The Well-Tempered Ear

Classical music: Here is how the Wisconsin Youth Symphony Orchestras (WYSO) plan to continue lessons and performances this fall despite the coronavirus pandemic

August 29, 2020
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By Jacob Stockinger

The Ear has just received the following updates from an email newsletter about the upcoming season of the Wisconsin Youth Symphony Orchestras (WYSO). Over more than 50 years, WYSO has served tens of thousands of middle school and high school students in southcentral Wisconsin and northern Illinois. (In the YouTube video at the bottom, you can hear the WYSO Youth Orchestra play a virtual performance from the past season of the famous finale from Rossini’s “William Tell” Overture.)

After many weeks of planning, and in consultation with Public Health Madison and Dane County (PHMDC) and the McFarland School District, WYSO is excited to announce a fall semester plan that will mark a safe return to in-person music-making—and our first season at the McFarland Performing Arts Center (below) https://www.wysomusic.org/the-wyso-weekly-tune-up-april-17-2020-wysos-new-home/

We had a brief delay last Friday when PHMDC released Emergency Statement #9 delaying in-person start dates for all schools in Dane County. We checked in with the Public Health agency and they re-affirmed that WYSO is not a school —and the 15 students maximum-sized groups outlined in this plan are absolutely perfect. It is time to set up the tents!

The WYSO season will begin on the weekend of Sept. 5, when the winds and brass students from all three full orchestras (Youth, Philharmonia and Concert) will begin their fall rehearsals outside under two enormous tents in the McFarland High School parking lot (below). The 60 winds and brass students will be divided into approximately nine or 10 cohorts, who will meet in two-hour blocks on Saturdays and Sundays.

With a single cohort of masked and socially distanced students spread out within the 40′ x 60′ tent, with “bell covers and bags” for their instruments, the season will not look like any previous WYSO Fall.

If you’ve not been involved in the new science of aerosol transmission, this whole scenario might seem very curious. The reasoning is simple: The winds and brass instruments have been singled out as more problematic since you have to blow into them to make music. The blowing releases more “aerosols,” the tiny droplets that can transmit the coronavirus.

However, researchers at the University of Colorado at Boulder have recently released the first results from a five-month study and have found that the following actions bring down the transmission risk considerably:

  1. Social distancing 9 to 15 feet apart.
  2. Adding bell covers and bags (below) for the instruments (essentially the instruments have to wear masks as well as the students).
  3. Playing outside, which reduces risks due to the increased air circulation.

Because we are in Wisconsin, the “outdoor” location shortens the season for the winds and brass players so by beginning the season on Sept. 5 and ending on the weekend of Oct. 24, they can just squeeze in an 8-week cycle.

Meanwhile, the WYSO string and percussion players, approximately 300 in number and representing all five orchestras, will begin their fall season indoors on Oct. 17, after McFarland moves to a hybrid model for the school year.

The string players will be divided into 15-student cohorts by orchestra, with a wonderful mix of violins, violas, cellos and basses in each group, and with the groups spread throughout one wing of the high school in large music rooms and atriums.

The percussionists have been scheduled into the new Black Box Theater and they are excited to begin playing on the brand new marimbas and timpani so recently acquired by WYSO through a gift from an incredibly generous anonymous donor.

Everything has been carefully scheduled so that at any given time there will not be more than 125 students, conductors and staff in the building.

Start and end times have been staggered. The large beautiful spaces at McFarland will easily hold the socially distanced and mask-wearing players. And the orchestras will again be scheduled into Saturday and Sunday mornings and afternoons. Even the WYSO Chamber Music Program (below) has been scheduled into the intricate puzzle.

The rest of this exciting fall story has to do with adding incredibly talented professional musicians to lead some of the cohorts and the amazing repertoire available for groups of 15 musicians, whether they play winds, brass, strings or percussion.

From Mozart’s “Gran Partita” to Beethoven’s Symphonies No. 2 and 6; from Stravinsky’s “Pulcinella Suite” to Bartok’s Divertimento, and Tchaikovsky’s Serenade for Strings — there is almost an “embarrassment of riches” of exciting, seldom-played repertoire, to quote WYSO Music Director Kyle Knox (below). And this fall, that repertoire will be right in WYSO’s wheelhouse.

WYSO will video-capture this year’s Fall Concerts of students playing in the beautiful McFarland Performing Arts Center to 800 empty seats and let you know the exact Fall Concert dates as we get closer. Click here for additional information.

While WYSO is incredibly excited about our in-person plan for rehearsals and playing music together, we have also drawn up two alternate plans, and know that not everyone will be able to participate in-person.

WYSO Registration is underway, and we are asking those who cannot participate in the McFarland experience to let us know their needs through the registration process, so that we can create the best virtual experience possible for those involved. Tuition payment is not due at registration.

To register, go to: https://www.wysomusic.org/members/wyso-registration-form/

 


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Classical music: The Wisconsin Chamber Orchestra expands its Masterworks series this Friday night in Madison and Saturday night in Brookfield with piano soloist Orion Weiss and music by Mozart, Mendelssohn and Donald Fraser

January 21, 2020
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CORRECTION: The Ear received the following correction to the story about the Wisconsin Chamber Orchestra and apologizes for the error:

“There was a change to our rollout in Brookfield. We are only repeating the fifth Masterworks concert on Saturday, May 9. at 7:30 p.m. at the Sharon Lynne Wilson Center for the Arts. We are NOT repeating this Friday’s concert in Brookfield.

“We will perform a Family Series concert of “Beethoven Lives Next Door” on Sunday, March 29, at 3 p.m. at the same Brookfield venue.”

By Jacob Stockinger

The Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) is about to take a Great Leap Forward.

This weekend will see the WCO — now in its 60th year of existence and its 20th season under music director Andrew Sewell (below bottom, in a photo by Alex Cruz) – take a major step in its evolution as a statewide music ensemble. It is a development comparable to when John DeMain took the Madison Symphony Orchestra from single performances to “triples.”

That is because, for the first time ever, the WCO is going to “doubles.” It will perform Masterworks concerts in Madison on Friday nights at 7:30 p.m. in the Capitol Theater of the Overture Center. Then the WCO will repeat the same concert on the following Saturday night in the Milwaukee suburb of Brookfield at the Sharon Lynne Wilson Center for the Arts.

For a full story with lots of background and quotes about future plans for the WCO, you can’t do better than read the story by Michael Muckian that appeared last week in Isthmus:

Here is a link: https://isthmus.com/music/wisconsin-chamber-orchestra-turns-60/

The opening program has a couple of points of special interest.

First, this concert will mark the Madison debut of pianist Orion Weiss, a former student of Emanuel Ax who is increasingly booked for concerts and recordings.

Weiss (below in a photo by Jacob Blickenstaff) will solo in perhaps the most popular and famous of Mozart’s 27 piano concertos: No. 21 in C Major, K. 467. It is also known as the “Elvira Madigan” concerto because the beautiful  slow movement was used as the soundtrack to the movie of that same name. (You can hear the slow movement at the bottom in a YouTube video that has more than 59 million views.)

You can learn more about Weiss at his website: https://www.orionweiss.com

Another unique facet of the WCO concert is the U.S. premiere of “Sinfonietta for Strings” (2018) by the award-winning British composer Donald Fraser, now an American resident who lives in Illinois and is married to Bridget Fraser, the executive director of the Wisconsin Youth Symphony Orchestras (WYSO).

Fraser (below) – whose music is tonal and accessible — is especially well known, not only for his original compositions but also for his orchestral arrangements of chamber music by Brahms, Elgar, Marin Marais and others. His 2018 recording of “Songs for Strings” features many of those transcriptions.

For more about Fraser, go to his website: https://donaldfraser.com/index.html

The concert will conclude with the Symphony No. 4 – the “Italian” Symphony – by Felix Mendelssohn. It is a sunny, tuneful and energetic work that is the most popular and best-known symphony by Mendelssohn. It was also used in a movie as the soundtrack to the Italian bicycle race in the coming-of-age film “Breaking Away.”

Tickets are $10-$77. For more information about the program and the soloist, as well as about pre-concert dinners and how to buy single and season subscription tickets, go to: https://wisconsinchamberorchestra.org/performances/masterworks-i-5/

 


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Classical music: Next season the Wisconsin Chamber Orchestra will expand to two performances of its winter Masterworks concerts by adding a Saturday night concert in Brookfield, near Milwaukee

May 21, 2019
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By Jacob Stockinger

Next season will mark the 20th anniversary of Andrew Sewell (below top) coming to Madison to serve as the music director and principal conductor of the Wisconsin Chamber Orchestra (below bottom).

It is hard to imagine a better Bravo! or anniversary gift for the maestro – who has said he wants the WCO to become a chamber orchestra, as its name implies, for the entire state of Wisconsin — than what will in fact take place: the WCO will expand its winter Masterworks concerts to two performances by adding a Saturday night performance at 7:30 p.m. in the Sharon Lynne Wilson Center for the Arts (below) in Brookfield, a suburb of Milwaukee. (Sewell is also the music director of the San Luis Obispo Symphony in California.)

Madison performances of Masterworks will continue to take place at 7:30 p.m. on Friday night in the Capitol Theater of the Overture Center.

You can find out more about the Masterworks programs for next season by going to the WCO home website:

https://wisconsinchamberorchestra.org/performance-listing/category/masterworks

There you will find the usual eclectic mix of new guest artists and new or neglected composers and repertoire that has marked Sewell’s tenure and brought him critical acclaim.

Pianist Orion Weiss will perform the popular  Piano Concerto No. 21 in C Major, K. 467 – “Elvira Madigan” – by Wolfgang Amadeus Mozart; violinists Giora Schmidt and Eric Silberger will perform concertos by Dmitri Kabalevsky and Niccolo Paganini, respectively; harpist Yolanda Kondonassis will perform a concerto by Argentinian Alberto Ginastera; and Andrew Balio (below), principal trumpet of the Baltimore Symphony Orchestra, will return to Madison where he grew up and perform a 1948 trumpet concerto by Italian composer Andre Tomasi.

Early music and new music to be featured includes works by: Donald Fraser (an acclaimed English conductor, composer and arranger, below) who now lives in Illinois, and often comes to Madison); Joseph Martin Kraus, known as the “Swedish Mozart”; Norwegian composer Johann Svensen; and three English composers (always favorites of Sewell who was born and educated in New Zealand) who are John Marsh, James Macmillan and York Bowen. (In the YouTube video at the bottom you can hear the English Symphony Orchestra, conducted by Kenneth Woods — a native Madisonian who will return next season to conduct the Madison Symphony Orchestra — recording the Scherzo movement from Donald Fraser’s “Sinfonietta,” the same work that the WCO will perform.) 

Works by Franz Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Felix Mendelssohn and Sergei Prokofiev also figure prominently, including Mozart’s Symphony No. 41 “Jupiter” and Beethoven’s Symphony No. 6 “Pastoral” in honor of the composer’s 250th birthday in 2020.

Also on the website, you will find the upcoming season of Wednesday night Concerts on the Square for this summer (June 26-July 31) plus the dates and themes – although no guest artists or works — for 2020 (June 24-July 29).

Go to: https://wisconsinchamberorchestra.org/performances

You can also find information for next season about the WCO performing George Frideric Handel’s “Messiah,” Peter Ilyich Tchaikovsky’s ballet “The Nutcracker” with the Madison Ballet; the Young Artist Concerto Competition; the free Family Series; and the community Super Strings program for elementary students.

To receive a brochure with information about all these events and about how to get tickets — an “early bird” discount on subscription tickets runs through May 31– call (608) 257-0638 or go to: https://wisconsinchamberorchestra.org


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Classical music: The Wisconsin Youth Symphony Orchestras (WYSO) perform their annual Winterfest concerts this Saturday afternoon — with guest clarinetist Amitai Vardi — and on Saturday, March 2

February 15, 2019
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By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO, below is the Youth Orchestra) will present the Diane Ballweg Winterfest Concerts this Saturday, Feb. 16, and Saturday, March 2, in Mills Concert Hall in the Mosse Humanities Building, 455 North Park Street in Madison, at the University of Wisconsin-Madison’s Mead Witter School of Music.

WYSO orchestras will perform pieces by Carl Maria von Weber, Antonin Dvorak, Georges Bizet, Sergei Prokofiev, Richard Wagner, Peter Ilyich Tchaikovsky, Manuel DeFalla, Johann Strauss, Modest Mussorgsky  and others.  For a complete program listing, go to: https://www.wysomusic.org/diane-ballweg-winterfest-2019-repertoire/

“These are wonderful works and the orchestras are progressing beautifully in rehearsal,” said WYSO music director Kyle Knox (below). “It looks to be a memorable concert series.”

Guest clarinetist Amitai Vardi (below) will perform Weber’s Concertino for Clarinet and Orchestra, Op. 26,  with the Youth Orchestra during their Feb. 16 concert. (You can hear Weber’s Concertino in the YouTube video at the bottom.)

Amitai Vardi — his father Uri Vardi teaches cello at the UW-Madison — is a WYSO alumnus who grew up in Madison. He performs regularly with the Cleveland Orchestra and is currently a professor at Kent State University in Ohio.

“WYSO was the first orchestra I ever played in,” Vardi said. “The experience developed my listening skills, knowledge about ensemble playing, love for orchestral music, and taught me how to be a well-rounded musician.”

Concert tickets are available 45 minutes prior to each concert, and are $10 for adults and $5 for youth 18 and under.

Visit www.wysomusic.org to learn more about the various orchestras and about the WYSO program.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois each weekend throughout the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students, including ensembles and chamber groups.

Diane Ballweg Winterfest Concerts

Saturday, Feb. 16 in Mills Hall
4 p.m. Youth Orchestra
With guest artist Amitai Vardi, clarinet

Saturday, March 2, 2019, Mills Hall
11:30 a.m. Opus One and Sinfonietta
1:30 p.m. Concert Orchestra
4 p.m. Philharmonia Orchestra and Harp Ensemble


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Classical music: Wisconsin Youth Symphony Orchestras perform the Evelyn Steenbock fall concerts TODAY and next Friday night. The Edgewood Chamber Orchestra performs this Sunday afternoon

November 10, 2018
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ALERT: This Sunday afternoon, Nov. 11, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive, the Edgewood Chamber Orchestra will give its fall concert. Conducted by Blake Walter, the chamber orchestra will play Franz Joseph Haydn’s “The Word on the Moon” Overture, Arthur Honegger’s Pastorale D’été (Summer Pastoral) and Symphony No. 1 in C minor by Felix Mendelssohn. Tickets are $5 for general admission, free with Edgewood College ID.

By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO, below) will present their first concert series of the 2018-19 season, the Evelyn Steenbock Fall Concerts TODAY, Saturday, Nov. 10, and next Friday, Nov. 16.

WYSO orchestras will perform works by Igor Stravinsky, Aram Khachaturian, Soon Hee Newbold and more. The Youth Orchestra concert will include a performance of Tchaikovsky’s “Rococo” Variations with special guest cellist Joseph Johnson.

“Joseph Johnson is an extraordinary artist and person and it will be a treat for us all to hear and collaborate with someone of his stature,” says Youth Orchestra Conductor Kyle Knox (below).

Johnson has been heard throughout the world as a soloist, chamber musician and educator. Principal cellist of the Toronto Symphony Orchestra since the 2009-10 season, he previously held the same position with the Milwaukee Symphony Orchestra. (You can hear an interview with Joseph Johnson in the YouTube video at the bottom.)

He also serves as principal cellist of the Santa Fe Opera, and during the 2008-2009 season was acting principal cellist of the Honolulu Symphony Orchestra. Prior to his Milwaukee appointment, Johnson was a member of the Minnesota Orchestra cello section for 11 years.

“The Youth Orchestra couldn’t be more excited to present a program of all-Russian music for our first concert of the season,” Knox says. “We will begin with a rarely performed gem by 20th-century composer Igor Stravinsky, followed by one of the great solo works in the cello repertoire, the “Rococo” Variations by Tchaikovsky. Finally, we will finish the evening with the mighty Symphony No. 4 by Tchaikovsky, one of the most famous orchestral works in history, which features all sections of the orchestra.”

TODAY’S concerts begin at 11:30 a.m. in Mills Hall at the UW-Madison’s Mead Witter School of Music, 455 North Park Street, Madison.

The Nov. 16 Youth Orchestra concert with guest soloist Joseph Johnson begins at 7:30 p.m. at the Middleton Performing Arts Center, 2100 Bristol Street, next to Middleton High School, with a reception to follow.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois each weekend throughout the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students, including ensembles and chamber groups.

Concert admission is $10 for adults, and $5 for youth 18 and under, with tickets available at the door.

Full concert repertoire is available at https://www.wysomusic.org/evelyn-steenbock-fall-concerts-repertoire/

To learn more about Joseph Johnson, go to: www.joecello.com.

Evelyn Steenbock Fall Concerts

Saturday, Nov. 10, Mills Concert Hall
11:30 a.m. Opus One and Sinfonietta
1:30 p.m. Harp Ensemble & Concert Orchestra
4 p.m. Percussion Ensemble (below) and Philharmonia Orchestra

Friday, Nov. 16, Middleton Performing Arts Center
7:30 p.m. Youth Orchestra, reception to follow
With guest artist Joseph Johnson, cello


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Music education: Wisconsin Youth Symphony Orchestras present their spring concerts and concerto winners this Saturday and Sunday afternoons

May 18, 2018
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By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO) will present its third and final concert series of the season, the Eugenie Mayer Bolz Fa­mily Spring Concerts, on this Saturday, May 19, and Sunday, May 20.

The concerts will take place in Mills Concert Hall at the University of Wisconsin-Madison’s Mead Witter School of Music, 455 North Park Street, in Madison. 

Programed pieces include works from Felix Mendelssohn, Peter Ilyich Tchaikovsky, Dmitri Shostakovich, Arturo Marquez, Aaron Copland, Jacques Offenbach, and more.

For a complete repertoire list, go to:https://www.wysomusic.org/eugenie-mayer-bolz-family-spring-concerts-repertoire/

The concert weekend features four concerto performances from the Philharmonia Orchestra and the Youth Orchestra members, and the final concert by Mark Leiser (below), who will rertire as conductor of WYSO’s Sinfonietta orchestra after 25 seasons.

Each year, WYSO hosts a concerto competition for members of the Youth Orchestra and the Philharmonia Orchestra.

Concerto competition winners performing during the spring concerts this year are Ellen Zhou, a seventh-grader at E.G. Kromrey Middle School in Middleton, and a member of Philharmonia Orchestra; Ava Kenney, a seventh-grader at Saint Maria Goretti School, and a member of Philharmonia Orchestra; Morty Lee, a junior at James Madison Memorial High School, and a member of Youth Orchestra; and Isabelle Krier, a junior at Oregon High School, and a member of Youth Orchestra.

Ellen Zhou (below top) will perform Zigeunerweisen by Pablo de Sarasate, and Ava Kenney (below bottom) will perform the first movement of the Violin Concerto by Felix Mendelssohn with Philharmonia Orchestra on Saturday.

Morty Lee (below top) will perform the first Cello Concerto No. 1 by Dmitri Shostakovich; and Isabelle Krier (below bottom) will perform the third movement of the Violin Concerto in D Major by Peter Ilyich Tchaikovsky with the Youth Orchestra on Sunday.

Sinfonietta conductor Mark Leiser (below, conducting) will give his final concert on May 19. Leiser has been the sole conductor of Sinfonietta since its inception 25 years ago. His son Kenny Leiser, a WYSO alumnus, will sit in with the orchestra during their performance of Astor Piazzolla’s “new tango” piece Oblivion.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois each weekend throughout the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students, including ensembles and chamber music groups.

Concert admission is $10 for adults, and $5 for youth 18 and under, with tickets available 45 minutes before each performance at the door on the day of the concerts.

For a full concert repertoire, and to learn more about WYSO, visit https://www.wysomusic.org

Here is a schedule of events:

Eugenie Mayer Bolz Family Spring Concerts

SATURDAY
1:00 p.m. – Harp Ensemble (below top), Concert Orchestra, Sinfonietta
4:00 p.m. – Percussion Ensemble (below bottom) and Philharmonia Orchestra

SUNDAY
2:00 p.m. – Opus One and Youth Orchestra


Classical music: This week features FREE music for horn, violin, flute and voice at the UW-Madison

February 6, 2018
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By Jacob Stockinger

This will be a busy week at the UW-Madison’s Mead Witter School of Music, with a lot of FREE concerts and special events happening especially on SUNDAY.

Here is a schedule:

WEDNESDAY

This Wednesday night at 7:30 p.m. in Mills Hall, Daniel Grabois — UW-Madison professor of horn and director of the Electro-Acoustic Research Space (EARS) – will be joined by several other faculty members for a FREE concert of trio music by Dana WilsonHeinrich von Herzogenberg and John Harbison (his “Twilight Music,” which you can hear in the YouTube video at the bottom.)

For a complete list of performers and the full program, go to:

https://www.music.wisc.edu/event/faculty-recital-daniel-grabois-horn/

For information about Daniel Grabois (below, in a photo by James Gill), go to:

https://www.music.wisc.edu/faculty/daniel-grabois/

SUNDAY

Starting on Sunday at 11 a.m., the UW-Madison Mead Witter School of Music will host Flute Day, in which middle school and high school students are invited to participate.

There will also be a FREE public concert at 5 p.m. with guest flutist George Pope (below top) and UW-Madison faculty flutist Timothy Hagen (below bottom), who is a member of the Wingra Wind Quintet. The UW-Madison Flute Ensemble will also perform. No word on the program, sorry.

To register and find out more information about workshops and master classes, go to:

https://www.music.wisc.edu/event/flute-day/

On Sunday at 1:30 p.m. in Morphy Recital Hall a FREE recital of songs by Jean Sibelius and Edvard Grieg will be performed by soprano Anna Hersey (below), who teaches at UW-Oshkosh and specializes in Scandinavian songs, and pianist Alan Johnson.

https://www.music.wisc.edu/event/guest-artists-anna-hersey-soprano-alan-johnson-piano/

On Sunday at 7:30 p.m. in Morphy Hall, guest violinist Blaise Magniere, who was a founding member of the Avalon String Quartet and who teaches at Northern Illinois University, (below) will perform a recital of solo violin music by Johann Sebastian Bach. He will also hold a free and open master class on MONDAY morning at 9 a.m. in Morphy Hall.

For the full program, go to:

https://www.music.wisc.edu/event/guest-recital-blaise-magniere-violin/


Classical music: A solo marimba concert this Friday night features Bach transcriptions and holiday favorites

December 20, 2017
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By Jacob Stockinger

Marimbist Matthew Coley (below), who plays in the Madison-based percussion group Clocks in Motion, will give a solo recital this Friday night at 7 p.m. in the Landmark Auditorium of the First Unitarian Society of Madison, 900 University Bay Drive.

The program features transcriptions of Preludes and Fugue Nos. 1-6 of Book II of “The Well-Tempered Clavier” by Johann Sebastian Bach. Coley plans on eventually performing all of Book II.

Holiday music on the concert will include “Sleigh Ride,” “Jingle Bell Rock,” “Frosty the Snowman” and more.

Admission is free with a suggested donation of $15.

For more information about Matthew Coley, go to the website: www.hearMatthewColey.com

Coley regularly tours the nation and abroad, offering solo concerts and master classes. He has performed in more than 35 states in the U.S. and in 10 countries. (You can hear Coley performing his own composition “Circularity” in the YouTube video at the bottom.)

He is the founding executive director of Heartland Marimba with five affiliate initiatives under the organization: the Heartland Marimba Quartet, HMFestival, HMEnsemble, HMPublications, and SoundWAYS.

This year’s holiday tour will also take Matthew to Chicago; Cedar Falls, Iowa; Mount Pleasant, Iowa; Quincy, Ill.; St Paul, Minn.; and Cedar Rapids, Iowa.


Classical music: The Isabella Lippi Trio performs piano trios by Mozart, Shostakovich and Dvorak this Friday night at Farley’s House of Pianos

May 15, 2017
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By Jacob Stockinger

On this Friday night at 7:30 p.m., the Isabella Lippi Trio will perform in the Salon Piano Series at Farley’s House of Pianos, 6522 Seybold Road, on Madison far west side near West Towne Mall.

The all-masterpiece program features the Piano Trio in B-flat major, K. 502, by Wolfgang Amadeus Mozart; the Piano Trio No. 2 in E minor, by Dmitri Shostakovich; and the famous “Dumky” Piano Trio by Antonin Dvorak. (You can hear the captivating opening of the “Dumky” Trio, played by the venerable Beaux Arts Trio, in the YouTube video at the bottom).

Tickets are $45.

Members of the trio are Madison violinist Isabella Lippi (below top), who is also the concertmaster of the Elgin Symphony Orchestra; Chicago cellist Paula Kosower (below middle); and Chicago pianist Kuang-Hao Huang (below).

For more information about the artists and about obtaining tickets, got to: http://salonpianoseries.org/concerts.html


Classical music: The UW Concert Choir, Choral Union and Symphony Orchestra will perform world premieres, local premieres and new music in three concerts this weekend

April 26, 2017
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By Jacob Stockinger

The Ear has received the following messages from UW composer Laura Schwendinger and from Beverly Taylor, the director of choral activities at the University of Wisconsin-Madison School of Music who is also the assistant conductor and chorus director of the Madison Symphony Orchestra:

Writes conductor Beverly Taylor: This is a busy and musically fascinating weekend for me coming up.

On Friday night at 8 p.m. in Mills Hall, there is a special concert by the Concert Choir (below) on the subject of Art Born of Tragedy, with the acclaimed guest cellist Matt Haimovitz.

Tickets are $15, $5 for students. For more information about tickets as well as the performers and the program, go to:

http://www.music.wisc.edu/event/uw-concert-choir-4-matt-haimovitz/

Then in Mills Hall at 8 p.m. on Saturday night and at 7:30 p.m. on Sunday night, there are two performances of When Lilacs Last in the Dooryard Bloomed by the 20th-century composer Paul Hindemith by the UW Choral Union and the UW Symphony Orchestra (below). It is a work that to my knowledge has never been performed in Madison.

Tickets are $15, $8 for students. For more information about obtaining tickets and about the concert, visit:

http://www.music.wisc.edu/event/uw-choral-union-uw-symphony-orchestra/

Here is more information about the events:

CONCERT CHOIR

The Concert Choir performance explores in music of several centuries the theme of “Art Born of Tragedy” — how outside events can be the spark that causes the creation of works of substance that range from the gentle and comforting to rage and despair.

We will sing music from the Renaissance: part of the Thomas Tallis’ “Lamentations of Jeremiah (on the ancient destruction of Jerusalem),” and a John Wilbye madrigal “Draw on Sweet Night for a Broken Heart.”

We will present three works from modern composers: one is a world premiere by the prize-winning composer Laura Schwendinger (below top), my colleague at the UW-Madison, for viola — played by Sally Chisholm (below bottom) of the UW Pro Arte Quartet — and wordless chorus. It is called “For Paris” in memory of those killed in the Paris terrorist bombings of 2015.

(Adds composer Laura Schwendinger: “The viola starts this short work by referencing only for a moment the merest idea of a ‘musette song,’ one that might be heard on an evening in a Paris cafe. The choir enters with a simple refrain that repeats again and again, each time with a little more material, as an unanswered question of sorts. Each time the viola reenters the texture, the music becomes more pressing in a poignant manner, until it arrives in its highest register, only to resolve with the choir as it quietly acquiesces in the knowledge that the answer may not be known.”)

We will present a short “O vos omnes” (O you who pass by) written by Pennsylvania composer Joseph Gregorio (below), composed in memory of a Chinese girl hit by a car and left to die.

The third piece is a reprise of “Après moi, le deluge” by Luna Pearl Woolf (below top), which we premiered and recorded 11 years ago. We are lucky to have back the wonderful internationally known cellist Matt Haimovitz (below bottom), who premiered this work with it. The text, written by poet Eleanor Wilner, mixes the Noah story with the Hurricane Katrina disaster.

The term “Après moi, le deluge” is a term attributed to Louis XV or his mistress Madame Pompadour, and means “after me the flood” — referring either to the chaos after his reign, or that what happens afterword bears no importance for him.

The work has four different moods like a symphony — with strong themes at the start and cries for help, followed by the slow movement despair, a scherzo-like depiction of havoc, and a final movement that is like a New Orleans funeral, upbeat and Dixieland.

Throughout the program we also present spirituals that depict loneliness or salvation from trouble.

UW CHORAL UNION

In certain ways, When Lilacs Last in the Dooryard Bloomed resembles the Concert Choir concert in that it contains a number of moods and styles as well, under a dark title. The subtitle of the work is “a Requiem for Those We Love.”

It was commissioned by the great choral and orchestral conductor Robert Shaw as a tribute to President Franklin Delano Roosevelt on his death and the train ride that carried him from Warm Springs, Georgia, to Washington, D.C.

The text that Paul Hindemith (below top) chose is by Walt Whitman (below bottom), who wrote his poem on the death of Abraham Lincoln, and the funeral train from Washington, D.C., to Springfield, Illinois.

Whitman’s grief is combined with pride and joy in the countryside that the train traverses, and his feelings find an outlet in the thrush that sings out its song. His sense of a sustaining universe is a contrast to his depiction of the despair and ravages of the Civil War.

Hindemith’s calling the work a “Requiem for Those We Love,” puts it, like the Brahms’ “German” Requiem, into a class of non-liturgical requiems — that is, the texts are not those that are part of the Catholic Mass for the Dead, but are other selected texts of joy or remembrance.

Hindemith’s style can loosely be described as tonal that veers away into dissonance and returns again to the home key. The Prelude and opening movement are dark; the solo songs of baritone (James Held, below top) and mezzo-soprano (Jennifer D’Agostino, below bottom) are marvelous; the fugue on the glories of America is glorious and other sections are soft and tender. (NOTE: You can hear the orchestral prelude of the work, with composer Paul Hindemith conducting the New York Philharmonic, in the YouTube video at the bottom.)

The work is hard for both chorus and orchestra, but well worth the effort. The piece is about 80 minutes long and will be performed without interruption. It’s a work I’ve always wanted to do, having heard it performed at Tanglewood many years ago. I’m delighted to have the chance now.


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