The Well-Tempered Ear

Con Vivo woodwind quintet plays a FREE outdoor concert TONIGHT on Madison’s west side

June 12, 2021
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By Jacob Stockinger

The Ear wants to thanks the many readers who sent congratulations and best wishes to him on the return of his blog.

He also wants to post the following announcement:

Con Vivo! … music with life has been opening its 18th season of chamber music concerts with free concerts in city parks performed by CVQ — the con vivo! woodwind quintet (below). 

The last FREE performance will take place TONIGHT – Saturday, June 12 — at 7 p.m. at Rennebohm Park (below, the exterior and interior of the shelter), 115 North Eau Claire Ave., on Madison’s west side not far where the old state DMV building used to be.

The concert will include music by Aaron Copland, Louis Moreau Gottschalk, Franz Danzi and Beethoven.

The woodwind quintet is composed of flute, oboe, clarinet, bassoon and French horn.

The event is free and everyone is welcome. So bring a lawn chair or blanket, and join us for what will prove to be an enjoyable evening of live music!

For more information, visit www.convivomusicwithlife.org or call (608) 277-8087.

This project is supported in part by Dane Arts with additional funds from the Endres Mfg. Company Foundation; The Evjue Foundation, Inc., the charitable arm of The Capital Times; the W. Jerome Frautschi Foundation; and the Pleasant T. Rowland Foundation.


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Just Bach concludes its season this Wednesday morning with highlights of the past season

May 18, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post about this season’s final Just Bach online concert this Wednesday:

Greetings from Just Bach!

We hope this finds you all well, enjoying the spring, and ready to experience more of the timeless beauty of Bach’s music.

Our May concert features musical highlights from this extraordinary past season.

The complete program listing is below. It is organized in two parts, corresponding to the two semesters.

Indoor singing was risky during the pandemic, so the bulk of our programming was instrumental, with strings and keyboard for the most part (below in a photo by Barry Lewis).

The Sinfonia from the Christmas Oratorio was recorded at St. Matthias Episcopal Church in Waukesha, because of the Dane County Emergency Order prohibiting indoor gatherings in November and December during the pandemic.

We were back at Luther Memorial Church for the January concert, and by April we were able to include woodwinds (below, in a photo by Barry Lewis)

You can view the May concert here, starting at 8 a.m. this Wednesday, May 19, and then staying available indefinitely:  https://justbach.org/concerts/

Please join us for a half-hour live Zoom post-concert reception on Wednesday night, May 19, at 7 p.m. Chat with the performers by following the link: https://us02web.zoom.us/j/85144014343?pwd=RmVURXBBU1hMcloyalJhbUdCQ1NmQT09

Viewing the concerts is FREE, but we ask those who are able, to help us pay our musicians by making a tax-deductible donation at: https://justbach.org/donate

Just Bach will take a break for the summer, and concerts will resume in September.

Here is the May program:

• Welcome

Part I – Fall Semester

• Cantata 146: Sinfonia

• Violin Sonata, BWV 1001: movement 4 Presto

• Double Violin Concerto: movement 3 Allegro (in the YouTube video, with an animated graphic, at the bottom)

• Christmas Oratorio, Part II: Sinfonia

• Christmas Oratorio: Chorale “Ich steh’ an deiner Krippen hier” (I stand here by your crib)

Part II – Spring Semester

• Cantata 35: Sinfonia

• Trio Sonata, BWV 526: movement 2 Largo

• Violin Sonata, BWV 1019: movement 5 Allegro 

• Flute Sonata BWV 1034: movement 1 Adagio ma non tanto

• Cantata 42: Sinfonia

• Cantata 149: Chorale “Ach Herr, laß dein lieb Engelein” (O Lord, let your dear little angel)

Performers are: Kangwon Kim, Christine Hauptly Annin, Leanne League, Xavier Pleindoux, Nathan Giglierano and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen and Lindsey Crabb, cello; Linda Pereksta and Monica Steger, traverse flute; Marc Vallon, bassoon; Grammy-winner Sarah Brailey, soprano; John Chappell Stowe and Jason Moy, harpsichord; Mark Brampton Smith, organ; and Bruce Bengston, organ.

Dave Parminter is the videographer and Barry Lewis is the photographer.

For more information, go to:

https://justbach.org

facebook.org/JustBachSeries

youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ


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Just Bach’s FREE concert for April welcomes back woodwinds and will be posted early this Wednesday morning

April 18, 2021
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By Jacob Stockinger

The Ear has received the following notice from Just Bach about the FREE concert they will post starting at 8 a.m. this Wednesday morning, April 21.

Our April concert program opens with a welcome and overview from our co-director, Grammy-winning soprano and UW-Madison graduate student Sarah Brailey (below, in a photo by Miranda Loud).

And then comes the music: after a season of pieces for strings and keyboards, we’re delighted to welcome woodwinds back to our stage! (Below from left, in a photo by Barry Lewis, are Monica Steger, Linda Pereksta and UW-Madison Professor Marc Vallon.)

The exuberant Sinfonia from Cantata 42 was composed for the first Sunday after Easter, and its jubilant writing is the perfect way to celebrate spring and the expanded musical forces (below, in a photo by Barry Lewis) made possible by the vaccine.

Linda Pereksta follows this up with a performance of the Sonata in E Minor for Flute and Keyboard, BWV 1034. Her musical partner is harpsichordist Jason Moy (below, in a photo by Barry Lewis), making his Just Bach debut.

The program closes with our popular chorale sing-along, this time  “Der Herr ist mein getreuer Hirt” (The Lord Is My Faithful Shepherd), BWV 104. (You can hear it in the YouTube video at the bottom.)

Sarah Brailey introduces the text, Andrew Schaeffer plays the music on the organ, and then Sarah and Andrew perform it together. The music and text are displayed on the computer screen, so please join in, if you’d like!

Our concerts are posted on the Just Bach and Luther Memorial YouTube Channels at 8 a.m. on the third Wednesday of every month: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Concert viewers are invited to a half-hour live Zoom Post-concert Reception is this Wednesday night, April 21, at 7 p.m. Chat with the performers and other audience members, via this link: https://us02web.zoom.us/j/85490470546…

Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation: https://justbach.org/donate/

The final Just Bach concert of this season launches on Wednesday, May 19.

Performers are: Linda Pereksta, traverso 1; Monica Steger, traverso 2; Marc Vallon, bassoon;  Leanne League, violin 1; Aaron Yarmel, violin 2; Marika Fischer Hoyt, viola; Lindsey Crabb, cello; Jason Moy, harpsichord; Sarah Brailey, soprano; Andrew Schaeffer, organ.

Dave Parminter is the videographer and Barry Lewis is the photographer.


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A busy weekend of online concerts features the UW Symphony, Edgewood College, Madison Opera, Wisconsin Chamber Orchestra, Bach Around the Clock and more

March 25, 2021
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By Jacob Stockinger

With only a little over a month left before the academic year ends at the University of Wisconsin-Madison, it’s not surprising that the last weekend in March is very busy with noteworthy – and competing – online concerts.

Each morning at 8 through Friday, Bach Around the Clock will release the last concerts of its 10-day online festival. You can find the programs – including the finale Friday night at 7 with Brandenburg Concerto No. 6 — and link for streaming here: https://bachclock.com/concert-schedule

The weekend starts tonight with one of The Ear’s favorite groups during the Pandemic Year: the UW-Madison Symphony Orchestra

Here is a day-by-day lineup. All times are Central Daylight Time:

TONIGHT, MARCH 25

The UW-Madison Symphony Orchestra (below) performs a FREE virtual online concert TONIGHT starting at 7:30 p.m.

The concert will be preceded by a 7 p.m. talk about Igor Stravinsky with modern musicologist and Penn State Professor Maureen Carr as well as conductor Oriol Sans and Susan Cook, UW musicologist and director of the Mead Witter School of Music.

The program is: Suite from the opera “Dido and Aeneas” by Henry Purcell, with student conductor Alison Norris; Duet for Two Violins and String Orchestra by the contemporary American composer Steve Reich; and  the Neo-Classical “Apollon musagète” (Apollo, Leader of the Muses) by Stravinsky. (In the YouTube video at the bottom, you can hear an excerpt of the Stravinsky played by the Berlin Philharmonic with Simon Rattle conducting.)

Here is the link to the talk and concert. Click on more and you can also see the members of the orchestra and the two violin soloists: https://youtu.be/2rgHQ4lWTV8

For more information about the program, including notes, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra/

FRIDAY, MARCH 26

At 7:30 p.m. the Wisconsin Chamber Orchestra will post for three days the third of its four online chamber music concerts (below). There will be excerpts of music by Beethoven and Brahms as well as complete works by Jessie Montgomery and Alyssa Morris.

Tickets to the online on-demand event are $30, with some discounts available, and are good through Monday evening.

Here is a link to more about this concert, including program notes by conductor and music director Andrew Sewell, and how to purchase tickets: https://wcoconcerts.org/events/winter-chamber-series-no-iii

At 8 p.m., the music department at Edgewood College will give a FREE online Spring Celebration concert. It will be livestreamed via music.edgewood.edu

The performers include: the Chamber Orchestra, under the direction of Sergei Pavlov (below); the Guitar Ensemble, under the direction of Nathan Wysock; and the Chamber Winds, directed by Carrie Backman.

Highlights include the Guitar Ensemble’s performance of Wish You Were Here, by David Gilmour and Rogers Waters, and the Chamber Winds epic Star Wars: The Force Awakens. The Chamber Orchestra, which will perform live, will feature Musical moment No. 3, by Franz Schubert and Peer Gynt Suite by Edvard Grieg.

SATURDAY, MARCH 27

At noon, in Grace Episcopal Church on the Capitol Square downtown, there will be a FREE online concert. Grace Presents: “A Patient Enduring”: This early music program of medieval conductus (a musical setting of metrical Latin texts) and ballade, English lute song, and duets from the early Italian Baroque features two sopranos, Grammy-winnner Sarah Brailey (below) and Kristina Boerger, with Brandon Acker on lute and theorbo.

Here is a link: YouTube.com/GracePresentsConcerts

You can also go to this webpage for a link: https://www.music.wisc.edu/event/grace-presents-a-patient-enduring/

At 3 p.m. the Perlman Trio, a piano trio that is made up of UW-Madison graduate students, will give a FREE online concert. The program includes piano trios by Haydn, Beethoven and Schubert. 

Here is a link to the YouTube video: https://youtu.be/EAjK0DfWB3A

Here is a link to the complete program plus background, names and photos of the performers as well as to the performance: https://www.music.wisc.edu/event/perlman-piano-trio/

At 7 p.m. the UW-Madison’s Wingra Wind Quntet (below) will perform a FREE pre-recorded online concert. Here is a link to the video https://www.youtube.com/watch?v=Bn7eobSnfr8

And here is a link to the page with more background information about the faculty members – including bassoonist Marc Vallon (below top) and flutist Conor Nelson (below bottom) – and to the complete program: https://www.music.wisc.edu/event/wingra-wind-quintet/

SUNDAY, MARCH 28

From 4 to 5:30 p.m., guest mezzo-soprano Julia Ubank (below) will give a free online recital with pianist Thomas Kasdorf.

The program features songs by Mahler, Debussy, deFalla, Jake Heggie and Ellen Cogen.

Here is the complete program plus a link to the recital: https://www.music.wisc.edu/event/julia-urbank-voice-recital/

From 4 to 5:30 p.m. the Madison Opera will host a Opera Up Close cocktail hour discussion with four general directors of opera companies. Here is the website’s description:

“Four opera general directors walk into a chat room…. Stepping outside the Madison Opera family, Kathryn Smith (below, in a photo by James Gill) is joined by three colleagues: Michael Egel of Des Moines Metro Opera, Ashley Magnus of Chicago Opera Theater, and Lee Anne Myslewski of Wolf Trap Opera.

“From how they got into opera, to the ups and downs of running an opera company, their favorite productions, funniest moments, and more, it will be a unique and entertaining afternoon.

Here is a link with more information including the cost of a subscription: https://www.madisonopera.org/class/general-directors/?wcs_timestamp=1616947200

At 6 p.m., Rachel Reese, a UW-Madison doctoral student in violin, will give a lecture-concert about the Violin Concerto No. 2 by the rediscovered African-American composer Florence Price (below). She will be accompanied by pianist Aubrie Jacobson.

Here is a link to the concert plus background about Rachel Reese: https://www.music.wisc.edu/event/rachel-reese-lecture-recital/


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Today is Day 2 of the online Bach Around the Clock festival. It starts at 8 a.m. and features keyboard, wind, string and vocal music. WPR’s Jonathan Overby will discuss Bridges to Bach tonight at 7

March 18, 2021
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By Jacob Stockinger

Here is the schedule for Day 2 of the 2021 virtual, online Bach Around the Clock festival, which is today — Thursday, March 18:

Today’s program will be available starting at 8 a.m. and then throughout the festival.

Click here to view more.

For an overview and background, go to: https://welltempered.wordpress.com/2021/03/17/todays-just-bach-concert-starts-the-10-day-bach-around-the-clock-festival-that-runs-through-march-26-all-events-are-free-and-online-here-are-the-lineups/

PERFORMERS and PROGRAMS

•  Musette (from Suzuki Book 2); Ossian Rogers, violin; Faolan Rogers, harp; Kara Rogers, piano

•  Sheep May Safely Graze, from Cantata 208; Gift Akere, piano

•  Sonata No. 3, BWV 1005:  Largo; Rebekah May, viola

•  Cello Suite V in C minor, BWV 1011: Prelude,  Gavottes I and II, Gigue; Cindy Cameron-Fix, bassoon

•  Anna Magdalena Bach Notebook: Menuet, BWV anh 114; Tim Farley, clavichord

•  Chorale: Now God be with us; Katie Bultman, soprano, and Kenneth Stancer, organ

Live Evening Keynote  Discussion at 7 p.m. Jonathan Øverby, (below) distinguished Wisconsin Public Radio host of “The Road to Higher Ground,” will discuss building The Bridge To and Through Bach with BATC Artistic Director Marika Fischer Hoyt.

Click here to join the Zoom call, starting at 7 p.m. tonight, Thursday, March 18. Viewers are encouraged to submit questions in the chat for Overby to address.


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Starting TODAY, the First Unitarian Society of Madison offers three free, online mini-concerts at noon on Fridays to celebrate Women’s History Month

March 12, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post about three free, online mini-concerts to celebrate Women’s History Month through the Friday Noon Musicales at the First Unitarian Society of Madison.

The concerts start today:

UPCOMING PERFORMANCES

•   To celebrate Women’s History Month, the First Unitarian Society of Madison will present three Friday Noon Musicales during March. 

•   All three will be guest produced by Iva Ugrcic. 

•   Iva Ugrcic (below) is Founding Artistic Director of the Madison-based LunART Festival, which supports, inspires, promotes and celebrates women in the arts.  

•   Each program will feature highlights from past LunART Festival performances.

•   Each program will be approximately 45 minutes long.

DATES AND PROGRAMS

Each video will become available at noon on the indicated date, and will remain available for viewing in perpetuity.

This Friday, March 12 — Works by living composers Jocelyn Hagen, Salina Fisher and Missy Mazzoli (below top), as well as Romantic-era composer Clara Schumann (below bottom, Getty Images).  Specific titles are not named.

Performers include: Iva Ugrcic, flute; Matthew Onstad, trumpet; Tom Macaluso, trombone; Elena Ross and Todd Hammes, percussion; Kyle Johnson, Jason Kutz, Satoko Hayami and Yana Avedyan, piano; Beth Larson and Isabella Lippi, violin; Karl Lavine, cello (below); ARTemis Ensemble.

Friday, March 19 — Works by living composers Linda Kachelmeier, Elsa M’bala, Doina Rotaru (below top) and Eunike Tanzil, as well as Medieval mystic Hildegard von Bingen (below bottom) and Romantic-era Fanny Mendelssohn-Hensel. Specific works are not named. (In the YouTube video at the bottom, you can hear flutist Iva Ugrcic play Doina Rotaru’s haunting “Japanese Garden.”)

Performers include: Iva Ugrcic, flute; Jose Ignacio Santos Aquino, clarinet; Midori Samson, bassoon; Breta Saganski and Dave Alcorn, percussion; Satoko Hayami (below), Jason Kutz and Eunike Tanzil, piano; ARTemis Ensemble

Friday, March 26 — Alexandra Olsavsky, Edna Alejandra Longoria, Kate Soper and Jenni Brandon as well as post-Romantic era American composer Amy Beach (below bottom). Specific pieces are not named. 

Performers include: ARTemis Ensemble; a string quartet with violinists Isabella Lippi and Laura Burns, violist Fabio Saggin, and cellist Mark Bridges (below); Jeff Takaki, bass; Vincent Fuh and Kyle Johnson, piano; Jennifer Lien, soprano; Iva Ugrcic, flute.

THREE OPTIONS FOR ATTENDING

•   Website — https://www.fusmadison.org/musicales

•   Facebook — https://www.facebook.com/fusmadison

•   YouTube — https://www.youtube.com/fusmadison > “Playlists” > “Music at FUS”

ABOUT THE “FRIDAY NOON MUSICALES” RECITAL SERIES

•   The Friday Noon Musicales at First Unitarian Society is a free noon-hour recital series offered as a gift to the community. 

•   Founded in 1971, 2020-2021 is the series’ 50th season. 

•   The series has featured some of the finest musicians in the Midwest, who flock to perform in the Frank Lloyd Wright-designed Landmark Auditorium.

•   The music performed is mostly classical, but folk, jazz and musical theater styles are presented on occasion.

•   During the pandemic, the Musicales have largely been on hiatus.

JUSTICE AND MUSIC INITIATIVE (JAM)

•   The Justice And Music Initiative (JAM) at the First Unitarian Society of Madison represents a commitment to more socially equitable and earth-friendly music practices. 

•   This commitment includes music performed on our campus, both for worship and non-worship events. 

•   To help achieve our goal, we recognize and celebrate recognition days and months with our musical selections, such as Hispanic Heritage Month (9/15–10/15), LGBT History Month (October); Native American Indian Heritage Month (November), Black History Month (February), Women’s History Month (March), and African-American Music Appreciation Month (prev. Black Music Month; June).


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Due to popular demand, Wisconsin Youth Symphony Orchestras (WYSO) opens its FREE virtual master classes to the public. Today features the violin and Monday features the bass

January 10, 2021
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By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO) welcomes back two distinguished and successful alumni this weekend to teach the fifth and sixth master classes in an ongoing series that has already wowed observers. (WYSO alumni are noted below with an asterisk.)

Each virtual event is free and open to the general public with registration required in advance.

“The series has been so fabulous that, due to popular demand, we’ve opened up the events to anyone who wants to attend,” says Susan Gardels, marketing and communications director for WYSO. 

TODAY – Sunday, Jan. 10 — from 5:30-7:30 p.m. CST Derek Powell, a violinist with the National Symphony Orchestra in Washington, D.C., will coach four WYSO violin members in a two-hour master class.

This will be followed the next evening with a master class coached by Scott Pingel, Principal Bass with the San Francisco Symphony Orchestra (Monday, Jan. 11, 6:30-8:30 p.m. CST).

A master class presents a one-on-one opportunity for a student musician to learn from a guest artist with an audience invited to observe the process.

In previous master classes in this series, the audience has learned instrument performance techniques and musical interpretation tips from a wide variety of guest artists who professionally play music around the world.

With the master classes presented in an intimate Zoom setting, the audience learns along with the student— and it is amazing to see the sudden growth in a student’s musical prowess as a master class proceeds.

Derek Powell’s bio includes his experience with the New World Symphony where Powell (below) performed as concertmaster with famed conductor Michael Tilson Thomas and as a violinist with the Army Strings, as well as his current experience with the National Symphony Orchestra. 

Scott Pingel (below) was a trumpet player in his WYSO days with a side love for electric bass. Pingel switched to concert bass as an undergraduate at UW-Eau Claire, continued studies at the Manhattan School of Music, and played with the New World Symphony and the Charleston Symphony before joining the San Francisco Symphony as Principal Bass in 2004. He recently created buzz by playing with Metallica in a packed house with the San Francisco Orchestra.

For more information, go to: WYSO Amazing Masterclass Series

Here are details and links to register:

*Derek Powell, Violin Master Class

TODAY, Sunday, Jan. 10, 5:30-7:30 p.m. CST

Free and open to the public

Click here to register in advance

_______________________________

*Scott Pingel, Bass Master Class

Monday, Jan. 11, 6:30-8:30 p.m. CST

Free and open to the public

Click here to register in advance

Here are is a schedule of future WYSO alumni master classes:

Katherine Steele (below), oboe 
Sunday, Jan. 17, 6-8 p.m. CST
(Principal Oboe, Milwaukee Symphony Orchestra) https://wysomusic.org/katherine-steel-masterclass/

James Shields (below), clarinet
Sunday, Jan. 24, 7-9 p.m. CST
(Principal Clarinet, Oregon Symphony Orchestra)
Read more about James Shields

*Nancy Goeres (below), bassoon
Sunday, Feb. 7, 6-8 p.m. CST
(Principal Bassoon, Pittsburgh Symphony Orchestra)

Danbi Um (below), violin
Sunday, Feb. 21, Time TBD
(Soloist, member Chamber Music Society of Lincoln Center)

Megumi Kanda (below), trombone
Sunday, Feb. 28, 5:30-7:30 p.m. CST (Principal Trombone, Milwaukee Symphony Orchestra)

David Perry (below), violin
Sunday, March 7, 6-8 p.m. CST
(First Violin, UW-Madison Pro Arte Quartet and UW-Madison Music Professor)

Naha Greenholtz (below), violin
Sunday, March 28, 6-8 p.m. CST
(Concertmaster, Madison Symphony Orchestra and Quad Cities Symphony Orchestra)

*Sharan Leventhal (below), violin
Sunday, April 11, 6-8 p.m. CST
(Boston Conservatory)

For more information, go to https://wysomusic.org or call (608) 733-6283.


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Which classical composer has helped you the most during the Covid-19 pandemic?

January 4, 2021
6 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The holidays are over and as we close in on marking a year of the coronavirus and COVID-19 pandemic, The Ear has a question:

Which composer has helped you the most to weather the pandemic so far?

The Ear wishes he could say Bach, Haydn, Mozart, Beethoven, Schubert, Chopin or Brahms. And the truth is that they all played a role, some more than others.

But The Ear was surprised by the composer whose works he most listened to and liked — Antonio Vivaldi (below), the Red Priest of Venice who lived from 1678 to 1714 and taught at a Roman Catholic girls school.

Here is more about his biography, which points out that his work was neglected for two centuries and began being rediscovered only in the early 20th-century and still continues being rediscovered to the present day: https://en.wikipedia.org/wiki/Antonio_Vivaldi

The Ear isn’t talking about popular The Four Seasons although that set of 12 solo violin concertos has its charms and originalities.

The Ear especially appreciated the lesser-known concertos for two violins and the cello concertos, although the concertos for bassoon, flute, recorder, oboe, lute, trumpet and mandolin also proved engaging, as did the concerto grosso.

It was the 20th-century composer Igor Stravinsky (below) – the modern pioneer of neo-Classicism — who complained that Vivaldi rewrote the same concerto 500 times. “Vivaldi,” Stravinsky once said, “is greatly overrated – a dull fellow who could compose the same form many times over.”

But then did anyone turn to Stravinsky – who, The Ear suspects, was secretly envious — when they needed music as medicine or therapy during the pandemic? 

Vivaldi was, in fact, a master. See and hear for yourself.  In the YouTube video at the bottom, you can hear a performance of Vivaldi’s Concerto Grosso in G minor, RV 535,  performed by the Akademie für Alte Musik Berlin.

Why Vivaldi? You might ask.

Well, it’s nothing highbrow.

The best explanation is that Vivaldi’s music simply seems like caffeine for the ears and sunshine for the eyes. His music isn’t overly introspective or glum, and it isn’t too long or melodramatic.

The melodies and harmonies are always pleasing and energizing, and the tempi are just right, although bets are that the music is much harder to play than it sounds.

In short, Vivaldi’s extroverted music is infectious and appealing because it just keeps humming along — exactly as those of us in lockdown and isolation at home have had to do.

Happily, there are a lot of fine recordings of Vivaldi by period instrument groups from England, Italy and Germany and elsewhere that use historically informed performance practices. But some the most outstanding recordings are by modern instrument groups, which should not be overlooked.

With a few exceptions – notably Wisconsin Public Radio – you don’t get to hear much Vivaldi around here, especially in live performances, even from early music and Baroque ensembles. If you hear Vivaldi here, chances are it is The Four Seasons or the Gloria. Should there be more Vivaldi? Will we hear more Vivaldi when live concerts resume? That is a topic for another time.

In the meantime, The Ear wants to know:

Which composer did you most listen to or find most helpful throughout the pandemic?

Leave your choice in the comment section with, if possible, a YouTube link to a favorite work and an explanation about why you liked that composer and work.

The Ear wants to hear.

Thank you and Happy New Year!

 


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The UW-Madison’s Wingra Wind Quintet performs a FREE online virtual concert this Wednesday night. Plus, local music critic Greg Hettmansberger has died

December 8, 2020
4 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

NEWS ALERT: Local music critic and blogger Greg Hettmansberger (below) was killed in a car accident on Dec. 2, near Wichita, Kansas. Hettmansberger, 65, was driving when he hit a deer and then another car hit him. His wife survived but remains hospitalized in Wichita in critical condition. Here is a link to a news account:  https://www.kake.com/story/42993718/man-dies-in-crash-caused-by-deer-in-pratt-county

By Jacob Stockinger

This Wednesday night, Dec. 9, the UW-Madison’s Wingra Wind Quintet (below, in 2017) will perform a FREE virtual online concert from 7:30 to 9 p.m.

Here is a direct link to the pre-recorded video premiere on YouTube at: https://youtu.be/e1NhVZJW2cA

Due to the pandemic, the Wingra Wind Quintet has been unable to perform chamber music in a traditional way since March 2020. (You can hear the quintet play “On, Wisconsin” in the YouTube video at the bottom.)

In response, the quintet put together a program that allowed each member to record parts separately and have those parts edited together.

Current faculty members (below) are: Conor Nelson, flute; Lindsay Flowers, oboe; Alicia Lee, clarinet; Marc Vallon, bassoon; and Devin Cobleigh-Morrison, horn

The engineer/producer is Kris Saebo.

The program is: 

The first piece “Allegro scherzando” from Three Pieces by Walter Piston (below, 1894-1976)

The Chaconne from the First Suite in E-flat for Military Band by Gustav Holst (below, 1874-1934)

“Retracing” by Elliott Carter (below, 1908-2012)

Selections from “Mikrokosmos” by Bela Bartok (below, 1881-1945)

“A 6 letter letter” by Elliott Carter

Intermezzo from the First Suite in E-flat for Military Band by Gustav Holst

“Esprit rude/esprit doux” by Elliott Carter

Since its formation in 1965, the Wingra Wind Quintet at the University of Wisconsin-Madison Mead Witter School of Music has established a tradition of artistic and teaching excellence.

The ensemble has been featured in performance at national conferences such as MENC (Miami), MTNA (Kansas City), and the International Double Reed Society (Minneapolis). 

The quintet also presented an invitational concert on the prestigious Dame Myra Hess series at the Chicago Public Library, broadcast live on radio station WFMT.

In addition to its extensive home state touring, the quintet has been invited to perform at numerous college campuses, including the universities of Alaska-Fairbanks, Northwestern, Chicago, Nebraska, Western Michigan, Florida State, Cornell, the Interlochen Arts Academy, and the Paris Conservatoire, where quintet members offered master classes.

The Wingra Wind Quintet has recorded for Golden Crest, Spectrum, and the UW-Madison Mead Witter School of Music recording series and is featured on an educational video entitled Developing Woodwind Ensembles.

Always on the lookout for new music of merit, the Wingra has premiered new works of Hilmar Luckhardt, Vern Reynolds, Alec Wilder, Edith Boroff, James Christensen and David Ott. The group recently gave the Midwest regional premiere of William Bolcom’s “Five Fold Five,” a sextet for woodwind quintet and piano, with UW-Madison pianist Christopher Taylor (below).

New York Times critic Peter Davis, in reviewing the ensemble’s Carnegie Hall appearance, stated “The performances were consistently sophisticated, sensitive and thoroughly vital.”

The Wingra Wind Quintet is one of three faculty chamber ensembles in-residence at the University of Wisconsin-Madison Mead Witter School of Music. 

Deeply committed to the spirit of the Wisconsin Idea, the group travels widely to offer its concerts and educational services to students and the public in all corners of the state. (Editor’s note: For more about the Wisconsin Idea, which seems more relevant today than ever, go to: https://en.wikipedia.org/wiki/Wisconsin_Idea.)

Portions of this recording were made at the Hamel Music Center, a venue of the Mead Witter School of Music at the University of Wisconsin-Madison.

 


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