the popular “Troika” episode in the YouTube video at the bottom.)
Many of the themes in Violin Concerto in D minor are evocative of the native Armenia of Aram Khachaturian (below). Although the folk melodies aren’t played explicitly, one can hear the Armenian roots through the oriental essence of the scales and the rhythmic range of the featured dances. The piece won the Stalin Prize in 1941, becoming one of Khachaturian’s favorites.
Shostakovich’s Symphony No. 9 is entirely unlike his other symphonies. In fact, it completely disregards the expectations for its programmatic elements. Shostakovich’s prior two symphonies are thematically tied to the ongoing war, therefore the public presumed that the ninth symphony would be a grand culmination to Stalin and mark the end of World War II. Instead, the composer (below) produced a short, neo-classical work that generated an abundance of controversy.
ABOUT RACHEL BARTON PINE
In both art and life, violinist Rachel Barton Pine (below) – who has performed in Madison before with the Wisconsin Chamber Orchestra — has an extraordinary ability to connect with people.
Celebrated as a leading interpreter of great classic and contemporary works, her performances combine her innate gift for emotional communication and her scholarly fascination with historical research. She plays with passion and conviction, thrilling audiences worldwide with her dazzling technique, lustrous tone, and infectious joy in music-making.
A prolific recording artist, she has also championed the works of female composers and African-American composers.
Pine was also recently named the recipient of the Cedille Records Musical Partnership Award for her Rachel Barton Pine Foundation. The Foundation was recognized as an organization that has demonstrated an extraordinary commitment to the classical music community in Chicago. Cedille noted the Foundation’s “support of the Chicago musical community’s most valuable asset — its musicians and composers.”
Pine was presented with the award by U.S Supreme Court Justice Ruth Bader Ginsburg whose son, Jim Ginsburg, founded Cedille Records. Pine began her Foundation in 2001 to provide instruments and instruction to children who might not otherwise be able to afford them.
You can read the Artist Story online about how Rachel Barton Pine overcame severe injuries and her own personal adversity to achieve her goals: https://madisonsymphony.org/19-20-artist-story-rachel-barton-pine-overcomes-adversity/
CONCERT, TICKET AND EVENT DETAILS
The lobby opens 90 minutes prior to each concert.
One hour before each performance, retired MSO trombonist and UW-Whitewater professor Michael Allsen (below, in a photo by Katrin Talbot) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.
The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.
Program notes for the concerts are available online: http://bit.ly/msooct19programnotes.
- Single Tickets are $19-$95 each and are on sale now at: https://madisonsymphony.org/event/rachel-barton-pine-plays-khachaturian/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
- Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
- Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
- Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
- Flex-ticket booklets of 8-10 vouchers for 19-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
- Subscriptions for the 2019–2020 season are available now. Learn more at: https://madisonsymphony.org/19-20
Discounted seats are subject to availability, and discounts may not be combined.
Tags: #African-AmericanComposer, #All-Russian, #AllTime, #AramKhachaturian, #ArtisticControversy, #BlogPost, #BlogPosting, #BoxOffice, #CedilleRecords, #ContemporaryMusic, #CriticalAcclaim, #DmitriShostakovich, #FacebookPost, #FacebookPosting, #FemaleComposers, #FilmScore, #FilmSoundtrack, #folksongs, #Fridaynight, #GuestArtist, #JimGinsburg, #JohnDeMain, #JosefStalin, #LieutenantKijé, #M*A*S*H, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MichaelAllsen, #MovieSoundtrack, #Music-Making, #MusicAppreciation, #MusicDirector, #NewMusic, #NotoriousRBG, #OvertureCenter, #OvertureHall, #PoliticalControversy, #PopularMusic, #PreludeDiscussion, #ProgramNotes, #RachelBartonPine, #RachelBartonPineFoundation, #RussianComposer, #RussianMusic, #RuthBaderGinsburg, #SaturdayNight, #SeniorCitizen, #SergeiProkofiev, #Sovietcomposer, #SovietMusic, #SovietUnion, #StalinPrize, #Sundayafternoon, #SupremeCourt, #TheViolin, #U.S.SupremeCourt, #UniversityofWisconsin-Madison, #UniversityofWisconsin-Whitewater, #ViolinConcerto, #ViolinistVirtuoso, #VirtuosoViolinist, #WisconsinChamberOrchestra, #World-wide, #WorldWarll, #YouTubevideo, #YuryTynyanov, ability, abundance, acclaim, achieve, adversity, afford, African American, afternoon, anecdote, appreciation, Aram Khachaturian, Armenia, Armenian, Art, artist, Arts, asset, audience, availability, basis, beautiful, big, blog, bold, box office, bureaucracy, captain, Cedille Records, celebrated, champion, Chicago, children, Classical music, classicalmusic, commitment, communication, community, Compact Disc, composer, Concert, concerto, conclude, conductor, connect, conquer, contemporary music, controversy, conviction, dance, debut, delight, discount, discovery, discussion, Dmitri Shostakovich, element, emotional, Emperor, end, episode, essence, expectations, experience, explicit, extraordinary, Facebook, fascination, favorite, feature, female composers, fictional, film, Film score, folk, folk song, forward, foundation, free, Friday, fun, generate, gift, goal, great, group, guest, guest artist, historical, History, ID, infectious, information, injuries, instruction, instruments, interpreter, J. Michael Allsen, Jacob Stockinger, Jim GInsburg, John DeMain, Joy, justice, Khachaturian, kids, lieutenant, Lieutenant Kijé, life, like, link, listening, lobby, lustrous, Madison, Madison Symphony Orchestra, mark, Mead Witter School of Music, melodies, melody, Michael Allsen, military, Mother, movie, movie music, MSO, Music, music appreciation, Music director, Musician, myriad, native, neo-Classical, neoclassical, New Music, night, Notorious RBG, novella, online, Orchestra, oriental, oversame, Overture Center, Overture Center for the Arts, Overture Hall, parody, partnership, Passion, Paul, People, performance, performer, person, personal, play, plot, popular, post, posting, Prelude, premiere, prize, professor, program notes, programmatic, Prokofiev, prolific, protagonist, provenance, provide, public, publish, Rachel Barton Pine, Rachel Barton Pine Foundation, range, reader, recipient, recognize, recommend, recording, reign, research, retired, Retirement, rhythm, rhythms, roots, Russia, Russian, Ruth Bader Ginsburg, satire, savings, scales, scholarly, seat, security, senior, senior citizen, Sergei Prokofiev, severe, share, short, Shostakovich, similar, solo, son, soundtrack, Soviet, Stalin, Stalin Prize, story, Student, subscriber, Suite, Sunday, support, Supreme Court, symphony, tag, technique, Television, thematic, themes, thrill, ticket, time, tone, troika, Trombone, TV, U.S. Supreme Court, understanding, United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, upbeat, USSR, UW-Whitewater, valuable, Violin, Violin concerto, violinist, virtuoso, war, weekend, Wisconsin, Wisconsin Chamber Orchestra, wonderful, works, world, World War II, worldwide, YouTube, Yury Tynyanov
Classical music: A busy week at the UW-Madison brings FREE concerts in new halls with an emphasis on new music for winds, chamber ensembles, orchestra and band
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ALERT: Tonight’s performance by the a cappella vocal group Chanticleer is SOLD OUT.
By Jacob Stockinger
It’s going to be a busy week at the University of Wisconsin-Madison Mead Witter School of Music and especially in its new Hamel Music Center (below), 740 University Ave., next to the new wing of the Chazen Museum of Art.
On tap is a variety of FREE concerts, with an emphasis on new music, including compositions for winds, chamber ensembles, orchestra and band.
Earlier mistakes on dates and time have been corrected. To double check dates, times and venues as well programs, go to: https://www.music.wisc.edu/events/
Here is a schedule:
TUESDAY, OCT. 8
At 7:30 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble (below), conducted by director Scott Teeple and guest conductor Ross Wolf, will perform a FREE program of contemporary wind music.
The program includes works by Augusta Read Thomas (below top), Jake Runestad, Larry Tuttle, Xi Wang (below bottom) and Carlos Simon.
There will be one world premiere and two Wisconsin premieres.
For more information and the complete program, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-5/
THURSDAY, OCT. 10
At 8 p.m. in Collins Recital Hall of the new Hamel Music Center, the Contemporary Chamber Ensemble will perform a FREE recital of new music, including two works — “Wet Ink” and ” Treetop Studio” — by the critically acclaimed UW-Madison composer Laura Schwendinger (below).
Also on the “Fall Notes” program are “Wing and Prayer” by Melinda Wagner (below top) and “Pentacle” by Irish composer Raymond Deane (below bottom) who will make his UW-Madison debut.
Performers for “Fall Notes” will feature UW-Madison musicians, including clarinetist Alicia Lee, cellist James Waldo, violist Sally Chisholm, pianist Christopher Taylor and student performers.
FRIDAY, OCT. 11
At 8 p.m. in the Mead Witter Foundation Concert Hall, the UW-Madison Symphony Orchestra (below) will open its season with a FREE concert under its new conductor Oriol Sans, a native of Catalonia, Spain, who studied at the Barcelona Conservatory and who came to Madison from the University of Michigan at Ann Arbor.
The program is: “aequilibria” by contemporary Icelandic composer Anna Thorvaldsdottir (heard in the YouTube video at the bottom); “Death and Transfiguration; by Richard Strauss; and “Symphonic Dances” by Sergei Rachmaninoff.
For more information about conductor Oriol Sans (below), go to: https://www.music.wisc.edu/oriol-sans/
For more information, from Wikipedia, about composer Anna Thorvaldsdottir (below), go to: https://en.wikipedia.org/wiki/Anna_S._Þorvaldsdóttir
SUNDAY, OCT. 13
At 2 p.m., in the Mead Witter Foundation Concert Hall, the University Bands will perform a FREE concert under conductor Darin Olson (below), the assistant director of bands at the UW-Madison.
No program is available.
Tags: #ACapella, #AliciaLee, #AmericanComposer, #AnnaThorvaldsdottir, #AsianComposer, #AugustaReadThomas, #BandConcert, #BandMusic, #BarcelonaSpain, #BlogPost, #BlogPosting, #CarlosSimon, #ChamberMusic, #ChazenMuseumofArt, #Chinesecomposer, #ChineseMusic, #ChristopherTaylor, #ClarinetMusic, #ClassicalMusician, #CollinsRecitalHall, #ConcertHall, #ConcertProgram, #ContemporaryChamberEnsemble, #ContemporaryComposers, #ContemporaryMusic, #CriticallyAcclaimed, #DarinOlson, #DeathandTransfiguration, #FacebookPost, #FacebookPosting, #FacultyConcert, #GuestConductor, #HamelMusicCenter, #IcelandicComposer, #IrishComposers, #JacobStockinger, #JakeRunestad, #James Waldo, #JamesWaldo, #LarryTuttle, #LauraSchwendinger, #LivingComposers, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MelindaWagner, #Musicfaculty, #MusicProfessors, #MusicSchool, #NewMusic, #OrchestralMusic, #OriolSans, #PaulCollins, #RaymondDeane, #RichardStrauss, #RossWolf, #SallyChisholm, #SchoolofMusic, #ScottTeeple, #SergeiRachmaninoff, #SergeiRachmaninov, #SoldOut, #SymphonicDances, #SymphonyOrchestra, #UniversityBands, #UniversityOfMichigan, #UniversityofWisconsin-Madison, #UW-MadisonSymphonyOrchestra, #UWContemporaryChamberEnsemble, #UWSymphonyOrchestra, #UWWindEnsemble, #ViolaMusic, #VocalMusic, #Wikipediabiography, #Wikipediaentry, #WindEnsemble, #WindMusic, #WisconsinPremiere, #WorldPremiere, #XiWang, #YouTubevideo, a cappella, Alicia Lee, American, Ann Arbor, Anna Thorvaldsdottir, Arts, Asia, asian, Augusta Read Thomas, band, Barcelona, blog, busy, Carlos Simon, Catalonia, cellist, Cello, Chamber music, Chanticleer, Chazen Museum of Art, China, Christopher Taylor, clarinet, clarinetist, Classical music, classicalmusic, Collins Recital Hall, composer, Concert, concert hall, conductor, conservatory, critically acclaimed, dance, dances, Darin Olson, death, Death and Transfiguration, debut, director, emphasis, Facebook, faculty, fall, follow, forward, free, group, guest, hall, Hamel Music Center, Iceland, Icelandic composer, information, Irish, Jacob Stockinger, Jake Runestad, Larry Tuttle, Laura Schwendinger, like, link, living composers, Madison, Mead Witter Foundation Concert Hall, Mead Witter School of Music, Melinda Wagner, Music, music faculty, music school, native, new, New Music, notes, Orchestra, orchestral music, Oriol Sans, Paul Collins, performance, Pianist, Piano, post, posting, premiere, professor, program, Raymond Deane, recital, Richard Strauss, Ross Wolf, Sally Chisholm, schedule, School of Music, Scott Teeple, Sergei Rachmaninoff, Sergei Rachmaninov, share, sold-out, Spain, Spanish, Student, symphonic, Symphonic Dances, symphony orchestra, tag, tonight, transfiguration, United States, University Bands, University of Michigan, University of Michigan-Ann Arbor, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW Contemporary Chamber Ensemble, UW Symphony Orchestra, UW Wind Ensemble, UW-Madison, UW-Madison Symphony Orchestra, variety, Viola, violist, vocal music, week, Wikipedia, wind ensemble, wind music, wing, Wisconsin, Wisconsin Premiere, work, world premiere, Xi Wang, YouTube
Classical music: The Apollo Chamber Players perform Croatian-inspired music this Saturday night in Edgerton. Plus you can now sign up for piano day at the Wisconsin Union Theater
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ALERT: The sign-up site for Open Piano Day – to be held this coming Sunday, Sept. 22, from 1 to 4 p.m. at the Wisconsin Union Theater — is now available. Slots are for 15 minutes. Here is a link: https://nam04.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsignup.com%2Fgo%2FfpUcsfW&data=02%7C01%7C%7C8ca06003be8b432ab9b408d73ba390d3%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637043445996735650&sdata=3qwBf6GVLZK6iN0UUywLtlKEfUnIPLfssaug5b3XTl0%3D&reserved=0
Memorial Union members and their guests are invited to attend to play the piano and to listen to the music. Here is a link to a story with more details and background: https://welltempered.wordpress.com/2019/09/07/classical-music-the-wisconsin-union-theater-will-hold-an-exercising-or-playing-session-for-the-public-on-its-steinway-piano-on-sunday-sept-22-details-are-pending/
By Jacob Stockinger
The Ear has received the following announcement about a special concert of Croatian music that includes a world premiere and a Wisconsin premiere.
The Apollo Chamber Players (below) will perform this Saturday night, Sept. 21, at 7:30 p.m. at the Edgerton Performing Arts Center, 200 Elm High Drive, where they will give the Wisconsin premiere of Croatian Connections.
The program of chamber music is:
Medley of Croatian Folk Songs (2019, a world premiere), by Lorento Golofeev (b. 1976)
String Quartet Op. 33, No. 3 “The Bird” by Franz Joseph Haydn (1732-1809). You can hear the last movement of the “Bird” quartet in the YouTube video at the bottom.
Intermission/Prekid
Pannonia Boundless (1997) by Aleksandra Vrebalov (b. 1970)
String Quartet No. 4 “Obala” (No. 6 in the 20×2020 project and a Wisconsin premiere) by Alexandra du Bois (b. 1981)
Introduction: “Out of sea-mist, in medias res” (Aria: Adagio lugubre)
“Istria: Hrvatska Obala” (Croatian Coast) (Rondo: Allegro assai)
“Uspavankas” (Lullabies) (Waltz: Larghetto cantabile)
“Dalmatian Hinterland” (Scherzo: Allegro pesante con fuoco)
“Tempo di Gusle” (Finale: Presto all’ungherese)
Tickets are $30 each and can be purchased online at www.edgertonpac.comor by phone at (608) 561-6093.
Croatian Connections was underwritten by Frederic Attermeier, a native of Cudahy, Wis., and was first premiered in Houston, Texas in 2016. It explores the Croatian inspirations of the “Father of the String Quartet” Franz Joseph Haydn (below), and music celebrating Croatian cultural heritage.
The Wisconsin premiere of this new string quartet inspired by folk music from Croatia and Serbia by New York City-based composer Alexandra du Bois (below, in a photo by Nick Ruechel), adds a contemporary perspective – a bridge to common ground through ethnic folk music – between often-warring cultures.
The Houston-based Apollo Chamber Players “performs with rhythmic flair and virtuosity” (The Strad) and has “found fruitful territory” (Houston Chronicle) through innovative, globally-inspired programming and multicultural new music commissions.
A recent winner of the Chamber Music America’s prestigious Residency Partnership award, this quartet has performed for sold-out audiences at Carnegie Hall twice in the past five years, and holds the distinction of being the first American chamber ensemble to record and perform in Cuba since the embargo relaxation. The string quartet is featured frequently on American Public Media’s nationally-syndicated program “Performance Today.”
This concert is in honor of the late William J. Wartmann (below) whose parents immigrated to America from Croatia. This concert is partially funded by the William and Joyce Wartmann Endowment for the Performing Arts.
Tags: #AleksandraVrebalov, #AlexandraduBois, #ApolloChamberPlayers, #BlogPost, #BlogPosting, #CarnegieHall, #ChamberMusic, #ChamberMusicAmerica, #CommissionedMusic, #CommonGround, #ContemporaryComposers, #ContemporaryMusic, #CroatianConections, #Cudahy, #CulturalHeritage, #EdgertonPerformingArtsCenter, #EdgertonWisconsin, #FacebookPost, #FacebookPosting, #FolkMusic, #folksongs, #FranzJosephHaydn, #HoustonChronicle, #JoyceWartmann, #LivingComposers, #LorentoGolofeev, #MemorialUnion, #NationalPublicRadio, #NewMusic, #NewYorkCity, #PerformanceToday, #PerformingArts, #StringQuartet, #Sundayafternoon, #TheBird, #TheCello, #TheEar, #TheStrad, #TheViola, #TheViolin, #WilliamWartmann, #WisconsinUnionTheater, #WorldPremiere, #YouTubevideo, Aleksandra Vrebalov, Alexandra du Bois, America, American, AmericanPublicMedia, annoucement, Apollo Chamber Players, Arts, attend, audience, award, background, blog, bridge, Carnegie Hall, celebrate, Cello, Chamber music, Chamber Music America, Classical music, classicalmusic, coast, commission, Common Ground, composer, Concert, connection, contemporary, Croatia, Croatian Connections, Croation, Cuba, cultural, cultural heritage, culture, Dalmatian, day, details, distinction, Edgerton, embargo, endowment, ethnic, event, Facebook, father, finale, flair, folk, Folk music, folk songs, forward, Franz Joseph Haydn, funding, global, guest, heritage, hinterland, honor, Houston, Houston Chronicle, immigrate, immigrated, immigration, innovative, inspiration, introduction, Jacob Stockinger, Joyce Wartmann, last, like, link, listen, living composers, Lorenzo Golofeev, lullabies, Madison, medley, members, Memorial Union, minutes, mist, movement, multicultural, Music, national, National Public Radio, native, New Music, New York City, NPR, often, online, open, Parent, parents, partner, partnership, perform, Performance Today, performer, Performing arts, perspective, phone, Pianist, Piano, play, post, posting, premiere, prestigious, program, programming, Radio, record, relaxation, residency, rhythmic, Scherzo, sea, Serbia, Serbian, share, sign-up, site, slot, sold-out, song, special, story, String quartet, subscriber, Sunday, support, syndicated, tag, temp, Texas, The Bird, The Ear, The Strad, ticket, underwritten, union, United States, Viola, Violin, virtuosity, Waltz, war, Website, William Wortmann, Wisconsin, Wisconsin Union Theater, word, world premiere, YouTube
Classical music: Here is a year-long list of concerts at the University of Wisconsin Mead Witter School of Music. They start Tuesday night with the 40th annual Karp Family Labor Day Concert
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By Jacob Stockinger
Get out your datebooks and calendars.
Here is a complete listing for major concerts and events at the University of Wisconsin Mead Witter School of Music during the new 2019-20 season.
The calendar starts with the FREE season-opening 40th annual Karp Family Labor Day Concert this coming Tuesday night, Sept. 3, at 7:30 p.m. in Mills Hall. The program features chamber music by Mozart, Beethoven, Schumann and Dvorak. For more information about the program and performers, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/
Using the search engine on this blog, you could also consult whenever individual or group you want. You could print it out and have it in hand instead of the usual brochure, which will not be printed this year. See a previous blog post: https://welltempered.wordpress.com/2019/08/19/classical-music-the-uw-madison-school-of-music-will-not-have-a-complete-brochure-for-the-new-season-go-to-the-website-and-sign-up-for-an-email-newsletter-the-30th-karp-family-labor-day-concert-is-s/
Most concerts this season will take place in the new Hamel Music Center (below), which has a three-day opening celebration Oct. 25-27.
Please note that just a few programs are listed. For other programs, and for information about any admission charge, you can go to the School of Music’s home website closer to the event and click on Concerts and Events: https://www.music.wisc.edu/events/
|
Tuesday, Sep 3, 2019 |
Karp Family Concert |
7:30 PM |
Mills Hall |
|
Sunday, September 29, 2019, |
Jessica Martin & John O’Brien – Nordic song recital |
4:00 PM |
Morphy Hall |
|
Monday, Sept. 30, 2019 |
Beth Wiese, Tuba, Guest Artist Recital |
7:30 PM |
Morphy Hall |
|
Friday, October 4, 2019 |
Pro Arte Quartet |
8:00 PM |
Mills Hall |
|
Sunday, Oct. 6, 2019 |
Chanticleer |
7:30 PM |
Mead Witter Hall |
|
Tuesday, Oct. 8, 2019 |
Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Friday, October 11, 2019 |
UW-Madison Symphony Orchestra |
8:00 PM |
Mead Witter Hall |
|
Sunday, October 13, 2019 |
University Bands |
2:00 PM |
Mead Witter Hall |
|
Tuesday, October 15, 2019 |
Contemporary Jazz & Blue Note Ensemble |
7:30 PM |
Collins Hall |
|
Wednesday, October 16, 2019 |
Wisconsin Brass Quintet – Faculty Concert Series |
7:30 PM |
Mead Witter Hall |
|
Thursday, October 17 |
Jazz Faculty Quintet with special guest Michael Dudley, trumpet |
7:30 PM |
Collins Hall |
|
Monday, October 21, 2019 |
Afro-Cuban Jazz Ensemble and UW Jazz Orchestra |
7:30 PM |
Play Circle |
|
Tuesday, October 22, 2019 |
Concert Band |
7:30 PM |
Mead Witter Hall |
|
Wed, October 23, 2019 |
Jazz Composers Group & Jazz Standards |
7:30 PM |
Collins Hall |
|
Thu, October 24, 2019 |
Parry Karp with Eli Kalman, piano |
7:30 PM |
Collins Hall |
|
Friday, October 25, 2019 |
Opening Celebration Weekend: Hamel Music Center. Please check our website for details. |
All Day |
740 University Avenue |
|
Saturday, October 26, 2019 |
Opening Celebration Weekend: Hamel Music Center. Please check our website for details. |
All Day |
740 University Avenue |
|
Sunday, October 27, 2019 |
Opening Celebration Weekend: Hamel Music Center. Featured Event: Collins Fellows Concert |
1:00 PM |
Collins Recital Hall, Hamel Music Center |
|
Wed, October 30, 2019 |
Master Class with Violist Nobuko Imai |
6:30 PM |
Collins Hall |
|
Thu, October 31, 2019 |
Violist Nobuko Imai with Pro Arte Quartet |
12:00 PM |
Collins Hall |
|
Fri, November 1, 2019
|
Madrigal Singers |
8:00 PM
|
Mead Witter Hall |
Sat, November 2, 2019 |
Alicia Lee, faculty clarinet |
8:00 PM |
Collins Hall |
|
Sun, November 3, 2019 |
Wind Ensemble |
2:00 PM |
Mead Witter Hall |
|
Fri, November 8, 2019 |
Wingra Wind Quintet |
8:00 PM |
Collins Hall |
|
Sat, November 9, 2019 |
UW Chorale |
8:00 PM |
Mead Witter Hall |
|
Thu, November 14, 2019 |
UW-Madison Symphony Orchestra |
7:30 PM |
Mead Witter Hall |
|
Fri, November 15, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
7:30 PM |
Music Hall |
|
Sun, November 17, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
2:00 PM |
Music Hall |
|
Tue, November 19, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
7:30 PM |
Music Hall |
|
Sat, November 16, 2019 |
Low Brass Ensemble |
4:00 PM |
Collins Hall |
|
Sat, November 16, 2019 |
Combined Choirs |
8:00 PM |
Mead Witter Hall |
|
Sat, November 16, 2019 |
Timothy Hagen, faculty flute |
8:00 PM |
Collins Hall |
|
Fri, November 22, 2019 |
UW Concert Choir |
8:00 PM |
Mead Witter Hall |
|
Fri, November 22, 2019 |
Pro Arte Quartet |
8:00 PM |
Collins Hall |
|
Fri, November 22, 2019 |
UW Jazz Orchestra |
5:00-7:00 PM |
Rathskeller |
|
Saturday, Nov 23, 2019 |
Undergrad Audition Day |
All day |
|
|
Sat, November 23, 2019 |
World Percussion Ensemble |
12:00 PM |
Music Hall |
|
Sat, November 23, 2019 |
Brass Ensembles |
1:00 PM |
?? |
|
Sun, November 24, 2019 |
UW Concert Band with Winds of Wisconsin |
5:00 PM |
Mead Witter Hall |
|
Mon, November 25, 2019 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
|
Tue, November 26, 2019 |
Opera Scenes |
7:30 PM |
Music Hall |
|
Mon, December 2, 2019 |
Piano Studio Recital |
6:30 PM |
Collins Hall |
|
Tue, December 3, 2019 |
Jazz Composers & Contemporary Jazz Ensembles |
7:30 PM |
Collins Hall |
|
Wed, December 4, 2019
|
Jazz Standards Ensemble & Afro-Cuban Jazz |
7:30 PM
|
Collins Hall |
Thu, December 5, 2019 |
UW-Madison Symphony Orchestra & UW Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Fri, December 6, 2019 |
Saxophonist Greg Ward with the Blue Note Ensemble and UW jazz faculty |
8:00 PM |
Collins Hall |
|
Sat, December 7, 2019 |
UW & Madison Metropolitan Jazz Festival |
Final Concert, 3:00 PM |
Mead Witter Hall |
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Sat, December 7, 2019 |
Choral Union: Ralph Vaughan Williams’s “A Sea Symphony” |
8:00 PM |
Mead Witter Hall |
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Sun, December 8, 2019 |
University Bands |
2:00 PM |
Mead Witter Hall |
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Sun, December 8, 2019 |
Choral Concerts at Luther Memorial Church |
2:00 PM |
Luther Memorial Church |
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Sun, December 8, 2019 |
Choral Concerts at Luther Memorial Church |
4:00 PM |
Luther Memorial Church |
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Sun, December 8, 2019 |
All-University Strings |
4:30 PM |
Mead Witter Hall |
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BEGIN 2020 |
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Sun, January 26, 2020 |
Annual Schubertiade |
3:00 PM |
Mead Witter Hall |
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Sat, February 1, 2020 |
Christopher Taylor and Friends — Beethoven Symphony Extravaganza |
8:00 PM |
Mead Witter Hall |
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Wed, February 5, 2020 |
Daniel Grabois, horn |
7:30 PM |
Collins Hall |
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Thu, February 6, 2020 |
UW Symphony Orchestra |
7:30 PM |
Mead Witter Hall |
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Sat, February 8, 2020 |
The Knights |
8:00 PM |
Mead Witter Hall |
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Sun, February 16, 2020 |
UW Wind Ensemble |
2:00 PM |
Mead Witter Hall |
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Monday, February 17, 2020 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
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Tue, February 18, 2020 |
Concert Band |
7:30 PM |
Mead Witter Hall |
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Thu, February 20, 2020 |
Parry Karp, faculty recital |
7:30 PM |
Collins Hall |
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Fri, February 21, 2020 |
Marc Vallon & Friends |
8:00 PM |
Collins Hall |
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Sunday, Feb 23, 2020 |
Les Thimmig, faculty recital |
2:00 PM |
Collins Hall |
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Sat, April 18, 2020 |
Low Brass Ensemble |
4:00 PM |
Mead Witter Hall |
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Fri, February 28, 2020
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Pro Arte Quartet |
8:00 PM
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Collins Hall |
Sat, February 29, 2020 |
Wingra Wind Quintet |
8:00 PM |
Collins Hall |
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Fri, February 28, 2020, |
University Opera – Mozart’s Così fan tutte |
7:30 PM |
Music Hall |
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Sun, March 1, 2020 |
University Opera – Mozart’s Così fan tutte |
2:00 PM |
Music Hall |
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Tue, March 3, 2020 |
University Opera – Mozart’s Così fan tutte |
7:30 PM |
Music Hall |
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Sun, March 1, 2020 |
Winds of Wisconsin |
5:30 PM |
Mead Witter Hall |
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Wed, March 4, 2020 |
Afro-Cuban Jazz Ensemble & Jazz Composers Group |
7:30 |
Collins Hall |
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Thu, March 5, 2020 |
Blue Note Ensemble & Jazz Standards Ensemble |
7:30 PM |
Collins Hall |
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Sat, March 7, 2020 |
UW-Madison Symphony Orchestra with guest pianist Wu Han |
8:00 PM |
Mead Witter Hall |
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Sun, March 8, 2020 |
University Bands |
2:00 PM |
Mead Witter Hall |
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Tue, March 10, 2020 |
Percussion Department Recital |
7:30 PM |
Collins Hall |
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Weds March 11, 2020 |
UW Jazz Orchestra |
7:30 PM |
Play Circle |
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Wednesday, March 11, 2020 |
Wisconsin Brass Quintet – Faculty Concert Series |
8:00 PM |
Mead Witter Hall |
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Thu, March 12, 2020 |
UW Wind Ensemble |
7:30 PM |
Mead Witter Hall |
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Fri, March 27, 2020 |
Le Domaine Musicale with Marc Vallon and Friends |
8:00 PM |
Collins Hall |
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Sun, March 29, 2020 |
Concert Band |
2:00 PM |
Mead Witter Hall |
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Sun, April 5, 2020 |
Beethoven Competition Winners’ Recital |
3:30 PM |
Collins Hall |
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Sun, April 5, 2020 |
“Symphony Showcase” Concerto Winners’ Solo Concert |
7:00 PM |
Mead Witter Hall |
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Sat, April 11, 2020 |
Chorale |
8:00 PM |
Mead Witter Hall |
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Fri, April 12, 2019 |
Perlman Trio Chamber Concert |
3:00 PM |
Collins Hall |
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Tue, April 14, 2020 |
Opera Scenes |
7:30 PM |
Music Hall |
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Wed, April 15, 2020 |
Contested Homes: Migrant Liberation Movement Suite |
7:30 PM |
Mead Witter Hall |
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Thu, April 16, 2020 |
Pro Arte Quartet |
7:30 PM |
Collins Hall |
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Fri, April 17, 2020 |
Combined Choirs |
8:00 PM |
Mead Witter Hall |
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Sat, April 18, 2020 |
Low Brass Ensemble |
4:00 PM |
Mead Witter Hall |
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Sat, April 18, 2020
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UW-Madison Choral Reunion concert featuring Concert Choir, Madrigals and alumni |
8:00 PM
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Mead Witter Hall |
Mon, April 20, 2020 |
Afro-Cuban Jazz Ensemble & Blue Note Ensemble |
7:30 PM |
Collins Hall |
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Tue, April 21, 2020 |
Jazz Standards Ensemble & Jazz Composers Group |
7:30 PM |
Collins Hall |
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Wed, April 22, 2020 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
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Thu, April 23, 2020 |
UW Jazz Orchestra with the UW Honors Jazz Band |
7:30 PM |
Music Hall |
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Fri, April 24, 2020 |
Concert Band and Wind Ensemble |
7:30 PM |
Mead Witter Hall |
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Sat, April 25, 2020 |
All-University Strings |
2:00 PM |
Mead Witter Hall |
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Sat, April 25, 2020 |
Choral Union: Giuseppe Verdi’s “Requiem” |
8:00 PM |
Mead Witter Hall |
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Sun, April 26, 2020 |
Choral Union: Giuseppe Verdi’s “Requiem” |
7:30 PM |
Mead Witter Hall |
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Sun, April 26, 2020
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University Bands | 2 PM | Mead Witter Hall |
Tags: #AliciaLee, #All-UniversityStrings, #AntoninDvorak, #ASeaSymphony, #BandMusic, #BassoonMusic, #BeethovenSymphony, #BenjaminBritten, #BlogPost, #BlogPosting, #BrassMusic, #BrassQuintet, #CelloMusic, #ChamberMusic, #ChoralMusic, #ChoralUnion, #ChristianChurch, #ChristopherKarp, #ChristopherTaylor, #ClarinetMusic, #ConcertBand, #ConcertChoir, #ContemporaryMusic, #CosifanTutte, #DanielGrabois, #EliKalman, #EmailNewsletter, #FacebookPost, #FacebookPosting, #FacultyConcert, #FacultyMember, #FluteMusic, #FrancesKarp, #FranzSchubert, #GiuseppeVerdi, #GuestArtist, #HamelMusicCenter, #HornMusic, #JazzMusic, #KarpFamily, #KatoPerlman, #KatrinTalbot, #LaborDay, #LesThimmig, #LudwigVanBeethoven, #LutherMemorialChurch, #MadrigalSingers, #MarcVallon, #MeadWitterSchoolofMusic, #MidsummerNight'sDream, #MillsHall, #NobukoImai, #OperaMusic, #OperaScenes, #OperaSinger, #OrchestralMusic, #ParryKarp, #PaulCollins, #PerlmanTrio, #PianoAccompaniment, #PianoAccompanist, #PianoConcerto, #PianoMusic, #PianoQuartet, #PianoTrio, #ProArteQuartet, #RalphVaughan-Williams, #RalphVaughanWilliams, #RecitalHall, #RobertSchumann, #SaxophoneMusic, #Schubertiadeconcert, #StringMusic, #StringQuartet, #SuzanneBeia, #TheKnights, #TimothyHagen, #TrumpetMusic, #TubaMusic, #UniversityBands, #UniversityofWisconsin-Madison, #UniversityofWisconsin-Oshkosh, #UniversityOpera, #UWChorale, #UWChoralUnion, #UWSchubertiade, #UWSymphonyOrchestra, #ViolaMusic, #ViolinMusic, #VocalMusic, #WilliamShakespeare, #WindMusic, #WindsofWisconsin, #WingraWindQuintet, #WisconsinBrassQuintet, #WolfgangAmadeusMozart, #WorldPercussionEnsemble, #WuHan, A Sea Symphony, admission, Afro, Afro-Cuban, All-University Strings, alumni, Antonín Dvořák, audience, audition, band, Bassoon, Beethoven, Beethoven symphony, Benjamin Britten, blog, brass music, Brass quintet, brochure, calendar, celebration, Cello, cello music, Chamber music, Chanticleer, Choir, choral music, Choral Union, Chorale, Christian, Christian church, Christopher Karp, Christopher Taylor, church, clarinet, clarinet music, Classical music, classicalmusic, Competition, Concert, Concert Band, Concert Choir, concerto, contemporary music, contested, Cuban, Daniel Grabois, datebook, details, Dvorak, Eli Kalman, email, ensemble, event, extravaganza, Facebook, faculty, Family, flute, flute music, forward, Frances Karp, Franz Schubert, friends, Giuseppe Verdi, guest artist, Hamel Music Center, Home, Horn, Jazz, Karp Family, Kato Perlman, Katrin Talbot, Les Thimmig, liberation, like, link, Ludwig van Beethoven, Luther, Luther Memorial Church, Lutheran, madrigal, Marc Vallon, master class, masterclass, Mead Witter School of Music, Midsummer Night's Dream, migrant, Mills Hall, Mozart, Music, newsletter, Nobuko Imai, Nordic, opening, opera, opera scenes, opera singer, orchestral music, Oshkosh, Parry Karp, Paul Collins, percussion, performer, Pianist, Piano, Piano concerto, Piano Quartet, Piano Trio, post, posting, Pro Arte Quartet, program, quintet, Ralph Vaughan Williams, reader, recital, recital hall, Requiem, Robert Schumann, Saxophone, scenes, Schubert, Schubertiade, Schumann, sea, Shakespeare, share, showcase, singer, song, string, string music, String quartet, studio, subscriber, Suzanne Beia, symphony, symphony orchestra, tag, The Knights, Timothy Hagen, Trumpet, Tuba, undergraduate, university, University Bands, University of Wisconsin–Madison, University of Wisconsin–Oshkosh, University Opera, UW, UW Concert Band, UW Concert Choir, UW-Madison, UW-Oshkosh, Verdi, Viola, Violin, violinist, vocal music, Website, weekend, William Shakespeare, wind music, Wind quintet, winds, Winds of Wisconsin, Wingra Wind Quintet, winner, Wisconsin Brass Quintet, Wolfgang Amadeus Mozart, World Percussion Ensemble, Wu Han, year
Classical music: The eclectic fusion group Mr. Chair plays music by Stravinsky, Satie and others on Monday night in Spring Green
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By Jacob Stockinger
The Ear has received the following announcement from the Rural Musicians Forum:
Mr. Chair looks like a jazz quartet, sounds sometimes like a rock band, but in actuality is a contemporary classical music group in the guise of a modern band.
Classically trained musicians who are well versed in jazz, the players in Mr. Chair create a new sound using both acoustic and electric instruments.(You can hear Mr. Chair perform the original composition “Freed” in the the YouTube video at the bottom.)
The Rural Musicians Forum audience will have the chance to enjoy the soundscapes of this fascinating eclectic fusion group on this coming Monday night, Aug. 19, at 7:30 p.m. at Taliesin’s Hillside Theater (below) in Spring Green.
Members of Mr. Chair (below) are Professor Mark Hetzler, trombone and electronics; Jason Kutz, piano and keyboards; Ben Ferris, acoustic and electric bass; and Mike Koszewski, drums and percussion. All have close ties to the University of Wisconsin-Madison’s Mead Witter School of Music, where they also perform as an ensemble.
Mr. Chair’s compositions are long-form journeys, telling stories through sound by using and exploring the three pillars of music: melody, harmony and rhythm. Think cinematic, orchestral, surreal, romantic, emotional and gripping, and always equal parts dissonant and consonant. Their influences are far-reaching from classical, blues and rock to soul, funk, jazz and beyond.
For this concert, Mr. Chair will perform re-imagined excerpts from Igor Stravinsky’s Neo-Classical ballet masterpiece Pulcinella as well as music by Erik Satie and selections from their debut album, NEBULEBULA, which will be released on Thursday, Sept. 5, on vinyl, CD and digital streaming platforms.
The genre-bending quartet will perform in the beautiful Hillside Theater designed by Frank Lloyd Wright as part of his Taliesin compound. It is located at 6604 State Highway 23, about five miles south of Spring Green.
Admission is by free will offering, with a suggested donation of $15.
Tags: #BalletMusic, #BalletScore, #BenFerris, #BlogPost, #BlogPosting, #BluesMusic, #ChamberMusic, #ChamberMusician, #CompactDisc, #ContemporaryMusic, #DrumMusic, #EqualParts, #ErikSatie, #FacebookPost, #FacebookPosting, #FrankLloydWright, #FreewillOffering, #FunkMusic, #HillsideTheater, #IgorStravinsky, #JasonKutz, #JazzMusic, #MarkHetzler, #MeadWitterSchoolofMusic, #MikeKoszewski, #Mondaynight, #NewMusic, #PercussionMusic, #PulcinellaSuite, #RockandRoll, #RockBand, #RockMusic, #RuralMusiciansForum, #SoulMusic, #SpringGreen, #TheBlues, #TheEar, #TromboneMusic, #UniversityofWisconsin-Madison, #YouTubevideo, acoustic, admission, Album, Arts, audience, ballet, band, Baroque, Ben Ferris, blog, blues, CD, Chamber music, chance, cinematic, Classical, Classical music, classicalmusic, close, Compact Disc, composer, Composition, compound, Concert, consonance, consonant, contemporary, create, debut, design, digital, dissonance, dissonant, drum, eclectic, electric, electronics, emotional, ensemble, equal, equal parts, Erik Satie, explore, Facebook, fascinating, forum, forward, Frank Lloyd Wright, freed, funk, fusion, gripping, group, guise, harmony, highway, Hillside Theater, Igor Stravinsky, imagine, influence, instrument, Jacob Stockinger, Jason Kutz, Jazz, Keyboard, like, link, long-form, Madison, Mark Hetzler, masterpiece, Mead Witter School of Music, melody, member, Mike Koszewski, modern, Monday, Mr Chair, Music, Musician, neo-Classical, new, New Music, night, offering, orchestral, original, part, percussion, performer, Pianist, Piano, pillar, platform, players, post, posting, Pulcinella, Pulcinella Suite, Quartet, rhythm, Rock, rock and roll, rock band, Romantic, rual, rural, Rural Musicians Forum, share, soul, Sound, soundscape, Spring Green, state, stories, story, streaming, subscriber, surreal, tag, Taliesin, The Ear, tie, Trombone, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, use, UW-Madison, vinyl, word, YouTube
Classical music: The fourth annual Madison New Music Festival takes place this Friday, Saturday and Sunday. It features Wisconsin composers and several world premieres
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By Jacob Stockinger
The fourth season of the Madison New Music Festival (below, in a photo from 2017 by Max Schmidt) will take place this coming Friday, Aug. 9, through Sunday, Aug. 11.
The Madison New Music Festival is an annual, weekend-long celebration for the Madison community of classical works written by contemporary composers.
In four concerts – three with admission and one free — the festival will showcase Wisconsin-based composers and performers of new music, as well as world premiere performances by guest artists.
Tickets for each concert are $15 for adults and $5 for students. Subscriptions to all three concerts are available for $35. For more information, go to http://madisonnewmusic.org or to Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).
Here is the line-up:
Concert 1: Music from Wisconsin – Friday, Aug. 9, at 7:30 p.m.
Where: Madison Museum of Contemporary Art (227 State St.)
What: In anticipation of this fall’s Wisconsin Triennial and the Madison Museum of Contemporary Art, this concert spotlights all Wisconsin-born, -based, or -educated composers, curated by pianist Robert Fleitz (below, with a toy piano he often performs on), whom The New York Times called “mesmerizing.” Joined by young local musicians, Fleitz explores music created right here in their own backyard.
Concert 2: World Premieres – Saturday, Aug. 10, at 7:30 p.m.
Where: First Unitarian Society of Madison’s Atrium Auditorium (900 University Bay Drive)
What: Internationally acclaimed violist Anne Leilehua Lanzilotti and Wisconsin-born pianist Karl Larson (below top) will give the world premieres of new viola sonatas from three of the world’s leading composers: Andrew Norman, Anna Thorvaldsdottir and Scott Wollschleger. In addition, local cellist James Waldo will kick off the evening with a premiere of a work for solo cello by University of Wisconsin-Madison professor Les Thimmig (below bottom).
Concert 3: SistaStrings – Sunday, Aug. 11, at 2:30 p.m.
Where: Robinia Courtyard (829 East Washington Avenue)
What: The concert features the Milwaukee-based sister duo SistaStrings (below, in a photo by Adam Ryan Morris). Violinist Chauntee Ross and cellist Monique LaDora Ross blend their training as accomplished classical instrumentalists with “R&B and a touch of gospel influence that culminates in a vibey, lush sound.” The sisters will play tracks from their new and acclaimed Extended Play recording in the cozy courtyard. (You can hear them in the YouTube video at the bottom.)
Partner concert: Madison New Music Ensemble (FREE concert) – Sunday, Aug. 11, at 5 p.m.
Where: Memorial Union Terrace (800 Langdon Street, below)
What: Join the newly formed Madison New Music Ensemble (below top), led by UW-Madison composer Joseph Koykkar (below bottom), at the Memorial Union Terrace as part of their Summer Serenade series. The group will perform works by Koykkar, Ian Clarke, Gabriela Lena Frank, Gareth Farr and Kirsten Volness.
Tags: #AndrewNorman, #AnnaThorvaldsdottir, #ArtisticWork, #AtriumAuditorium, #BarabooWisconsin, #BlogPost, #BlogPosting, #ChamberMusic, #ChaunteeRoss, #ContemporaryComposers, #ContemporaryMusic, #CriticallyAcclaimed, #EPrecording, #FacebookPost, #FacebookPosting, #FirstUnitarianSocietyofMadison, #GabrielaLenaFrank, #GarethFarr, #GospelMusic, #GuestArtist, #IanClarke, #InstagramPost, #JacobStockinger, #James Waldo, #JamesWaldo, #JosephKoykkar, #KirstenVolness, #LesThimmig, #LivingComposers, #MadisonMuseumofContemporaryArt, #MadisonNewMusicEnsemble, #MadisonNewMusicFestival, #MeadWitterSchoolofMusic, #MemorialUnion, #MilwaukeeWisconsin, #MoniqueLaDoraRoss, #NewMusic, #R&BMusic, #RobertFleitz, #RobiniaCourtyard, #ScottWollschleger, #SistaStrings, #SummerSerenade, #TheNewYorkTImes, #ToyPiano, #UnionTerrace, #UniversityofWisconsin-Madison, #ViolaSonata, #WisconsinTriennial, #WisconsinUnionTerrace, #WorldPremiere, #YouTubevideo, acclaimed, admission, adult, Andrew Norman, Anna Thorvaldsdottir, annual, Art, Arts, Atrium Auditorium, audience, backyard, based, blend, blog, celebration, cellist, Cello, Chamber music, Chauntee Ross, Classical, Classical music, classicalmusic, community, composer, Concert, concerts, contemporary composers, contemporary music, courtyard, critically acclaimed, curated, educated, EP, event, explore, extended play, Facebook, festival, First Unitarian Society of Madison, forward, free, Friday, Gabriela Lena Frank, Gareth Farr, Goodbye, gospel, guest artist, Ian Clarke, influence, Instagram, instrumentalist, international, Jacob Stockinger, Joseph Koykkar, Karl Larson, KarlLarson, Kirsten Volness, Les Thimmig, like, link, living composers, local, Madison, Madison Museum of Contemporary Art, Madison New Music Ensemble, Madison New Music Festival, Mead Witter School of Music, Memorial Union, mesmerizing, Milwaukee, Monique LaDora Ross, Museum, Music, new, New Music, performer, Pianist, Piano, post, posting, R&B, read, recording, Robert Fleitz, Robinia Courtyard, Saturday, Scott Wollschleger, Season, series, share, showcase, solo, Student, subscriber, Summer Serenade, Sunday, tag, talent, The New York Times, ticket, toy, toy piano, training, Union Terrace, Unitarian, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, violinist, violist, Website, weekend, Wisconsin, Wisconsin Triennial, Wisconsin Union Terrace, work, world, world premiere, young, YouTube, YouTube video
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