The Well-Tempered Ear

Classical music: The Madison Symphony Orchestra announces its 2017-2018 season of nine concerts of “favorites combined with firsts”

April 13, 2017
1 Comment

By Jacob Stockinger

Here is the official announcement of the 2017-18 season by the Madison Symphony Orchestra:

The 2017-18 season of the Madison Symphony Orchestra (MSO, below, in a photo by Greg Anderson) presents nine programs that invite audiences to “listen with all your heart” and “feel the emotion, power and majesty” of great classical music.

Subscriptions are available now, and single tickets for all concerts go on sale to the public Saturday, Aug. 12, 2017.

For more information about tickets and ticket prices plus discounts for new subscribers and renewing subscribers, go to:

http://www.madisonsymphony.org/17-18

MSO music director John DeMain, who will be marking his 24th season with the MSO, has created an exciting season that features favorites combined with firsts.

Says DeMain (below, in a photo by Prasad): “I must point out two monumental firsts: the MSO debut of the great violinist Gil Shaham, renowned and sought after the world over, whose appearance Madison has waited for for many years; and the Madison premiere of the Glagolitic Mass by Czech composer Leos Janacek, a gargantuan work for chorus and orchestra with a prominent role for our “Colossal Klais,” the Overture Concert Organ.”

Performances are in Overture Hall of the Overture Center at 7:30 p.m. on Fridays; 8 p.m. on Saturdays; and 2:30 p.m. on Sundays.

The 2017-2018 subscription series concerts begin on Sept. 15, 16 and 17 with “Orchestral Brilliance”—proudly presenting the Madison Symphony Orchestra performing the Johann Sebastian Bach/Leopold Stokowski version of the organ Toccata and Fugue in D minor; Felix Mendelssohn’s Reformation Symphony and Hector Berlioz’s “Harold in Italy” with MSO principal viola Christopher Dozoryst (below, in a photo by Katrin Talbot) as soloist(You can hear Leopold Stokowski conduct his own transcription of the work by Bach, which was used in Walt Disney’s film “Fantasia,” in the YouTube video at the bottom.)

“From the New World” on Oct. 20, 21 and 22 features the return of beloved pianist Olga Kern (below), a gold medalist in the Van Cliburn competition, performing Samuel Barber’s Piano Concerto, and the MSO performing Antonin Dvorak’s Symphony No. 9 “From the New World” and Maurice Ravel’s Mother Goose Suite.

On Nov. 17, 18, and 19 “Troubadour: Two Faces of the Classical Guitar” features sensational guitar virtuoso Sharon Isbin (below) playing two works, one by American composer Chris Brubeck, and the other by the Spaniard Joaquin Rodrigo, with the MSO performing two Suites—Manuel DeFalla’s The Three-Cornered Hat and Aaron Copland’s Billy the Kid.

The cherished kickoff to the holiday season, “A Madison Symphony Christmas,” returns on the first weekend in December — the 1, 2, and 3. Guest artists Emily Pogorelc, soprano, and Eric Barry, tenor, join John DeMain, the MSO, the Madison Symphony Chorus (below), Madison Youth Choirs and Mount Zion Gospel Choir on stage for the family-friendly celebration.

The MSO season subscription continues in 2018 with the long awaited appearance of violinist Gil Shaham (below) with the MSO—“Gil Shaham Plays Tchaikovsky” on Jan. 19, 20 and 21. This program features works by three of the most popular Russian composers of all time— Sergei Prokofiev’s The Love for Three Oranges Suite, Sergei Rachmaninoff’s Symphony No. 3 and Peter Tchaikovsky’s Violin Concerto.

“Richly Romantic” concerts take place on Feb. 16, 17 and 18 when one of MSO’s favorite cellists, Alban Gerhardt (below), returns performing the lyrical William Walton’s Cello Concerto, and the MSO presents Johannes Brahms’ Symphony No. 1 and Gioachino Rossini’s Overture to Semiramide.

Spring arrives April 13, 14, and 15 with “String Fever” featuring Robert Schumann’s Symphony No. 1, Spring, Benjamin Britten’s Sinfonia da Requiem and Grammy Award-winning violinist Augustin Hadelich (below) performing the Antonin Dvorak’s Violin Concerto.

The season finale, “Mass Appeal,” takes place on May 4, 5 and 6. Star of NPR’s From the Top, pianist Christopher O’Riley (below), will open the program with Mozart’s Piano Concerto No. 22. The MSO premiere of the monumental Glagolitic Mass by Czech composer Leos Janacek features the Overture Concert Organ and the Madison Symphony Chorus, along with soloists Rebecca Wilson, soprano, Julie Miller, mezzo-Soprano, Roger Honeywell, tenor, and Benjamin Sieverding, bass.

The MSO’s 17-18 season includes the popular multimedia production of Beyond the Score®, “Edward Elgar: Enigma Variations,” featuring live actors and visuals in the first half, with the entire work performed in the second half. Joining the orchestra are American Players Theatre actors James Ridge (below), Colleen Madden and Brian Mani, along with Wisconsin Public Radio’s Norman Gilliland of Wisconsin Public Radio as the Narrator. This single performance takes place on Sunday, March 18, 2018*.

NOTE: *Advance tickets for Beyond the Score® are available only to MSO 17-18 season subscribers prior to single tickets going on sale to the general public on Saturday, Aug. 12, 2017. Beyond the Score® is a production of the Chicago Symphony Orchestra. Gerard McBurney, Creative Director for Beyond the Beyond the Score®

ABOUT THE MADISON SYMPHONY ORCHESTRA

The Madison Symphony Orchestra celebrates its 92nd season in 2017-2018 and its 24th season under the leadership of music director John DeMain.

The MSO has grown to be one of America’s leading regional orchestras, providing Madison and south central Wisconsin with cultural and educational opportunities to interact with great masterworks and top-tier guest artists from around the world.

Find more information at madisonsymphony.org


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Madison Symphony Orchestra’s organ concert on Tuesday night features two male singers in music from oratorios and operas

February 17, 2017
Leave a Comment

By Jacob Stockinger

This coming week, the Madison Symphony Orchestra (MSO) will present  organist Samuel Hutchison (below) and acclaimed singers Andrew Bidlack and Kyle Ketelsen performing as a trio in vocal and instrumental music from oratorios and operas.

Sam Hutchison with organ (c) JoeDeMaio

The concert is Tuesday night, Feb. 21, at 7:30 p.m. in Overture Hall of the Overture Center, 201 State Street.

Principal Organist and Curator for the Madison Symphony Orchestra Samuel Hutchison joins forces with two outstanding singers in the first half to perform a program of favorite arias and overtures from Handel’s Messiah, Mendelssohn’s Elijah, and Rossini’s Stabat Mater.

Opera will be the focus of the second half, featuring arias and selections from Bizet’s Carmen, Tchaikovsky’s Eugene Onegin and Gounod’s Faust.

For the full program, go to: http://www.madisonsymphony.org/organopera

Featured by Opera News as one of their top 25 brilliant young artists, tenor Andrew Bidlack (below) — who is replacing David Portillo — makes his debut in Overture Hall following performances at The Metropolitan Opera, Lyric Opera of Chicago, the Welsh National Opera and London’s Covent Garden.

andrew-bidlack-vertical

Bass-baritone Kyle Ketelsen (below, in a photo by Dario Acosta), who lives in nearby Sun Prairie, has sung with major opera companies throughout the world including The Metropolitan Opera, the Lyric Opera of Chicago and the State Opera of Berlin. He is praised for his vibrant stage presence and his distinctive vocalism.

In the YouTube video at the bottom, you can hear Kyle Ketelsen sing the role of Don Escamillo in a Barcelona, Spain, production of Bizet’s “Carmen.” He is singing the same role in the Metropolitan Opera’s current production of “Carmen.”

Kyle Ketelsen face shot 1 Dario Acosta

General Admission for each Overture Concert Organ performance is $20. Tickets can be purchased at madisonsymphony.org/organopera, (608) 258-4141 or the Overture Center Box Office.

Student Rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $10 tickets.

This performance is sponsored by the Pleasant T. Rowland Foundation. Support for all Overture Concert Organ programs is provided by the Diane Endres Ballweg Fund.

With a gift from Pleasant T. Rowland, the Madison Symphony Orchestra (MSO) commissioned the Overture Concert Organ, which is the stunning backdrop of all MSO concerts.

Overture Concert Organ overview


Classical music: The accomplished and mostly amateur Middleton Community Orchestra will give its holiday concert of works by Mendelssohn, Dvorak and Brahms on Wednesday night, Dec. 21.

December 16, 2016
1 Comment

By Jacob Stockinger

The acclaimed and mostly amateur Middleton Community Orchestra (below top) will present its holiday concert on next Wednesday, Dec. 21, at 7:30 p.m. at the Middleton Performing Arts Center (below) that is attached to Middleton High School.

Middleton Community Orchestra press photo1

Middleton PAC1

General admission is $15. Students are admitted free of charge. Tickets are available at the door and at Willy St. Coop West. For more information, call (608) 212-8690.

The box office opens at 7 p.m.

The husband-and-wife team of conductor Kyle Knox (below top) and violinist Naha Greenholtz (below bottom), will be the featured performers. Knox is a graduate student at the University of Wisconsin-Madison School of Music and Greenholtz is the concertmaster of the Madison Symphony Orchestra.

kyle-knox-2016

naha

The program includes selected “Slavonic Dances” by Antonin Dvorak; the popular Violin Concerto in E minor by Felix Mendelssohn, with soloist Naha Greenholtz; and the Symphony No. 2 by Johannes Brahms. (You can hear the Mendelssohn Violin Concerto, with Hilary Hahn, in the YouTube video at the bottom.)

A free informal meet-and-greet reception follows the concert.

MCO June 2014 reception

For more information about the Middleton Community Orchestra, including its upcoming concerts and opportunities to join it and support it, go to:

http://www.middletoncommunityorchestra.org


Classical music: Organist Greg Zelek makes his debut Tuesday night in Overture Hall for the Madison Symphony Orchestra

November 6, 2016
Leave a Comment

ALERT: This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear the Madison Opera‘s production of Charles Gounod‘s operatic version of Shakespeare’s “Romeo and Juliet.”

For more information, go to:

https://welltempered.wordpress.com/2016/11/01/classical-music-madison-opera-stages-charles-gounods-opera-romeo-and-juliet-this-friday-night-and-sunday-afternoon-to-celebrate-the-400th-anniversary-of-the-death-of-willia/

https://welltempered.wordpress.com/2016/11/02/classical-music-what-are-the-differences-between-romeo-and-juliet-as-an-opera-and-as-a-play-madison-opera-stages-the-opera-this-weekend/

By Jacob Stockinger

The Ear has received the following announcement to post:

The Madison Symphony Orchestra (MSO) welcomes acclaimed organist Greg Zelek (below) for a debut recital this Tuesday night, Nov. 8, at 7:30 p.m. in Overture Hall of the Overture Center, 201 State Street.

greg-zelek-face

Zelek will perform works by Felix Mendelssohn, Max Reger, Johann Sebastian Bach, Antonin Dvořák and Franz Liszt, among others.

You can hear and see Greg Zelek perform Bach’s Prelude andFugue in A minor, BWV 543, which he will play in Madison, in the YouTube video at the bottom.

For more information, including an interview with Zelek and the full program, go to: http://www.madisonsymphony.org/zelek

Praised for his “effortless facility on the instrument,” Zelek is increasingly recognized as one of the most exciting young organists on the American organ scene.

A recent graduate of the Juilliard School of Music, he makes his Overture debut with an exciting program of music to maximize the many colors of the colossal Klais organ.

greg-zelek-playing

General Admission for each Overture Concert Organ performance is $20. Tickets can be purchased at madisonsymphony.org/zelek, (608) 258-4141 or the Overture Center Box Office.

Student Rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $10 tickets.

This performance is sponsored by Walter and Karen Pridham. Support for all Overture Concert Organ programs is provided by the Diane Endres Ballweg Fund.

With a gift from Pleasant T. Rowland, the Madison Symphony Orchestra (MSO) commissioned the Overture Concert Organ (below), which is the stunning backdrop of all MSO concerts.

Overture Concert Organ overview


Classical music: This week at the UW-Madison features three FREE concerts: the UW Wind Ensemble, pianist Leon Fleisher with the Pro Arte Quartet and the UW Symphony Orchestra in music by Prokofiev and Sibelius

October 4, 2016
1 Comment

By Jacob Stockinger

This week there are three FREE concerts at the University of Wisconsin-Madison School of Music that merit your attention and attendance:

WEDNESDAY:

On Wednesday night at 7:30 p.m. in Mills Hall, the UW-Madison Wind Ensemble (below top) will perform a concert of theater music under director Scott Teeple (below bottom).

UW Wind Ensemble

Scott Teeple conducting

The concert features special guest soloist, percussionist Darin Olson (below), assistant director of the University of Wisconsin Marching Band.

The program includes music from “The Three Penny Opera” by Kurt Weill; the wind octet “Figures in the Garden” by Jonathan Dove; the Concertino for Timpani with Brass and Percussion by Michael Colgrass; the “Nocturno” by Felix Mendelssohn; and the “Geschwindmarsch” (Wind March) by Paul Hindemith.

For more information, visit:

http://www.music.wisc.edu/event/uw-wind-ensemble-5/

darin-olson

THURSDAY

Famed pianist Leon Fleisher (below top) will perform a FREE noon concert with the Pro Arte Quartet (below bottom, in a photo by Rick Langer).

A single work is featured but it is a great one, an undisputed masterpiece: The Piano Quintet in F Minor by Johannes Brahms.

The concert is from noon to 1 p.m. in Mills Hall.

For more information and background, visit:

http://www.music.wisc.edu/event/special-guest-artist-concert-the-legendary-leon-fleisher-in-concert-with-pro-arte-quartet/

Leon Fleisher

PAQ-8BIT03

FRIDAY

At 8 p.m. on Friday night in Mills Hall, the UW Symphony Orchestra (below) will perform under its director and conductor James Smith.

The ingenious program features two terrific fifth symphonies that are NOT the most famous Fifth Symphony, the one by Ludwig van Beethoven: these are instead the Symphony No. 5 in B-flat by Russian composer Sergei Prokofiev; and the Symphony No. 5 by Finnish composer Jean Sibelius

You can listen to the exciting and moving finale of the Sibelius symphony, performed by the Finnish conductor Essa-Pekka Salonen and the Swedish Radio Symphony Orchestra  in the YouTube video at the bottom. It is one of The Ear’s favorites.)

UW Symphony violins 2015

Smith_Jim_conduct07_3130

Three student recitals, including graduate recitals in viola and piano, are also on the schedule this week. For information, visit:

http://www.music.wisc.edu/events/


Classical music: Which violin concertos have the hardest openings? You may be surprised

September 18, 2016
9 Comments

By Jacob Stockinger

Recently The Ear stumbled upon a fascinating story, on a blog by Nathan Cole, about famous violin concertos.

It was NOT about the Top 10 Best Violin Concertos ranked in order.

It was NOT about the Top 10 Most Difficult Violin Concertos.

It was simply about the most difficult openings of violin concertos – about what happens when the violinist walks on stage and starts up along with the orchestra or before it or after it.

It uses the Olympics’ sports competitions as a model and awards degrees of difficulty along with explanations for the scoring.

(For a close to simultaneous start by orchestra and soloist, listen to American violinist Hillary Hahn, who played a recital last spring at the Wisconsin Union Theater, and conductor Paavo Jarvi in the opening of the popular Violin Concerto in E Minor by Felix Mendelssohn in the YouTube video at the bottom. It has over 8 million hits and it is very relevant to the story.)

stradivari-solomon-ex-lambert

The story reminds The Ear of famous literary critic Frank Kermode’s classic book “The Sense of an Ending” — only now it would be “The Sense of a Beginning,” a subject the late literary critic, cultural analyst and Palestinian activist Edward Said wrote about in his book “Beginnings: Intention and Method.”

The musical discussion features accessible and informative analysis by an accomplished violinist as well as terrific audio-visual clips of each concerto and the openings in question.

It’s a long piece – good for weekend reading, perhaps because it can be done in different segments at different times.

But even if you read only a part of it, it certainly imparts a sense of the challenges that a soloist faces. You vicariously experience the thrill and intimidation of walking out on stage and starting to play.

And it enhances your appreciation of some famous violin concertos and of what it takes to pull them off in live performance.

Like The Ear, you will come away with a new appreciation of the challenges that any concerto soloist – violinist, pianist, cellist, brass player, wind player, whatever — faces.

Here is a link:

http://www.violinist.com/blog/ncole78/20169/19726/

The Ear also hopes the website violinist.com follows up with a listing or ranking of the most difficult ENDINGS of violin concertos and a discussion of what makes them so difficult.

In the meantime, The Ears asks:

Do violinists out there agree or disagree with the scoring and reasons?

Do they care to leave a comment one way or the other?

Do they have other candidates – say, Baroque concertos by Antonio Vivaldi or Johann Sebastian Bach — to rank for the difficult of starting?

The Ear wants to hear.


Classical music: The Festival Choir of Madison performs under famed choral conductor Joseph Flummerfelt this Saturday night.

May 6, 2016
1 Comment

By Jacob Stockinger

The Ear has received the following timely and important announcement:

The Festival Choir of Madison (below) and its new artistic director Sergei Pavlov – who teaches at Edgewood College — will close the current season with a special concert this Saturday night, May 7, at 7:30 p.m. at the Christ Presbyterian Church, located at 944 East Gorham Street in downtown Madison.

Festival Choir of Madison at FUS

The performance features one of the legendary American choral conductors, Maestro Joseph Flummerfelt (below right, with Sergei Pavlov). You can hear a long Q&A interview with Joseph Flummerfelt in the YouTube video at the bottom.

Sergei Pavlov (l) with Joseph Flummerfelt

The program with the Festival Choir includes music by German composers Felix Mendelssohn and Johannes Brahms, British composer Herbert Howells, Russian composer Sergei Rachmaninoff, Polish composer Henryk Gorecki and Scottish composer James MacMillan. Sorry, no word on individual works to be performed.

Tickets for the evening concert are available at the door and cost between $9 and $15.

Since 1971, Joseph Flummerfelt (below) has been responsible for most of the choral work of the New York Philharmonic, working closely with its music directors Leonard Bernstein, Zubin Mehta, Pierre Boulez, Kurt Masur, Lorin Maazel and Alan Gilbert. Until 2004 he was Director of Choral Activities in the Westminster Choir College in Princeton, New Jersey.

Joseph Flummerfelt conducting side

Joseph Flummerfelt (below) with the Westminster Symphonic Choir and New York Choral Artists has been featured in 45 recordings, including a Grammy Award-winning CD of the Symphony No. 3 by Gustav Mahler with Leonard Bernstein. His collaboration with the great American composer Samuel Barber includes the Grammy Award-winning recording of Barber’s opera “Anthony and Cleopatra.”

Joseph Flummerfelt conducting frontal

In 2004 Flummerfelt was awarded a Grammy for the New York Choral Artists’ recording of “On the Transmigration of Souls,” a Pulitzer Prize-winning composition written by John Adams in memory of the victims of the terrorist attacks on 9/11.

A master teacher, Flummerfelt’s many former students occupy a number of major choral positions throughout the world. Yannick Nezet-Seguin (below) — the current music director of the Philadelphia Orchestra and guest conductor of the Metropolitan Opera, who, as a teenager, studied with Dr. Flummerfelt in two advanced conducting summer workshops — cites him as one of the two major influences in his life as a conductor. A 2009 New York Times article said, “Mr. Nezet-Seguin called those sessions with Flummerfelt the only significant conducting lessons he ever had.”

Yannick Nezet-Seguin close up

Flummerfelt has a special connection with Madison as well. As an undergraduate student in De Pauw University in Indiana, he was deeply inspired by a performance of a visiting choir, and the conductor of this group was Robert Fountain, the legendary Director of Choral Programs at the University of Wisconsin-Madison School of Music.

Also on Saturday, May 7 at 11 a.m. there will be a question/answer session for all who would like to meet the Maestro Flummerfelt. The host is Edgewood College, and the session will be at the Washburn Heritage Room in the Regina Building. This is a FREE event.


Classical music: Madison Summer Choir auditions are on Monday and Tuesday nights, May 16 and 17, when rehearsals also start. Performance is on Saturday, June 25. Plus, a FREE concert of flute music is this Friday at noon

May 4, 2016
Leave a Comment

ALERT: This week’s FREE Friday Noon Musicale, held from 12:15 to 1 p.m. in the historic Landmark Auditorium of the Frank Lloyd Wright-designed First Unitarian Society of Madison, 900 University Bay Drive, features the Madison Flute Club Chamber Ensemble. It will perform music by Phyllis Louke, George Gershwin, Daniel Harrison, Julius Fucik and Ken Kreuser.

By Jacob Stockinger

The Madison Summer Choir (below) has announced this summer’s auditions, rehearsals, program and concert.

Madison Summer Choir ovation

The Madison Summer Choir, which was founded by and is directed by UW-Madison alumnus Ben Luedcke and which usually has about 80 voices, meets for six weeks in May and June to prepare major choral and choral-orchestral works.

Ben Luedcke conducts voces aestratis

This year, the featured works on the “This Is My Song: Music in the Struggle for Peace and Justice” program, will be “Die erste Walpurgisnacht” (The First Walpurgis Night) and “Verleih uns Frieden” (Grant Us Peace, a beautiful work you can hear in the YouTube video at bottom) by Felix Mendelssohn; “Finlandia,” by Jean Sibelius, and other works by Johannes Brahms ad Sven Lekberg.

Complete information about dates, music, and concert tickets can be found on the website: www.madisonsummerchoir.org

Auditions will be held from 6:30 to 8:30 p.m. on Monday and Tuesday, May 16 and 17, when the first rehearsals begin. Auditions will take place in UW-Madison Humanities Building, Room 1351, 455 N Park St, Madison WI 53706. 

Weekly rehearsals – WHICH START ON  THE MAY 16 TIME — will be held weekly on the same days and times.

Returning summer choir members and members of auditioned ensembles in the area do NOT need to audition. Those who need to audition should contact the conductor. The contact email is: madisonsummerchoir@gmail.com

The concert will be in Mills Hall on Saturday, June 25, from 7 to 8:30 p.m.


Classical music: Heard enough about Prince? Read about violinist Yehudi Menuhin. Plus, a FREE voice recital commemorating the 400th anniversary of the death of Shakespeare is at noon on Friday

April 28, 2016
6 Comments

ALERT: This week’s FREE Friday Noon Musicale, held from 12:15 to 1 p.m. in the Landmark Auditorium of the historic Frank Lloyd Wright-designed Meeting House of the First Unitarian Society of Madison, located at 900 University Bay Drive, features tenor Adam Shelton and pianist Vincent Fuh in the program “Assassinating Shakespeare.” The concert features music by Gerald Finzi, Roger Quilter, Erich Wolfgang Korngold, Franz Schubert and Dominick Argento.

By Jacob Stockinger

It’s a week later but news about the premature death at 57 on April 21 of the influential superstar pop rocker Prince continues to preoccupy the media.

To flood the media, really.

Prince with guitar

The Ear doesn’t want to take away from Prince and his substantial artistic achievements. Nor does The Ear mean to belittle Prince’s premature death, which is sad and unfortunate but hardly unusual in the world of pop music — and not really tragic in the larger scheme of things, given how the world is filled today with terrorism and refugees.

But he does think maybe a little perspective about this celebrity or star is required.

Does anyone else share The Ear’s impatience with such saturation coverage and think that the media have gone overboard? There have been so many stories, so much repetition, such meaningless follow-up and continuing coverage that it almost belittles Prince’s death with endless trivialities and predictable banalities.

So take a break.

Here is a story – from the Deceptive Cadence blog for NPR or National Public Radio — about this past weekend’s 100th anniversary of the April 22, 1916 birth of the famed British violinist, teacher and polymath Sir Yehudi Menuhin (below top as a child, from the Underwood Archives, and below bottom as an older man in a photo by Erich Auerbach for Getty Images).

yehudi menuhin young underwood archives

Yehudi Menuhin Erich Auerbach Getty Images

It is filled with inspiring details that command your respect for this great artist and humanitarian, who was international in his interests and many of whose accomplishments The Ear didn’t know. You can hear him playing Bach in the YouTube video at the t bottom.

It is written by Tom Huizenga and features a lot of commentary and recollection by the gifted violinist Daniel Hope (below), who played music of European Jewish composers exiled in Hollywood during World War II by Hitler and the Nazis coming to power, with the Madison Symphony Orchestra two seasons ago.

Daniel Hope playing

Here is a link:

http://www.npr.org/sections/deceptivecadence/2016/04/22/474824320/yehudi-menuhins-potent-blend-of-music-humanism-and-politics


Classical music: The Middleton Community Orchestra and cellist Andrew Briggs turn in richly enjoyable performances of works by Mendelssohn and Dvorak.

February 28, 2016
3 Comments

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.

John-Barker

By John W. Barker

The concert by the Middleton Community Orchestra (below) on Wednesday night was one I might have designed myself: two of my favorite orchestral pieces, both by Felix Mendelssohn, and the world’s greatest cello concerto, by one of my favorite composers, Antonin Dvorak. (You can hear superstar Cellist Yo-Yo Ma play the first movement with the New York Philharmonic in a YouTube video at the bottom.)

Middleton Community Orchestra press photo1

For the concerto, the soloist was young Andrew Briggs (below), currently pursuing his doctorate at the University of Wisconsin-Madison School of Music. He is clearly an artist with great promise. For so grand a work, he will grow in confidence and tonal richness with time. But he already has the measure of the piece, and I must say that he gave me about the most satisfying experience of it that I have ever heard.

Andrew Briggs

The reason for that is not only his playing skill but also his natural rapport with an audience: He communicates. His facial expressions, especially in orchestral passages, suggested he was in awe of the wonders of the work as he performed, while suggesting as well his joy at sharing this discovery of them with his listeners.

The standing ovation he received was not just perfunctory but a cordial, well-earned response to what he had given the audience.

This concerto is a big piece for the orchestra, too. And on top of that were the demands of the two other works, which framed the concerto.

Mendelssohn’s “Hebrides” Overture and his Third Symphony, the “Scottish,” are extraordinarily evocative compositions, products of the composer’s experiences visiting the British Isles. They demand a lot from their performers.

There were, to be sure, rough spots here and there, especially in the symphony’s scherzo movement. But the playing was robust and committed. Maestro Steve Kurr (below) worked up an unusual degree of excitement in the overture, and differentiated nicely the differing moods of the symphony’s four movements.

Steve Kurr conducting

Earnest hard work with eminently listenable results makes a Middleton Community Orchestra concert like this one a genuine treat. Those who missed it lost out on a lot of pleasure.


Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,093 other followers

    Blog Stats

    • 1,678,245 hits
%d bloggers like this: