By Jacob Stockinger
The Ear received the following information from Eric Miller to pass along:
Thanks for sharing my recital at the First Unitarian Society of Madison last week. I really appreciate what you do.
I’m repeating the program of unaccompanied music for viola da gamba at the Arts+Literature Lab (below) on this Saturday, March 25, at 8 p.m.
Doors open at 7:30 p.m.
Tickets are $10 in advance, $15 at the door.
I’ll be playing the first suite by Le Sieur de Machy and the Sonata VI by Johannes Schenk from his collection “L’echo du Danube,” (Echo of the Danube), as well as a few other smaller pieces. (Below is Eric Miller, who also performs a Prelude to a suite by Le Seiur de Machy in the YouTube video at bottom.)
In addition to my set, my idea was to juxtapose this music I love with music that is equally intricate and beautiful, but from different sound worlds and traditions.
Milwaukee cellist Patrick Reinholz (below top) will be playing modern pieces by Italian composer Luciano Berio (below middle) and Finnish composer Kaija Saariaho (below bottom) as well as one of his own compositions from a solo recording he is releasing.
Finally, cellist/composer/multi-instrumentalist Brian Grimm (below) will be presenting some of his own compositions and improvisations.
Advanced tickets are available here: http://ericmiller.bpt.me/
The Arts+Literature Lab (A+LL) is at 2021 Winnebago Street, on the east side of Madison. It is really doing exciting things for the community.
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison 900 University Bay Drive, features the ensemble New Muse with Danielle Breisach, flute; Peter Miliczky, violin; Joshua Dieringer, viola; Ben Bauer, cello; and Yana Avedyan, piano, in new music by Nathan Froebe, Benjamin Boyajian, and Jonathan Posthuma. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
That where the Pro Arte will perform Sir Edward Elgar’s “Introduction and Allegro” with the Middleton High School Orchestra (below) under conductor Steve Kurr, who also conducts the Middleton Community Orchestra. (You can hear the Elgar piece in the YouTube video at the bottom.)
The FREE and UNTICKETED concert is this Thursday night from 7:30 to 9 p.m. in the Middleton Performing Arts Center that is attached to the high school, 2100 Bristol Street.
Conductor Steve Kurr says this about the program:
“Also on the program are the three winners of this year’s Concerto-Aria competition: Marimbist Alex Warholic plays the first movement of the Violin Concerto in A Minor by Johann Sebastian Bach; soprano Chloe Cole sings “V’adoro pupille” from the opera “Julius Caesar:” by George Frideric Handel; and violinist Rachael Lee performs the “Introduction and Rondo Capriccioso” by Camille Saint-Saens.
“The concert begins with two works performed by the MHS Honors Wind Ensemble.
“The Elgar is such a great work, and underperformed. The Pro Arte musicians are such great inspirations to our high school musicians.”
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features Eric Miller (below) playing early music for viola da gamba by Le Sieur de Machy, Johann Schenk and Carl Abel. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
This week brings four major public events at the University of Wisconsin-Madison School of Music: one on Friday; two on Saturday; and one on Sunday.
On Friday at 5:30 p.m. in Morphy Hall, the students in the studio of soprano and UW-Madison voice professor Mimmi Fulmer (below) will present a FREE concert. Sorry, no word on the program.
For more information, go to: http://www.music.wisc.edu/event/mimmi-fulmer-studio-recital/
On Saturday at 4 p.m. in Morphy Hall the four winners of the annual Irving Shain Wood-Piano Duo Competition will give a FREE recital.
The pairs of winners are: bassoonist Chia-Yu Hsu with pianist Kangwoo Jin; and bassoonist Eleni Katz with pianist Rayna Slavova.
The program features music by Noël-Gallon (1891-1966); Henri Dutilleux (1916-2013); Gabriel Grovlez (1979-1944); Eugène Bourdeau (1850-1926); Robert Schumann (1810-1856); Gabriel Pierne (1863-1937); Eugène Bourdeau (1850-1926); and Charles Koechlin (1867-1950)
On Saturday at 5 p.m. in Mills Hall, there is a FREE concert by University Bands. Conductors are Darin Olson (below), Nathan Froebe and Justin Lindgre. Sorry, no word on the program.
Sunday at 8 p.m. in Mills Hall, the UW Symphony Orchestra will perform with soloist and UW-Madison alumnus, bassoonist Anthony Georgeson who is Principal Bassoon of the Florida Orchestra. Retiring UW-Madison professor James Smith (below top) will conduct, but the former clarinetist will NOT be a featured performer.
The program is:
Concerto for Bassoon Concerto in B-Flat Major, K. 191, by Wolfgang Amadeus Mozart with alumnus Anthony Georgeson (below bottom) as bassoon soloist. (You can hear Anthony Georgeson talk about music and the cadenzas in Mozart’s Bassoon Concerto in the YouTube video at the bottom.)
“Un Sourire pour Orchestra” (A Smile for Orchestra) by Olivier Messiaen
“Scheherazade” by Nikolai Rimsky-Korsakov
For more information, go to:
ALERT: This week’s FREE Friday Noon Musicale, at the First Unitarian Society of Madison, 900 University Bay Drive, will feature flutist Iva Ugrčić, flute and pianist Kyle Johnson performing an all-French program of music by Francis Poulenc, Olivier Messiaen, Claude Debussy and Jules Bouquet. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
The Ear has received the following information to post:
The 14th annual Wisconsin Flute Festival will take place this coming Saturday, March 4.
The Wisconsin Flute Festival brings together flutists and music lovers of all ages from Wisconsin and the greater Midwest.
The day’s events include workshops, performances, youth and collegiate competitions, a master class, and a 2,300-plus square foot exhibition hall with purveyors of fine flutes, music and accessories.
The 14th annual Wisconsin Flute Festival will begin at 8 a.m. in the Pyle Center at UW-Madison and will culminate in a FREE public concert beginning at 5 p.m. in Mills Concert Hall, in the Mosse Humanities Building, at UW-Madison.
This concert, “Landscapes and Love Songs,” will be performed by featured guest artist Lorna McGhee. (Sorry, The Ear has no details on the program.)
This year, an expanded variety of workshops and performances will be offered. Workshop topics will include circular breathing, articulation and vibrato, in addition to sessions on maximizing practice time, musicians’ health and interpreting musical pieces.
Participants will also have the opportunity to experience an interactive session with low flutes including; alto flutes, bass flutes and a contrabass flute (below).
Performances during the day will feature: electro-acoustic music; Telemann (below top) on historical flutes; lesser-known modern masters; Romanian composers; Latin music; Bach (below bottom) transcriptions; contemporary interpretation; and works for flute, clarinet and voice. Student soloists and chamber ensembles from UW-Whitewater and UW-Madison will present concerts.
For flutists shopping for an instrument, music or accessories, over a dozen companies and organizations from across the US will be on-site in the Festival’s exhibit hall. Technicians will be also available to evaluate instruments and conduct minor repairs.
Exhibitors include Altus Flutes, Atlantic Crossing Records, Brannen Brothers Flutemakers, Inc., Burkart Flutes & Piccolos, Di Zhao Flutes, Flute Center of New York, Flute Specialists, Flute World, Heid Music, The National Flute Association, Ward-Brodt, White House of Music and Wisconsin Youth Symphony Orchestras.
Tickets are $20 to $35 for Festival participants. Tickets for non-flutist family members of participants (parents, siblings) are available for at a special rate of $5. Registration information is available online at wisconsinflutefestival.org. Tickets can be purchased at the Festival.
The evening concert beginning at 5 p.m. in Mills Hall, is FREE and OPEN TO THE PUBLIC.
The Wisconsin Flute Festival is a program of the Madison Flute Club.
About the Madison Flute Club
The Madison Flute Club was founded in 2002 and currently presents over 20 concerts each year to an audience of more than 1,500 community members. The club involves, on average, 35 active adult members and over 30 youth from the surrounding area.
To advance and achieve its mission, the Madison Flute Club has undertaken several large projects and partnered with numerous organizations and events in Dane County.
These projects include the commissioning and world premiere of a work for flute choir for Design MMoCA, successfully fundraising for a contrabass flute (the first such instrument in Wisconsin) and performing at the National Flute Association Convention.
Madison Flute Club ensembles and members have been featured on Wisconsin Public Radio’s The Midday with Norman Gilliland, WORT 89.9FM Madison and in the publication The Flutist Quarterly.
The 2017 Wisconsin Flute Festival is co-hosted by Madison Flute Club and UW-Madison Flute Studio.
Major funding is provided by: Heid Music, American Printing Company, Eric and Tobi Breisach, Distillery Marketing and Design, Karl Sandelin in honor of Joyce Sandelin and Wisconsin Youth Symphony Orchestras.
Additional funding is provided by Altus Handmade Flutes, Breisach Cordell PLLC, and Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation and the Pleasant T. Rowland Foundation.
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features violinist Paran Amirinazari in music by Johann Sebastian Bach, Wolfgang Amadeus Mozart, Johannes Brahms, Camille Saint-Saens and Dmitri Shostakovich. Amirinazari, a graduate of the UW-Madison, is a member of the Willy Street Chamber Players. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
The Edgewood College Chamber Orchestra will perform a concert of music by Domenico Cimarosa, Ludwig van Beethoven and Gioachino Rossini this Sunday afternoon, Feb. 26, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive.
Admission is $5, and free with an Edgewood College ID.
The program features the rarely performed Concerto for Oboe by the 18th-century Italian composer Domenico Cimarosa. Oboist Malia Huntsman will be the soloist. The orchestra will perform under the baton of its music director, Edgewood College professor Blake Walter (below).
You can sample the Oboe Concerto by Cimarosa in the YouTube video at the bottom.
The program opens with music by Rossini and also features Beethoven’s Symphony No. 1, one of the early symphonic masterpieces of the German composer.
Originally from Los Angeles, Malia Huntsman (below) has been playing oboe since the age of 14. She holds an undergraduate degree in Oboe Performance from the Oberlin Conservatory of Music, and a Master of Arts degree in Oboe Performance from Rice University.
Founded in 1993 via an endowment established by benefactors William O. Hart and the late Edgewood College music professor Vernon Sell, the Edgewood Chamber Orchestra provides performances and unique educational opportunities. The ensemble is the permanent, in-house chamber orchestra at Edgewood College.
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features oboist Laura Medisky and pianist Vincent Fuh in sonatas by Paul Hindemith, Henri Dutilleux and Malcolm Arnold. The concert runs from 12:125 to 1 p.m. On Saturday night at 7 p.m., the same performers will repeat the same program in a FREE concert at Oakwood Village West auditorium, 6201 Mineral Point Road, on Madison’s far west side near West Towne.
By Jacob Stockinger
The Ear’s friends at the Willy Street Chamber Players (below), which The Ear named as Musicians of the Year for 2016, write:
We wanted to let you know about the upcoming kickoff of the Willy Street Chamber Players’ “Community Connect” series. We are committed to our mission of making classical music accessible to all.
The Willy Street Chamber Players’ Northside Community Connect Concert is on this coming Sunday, Feb. 19, at noon at the Warner Park Community Recreation Center.
Enjoy hot coffee, exciting classical music and great conversation with the Willy Street Chamber Players.
This program is FREE, family-friendly and will last about 60 minutes. All are welcome.
The program is: String Quartet in C Major, K. 157, by Wolfgang Amadeus Mozart; String Quartet No. 5, “Rosa Parks” by Daniel Bernard Roumain; “Entr’acte” for String Quartet by Pulitzer Prize-winner Caroline Shaw (you can hear the piece, which The Ear loves for its pulsing and hypnotic rhythm plus unusual and interesting string textures, in the YouTube video at the bottom); and “Four, for Tango” by Astor Piazzolla.
There was an announcement about this series in the January string quartet program at A Place to Be (below, in a photo by John W. Barker), and it included a couple more concerts. But we have decided to make Community Connect a self-produced series.
We are planning a second Community Connect concert in July during our regular summer series, and have listed our other free appearances on our regular calendar.
The concert is made possible in part by Willy Street Co-Op and the North/Eastside Senior Coalition (NESCO).
For more information go to: www.willystreetchamberplayers.org
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison features Danielle Breisach and Taya König-Tarasevich playing music for baroque and modern flutes. They will play works by Johann Sebastian Bach, Georg Philipp Telemann, Jacques-Martin Hottetere and Yuko Uebayashi. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
“Con Vivo! … music with life,” (below) continues its 15th season with a chamber music concert entitled “Capital Europeans” on this Sunday afternoon, Feb. 12, at 2:30 p.m. at First Congregational United Church of Christ, 1609 University Ave. across from Camp Randall Stadium.
Tickets can be purchased at the door. Admission is $18 for adults and $15 for seniors and students.
The winter concert, called, “Capital Europeans,” features pieces from three distinct European composers, each with his own style.
Representing Paris, the program includes selections from the Organ Preludes by French composer Darius Milhaud.
Audience members are invited to join the musicians after the concert for a free reception to discuss the concert.
Adds Con Vivo’s artistic director Robert Taylor: “With this concert, we are performing a Sunday matinee with three unique composers, each with his own musical language. Our Madison audience will be able to hear our musicians up close and personal playing music of extreme delight and depth.”
Con Vivo is a professional chamber music ensemble comprised of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and various other performing groups familiar to Madison audiences.
For more information about Con Vivo and its upcoming concerts, go to: http://www.convivomusicwithlife.org
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features the Ann Arbor Ensemble. The group consists of Berlinda Lopez, flute; Marie Pauls, viola; and Stacy Feher-Regehr, piano. The all-French program includes the Trio Sonata by Claude Debussy and the Trio No. 2 in A minor, Op. 34, by Cecile Chaminade.
By Jacob Stockinger
The Oakwood Chamber Players (below) continue their 2016-2017 season with a concert titled Looking Within on this coming Saturday, Jan. 21, at 7 p.m. and Sunday, Jan. 22, at 2 p.m.
The concerts will both be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne.
Tickets can be purchased with cash or personal checks at the door: $20 for general admission, $15 for seniors and $5 for students. Visit www.oakwoodchamberplayers.com for more information.
Here are notes to the eclectic and unusually noteworthy program:
In 2011, American composer Byron Adams (below top) wrote a piece to honor the notable Czech-American composer Karel Husa (below bottom), who was also his composition teacher at Cornell University. The Serenade (Homage de Husa) not only illuminates Husa’s Czech heritage through musical references but also captures the essence of his positive influence in a piece that shows musical charm and wit. With the death of the Pulitzer Prize-winning Husa this past December, the intended tribute is particularly appropriate.
The Notturno (Nocturne) by Arnold Schoenberg (below) is a sweetly atmospheric, late Romantic work for harp and strings. After premiering in 1896 to an appreciative audience, this lovely piece of music was lost for decades and not rediscovered until 2001.
Originally written by French composer Maurice Ravel (below) in 1914, Kaddisch was set as a song using Aramaic text from the Jewish prayer book. The Oakwood Chamber Players will perform an evocative arrangement by David Bruce for a mixed ensemble of strings, winds, harp and English horn.
Music by British composer Gabriel Jackson (below, in a photo by Joel Garthwaite) is written with directness and clarity. In the Mendips, written in 2014, depicts the natural beauty of limestone hills in Somerset, England. The influence of generations of British composers, such as Vaughan Williams who was also inspired by pastoral beauty, is deftly woven into this piece for flute, clarinet, string trio, and harp.
Composer Frances Poulenc (below) was surrounded by the impressionist influence of his fellow French contemporaries Debussy and Ravel.
However, known for humor in how he approached his compositions, his creativity is resoundingly experienced in the high-energy Sextet for piano and woodwind quintet.
The listener will experience quicksilver shifts from the zesty vivace opening to glimpses of introspection to a dazzling high velocity finale. (You can hear the opening of the Sextet in the YouTube video at the bottom.)
The Oakwood Chamber Players are joined by guests Geri Hamilton and Maureen McCarty, violins; Brad Townsend, string bass; Aaron Hill, oboe and English horn; and Mary Ann Harr, harp (below).
This is the third of five concerts in the Oakwood Chamber Players’ 2016-2017 season series entitled Perspective. Remaining concerts will take place on March 18 and 19, and May 13 and 14.
The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.
The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation
ALERT: The FREE Friday Noon Musicales at the First Unitarian Society of Madison, 900 University Bay Drive, resume this week after a break for Christmas, New Year’s and other holidays. This Friday, from 12:15 to 1 p.m., pianist Olivia Musat will perform music by Olivier Messiaen, Isaac Albeniz and Paul Constantinesco.
By Jacob Stockinger
It seems a tradition throughout the media to offer a roundup of the Year’s Best with a local slant.
The Ear already offered a national and international roundup. Here is a link to that, especially to the surprisingly rich roundup that he unexpectedly found on Wikipedia:
For a more local perspective, The Ear trusts and generally agrees with critic John W. Barker (below), who writes frequently for this blog and more often for Isthmus.
Here is a link to Barker’s list of memorable concerts in the Madison area, Because Isthmus mixes classical with other genres like pop, folk and jazz, you have to scroll down to “Classical cornucopia”:
Although I agree with all the concerts that Barker mentions, he left out some that The Ear really loved. One was the absolutely riveting and moving performance in November by the Madison Symphony Orchestra under John DeMain of the momentous Fifth Symphony by Dmitri Shostakovich.
For example just about everything that the Pro Arte Quartet does at the University of Wisconsin-Madison School of Music is first-rate and memorable, whether they play in Mills Hall or on “Sunday Afternoon Live From the Chazen Museum of Art.”
But this past fall, a free noontime concert by the Pro Arte with legendary pianist Leon Fleisher especially stood out. Together (below), they performed the Piano Quintet in F Minor by Johannes Brahms – an unquestionable masterpiece in an unforgettable performance.
The Ear would also add two events, both violin recitals, at the Wisconsin Union Theater.
Last spring Hilary Hahn (below top, in a photo by Peter Miller) turned in a stunningly superb recital. Then this fall, superstar Joshua Bell (below bottom) did the same. Both artists displayed terrific musicality combined with terrific virtuosity in generous and first-rate, ambitious programs.
He would add several summer concerts by the Bach Dancing and Dynamite Society, especially the sizzling dueling violin concert (below) where the BDDS interspersed “The Four Seasons” buy Antonio Vivaldi with “The Four Seasons in Buenos Aires” by Astor Piazzolla.
The Ear would also add an experimental concert at which UW-Madison pianist Christopher Taylor (below) unveiled his reworked two-keyboard “Hyperpiano.” While the concert, which featured the “Goldberg” Variations by Johann Sebastian Bach, wasn’t successful musically, it certainly was intriguing, unusual and highly memorable, even with imperfect digital technology.
And The Ear also recalls a fine concert by the Rhapsodie Quartet (below) of the Madison Symphony Orchestra at the Overture Center.
And let’s not forget the University Opera’s production of “Falstaff” by Giuseppe Verdi that was impressively and successfully updated to Hollywood by director David Ronis.
The Ear is sure there are more memorable concerts that escape him right now. Madison just features so much wonderful music-making in the course of a year.
Moreover, The Ear is also sure you have your favorites – whether they are individual plays; small chamber music groups such as duos, string quartets and piano trios; larger ensembles like the Madison Symphony Orchestra and the Wisconsin Union Theater; or entire events like the UW Brass Festival.
I am sure that fans of the innovative percussion group Clocks in Motion and the acclaimed Madison Choral Project have a concert or two to nominate.
So please use the COMMENT section to tell us what were your most memorable classical concerts in Madison during 2016.
The Ear wants to hear.