The Well-Tempered Ear

Classical music: The Middleton Community Orchestra announces an ambitious 2020-21 season with new guest soloists and conductors, but with no Middleton venue

March 30, 2020
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By Jacob Stockinger

Amid all the concert cancellations due to COVID-19 comes good news.

The mostly amateur and critically acclaimed Middleton Community Orchestra (MCO, below) — which has canceled and postponed concerts for the remainder of this season — has announced its five-concert line-up for the 2020-21 season.

It is undeniably ambitious on several counts.

But unfortunately it usual venue — the Middleton Performing Arts Center that is attached to Middleton High School — will be undergoing renovations.

That means that the MCO will be using other venues besides its home base (below) for its 11th season.

The new venues include the Mead Witter Foundation Concert Hall (below) in the new Hamel Music Center, 740 University Ave., at the UW-Madison, which will host three of the concerts.

Also included for the other two concerts are the brand new McFarland Performing Arts Center (below)  – where the MCO will give the center’s inaugural public concert on Oct. 7 — and Madison Memorial High School.

Concert dates and times are usually Wednesdays at 7:30 p.m. They are Oct. 7, Dec. 16, Feb. 17, April 2 (Friday) and May 26. Admission will remain $15 with free admission for students. And, as usual, post-concert meet-and-greet receptions will be held at all performances.

The ambitious new season includes some familiar faces but also some new names.

On Oct. 7, pianist Thomas Kasdorf (below) will open the season by performing the Piano Concerto No. 2 by Rachmaninoff; and then, on May 26, he will close the season with the Piano Concerto No. 1 by Beethoven as the first installment of a complete cycle of Beethoven piano concertos.

On Oct. 7, UW professor and Pro Arte Quartet first violinist David Perry (below top) will make his MCO debut in the Violin Concerto No. 4 by Mozart; and on Dec. 16, Madison Symphony Orchestra concertmaster Naha Greenholtz (below bottom) will return to play the Violin Concerto by Brahms.

On April 2, the Festival Choir of Madison (below), under its director Sergei Pavlov, will makes its MCO debut in the movie-score cantata “Alexander Nevsky” by Prokofiev.

And the teenage winners of the second Youth Concerto Competition, to be held next December, will perform with the orchestra on Feb. 17.

The conductor for three concerts will be Kyle Knox, the music director of the Wisconsin Youth Symphony Orchestras (WYSO) and associate conductor of the Madison Symphony Orchestra (MSO).

A frequent MCO guest conductor, Knox has also agreed to become the ensemble’s new principal conductor and artistic adviser. (In the YouTube video at the bottom, you can hear Kyle Knox conducting the MCO last December in Wagner’s Overture to the opera “Die Meistersinger von Nürnberg” (The Master Singers of Nuremberg) at the UW’s Hamel Music Center.)

Two guest conductors will be making their MCO debuts: UW-Whitewater professor Christopher Ramaekers (below top) on Oct. 7 and Edgewood College professor Sergei Pavlov (below bottom) on April 2.

Some repertoire still hasn’t been decided. For up-to-date information, as well as information about how to audition for the MCO, how to subscribe to its email newsletter and how to support it, go to the newly redesigned website at: https://middletoncommunityorchestra.org

“We will also try to schedule the concert with this year’s Youth Concerto Competition winners for this summer, even if it means going to an outdoor venue,” says MCO co-founder and co-artistic director Mindy Taranto. The winners are: violinists Ava Kenny and Dexter Mott, and cellist Andrew Siehr.

Adds Taranto: “We are really excited about the lineup of guest soloists and new conductors, and are especially grateful to Kyle Knox for his continued association with us. We’re going to have a fantastic year.”

 


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Classical music: On Wednesday at noon, Just Bach turns to C.P.E. Bach. At night, the Middleton Community Orchestra, with soloist Paran Amirinazari, plays the Violin Concerto No. 1 by Bruch plus works by Janacek and Sibelius.

February 17, 2020
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By Jacob Stockinger

This coming Wednesday, Feb. 19, features two noteworthy concerts, one by Just Bach at noon and the other by the Middleton Community Orchestra at 7:30 p.m.

Here are details:

JUST BACH

For this month’s FREE one-hour Just Bach concert (below, in a photo by John W. Barker) on this Wednesday at noon in Luther Memorial Church, 1021 University Avenue, attention will turn from father to son.

The concert features music by Carl Philipp Emanuel Bach (below), the eldest son of Johann Sebastian Bach.

The concert opens with a movement from the Sonata in A Minor, Wq. 70/4, H. 85, performed by organist Mark Brampton Smith.

The program continues with a recently rediscovered Cantata, “Ich bin vergnügt mit meinem Stande” (I Am Content with My Station), featuring bass-baritone Professor Paul Rowe, and the Just Bach period-instrument players led by Kangwon Kim.

Just Bach co-founder and soprano Sarah Brailey (below) will lead the chorale sing-along, a beloved audience-participation feature of these programs.

The program concludes with eight selections from the “Geistliche Oden und Lieder ‘Gellert Lieder’” (Sacred Odes and Songs ‘Gellert Songs’), performed by students of Paul Rowe (below, in a photo by Michael R. Anderson), accompanied by organist Mark Brampton Smith.

This will also be the first concert with a mother and daughter performing, with violinist Leanne League in the Just Bach players, and soprano Cecilia League in the Paul Rowe studio.

Performers are: Sarah Brailey, soprano; Paul Rowe, baritone; Kangwon Kim, violin 1 (below); Leanne League, violin 2; Katrin Talbot, viola; Anton TenWolde, cello; Mark Brampton Smith, organ; Allyson Mills, Cecilia League, Carly Ochoa and Ella Anderson, sopranos; and Jack Innes, Jake Elfner, Nick Schinner and Chase Kozak, baritones.

The concert is free and open to the public, with a goodwill offering collected.

Other Just Bach concerts this spring, all Wednesdays at noon are on: March 25, April 15 and May 20.

MIDDLETON COMMUNITY ORCHESTRA

At 7:30 p.m., the mostly amateur and critically acclaimed Middleton Community Orchestra (below) will perform its winter concert as part of its 10th anniversary season.

The concert takes place in the comfortable and acoustically pleasing  Middleton Performing Arts Center (below, in a photo by Brian Ruppert) that is attached to Middleton High School, 2100 Bristol Street.

The program, under conductor-composer Steve Kurr, includes the “Lachian Dances” by Leos Janacek; “Finlandia” by Jean Sibelius; and the Violin Concerto No. 1 in G Minor by Max Bruch with guest soloist Paran Amirinazari (below). (You can hear the finale of the violin concerto, played by Sarah Chang, in the YouTube video at the bottom.)

Tickets are $15 for adults. Students are admitted free.

The box office opens at 6:30 p.m. and auditorium doors open at 7 p.m.

There will be a meet-and-greet reception (below) with the orchestra players and audience members after the concert.

For more information about upcoming concerts, how to join the orchestra and how to support it, call (608) 212-8690 or go to: http://middletoncommunityorchestra.org

 


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Classical music: The Wisconsin Chamber Choir will sing a program of “Live, Laugh and Love” this Sunday afternoon. Music by Brahms, Puccini, Bizet, Sondheim, Lin-Manuel Miranda and others is featured

February 12, 2020
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By Jacob Stockinger

This Sunday afternoon, Feb. 16, at 3 p.m. in the First Unitarian Society of Madison’s Landmark Auditorium, 900 University Bay Drive, the Wisconsin Chamber Choir will perform a varied program of vocal music.

The “Live, Laugh and Love” program includes Johannes Brahms’ Neue Liebeslieder Waltzes (New Love Song Waltzes) along with a wide variety of solos, duets and ensembles encompassing music by Giacomo Puccini, Georges Bizet, Clara Schumann, John Dowland, Stephen Sondheim and Lin-Manuel Miranda.

The singers will accompanied by duo-pianists Mark Brampton Smith and Sherri Hansen.

Brahms (below) completed his second group of “Love Song Waltzes” in 1874, setting poems that are alternately passionate, brooding, fiery and contemplative. (You can hear some excerpts in the YouTube video at the bottom.)

Building on the success of his first installment of Liebeslieder from five years earlier, Brahms’ music for the later set is more deeply emotional, mirroring the composer’s own complex romantic entanglements. Out of all Brahms’ female friends, he seems to have maintained the deepest affection for Clara Schumann (below), whose music appears on the first half of our program.

Classic arias and duets from the operas La Bohème, and The Pearl Fishers, and contemporary selections by Stephen Sondheim and Hamilton composer, Lin-Manuel Miranda, round out the program to be performed in the intimate setting of the historic auditorium designed by Frank Lloyd Wright.

A wine-and-cheese reception will follow the concert.

Advance tickets are available online for $15 ($10 for students) from www.wisconsinchamberchoir.org or Brown Paper Tickets, or from a member of the choir. The ticket price at the door is $20.

Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Handel, Mozart and Brahms; a cappella works from various centuries; and world premieres.

Artistic director and conductor Robert Gehrenbeck (below) – who heads the choral program at the University of Wisconsin-Whitewater — has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks.

 


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Classical music: This Saturday night, Russian pianist Ilya Yakushev returns to the Salon Piano Series at Farley’s House of Pianos to perform popular works by Beethoven, Liszt and Gershwin

January 6, 2020
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By Jacob Stockinger

This coming Saturday night, Jan. 11, at 7:30 p.m., the acclaimed Russian-born pianist Ilya Yakushev (below) will make his fourth recital appearance at the Salon Piano Series.

The concert will be held at Farley’s House of Pianos, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.

Yakushev — who studied in his native St. Petersburg and at the Mannes School of Music in New York City — has also performed several times with the Wisconsin Chamber Orchestra.

He never fails to impress with both his virtuosic technique and his insightful interpretations, whether he is playing Russian repertoire by Mussorgsky, Rachmaninoff and Prokofiev or jazzy American classics like Gershwin.

“Yakushev is one of the very best young pianists before the public today,” said the American Record Guide about Yakushev who has also won major  international competitions.

For more information about Yakushev, including critics’ reviews, a biography, concert dates and a discography, go to his website: http://www.ilyayakushev.com

The Madison program includes:

Beethoven – Sonata “Pathetique,” Op. 13

Liszt – “Six Consolations” (You can hear the famous Consolation No. 3, often learned by students and played as an encore by concert artists, in the YouTube video at the bottom.)

Gershwin – music from the opera “Porgy and Bess” in an arrangement for solo piano

An artist’s reception will follow the concert.

Tickets are $45 in advance ($10 for students) or $50 at the door. Service fees may apply. Student tickets can only be purchased online and are not available the day of the event.

You can purchase tickets on line at: https://www.brownpapertickets.com/producer/706809

For more information, go to: https://salonpianoseries.org/concerts.html

This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

The Salon Piano Series is a nonprofit founded to continue the tradition of intimate salon concerts featuring exceptional artists. For more information about the series, including upcoming concerts and how to support it, call (608) 271-2626 or go to: https://salonpianoseries.org.

 


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Classical music: The Middleton Community Orchestra and violinist Naha Greenholtz perform this Wednesday night in the new Hamel Music Center at the UW-Madison. At noon, the FREE Just Bach concert celebrates Christmas

December 17, 2019
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ALERT 1: This Wednesday, Dec. 18, at noon in Luther Memorial Church, 1021 University Avenue, Just Bach wraps up its FREE one-hour period-instrument concerts for this semester. The program features “joyous selections” from the Christmas Oratorio, the Magnificat, and the Advent Cantata 36. For more information about the program and the performers, go to: https://justbach.org

ALERT 2: The Madison Symphony Orchestra, which just gave three sold-out performances of its Christmas concert, is holding its annual holiday ticket sale. It started Monday and runs through Dec. 31. You can save up to 50 percent on tickets to the remaining concerts of the season. For more information and to order, go to: https://madisonsymphony.org/holidaysale/

By Jacob Stockinger

Looking for a break from holiday music?

This Wednesday night, Dec. 18, the mostly amateur but critically acclaimed Middleton Community Orchestra (below) will perform in the Mead Witter Foundation Concert Hall of the new Hamel Music Center at the UW-Madison – NOT at its usual venue, the Middleton Performing Arts Center that is attached to Middleton High School.

The appealing program under guest conductor Kyle Knox starts at 7:30 p.m. It features the dramatic Overture to “Die Meistersinger” (The Master Singers) by Richard Wagner (you can hear the Overture in the YouTube video at the bottom); the popular and virtuosic Symphonie Espagnole (Spanish Symphony) by French composer Edouard Lalo, with violin soloist Naha Greenholtz; and the lovely Suite from the opera “Der Rosenkavalier” by Richard Strauss.

There will be a post-concert reception in the lobby.

Admission is $15; free for students. Tickets are available at the door – student tickets are available at the door only — and at the Willy Street Coop West. The hall is at 740 University Avenue with parking in the nearby Lake Street Ramp. The box office opens at 6:30 p.m. and doors to the hall open at 7 p.m.

The Ear asked the co-founders and co-directors of the group – Mindy Taranto and Larry Bevic — why they chose to play in the Hamel Music Center this time. He recieved the following reply:

“We decided to rent the Mead Witter Foundation Concert Hall (below top, in photo by Bryce Richter for University Communications) in the Hamel Music Center (below bottom) for several reasons.

“This is our 10th anniversary season and we wanted to give our musicians a really special experience. Many of us are curious about the new hall and are really excited to be playing there.

“Also, Kyle Knox (below) – a UW-Madison graduate and the music director of the Wisconsin Youth Symphony Orchestras — is a phenomenal conductor and this program is exceptionally difficult and beautiful.

“It is an honor to get to perform at the UW-Madison with Kyle conducting such a beautiful program. He has brought this orchestra along so far, and for that we are incredibly grateful. He is a brilliant musician and our work with him has improved the orchestra so remarkably over the eight years he has been regularly working with us.

“We also thought that so many of our patrons enjoy our concerts when violinist Naha Greenholtz (below, in a photo by Chris Hynes) – the concertmaster of the Madison Symphony Orchestra — is our soloist, and with the MSO connection, holding the concert at Hamel will hopefully boost attendance at the concert.

Naha sounds amazing and if you could see how much our musicians enjoy her annual appearance with MCO, you’d know why we want to play with her every year.

“As we conclude the first half of our 10th season, we are grateful to the musicians in MCO and to the community that supports us.

“We are probably one of the few organizations on the Madison arts scene that puts literally every dollar into music. As the two co-founders, we run the organization on a volunteer basis and we don’t spend any money on advertising.

“All of our resources go to hiring astonishing local musicians, renting performance space, and buying music to provide meaningful musical experiences for our musicians and our patrons.”

For information about how to join the orchestra, how to support it and what its remaining concerts are this season, go online to: http://middletoncommunityorchestra.org or call 608-212-8690.

 


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Classical music: This weekend brings annual holiday concerts at the UW-Madison and Edgewood College

December 3, 2019
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By Jacob Stockinger

As the semester comes to a close and the holidays approach, vocal and choral music is always the order of the day – or week – at both the University of Wisconsin-Madison Mead Witter School of Music and Edgewood College.

UW-MADISON WINTER CONCERTS

On this coming Sunday afternoon, Dec. 8, at 2 p.m. and 4 p.m., the remaining six choirs from the UW-Madison choral program will present their annual winter concerts at Luther Memorial Church (below), 1021 University Avenue, in Madison.

The one-hour concert features individual pieces from Chorale and the Madrigal Singers (Bruce Gladstone conductor); the University Chorus (Andrew Voth, conductor); Women’s Chorus (below, Michael Johnson, conductor); Masters Singers (Andrew Voth and Michael Johnson co-conductors); and the Concert Choir (Beverly Taylor conductor).

There are two pieces in which all choirs sing.

Plus, the audience is invited to join in some seasonal carols.

The concerts are FREE and no tickets are required.

A free-will offering is accepted at the end of the program with proceeds after expenses donated to “The Road Home,” an organization that provides housing and food to homeless families.

Says Beverly Taylor, the director of choral activities at the UW-Madison who will retire this spring: “The program is designed as a concert and not a service. Seats go fast!”

For more information, go to: https://www.music.wisc.edu/event/choral-concerts-at-luther-memorial-church/2019-12-08/

EDGEWOOD COLLEGE CHRISTMAS CONCERT

This Saturday night, Dec. 7, at 7 p.m., Edgewood College will present its 92nd annual Christmas Concert.

The concert will take place in the college’s new McKinley Performing Arts Center (below and at bottom), 2219 Monroe Street., in  Madison.

This yearly tradition features the Edgewood College choirs and Concert Band, along with audience sing-alongs, the Guitar Ensemble, and a post-concert reception featuring the Jazz Ensemble.

Tickets are $10, and seating is limited for this very popular annual event. Please purchase tickets online in advance.

All proceeds from this performance benefit students at Edgewood College through the Edward Walters Music Scholarship Fund. 

Tickets are available online until noon on Thursday, Dec. 5, or until the performance sells out.


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Classical music: Award-winning prodigy pianist Maxim Lando performs a recital at Farley’s on Sunday afternoon and gives a free public master class on Saturday afternoon

November 15, 2019
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ALERT: At noon this Saturday, Nov. 16, Grace Presents offers a FREE one-hour concert by Lawren Brianna Ware and friends. The concert is at Grace Episcopal Church, 116 West Washington Avenue, downtown on the Capitol Square.

Pianist and composer Ware, the 2017 Grand Prize Winner of the Overture Rising Stars Competition, will perform a program of original, contemporary and classical solo and chamber works entitled “These Are a Few of My Favorite Things.” Featured are works by Aram Khachaturian, Fazil Say, Frederic Chopin, Ludwig van Beethoven, Robert W. Smith, Martin Ellerby  and Eric Ewazen.

By Jacob Stockinger

You have to hand it to Farley’s House of Pianos and its Salon Piano Series: They sure know how to book young up-and-coming performers to stay ahead of the curve.

Last season, they presented Kenneth Broberg, a silver medalist at the last Van Cliburn International Piano Competition, before he was accepted into the International Tchaikovsky Competition in Moscow, where he won a bronze medal.

This weekend, the Salon Piano Series presents another timely choice.

This Sunday afternoon, Nov. 17, at 4 p.m., the 17-year-old American piano prodigy Maxim Lando (below, in a photo by Matt Dine) will perform a solo recital at Farley’s showroom, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.

Once again, Lando was booked just before winning a big award and honor.

In addition, at his Salon Piano Series premiere, Lando will have grandparents in the audience, as well as an aunt, uncle and cousins, all from the Madison area.

The son of pianist Pippa Borisy, who grew up in Madison, and clarinetist Vadim Lando, Maxim was raised in Great Neck, Long Island, New York, and has a full-time career as a touring pianist while still finishing high school.

Lando first received national attention in 2017 when he performed with superstar Chinese pianist Lang Lang and jazz great Chick Corea with the Philadelphia Orchestra at Carnegie Hall’s Gala Opening Night.

He won the 2018 Young Concert Artists auditions at the age of 16 and Susan Hall of Berkshire Fine Arts has described him as having “a very old musical soul.”

This fall he received a Gilmore 2020 Young Artist Award, which recognizes the most promising of the new generation of U.S.-based pianists, age 22 or younger. He will perform a series of concerts this season at the Gilmore Keyboard Festival as part of the recognition.

For this Salon Piano Series concert, Lando will perform the same program he performed for recent sold-out performances at the Kennedy Center in Washington, D.C., and Carnegie Hall in New York City.

Lando’s program includes: Nikolai Kapustin’s Concert Etude “Toccatina”; Ludwig van Beethoven’s Sonata No. 30 in E Major, Op. 109 (you can hear the opening movement in the YouTube video at the bottom); Alexander Scriabin’s Prelude in B major and Etude in D-sharp minor; and Franz Liszt’s “Transcendental Etudes.”

Tickets are $45 in advance (full-time students are $10) or $50 at the door (if any remain). Service fees may apply.  Student tickets can only be purchased online and are not available the day of the concert.

Tickets can be purchased at: https://www.brownpapertickets.com/event/4275212

An artist’s reception will follow the concert.

For more information, go to: https://salonpianoseries.org/concerts.html

MASTER CLASS

Also, on this Saturday, Nov. 16, at 4 p.m., Maxim Lando will teach a master class at Farley’s House of Pianos, where he will instruct four local students.

This is a free event that the public is invited to observe.

For a complete list of the music by Beethoven, Prokofiev and Clementi to be performed as well as the names of the local students and their teachers, go to: https://salonpianoseries.org/concerts.html

The master classes for the 2019-20 season are supported by the law firm of Boardman and Clark LLP.

This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

 


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Classical music: The gala opening this weekend of the UW-Madison’s new Hamel Music Center is SOLD OUT. What do you think of the building, the music and the event? Plus, veteran music critic John W. Barker has died

October 25, 2019
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ALERT: Word arrived late last night that the respected longtime music critic John W. Barker, a retired UW-Madison professor of medieval history, died Thursday morning. He wrote locally for Isthmus, The Capital Times and this blog. Details will be shared when they are known. 

By Jacob Stockinger

This weekend, Oct. 25-27, marks the official gala opening of the new Hamel Music Center (below, in a photo by Bryce Richter for University Communications) at the University of Wisconsin-Madison Mead Witter School of Music. It is located at 740 University Ave., next to the new wing of the Chazen Museum of Art, which has a special exhibit relating to the new music center.

The impressive $58-million structure, which has taken many years to fund  (completely privately) and then to build, will celebrate its opening tonight, Saturday night (while the 14th annual Halloween FreakFest on State Street is happening) and Sunday afternoon.

The performers will include distinguished alumni, faculty members and students.

Here is a link to an overall schedule as published on the School of Music’s home website: https://www.music.wisc.edu/hamel-music-center-opening-schedule/

Thanks to an astute reader who found what The Ear couldn’t find, here is a complete schedule — long, varied and impressive — of works and performers: https://www.music.wisc.edu/wp-content/uploads/2019/10/20191025-Hamel-Music-Center-Opening-Weekend.pdf

And here is a link to the official UW-Madison press release with more background and details about the building: https://news.wisc.edu/mead-witter-school-of-musics-hamel-music-center-opening-this-fall/

UW-Madison composer Laura Schwendinger (below) has been commissioned to write a Fanfare that will receive its world premiere tonight.

The opening promises to be a success, complete with receptions at the end of each performance.

In fact, the public has signed on enough that the FREE tickets to all events are SOLD OUT, according to the School of Music’s home website.

Taste is personal and varies, and The Ear has heard mixed reviews of the new building. (For the special occasion, you can hear “The Consecration of the House” Overture by Beethoven, performed by the La Scala opera house orchestra in Milan under Riccardo Muti, in the YouTube video at the bottom.)

Basically, people seem to agree that the acoustics are much improved over Mills Hall and Morphy Recital Hall in the old Humanities Building.

But public opinion seems more divided over other aspects, from the overall external architecture and interior design to the smaller size of the big hall, the seats and seating layout, and the restrooms.

So if you go – or have already gone – let the rest of us know what you think about those various aspects of the new building and about the various performers and programs.

As a warm-up preview, here are photos of the main halls or spaces, all taken by Bryce Richter for University Communications:

Here is the 660-seat Mead Witter Concert Hall:

Here is the 300-seat Collins Recital Hall:

And here is the Lee/Kaufman Rehearsal Hall:

But what do you say? You be the critic.

The Ear and others hope to see COMMENTS from listeners and especially performers. What is it like to perform there? Or to sit and listen?

What does the public think of the new building and concert halls? Are you satisfied? What do you like and what don’t you like?

Should some things have been done – or not done – in your opinion?

Does the building and do the concert halls live up to the expectations and hype?

The Ear wants to hear.


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Classical music: Two noteworthy baroque concerts by Just Bach and the Wisconsin Baroque Ensemble are on tap this Wednesday afternoon and Saturday night

October 15, 2019
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By Jacob Stockinger

Fans of Baroque music have two noteworthy events this week to look forward to.

Both concerts feature period instruments and historically informed performance practices.

WEDNESDAY AT NOON

This coming Wednesday, Oct. 16, from noon to 12:30  p.m. at Luther Memorial Church, 1021 University Avenue, the second FREE Just Bach concert of the semester will take place.

The concerts by Just Bach (below, in a photo by John W. Barker) are now a regular feature of the Music at Midday at Luther Memorial Church.

Organist Mark Brampton Smith opens the program with a brief Fantasia on the melody of “Christ lag in Todesbanden” (Christ Lay in Death’s Bonds). That tune will reappear at the very end of the program, in the final chorale of Cantata 158.

The next piece on the program was also written for solo organ, but will be heard in an arrangement for violin, viola, cello and organ. Johann Sebastian Bach wrote six organ trio sonatas, apparently for his eldest son, Wilhelm Friedemann.

The C Minor Sonata, the second in the set, is full of fiery drama in the outer movements, framing a dreamy, peaceful Largo.

UW-Madison baritone Paul Rowe will lead the chorale sing-along, a beloved audience-participation feature of these programs.

The program closes with Cantata 158, “Der Friede sei mit dir” (Peace Be with You), with solo bass-baritone Jake Elfner. Elisheva Pront provides the luminous “cantus firmus” (an existing melody used in a polyphonic composition) in the second movement, which also features a beautiful violin solo played by Kangwon Kim. The Cantata ends with a chorale on the tune of “Christ lag in Todesbanden.”

You may bring your lunch and beverage.

The concert is FREE and open to the public, with a goodwill offering collected.

Other Just Bach concerts this fall, all Wednesdays at Noon, are: Nov. 20 and Dec. 18.

Performers this week are: Jake Elfner, bass-baritone; Elisheva Pront, soprano; Kangwon Kim, violin; Leanne League, violin; Marika Fischer Hoyt, viola; James Waldo, cello; and Mark Brampton Smith, organ.

For more information, go to: https://justbach.org or https://www.facebook.com/JustBachSeries/

SATURDAY NIGHT

This Saturday night, Oct. 19, at 7:30 p.m. in Saint Andrew’s Episcopal Church, 1833 Regent Street in Madison, the Wisconsin Baroque Ensemble (below) will perform a concert of varied chamber music.

Performers include: Mimmi Fulmer, UW-Madison soprano; Nathan Giblierano, baroque violin; Eric Miller, viola da gamba and baroque cello; Chelsie Propst, soprano; Charlie Rasmussen, viola da gamba and baroque cello; Consuelo Sañudo, mezzo-soprano; Anton TenWolde, baroque cello; and Max Yount, harpsichord.

Tickets are at the door only: $20 for the public, $10 students. After the concert, a reception will be held at 2422 Kendall Ave, second floor.

The program is:

Henry Purcell: Three Fantasias

Giacomo Carissimi: “Scrivete, occhi dolente” (Write, Sore Eyes)

George Frideric Handel: Violin Sonata, HWV 372 (heard in an animated graphic depiction the YouTube video at the bottom)

Claudio Monteverdi: “Baci soave e cari” (Soft and Dear Kisses)

INTERMISSION

Luzzasco Luzzaschi: “O dolcezze amarissime” (O Bitter Sweetness)

Martin Berteau: Trio for violoncellos

Giulio Caccini: Excerpts from “La liberazione di Ruggiero” (The Liberation of Ruggiero)

For more information, go to: www.wisconsinbaroque.org


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Classical music: UW-Madison’s first countertenor Gerrod Pagenkopf returns to perform on Sunday night as a member of the acclaimed choral group Chanticleer. Here’s how he got from here to there. Part 1 of 2 

September 30, 2019
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ALERT: Madison Symphony Orchestra organist Greg Zelek did not announce his encore after he received a standing ovation at the MSO concert Sunday afternoon. It was the final movement from the Organ Symphony No. 1 by Louis Vierne.

By Jacob Stockinger

This coming Sunday night, Oct. 6, at 7:30 p.m. in the inaugural  concert in the new Hamel Music Center’s main concert hall, the critically acclaimed a cappella singing group Chanticleer (below) will kick off the centennial anniversary celebration of the Concert Series at the Wisconsin Union Theater.

Tickets are $45 for the public; $40 for faculty staff and Union members; and $10 for students. For more information about the performers and the “Trade Winds” program, go to: https://union.wisc.edu/events-and-activities/event-calendar/event/chanticleer/

Among the 12 members of the San-Francisco-based Chanticleer is Gerrod Pagenkopf, who is in his fifth year with the group as both a countertenor and the assistant music director. (You can hear Pagenkopf singing music by Henry Purcell in the YouTube video at the bottom.)

For a biography of Gerrod Pagenkopf, go to: https://www.chanticleer.org/gerrod-pagenkopf

Pagenkopf (below) is a graduate of the UW-Madison. When he performed here as a student, his high, clear countertenor voice was a new experience and made those of us who heard him sit bolt upright and take notice. “He is going places,” we said to each other. And so he has.

But Pagenkopf’s story is not only about him. It is also about the rediscovery of countertenors, about the changing public acceptance of them, and about the challenges that young musicians often face in establishing a professional performing career. So today and tomorrow, The Ear is offering a longer-than-usual, two-part interview with Pagenkopf.

Here is Part 1:

When were you at the UW-Madison?

I was a student at the UW-Madison from the fall of 1997 until I graduated in May of 2002. Although I received a bachelor’s degree in music education, performing ended up being a huge part of my last few semesters.

Growing up in rural Wisconsin about 30 miles north of Green Bay, I always thought that if you liked music and were good at it, you were supposed to be a teacher. It wasn’t until I was a junior that my voice teacher, the late Ilona Kombrink, and I discovered that I had a viable solo voice. Although I received the music education degree, embarking on a solo career became more important to me.

What did you do and how well did your studies and performances here prepare you for the life of a professional musician?

I was very lucky to have ample opportunities for performing during my time at the UW. Singing in choirs was very important to me. For many years I sang in the Concert Choir under Beverly Taylor (below top) as well as in the Madrigal Singers under Bruce Gladstone (below bottom,, in a photo by Katrin Talbot). I think there was one semester where I sang in just about every auditioned choir.

Beverly Taylor also gave me a lot of solo opportunities in the large-scale works that the Choral Union performed: Bach’s “St. John” and “St. Matthew” Passions, and Handel’s “Israel in Egypt.” For a 23-year-old to have those masterworks, along with the B Minor Mass and “Messiah,” on his resume was very impressive.

I was also lucky enough to perform with University Opera, singing in the chorus at first, but then singing a solo role in Handel’s “Xerxes” my final semester, and then returning as an alumni artist to sing Public Opinion in Offenbach’s “Orpheus in the Underworld” and several years later Polinesso in Handel’s “Ariodante.” Director Bill Farlow took a lot of chances on my young, “raw” countertenor voice and gave me several opportunities to succeed.

I should also note the importance of the guidance and mentorship of Professor Mimmi Fulmer (below, performing at Frank Loyd Wright’s Hillside Theater at Taliesin in Spring Green) after I graduated from UW. She afforded me the opportunity to sing in recital with her numerous times — usually Brahms and Mendelssohn duets. But she also was a catalyst in bringing me back to Madison several years later to sing with the Wisconsin Baroque Ensemble. Our continued relationship is actually the primary reason Chanticleer is singing in Madison this fall.

How do you feel about returning to perform at your alma mater with Chanticleer?

I’m over the moon about it. It still feels like a dream that I’m singing in Chanticleer. To be able to bring a group that I’m so proud to be a part of back to Madison feels like a great personal triumph. And to be the opening performance in the new Hamel Center (below) is such an honor!

Throughout my studies at UW-Madison, I was torn between the solo performance track and the choral career. I managed to straddle both, but my dream was always to make ensemble singing my career. Way back in the early 2000s, I heard Chanticleer sing at Luther Memorial Church, and I thought, “That’s what I want to do!”

I went down several other paths since that concert — mostly in the realm of solo, operatic singing — but it’s incredibly rewarding to be able to say I achieved my dream, and I’m coming back to place where the seed of that dream was planted almost 20 years ago.

Tomorrow: How countertenors re-emerged and were treated, the “Trade Winds” program and Pagenkopf’s future plans


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