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By Jacob Stockinger
Two online concerts this weekend were supposed to close the 2020-21 season at the Wisconsin Union Theater.
On Saturday night at 7:30 p.m., the usual subscriber season was supposed to wind up with an online concert by the Sō Percussion Ensemble with the contemporary Pulitzer Prize-winning American composer Caroline Shaw.
That concert has been CANCELED. No reason is listed.
On this Sunday, May 2, at noon CDT, however, the University of Wisconsin-Madison’s acclaimed string quartet, the Pro Arte Quartet (below top), will by joined by pianist and UW-Madison graduate Thomas Kasdorf (below bottom) in an all-Beethoven concert.
This will be the last concert of the WUT’s innovative Wisconsin Sounds – they feature local performers– this season.
Here are more details:
PROGRAM and PERFORMERS
The “Beethoven in C Minor” program will feature two works:
String Trio in C minor, Op. 9, No. 3 (1797-98). Performers are Sally Chisholm, viola; Parry Karp, cello; and David Perry, violin.
Piano Trio in C Minor, Op. 1, No. 3 (1793-4). Performers are: Suzanne Beia, violin; Parry Karp, cello; and Thomas Kasdorf, piano. You can hear the opening movement in the YouTube video at the bottom.
The Pro Arte Quartet’s performance of early works by the young Beethoven (below) is part of the Wisconsin Sound Series, which showcases and supports local musicians and artists during the coronavirus pandemic.
For ticket buyers who purchase a ticket less than two hours before the event start time, the link to view the concert will be in the confirmation email you will receive immediately following your purchase. This link will be accessible for seven days following the initial broadcast.
If you do not receive your email to your inbox, please check your junk or spam folder in case it was filtered there. If you have questions or problems, the box offices phone number is (608) 265-ARTS (2787).
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By Jacob Stockinger
Two longtime friends and fellow musicians will team up this Tuesday night, April 27, to close this season’s organ concert series, sponsored in the Overture Center by the Madison Symphony Orchestra.
It will be live-streamed online because of the pandemic restrictions on attendance.
The concert features the critically acclaimed MSO organist Greg Zelek (below left) and Ansel Norris (below right), an award-winning trumpeter who is a native of Madison.
The program includes works by Bach, Vivaldi, Haydn and Samuel Barber among others.
The concert starts at 7:30 p.m. CDT. It is FREE but you must register. The concert will be available to registered listeners for unlimited access through May 31.
Here is more background. It appeared in the latest issue of the email newsletter of the Wisconsin Youth Symphony Orchestras (WYSO), of which Norris was a member for many years:
Ansel Norris and Greg Zelek first met in 2010 as high school seniors who had both been selected as finalists in the YoungARTS Awards. The YoungARTS Award is a big competition with just a small percentage of students selected for the $10,000 prize from the thousands of high school applicants. In classical music that year, 12 students became finalists and assembled in Miami for a week of master classes with internationally recognized arts leaders.
Ansel Norris attended as an outstanding trumpeter from Madison East High School and Greg Zelek attended as an outstanding high school organist from the New World School of the Arts in Coral Gables, Florida.
“We hit it off right away and it came to me later what a great story this was,” Norris (below) mused. “Greg had grown up in south Florida and now was living in Madison, and I had grown up in Madison and was now living in south Florida.
“You know, there really is a synergy with trumpet and organ. The sounds are produced in a similar way and the way the sounds blend together is really special. Even then, I imagined a concert together.”
Ten years later, the two friends were dreaming up this concert when Greg was in Miami in February, 2020. And then the world shut down due to the coronavirus pandemic. Norris has distinguished himself as a solo, orchestral and chamber musician.
After graduating from East High School in Madison, he attended Northwestern University, from which he received a Bachelor’s degree in Music in 2016. From there he attended Rice University in 2019. Twice he was the first-prize winner at the National Trumpet Competition and a winner of the New World Symphony’s Concerto Competition. Then, at 26 years old, he became the first-ever American prizewinner in the International Tchaikovsky Competition’s Brass division. (You can hear Norris perform in the competition’s semi-finals in the YouTube video at the bottom.)
Playing as soloist with orchestras is a special pleasure for Ansel, and he has enjoyed performances in front of the Mariinsky Orchestra, New World Symphony and his hometown Madison Symphony Orchestra, to name a few. Also a chamber musician, Ansel won a Bronze Medal at the Fischoff International Competition with his friends from the Lincoln Chamber Brass.
Ansel Norris currently resides in Naples, Florida, where he enjoys an eclectic musical career with the Naples Philharmonic. In a place without cold weather, the Naples orchestra could potentially play music safely outside all winter. But Ansel shook his head, “For the most part we’ve been indoors. The orchestra gets tested for COVID each week and we play on a stage with musicians spaced 10 feet apart. HEPA filters are positioned everywhere. Playing 10 feet apart is just crazy. You absolutely cannot depend on the musical cues you were trained to depend on.”
Norris remembers growing up in Madison where there was a “fine legacy for trumpet players. It was so great I didn’t want to go away to Interlochen, even with a full scholarship.” He studied privately with John Aley and attended WYSO rehearsals on Saturdays, which he absolutely loved.
And now this Tuesday, this 2009 Bolz Young Artist Competition finalist will be returning to the Overture stage with his good friend Greg Zelek, who are both amazing and accomplished young musicians.
As Greg Zelek (below, in a photo by Peter Rodgers) writes: “Concerti of Bach and Haydn will bookend this program filled with music that is both written and arranged for this electrifying pairing of instruments. Mr. Norris’ remarkable technique and soaring lyricism will be on full display while our Mighty Klais both supports and shimmers in this exhilarating performance you won’t want to miss!” Register here for Tuesday’s concert!
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By Jacob Stockinger
More people are getting COVID vaccines, but concerts will remain virtual and online for quite a while yet, especially if a fourth wave or another spike hits the U.S. and the world.
So here, once again, are the Top 10 online choices for April listening picked by the classical music critics for The New York Times.
This being the weekend of Good Friday and Easter Sunday, it couldn’t be more timely.
The first choice, which starts steaming today, is perfect for both occasions. It is a production of Johann Sebastian Bach’s “St. John Passion.” It is conducted by THE Bach performers – the Monteverdi Choir and the English Baroque soloists, all conducted by Bach expert John Eliot Gardiner.
Gardiner has recorded and toured the world with Bach’s cantatas and oratorios. He also wrote the well criticially acclaimed book “Bach: Music in the Castle of Heaven.”
If you like Bach, you are in for some good listening this month. Pianist Jeremy Denk (below) will also perform the complete first book of Bach’s “The Well-Tempered Clavier” at the end of the month. (You can hear the famous first prelude, popular with students and amateurs but also used in a sacred setting by Schubert and Gounod, in the Youtube video at the bottom.)
You may recall that Denk performed Bach’s “Goldberg Variations” several years ago at the Wisconsin Union Theater, which also hosted an online concert by Denk this season in a program of Brahms and the two Schumann’s – Robert and Clara.
You can also hear chamber music, including a concert of contemporary composers by the Attacca Quartet.
And there is a period performance of “Pelleas and Melisande” by Debussy (below). It will attempt to recreate how the opera score sounded when it was first performed in 1902.
The ever-inventive music educator Leon Botstein will conduct a concert of music by Stravinsky, Leonard Bernstein and Tania Leon.
German baritone Benjamin Appl will perform the famous song cycle “Die Schöne Müllerin” (The Beautiful Miller’s Daughter) by Franz Schubert. It streams from the faned Wigmore Hall in London.
One of the most intriguing choices is the score to Philip Glass’ “pocket opera” based on the short story “In the Penal Colony” by Franz Kafka.
The well-known conductor and composer Esa-Pekka Salonen (below), who is also the new music director of the San Francisco Symphony after Michael Tilson Thomas retired last year. Much of the program is Salonen’s own music, along with Minimalist music by Steve Reich and Terry Riley.
There are also “Monumental Trios, featuring piano trios by Brahms and Beethoven, performed by members of the Chamber Music of Society.
And of course there will be a world premiere of the Symphony No. 2 by Huw Watkins (below is his Wikipedia bio with a photo in case you haven’t heard of the composer).
For more details, here is a link to the Times story. Click on the headline. It includes some commentary by the critic who chose each piece. You will also find links to the artist and organization plus the debut date and how long the post will remain available. Please note that all times are Eastern Daylight Time.
Do you have other concerts you recommend for streaming – local, regional, national or international?
Please leave your selection in the Comment section.
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By Jacob Stockinger
Yesterday – Sunday, March 21 — was the actual birthday, the 336th, of Johann Sebastian Bach (1685-1750).
But the 10-day virtual and online celebration being held by Bach Around the Clock (BATC) continues.
Here are the pieces and performers that will take place.
The Ear is especaially pleased by some of the transcriptions, which offer more proof of just how indestructible and versatile Bach’s music remains.
Particularly interesting is the string quartet version of the famous cantata “Wachet auf” (Sleepers, Wake) and the Three-Part Inventions or Sinfonias transcribed for marimba, and played by Sean Kleve (below), a UW-Madison graduate who performs with the critically acclaimed experimental Madison-based percussion ensemble Clocks in Motion.
• Minuet 2 in G Major, Anh 116; Suite in G Minor, BWV 822; Gavotte from Double Concerto in D Minor, BWV 1043, I. Vivace. Suzuki Strings Sonora Ensemble
• Cantata 140: “Wachet Auf” (Sleeper, Wake), arranged for string quartet. St. Croix Valley String Quartet: Janette Cysewski and Debbie Lanzen, violins; Dianne Wiik, viola; and Joel Anderson, cello.
• French Suite No. 3 in B Minor for keyboard, BWV 814: Sarabande, Anglaise, Menuett and Trio. Kris Sankaran
• Sinfonia 1 in C Major, BWV 787; Sinfonia 7 in E Minor, BWV 793; Sinfonia 10 in G Major, BWV 796; Sinfonia 11 in G Minor, BWV 797; Sinfonia 15 in B Minor, BWV 801. Sean Kleve, marimba. (You can hear Glenn Gould playing the original version of the first Sinfonia in the YouTube video at the bottom.)
• Chorale: We thank Thee, Lord, for sending. Katie Hultman, soprano, and Kenneth Stancer, organ
BATC audiences will remember pianist Lawrence Quinnett (below) from his exquisite renderings of selections from The Well-Tempered Clavier, at the 2018 Festival.
Quinnett, on the piano faculty of Livingstone College, returns in 2021 to give a brief talk on his approach to ornamentation in the six French Suites, as a prelude to his live performance of Suite No. 5. The floor will open for questions, followed by Quinnett’s recorded performance of the remaining five Suites.
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
In late January of this year, Jess Anderson (below) — a longtime friend, devoted musician and respected music critic – died at 85.
The Ear promised then that when more was known or written, it would be posted on this blog.
That time has come.
Jess was a polymath, a Renaissance Man, as the comments below attest to time and again.
For the past several years, he suffered from advancing dementia and moved from his home of 56 years to an assisted living facility. He had contracted COVID-19, but died from a severe fall from which he never regained consciousness.
Jess did not write his own obituary and he had no family member to do it. So a close friend – Ed Wegert (below) – invited several of the people who knew Jess and worked with him, to co-author a collaborative obituary. We are all grateful to Ed for the effort the obituary took and for his caring for Jess in his final years.
In addition, the obituary has some wonderful, not-to-be-overlooked photos of Jess young and old, at home, with friends, sitting at the piano and at his custom-built harpsichord.
It appears in the March issue of Our Lives, a free statewide LGBTQ magazine that is distributed through grocery stores and other retail outlets as well as free subscriptions. Here is a link to the magazine’s home webpage for details about it: https://ourliveswisconsin.com.
That Jess was an exceptional and multi-talented person is obvious even from the distinguished names of the accomplished people who contributed to the obituary:
They include:
Chester Biscardi (below), who is an acclaimed prize-winning composer, UW-Madison graduate, composer and teacher of composition at Sarah Lawrence College.
John Harbison (below), the MacArthur “genius grant” recipient and Pulitzer Prize-winning composer who teaches at MIT and co-directs the nearby Token Creek Chamber Music Festival in the summer.
Rose Mary Harbison (below), who attended the UW-Madison with Jess and became a professional performing and teaching violinist who co-directs the Token Creek Chamber Music Festival.
Steve Miller (below), a close friend who became a bookmaker and is now a professor at the University of Alabama.
The Ear, who knew Jess over many decades, was also invited to contribute.
Feel free to leave your own thoughts about and memories of Jess in the comment section.
It also seems a fitting tribute to play the final chorus from The St. John Passion of Johann Sebastian Bach. You can hear it in the YouTube video below. It is, if memory serves me well, the same piece of sublime music that Jess played when he signed off from hosting his Sunday morning early music show for many years on WORT-FM 89.9.
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By Jacob Stockinger
What did the holidays bring you?
Did Hanukkah, Christmas or Kwanzaa bring you a gift card?
A subscription to a streaming service?
Maybe some cash?
Or maybe you just want to hear some new music or new musicians or new interpretations of old classics?
Every year, the music critics of The New York Times list their top 25 recordings of the past year. Plus at the end of the story, the newspaper offers a sample track from each recording to give you even more guidance.
This year is no exception (below).
In fact, the listing might be even more welcome this year, given the coronavirus pandemic with the lack of live concerts and the isolation and self-quarantine that have ensued.
The Ear hasn’t heard all of the picks or even the majority of them. But the ones he has heard are indeed outstanding. (In the YouTube video at the bottom, you can hear a sample of the outstanding Rameau-Debussy recital by the acclaimed Icelandic pianist Vikingur Olafssen, who scored major successes with recent albums of Philip Glass and Johann Sebastian Bach.)
You should also notice that a recording of Ethel Smyth’s “The Prison” — featuring soprano Sarah Brailey (below), a graduate student at the UW-Madison’s Mead Witter School of Music and a co-founder of Just Bach — is on the Times’ list as well as on the list of Grammy nominations.
What new recordings – or even old recordings — would you recommend?
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By Jacob Stockinger
The Ear has received the following announcement from The Willy Street Chamber Players (below), a relatively new group that is critically acclaimed for both its adventurous and eclectic, exploratory programming and for its outstanding performances of both the traditional repertoire and new music.
The Willy Street Chamber Players (WSCP) will play a virtual online concert this Sunday, Nov. 15, at noon CST.
Access to the “Beyond the Screen” concert is FREE and no registration is required. It will be available for free online until Dec. 31 on the group’s website. Here is a link to YouTube: https://youtu.be/j5Ved4FqYSQ
Listeners can visit the WSCP website or Facebook page Sunday at concert time for links to the 70-minute performance. Here is a link to the home website: http://www.willystreetchamberplayers.org
The dynamic WSCP program was recorded live, with masks and social distance, at the historic Gates of Heaven Synagogue (below, exterior and interior during the taping) in James Madison Park in downtown Madison.
The concert will premiere on Facebook live and YouTube, providing two ways to watch from the comfort and safety of your own home.
Members of WSCP will be on hand to interact with viewers in real time through the Facebook and YouTube virtual chat during the performance. They will provide spoken program notes.
Then, immediately following the concert, you can join WSCP members for a Q&A “reception” on ZOOM at 1:15 pm.
Sonata for Violin and Cello (1922) by French composer Maurice Ravel (below)
“Allegro,” the first of Four Pieces for Solo Cello (1983) by Cuban-born composer Tania León (below), which you can hear in the YouTube video at the bottom.
Canción de Cuna Del Niño Negro (Cradle Song of the Black Baby, 1937) by Cuban composer Amadeo Roldán y Gardes (below), as arranged by Rachel Barton Pine.
“Heart O’ the Hills” from Appalachian Duets, Op. 38, No. 8 (2001) by American composer Maria Newman (below), who is the youngest daughter of famous Hollywood film composer Alfred Newman.
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By Jacob Stockinger
This Friday night, Nov. 6, will see the premiere concert by the new Marvin Rabin String Quartet at the University of Wisconsin-Madison Mead Witter School of Music.
The concert takes place virtually and online on the music school’s YouTube channel. It is scheduled to start at 6:30 p.m. and run to 8 p.m.
The new string quartet — which replaces The Hunt Quartet — is named in honor of the late Dr. Marvin J. Rabin, who was an internationally acclaimed music educator and Professor Emeritus at UW-Madison.
Rabin (below) is best known as the founder of the Wisconsin Youth Symphony Orchestras.
The members of the Marvin Rabin String Quartet are graduate students at the UW-Madison.
Members are (below from top left) are: Fabio Saggin, viola; Ben Therrell, cello; Ava Shadmani, violin; and Rachel Reese-Kollmeyer, violin.
They will perform the virtual concert in the Mead Witter Foundation Concert Hall of the Hamel Music Center.
There is NO in-person attendance
The program is:
String Quartet in B-flat major, Op. 18, No. 6 by Ludwig van Beethoven (1770-1827)
Two Armenian Miniatures for String Quartet –“The Red Shawl” (heard in the YouTube video at the bottom) and “Echmiadzin Dance” – by the Armenian priest Komitas (1869-1935, see 1902 photo below) as arranged by S. Aslamazyan
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By Jacob Stockinger
The Ear has received the following announcement from the Madison Opera about its Digital fall season, which will open with an artists’ panel discussion this Sunday afternoon, Sept. 20, and then an original world-premiere production on Sept. 27, a week from this Sunday.
“Although the coronavirus pandemic has closed the Overture Center for the Arts this fall, Madison Opera is not going silent.
“We are creating a fall season that lasts from September through December. It includes both digital content and live performances at the Margaret C. Winston Madison Opera Center, our home in downtown Madison.
“All content will be available to subscribers for at least one month from the “live” date, so you can watch at your leisure, and as often as you wish.”
A Digital Fall subscription is $50 per household. It can be purchased on its own, or as part of a new subscription package. It can be purchased through the link at the bottom.
Here is how it will work: About 48 hours before each event, subscribers will receive an email with the private link to that event. (You may need to check your spam folder). If you have not received an email the day before an event, email info@madisonopera.org and we’ll send you the link directly.
The link remains active for one month, so if you cannot watch an event live – or want to re-watch it – you won’t miss out.
Do you miss operatic conversation? Join us online! Opera Up Close is a favorite event for Madison Opera subscribers, usually featuring a discussion of the upcoming opera from a historical context and with cast members.
For our Digital Fall, this conversation is reimagined via technology to discuss broader opera topics, featuring favorite Madison Opera company members, interviewed by Madison Opera’s general director Kathryn Smith (below, in a photo by James Gill).
Opera Up Close Cocktail Hour Discussions take place on Sunday afternoons, 4– 5:30 p.m. Subscribers will have the opportunity to ask questions both in advance and during the talk.
UP CLOSE COCKTAIL HOUR DISCUSSION
This Sunday, Sept. 20, 4-5:30 p.m.
Many singers have debuted at Madison Opera (MO) early in their careers, before going on to sing around the world.
Featured in this discussion are: Kyle Ketelsen of Sun Prairie (below top in a photo by Lawrence Brownlee, MO debut 2000); Emily Fons (below middle, MO debut 2012); and Will Liverman (below bottom, MO debut 2015). Join us for a wide-ranging discussion about their careers, training paths, and much more.
WORLD PREMIERE OF A SONG CYCLE
Jeni Houser and David Blalock, singers
Saturday, Sept. 26, 7:30 p.m.
Featuring the world premiere of “Keep Moving” by Madison composer and UW-Madison graduate Scott Gendel
Married singers Jeni Houser and David Blalock (below) have a long history with Madison Opera. Jeni was one of our first Studio Artists in 2012, and has returned many times, most recently as Anne in Stephen Sondheim’s “A Little Night Music.”
David debuted in Beethoven’s “Fidelio” (2014), and both artists sang at Opera in the Park 2019 (below). This past season, Jeni and David made (separate) Metropolitan Opera debuts, and were slated to sing the leads in Offenbach’s “Orpheus in the Underworld ” in Madison last spring, which was canceled due to the coronavirus pandemic.
The Wisconsin residents will launch our Live from the Opera Center series in a joint recital, accompanied by principal pianist Scott Gendel (below).
Gendel is also an acclaimed composer, and the recital will feature the world premiere of his song cycle “Keep Moving,” set to poetry by Maggie Smith, which he is writing specifically for Jeni and David. (below, in a photo by David Scott, are all three are rehearsing in the Madison Opera’s Winston Center.)
Here is a link to the initial schedule of events, including a cooperative production of Jean Cocteau’s monologue opera “The Human Voice” with the Austin Opera in Texas, and biographies of various singers and participants.
More events will be added and announced in the coming months.
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By Jacob Stockinger
At a time when many concert schedules are getting complicated due to virtual online concerts and other alternatives because of the coronavirus pandemic and Covid-19, the message couldn’t be simpler.
The Middleton Community Orchestra (below) has suspended its new season until further notice.
There it says: “Concerts are postponed until further notice. Check back here and join our email list for updates to the season.”
It’s too bad.
The season took a lot of organizing. It was going to take place in alternative venues because the Middleton Performing Arts Center, attached to Middleton High School, is undergoing renovations. (In the YouTube at the bottom, you can hear the MCO performing the Overture to Wagner’s opera “Die Meistersinger.”
It was also to feature new soloists including violinist David Perry of the UW-Madison Pro Arte String Quartet, and two guest conductors from Edgewood College and the UW-Whitewater.
It could also mean another cancellation of the new teenage concerto competition and concert as well as the cancellation of conductor Kyle Knox’s inaugural season as the MCO’s new music director (below).
The Well-Tempered Ear 
New York Times critics name their Top 10 online concerts in April. They start today with a Good Friday performance of Bach’s “St. John Passion.”
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
More people are getting COVID vaccines, but concerts will remain virtual and online for quite a while yet, especially if a fourth wave or another spike hits the U.S. and the world.
So here, once again, are the Top 10 online choices for April listening picked by the classical music critics for The New York Times.
This being the weekend of Good Friday and Easter Sunday, it couldn’t be more timely.
The first choice, which starts steaming today, is perfect for both occasions. It is a production of Johann Sebastian Bach’s “St. John Passion.” It is conducted by THE Bach performers – the Monteverdi Choir and the English Baroque soloists, all conducted by Bach expert John Eliot Gardiner.
Gardiner has recorded and toured the world with Bach’s cantatas and oratorios. He also wrote the well criticially acclaimed book “Bach: Music in the Castle of Heaven.”
If you like Bach, you are in for some good listening this month. Pianist Jeremy Denk (below) will also perform the complete first book of Bach’s “The Well-Tempered Clavier” at the end of the month. (You can hear the famous first prelude, popular with students and amateurs but also used in a sacred setting by Schubert and Gounod, in the Youtube video at the bottom.)
You may recall that Denk performed Bach’s “Goldberg Variations” several years ago at the Wisconsin Union Theater, which also hosted an online concert by Denk this season in a program of Brahms and the two Schumann’s – Robert and Clara.
You can also hear chamber music, including a concert of contemporary composers by the Attacca Quartet.
And there is a period performance of “Pelleas and Melisande” by Debussy (below). It will attempt to recreate how the opera score sounded when it was first performed in 1902.
The ever-inventive music educator Leon Botstein will conduct a concert of music by Stravinsky, Leonard Bernstein and Tania Leon.
German baritone Benjamin Appl will perform the famous song cycle “Die Schöne Müllerin” (The Beautiful Miller’s Daughter) by Franz Schubert. It streams from the faned Wigmore Hall in London.
One of the most intriguing choices is the score to Philip Glass’ “pocket opera” based on the short story “In the Penal Colony” by Franz Kafka.
The well-known conductor and composer Esa-Pekka Salonen (below), who is also the new music director of the San Francisco Symphony after Michael Tilson Thomas retired last year. Much of the program is Salonen’s own music, along with Minimalist music by Steve Reich and Terry Riley.
There are also “Monumental Trios, featuring piano trios by Brahms and Beethoven, performed by members of the Chamber Music of Society.
And of course there will be a world premiere of the Symphony No. 2 by Huw Watkins (below is his Wikipedia bio with a photo in case you haven’t heard of the composer).
https://en.wikipedia.org/wiki/Huw_Watkins
For more details, here is a link to the Times story. Click on the headline. It includes some commentary by the critic who chose each piece. You will also find links to the artist and organization plus the debut date and how long the post will remain available. Please note that all times are Eastern Daylight Time.
Do you have other concerts you recommend for streaming – local, regional, national or international?
Please leave your selection in the Comment section.
The Ear wants to hear.
Happy listening.
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