The Well-Tempered Ear

Classical music: Saturday night the Wisconsin Baroque Ensemble will perform rarely heard works. Plus, tickets are still available for the Dec. 6 “Messiah” by the Wisconsin Chamber Orchestra and the Festival Choir of Madison

November 27, 2019
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ALERT 1: Tickets are still available for the 11th annual performance of Handel’s oratorio “Messiah” by the Wisconsin Chamber Orchestra and the Festival Choir of Madison with guest soloists (below). The performance, under the baton of Andrew Sewell, takes place on Friday, Dec. 6, at 7 p.m. at the Blackhawk Church in Middleton. The critically acclaimed performance  usually sells out. Tickets are $30. For more information about the performers and tickets, go to: https://wisconsinchamberorchestra.org/performances/messiah-2/

By Jacob Stockinger

The Wisconsin Baroque Ensemble (below) will perform a concert of varied and rarely performed baroque chamber music on this coming Saturday night, Nov. 30, at 7:30 p.m. in Saint Andrew’s Episcopal Church, 1833 Regent Street, in Madison.

Performers are: Eric Miller, viola da gamba, baroque cello; Sigrun Paust, recorder; Chelsie Propst, soprano, Charlie Rasmussen, viola da gamba and baroque cello; Monica Steger, traverse flute and recorder; and Max Yount, harpsichord.

Tickets at the door only are $20, $10 for students.

The program is:

Marin Marais– Pieces for Viol, selections from Book 1

Tomaso Albinoni– Sonata for recorder and basso continuo, Op. 6, No. 5

Louis-Nicolas Clérambault– “Orphée” (Orpehus) a cantata

INTERMISSION

Antoine Forqueray – Pieces for Viol, selections from Suite No. 2

Anna Bon– Sonata No. 5 for traverso flute and basso continuo

Nicolas Métru– Duos for viols

Georg Philipp Telemann– Trio sonata in C major for two recorders and basso continuo, TWV 42:C1 (heard in the YouTube video at the bottom)

For more information, go to www.wisconsinbaroque.org

 


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Classical music: The Festival Choir of Madison will sing “Songs of Fate” this Saturday night. A FREE all-Brahms concert of violin, cello and piano music is Friday night

October 31, 2019
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ALERT 1: The concert on this Friday night, Nov. 1, by the UW-Madison Madrigal Singers has been POSTPONED. A future date will be announced.

ALERT 2: This Friday night, Nov. 1, at 7 p.m. at Oakwood Village Woods, 6205 Mineral Point Road, UW-Madison cellist Parry Karp – joined by pianist David Abbott and clarinetist Christian Ellenwood – will perform a FREE all-Brahms chamber music concert. On the program are the Cello Sonata No. 2 in F Major, Op. 99; the Violin Sonata No. 2, in A Major, Op. 100, arranged for cello by Karp; and the Clarinet Trio in A minor, Op. 114.

By Jacob Stockinger

The Festival Choir of Madison (below) will present its first concert of the season — “Songs of Fate” – this Saturday night, Nov. 2, at 8 p.m. at Luther Memorial Church, 1021 University Ave., in Madison.

Under artistic director and Edgewood College professor Sergei Pavlov (below top), the choir will perform “Gesang der Parzen” (Song of the Fates) and “Schicksalslied” (Song of Destiny, heard in the YouTube video at the bottom) by Johannes Brahms; “Stabat Mater” by Giuseppe Verdi; and Alexander Borodin’s “Polovtsian Dances.” The concert will feature the Romanian pianist Samir Golescu (below bottom) accompanying the choir.

The concert  has general seating. Admission is $10 for students, $15 for senior citizens and $20 for adults. Tickets will be available at the door the day of the concert. Tickets can also be purchased online at: https://www.brownpapertickets.com/event/4383429

The Festival Choir of Madison is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. The group performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern and eclectic works, and for singers who enjoy developing their talents with others.

To learn more about the Festival Choir, including other concerts this season, go to: www.festivalchoirmadison.org.


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Classical music: On Saturday and Sunday, the Madison Savoyards and Central Wisconsin Ballet team up in Gilbert and Sullivan’s “Pineapple Poll” and “Trial by Jury.” Plus, the first Stoughton Chamber Music Festival starts Saturday

August 15, 2019
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ALERT: The two concerts of the first Stoughton Chamber Music Festival will take place on this Saturday afternoon, Aug. 17, at 3 p.m. and on Monday night, Aug. 19, at 7 p.m. at the Stoughton Opera House, 381 East Main Street. Admission is FREE with a suggested donation of $15.

Featured is music by Johann Sebastian Bach, Johannes Brahms, Samuel Barber, Edvard Grieg, George Gershwin and Paul Schoenfield as well as Norwegian folk music. The Ear did not receive details, but here is more information from a story in Isthmus: https://isthmus.com/events/stoughton-chamber-music-festival/

By Jacob Stockinger

This weekend, the Madison Savoyards and Central Midwest Ballet Academy team up to present two of the less well-known works by Gilbert and Sullivan: the comic ballet Pineapple Poll and the operetta Trial by Jury (below, in a photo by Kat Stiennon).

The performances of the two one-acts are in the Mitby Theater at Madison College (formerly Madison Area Technical College), located at 1701 Wright Street on Madison’s east side, at 7:30 p.m. on Saturday night, Aug. 17, and at 3 p.m. on Sunday afternoon, Aug. 18.

Tickets are $30 for adults; $28 for seniors; and $15 for young people and students. Children 3 and under get in for free.

For more information, call the Mitby Theater Box Office at (608) 243-4000 or got to: www.TrialbyPineapple.com

The music director and conductor of the professional orchestra, who is making his debut with the Madison Savoyards, is Sergei Pavlov (below), who teaches at Edgewood College and directs the Festival Choir of Madison.

The “Pineapple Poll” choreography is by Marguerite Luksik (below) of the Central Midwest Ballet Academy.

The stage director of “Trial by Jury” is J. Adam Shelton (below).

PROGRAM NOTES

Here are some program notes provided by The Madison Savoyards:

In an age of international copyright and patent tension, Pineapple Poll ballet suite is an intriguing story. The composer, Arthur Sullivan, had died in 1900. The 50-year copyright moratorium on his music expired in 1950, but his librettist partner, W.S. Gilbert, died in 1911. So in 1950, the leading 20th-century conductor, the late Sir Charles Mackerras (below), could only use the work of the former to create a new work in their honor.

From this legal oddity came the only ballet based on the works of Gilbert and Sullivan (below) and, according to The Times of London, one of the best loved of English ballets. It was first performed in the United States in 1970 by the Joffrey Ballet in New York City; and, most recently, in El Paso, Tulsa, Pittsburgh, Seattle, Livermore, Sarasota and Northampton, Mass.

The music for Pineapple Poll,as a suite, has been played in numerous venues in the U.S., including a performance with band director Mike Leckrone at the UW-Madison in 2008 and at the UW-La Crosse in 2015, thus indicating a strong Wisconsin interest in the music alone.

From its opening notes leaping off the pages of Mikado, Pineapple Poll is a vigorous listen and a visual delight. Clement Crisp of the Financial Times called it, “that rarest of delights, a true balletic comedy.” The National Association for Music Education had identified it as a model piece for elementary school children. In 2003, Christopher Rawson of the Pittsburgh Post-Gazette observed that, in its pairing with Trial by Jury, “if there’s ever been a Gilbert and Sullivan show for people who don’t like Gilbert and Sullivan, this is it.”

Trial by Jury contrasts with the non-verbal Pineapple Poll, showcasing Gilbert’s lyric style in songs that tell the Victorian tale of marital promissory breach with the resulting farcical trial ending in marriage. It was Gilbert and Sullivan’s second collaboration and established their successful reputations. (In photos by Aimee Broman, below top shows Thore Dosdall playing the defendant Edwin (at left) getting the feeling that the jury is not on his side. Below bottom shows the plaintiff Angelina, played by Megan McCarthy).

The Central Midwest Ballet Academy’s Marguerite Luksik and Michael Knight have created original choreography for Pineapple Poll, and performances will feature students from the Academy’s pre-professional level.

In contrast to the tragic-dramatic plots of traditional ballets, the lighthearted nature of Pineapple Poll appeals to a broader audience. Pineapple Poll presents a combination of balanced spectacle and the challenge of experimental work.

Yoked to Trial by Jury, the two productions spark social and artistic novelty, critique and entertainment.

It is worth noting that the performances this weekend are a new collaboration between two homegrown Madison troupes. The Savoyards have been performing every summer since 1963, while Central Midwest Ballet has been active since 2015.

Here is an example of the Sullivan operetta tunes patched together in the Opening Dance of “Pineapple Poll.” (You can hear the Overture in the YouTube video at the bottom):

    1. The Mikado, Opening Act 1.
    2. Trial By Jury, “Hark, the hour of Ten is sounding.”
    3. The Mikado, “So please you, sir, we much regret” (“But youth, of course, must have its fling. . .”
    4. Patience, “The Soldiers of our Queen.”
    5. Trial by Jury, “He will treat us with awe” (“Trial-la- law”).
    6. The Gondoliers, “Good Morrow, Pretty Maids” (orchestral accompaniment).
    7. Trial By Jury, “Hark, the hour of Ten is sounding.”
    8. The Mikado, “So please you, sir, we much regret.”


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Classical music: The Festival Choir of Madison closes its season TONIGHT with a concert of East Asian music from China, Japan, Korea and Taiwan

May 18, 2019
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ALERT: Today and next Saturday, Wisconsin Public Radio’s “Music in Wisconsin” program, hosted by Lori Skelton, will air recorded performances from the past season by the Madison Opera. Both broadcasts start at 1 p.m. This week’s opera is the double bill of one-acts “Cav/Pag,” as Pietro Mascagni’s “Cavalleria rusticana” and Ruggero Leoncavallo’s “Paglicacci” are known. Next week will see Antonin Dvorak’s “Rusalka,” with the famous soprano aria “Song to the Moon.”   

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By Jacob Stockinger

The Ear has received the following announcement to post:

The Festival Choir of Madison (below) will present the last concert of the season, “Jasmine Flowers,” TONIGHT — Saturday, May 18 — at 7:30 p.m. in the Atrium auditorium of the First Unitarian Society of Madison, 900 University Bay Drive, in Madison.

The choir and its artistic director, Sergei Pavlov (below right in front row), will perform arrangements of famous songs such as the Japanese “Sakura” (Cherry Blossom), arranged by the late Japanese composer Toru Takemitsu (his version is heard in the YouTube video at the bottom); and “Mo-Li-Hua” (Jasmine Flower), a popular Chinese folk song used variously as a national anthem and for the Olympics, arranged by the leading Korean composer Hyo-won Woo.

The choir will also feature other recent compositions sung in Taiwanese, Korean, Chinese, English and French  — including works by Chen Yi, Libby Larsen, Bob Chilcott, Claude Debussy and Maurice Ravel — inspired by the musical traditions of East Asia.

Admission, with general seating, is $10 for students, $15 for senior citizens, and $20 for adults, with tickets available at the door the day of the concert. Tickets can also be purchased online through Brown Paper Tickets at:

https://www.festivalchoirmadison.org/concerts/2019/5/18/jasmine-flowers

The Festival Choir of Madison is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. The choir performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern and eclectic works, and for singers who enjoy developing their talents with others.

To learn more about the Festival Choir of Madison, go to www.festivalchoirmadison.org.


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Classical music: You be the critic. Was there a specific piece or an entire concert of holiday music that you especially liked – or disliked — this year?

December 26, 2018
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By Jacob Stockinger

Well, Hanukkah, the winter solstice and Christmas are over and we’ve just about made it through another holiday time, with Kwanzaa and New Year’s still to come.

Holiday music, especially choral music, is undeniably popular during holiday season.

Year after year, the Madison Symphony Orchestra’s Christmas program (below is a photo by Peter Rodgers)  – which uses local and ethnically diverse talent and well as imported guest vocal artists — usually comes close to selling out three performances in Overture Hall.

And year after year for a decade, the Wisconsin Chamber Orchestra and Festival Choir plus guest soloists (below) sell out their one performance of “Messiah” at the Blackhawk Church in Middleton.

Plus, there are lots of other holiday events – including the Madison Bach Musicians with Baroque chamber music favorites and the Madison Choral Project with spoken word narration and new music as well as programs of traditional carols and hymns– that drew good crowds or even full houses.

There are so many holiday music events, in fact, that it can often be hard to choose.

So here is what The Ear is asking: You be the critic.

Please tell us if there was a particular piece of music you especially enjoyed – say, Johann Sebastian Bach’s “Christmas Oratorio” or George Frideric Handel’s “Messiah” or violin concertos by Arcangelo Corelli – music you really liked or disliked?

For next year, what do you recommend that people should keep an eye and ear out for, including programs on Wisconsin Public Radio and Wisconsin Public Television as well as on other TV and radio stations?

Similarly, was there a specific program or event – an entire program or concert – that surprised you for better or worse?

Given the limited time that most people have during the holidays, what holiday concerts should people plan on attending or avoid next year?

Often the public trusts other audience members more than they trust professional critics.

So here is a chance for you to be a critic and to direct the public’s attention as well as to thank certain performers and groups for what you see as the Best Holiday Music of 2018.

The Ear wants to hear.


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Classical music: The Wisconsin Chamber Orchestra’s “Messiah” marks 10 years with another sold-out performance and two new soloists this Friday night. Then starting Saturday, it’s on to “The Nutcracker”

December 6, 2018
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By Jacob Stockinger

There is no more iconic piece of classical music for the holiday season than the oratorio “Messiah” by George Frideric Handel. (You can hear the famous “Hallelujah” Chorus in the YouTube video at the bottom.)

For 10 years, the Wisconsin Chamber Orchestra, the WCO Chorus, the Festival Choir and four guest soloists (all forces from a previous performance are in the photo below) have been bringing the masterwork to Madison. And it usually plays to a full house.

This year’s performance once again takes place at 7 p.m. this Friday night, Dec. 7, at the Blackhawk Church, 8629 Brader Way in Middleton. And once again, all 800 seats are sold out.

For more information, go to: https://wisconsinchamberorchestra.org/performances/messiah-1/

“It is very successful and has become a real tradition,” says WCO’s Chief Operating Officer Sue Ellen McGuire. “We have people and families who come year after year.”

But that does not mean each year’s performance, both acclaimed by critics and popular with the public, is a repetition of the previous year’s.

True, some things carry over, such as the longtime soprano soloist Sarah Lawrence and bass soloist Peter Van de Graaff (below), who is also the overnight resonant voice of classical music on Wisconsin Public Radio via The Beethoven Satellite Network.

“It is such a great masterpiece that I feel I can play around with it somewhat and make each year’s performance distinctive and different,” says WCO music director and conductor Andrew Sewell (below). Some years, he says, he cuts out or adds certain choruses; or changes the intermission break; or alters the makeup of the instruments or choruses; or uses different soloists, or continues to adapt to and adopt early music practices.

Take this year. For the first time, the performance will include two singers who competed in the annual Handel Aria Competition held in Madison: mezzo-soprano Johanna Bronk (a finalist in 2017), and tenor Gene Stenger (bottom left, the second prize winner and audience favorite in 2017).

“It’s a no-brainer and a natural fit to use the world-class talent that takes part in a local event,” says Sewell, who is also the music director of the symphony orchestra in San Luis Obispo in California.

And for those of you who wonder what the Wisconsin Chamber Orchestra does after Concerts on the Square end in the summer and before its Masterworks series starts in January, the answer is marking the holidays.

In addition to “Messiah,” the WCO will accompany the Madison Ballet’s performances of Peter Tchaikovsky’s “The Nutcracker” that take place between Dec. 8 and Dec. 26 in the Overture Center. For details and tickets, go to: https://www.madisonballet.org/nutcracker/


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Classical music: This Saturday night brings concerts by the Festival Choir of Madison and a harpsichord rededication recital by Trevor Stephenson

November 2, 2018
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By Jacob Stockinger

The Ear has received announcements for the following two events that will place on Saturday night:

FESTIVAL CHOIR OF MADISON

The Festival Choir of Madison (below) will present the first concert of the season — “Angels and Demons” — on this Saturday, Nov. 3, at 7:30 p.m. in the Atrium auditorium of the First Unitarian Society of Madison, 900 University Bay Drive, in Madison.

The choir and artistic director, Edgewood College professor Sergei Pavlov (below), will take listeners on a Dante-inspired journey — from the Inferno in “The Divine Comedy” through Purgatory all the way to Paradise — as interpreted by composers Karl Jenkins, Zdenek Lukas, Gyorgy Orban, Alfred Schnittke, Joseph Rheinberger, Rodion Schedrin, Wolfgang Amadeus Mozart and Marteen Spruijt. (Sorry, but there has been no word on specific works to be performed.)

Guest pianist Kyle Johnson, organist Ted Reinke, percussionist James McKenzie and a string ensemble will accompany the choir throughout the journey.

Concert admission, with general seating, is $10 for students, $15 for senior citizens, and $20 for adults, with tickets available at the door the day of the concert. Tickets can also be purchased online at: https://www.festivalchoirmadison.org/concerts/2018/11/3/angels-and-demons

The Festival Choir of Madison is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. It performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern and eclectic works, and for singers who enjoy developing their talents with others.

To learn more about the organization and see upcoming concerts, go to: www.festivalchoirmadison.org

HARPSICHORD AT IMMANUEL LUTHERAN CHURCH

On this Saturday night, Nov. 3, at 7 p.m. at Immanuel Lutheran Church, 1021 Spaight Street, there will be a harpsichord rededication celebration and concert.

The appearance and musicality of this renovated double-mansuel. French 18th-century instrument at Immanuel Lutheran have recently been restored and upgraded under the exceptional guidance and expertise of Trevor Stephenson (below bottom), artistic director and founder of the Madison Bach Musicians.

Immanuel is excited to share the instrument (below) with the Madison community by presenting Stephenson in a rededication harpsichord concert. (Composers on the program include Jean-Philippe Rameau, Johann Sebastian Bach, George Frideric Handel and Domenico Scarlatti. No program of specific works has been provided.)

A pre-concert interactive lecture discussing the instrument and rebuilding process will precede the concert starting at 6:30 p.m.

A freewill offering is appreciated at the concert.

A brief reception will follow, and all are welcome.


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Classical music: The Festival Choir of Madison will perform Slavic music – including several U.S. and world premieres — under a guest Spanish conductor this Saturday night

May 15, 2018
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By Jacob Stockinger

The Festival Choir of Madison (below) will perform the program “The Slavic Soul” this coming Saturday night, May 19, at 7:30 p.m. in the Atrium Auditorium at the First Unitarian Society of Madison, 900 University Bay Drive.

The Festival Choir will have guest conductor Nikoleta Popova for the event, who is coming from Spain to conduct a program comprised of songs either by Slavic composers or inspired by Slavic music. More about the conductor is below.

Several U.S. premieres are marked with an asterisk and there is one world premiere.

Tickets are $20, $15 for seniors 65 and over; and $10 for students. For information and tickets, go to: https://festivalchoirmadison.squarespace.com/concerts/2018/5/theslavicsoul

Here is the complete program:

THE SLAVIC SOUL

Bela Bartok (1881-1945) – Four Slovak Folk Songs (heard in the YouTube video at the bottom)

Dmitri Shostakovich (1908-1975) – Two Russian Folk Songs. With Anya Gubenkova, alto

Alexander Davidenko (1899–1934) – “At Ten Versts From the Capital”* with Ted Reinke, piano, and Dan Broner, organ

Vera Nasha (Our Faith)* Serbian Folk Song, arr. Yónatan Sánchez Santianes with James McKenzie, percussion

Szymon Godziemba-Trytek (1988) Agnus Dei (World Premiere) with Ted Reinke, organ

Georgy Sviridov (1915–1998) – “A Wondrous Birth”; “Balalaika”; and “Reveille.” With Anya Gubenkova, alto

Dobri Hristov (1875–1941) – “Rachenitsa”

Todor Popov (1921–2000) – “Stara Sa Maika” (The Old Mother)*

“Kalinka,” a Russian Folk Song arranged by Vadim Prokhorov

The guest conductor is Nikoleta Popova (below) of Bulgaria and Spain. She is a renowned specialist in Eastern European and Bulgarian music and has offered seminars and master classes all over the world.

Currently, Popova is Professor in Conducting at the Conservatorio Superior de Música de Canarias in Las Palmas, Spain, where she is also music director of the conservatory orchestra and choirs. She has appeared as guest conductor in Austria, Italy, Spain, Poland, and the U.S., as well as her native Bulgaria.

Born in Dobrich, Bulgaria, Nikoleta Popova received her education as a conductor from the National Academy of Music in Sofia, Bulgaria, and from Universität für Musik und darstellende Kunst in Graz. Among her teachers are Eric Whitacre, Fernando Malvar-Ruiz, Alex Schillings, Klaas Stok, Marco Antonio Da Silva Ramos, and others.

In 2011 Nikoleta Popova received her Ph.D. from the University of Las Palmas de Gran Canaria with a dissertation on the performance of the black spiritual. Since 2012, she has published three books in Spanish with in-depth analysis of the problems that singers and conductors face in the interpretation of African-American spirituals.


Classical music: The Wisconsin Chamber Orchestra, WCO Chorus and the Festival Choir perform Handel’s “Messiah” this Friday night

December 5, 2017
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By Jacob Stockinger

It was originally intended to be performed at Easter. But is there any piece of holiday music more reliable or more central to the Christmas repertoire than “Messiah” by George Frideric Handel (below bottom)?

It seems neither the performers nor the public ever tires of it. (You can hear the iconic “Hallelujah Chorus” in the YouTube video at the bottom.)

So this Friday night at 7:00 p.m. “Messiah” returns for its eighth year at Blackhawk Church (below) past Madison’s far west side and located in Middleton.

The Wisconsin Chamber Orchestra (below top), choirs and soloists will all perform under WCO maestro Andrew Sewell (below).

Returning will be last year’s vocal quartet with the combined WCO Chorus and Festival Choir of Madison (below) under directors Scott Foss and Edgewood College professor Sergei Pavlov.

Tickets are $27. The event usually sells out.

For more information about how to obtain tickets as well as photos and extensive background about the soloists, go to:

https://wisconsinchamberorchestra.org/performances/messiah/


Classical music: On Saturday night, the Festival Choir of Madison will sing a program of modern Norwegian and Baltic music about the Northern Lights. Plus on Friday there is a FREE noontime concert of music by Mozart and Ernesto Nazareth and a FREE PUBLIC master class by pianist Richard Goode

November 2, 2017
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ALERT I: This Friday’s FREE Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features music by Wolfgang Amadeus Mozart and Ernesto Nazareth. (Sorry, no specific works for either composer were named.) The concert runs from 12:15 to 1 p.m.

The performers in Mozart are: Joanne Schulz and Sarah Gillespie, horns; Elspeth Stalter-Close, violin; Melanie De Jesus and Shannon Farley, violas; Emma Downing, cello. The performers in Nazareth are: Chris Allen, guitar; Shannon Farley, viola; and Iva Ugrcic, flute.

ALERT II: On Friday from 1 to 3 p.m. in Morphy Recital Hall, pianist Richard Goode will give a FREE and PUBLIC master class on Haydn, Beethoven and Debussy. For more about Goode’s recital on Saturday night at the Wisconsin Union Theater, go to:

https://welltempered.wordpress.com/2017/11/01/classical-music-master-pianist-richard-goode-performs-music-by-bach-beethoven-chopin-and-alban-berg-in-a-must-hear-recital-this-saturday-night-at-the-wisconsin-union-theater/

By Jacob Stockinger

This Saturday night, at 7:30 p.m., at the First Unitarian Society of Madison, 900 University Bay Drive, the Festival Choir of Madison (below top) will perform under director and Edgewood College professor Sergei Pavlov (below bottom).

The program features contemporary Norwegian and Baltic choral music around the theme of the “Northern Lights” or Aurora Borealis (below, as seen in northern Norway).

For more information, go to: https://www.festivalchoirmadison.org/concerts/2017/11/northernlights

Admission is $20 for the public; $15 for seniors; and $10 for students. For ticket information, go to: http://www.brownpapertickets.com/event/3054565?ref=349591

The voices will be supported by leading Madison-based musicians in a journey through the mystical soundscapes of the North with music by Ola Gjeilo (below top), Peteris Vasks, Trond Kverno, Eriks Esenvalds (below middle), and retired UW-Madison horn professor and composer Douglas Hill (below bottom).

The specific program includes: “Northern Lights” by Ola Gjeilo; “Dark Night of the Soul” by Ola Gjeilo; “Mate Saule” by Peteris Vasks; “Ave Maris Stella” by Trond Kverno; “Northern Lights” by Eriks Esenvalds (heard in the YouTube video at the bottom); and “Homage to Thoreau” by Douglas Hill.


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