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Collaborative pianist Ingrid Haebler has died at 93

May 19, 2023
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By Jacob Stockinger

The Austrian pianist Ingrid Haebler (below) has died at 93.

I call her a collaborative pianist but, like so many other pianists, she was also a soloist.

That is inherent in learning the piano, especially at the beginning.

Here is an obituary, with links, where you can read more about her and her her music-making:

https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fmobile.theviolinchannel.com%2Faustrian-pianist-ingrid-haebler-has-died-aged-93%2F&data=05%7C01%7C%7C4db54c3e094741b9b75708db57bd7f9d%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638200243618530912%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=CNgsSMgTWTVVsHLFO5Ss4UviOSL%2BuTCWw1nyovbJPdw%3D&reserved=0

Truth be told, Haebler made quite a few recording as a soloist, include all the piano concertos and piano sonatas by Mozart, as well as other Austrian and German composers, including Haydn, Schubert and Beethoven. The Viennese school was her forte.

But what stands out to The Ear are her early duets (below) with Henry Szeryng and Arthur Grumiaux in the violin sonatas of Beethoven and Mozart. She knew how to blend rather than to stand out, and clearly was more interested in musicality than virtuosity. In fact, critics often praised her gentleness, clarity and transparency rather than her assertiveness or boldness, especially in Mozart. Not for nothing was a tulip named after her.

In a word, she was an ideal collaborative pianist back in the days when they were still called accompanists and received second billing.

Indeed, along with Gerald Moore she was one of the performers who brought currency and respect as the term “accompanist” as it morphed into the more accurate term “collaborative pianist.”

Of course that is just my opinion. You might disagree.

Decide for yourself. You can listen to and sample many of her solo and collaborative recording on YouTube, including the video below one of my favorite violin sonatas by Mozart, the Violin Sonata in e minor, K. 304, played by Haebler and Henryk Szeryng.

Do you know Ingrid Haebler’s playing?

What do you think of her as a soloist and as a collaborative pianist?

Which side of her career do you think is stronger?

The Ear wants to hear.

Posted in Classical music
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They decoded Beethoven’s DNA. Here’s what they found

March 23, 2023
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By Jacob Stockinger

After 200 years, the DNA of Ludwig van Beethoven (below, 1770-1827) has been analyzed by a team of researchers.

The DNA was obtained from some of the famous composer’s hair.

The new study analyzed the German composer’s genes to get a better understanding of the health problems — deafness and liver failure among them — that plagued him.

Read about it — via Apple News, just click on continue — in a story from the Canadian-American VICE magazine: https://apple.news/AgGnJPZZcRyuC3nH2ycFL3A

Posted in Classical music
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Ailing superstar maestro and pianist Daniel Barenboim, 80, quits longtime German opera post

January 7, 2023
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By Jacob Stockinger

Yesterday — Friday, Jan. 6, 2023 — superstar maestro and pianist Daniel Barenboim, 80, resigned his longtime post of over 30 years as director of the Berlin State Opera.

Barenboim (below) cited ill health — specifically a severe inflammation of blood vessels — as the reason for his resignation.

Local residents might recall his long tenure at the Chicago Symphony Orchestra, where many of them probably heard him conduct and perhaps even perform as a concert pianist.

Here is a long biographical entry in Wikipedia:

https://en.wikipedia.org/wiki/Daniel_Barenboim

Below are links to two news articles about Barenboim’s decision.

In them you can read a lot of details about: his philosophy of interpretation; his childhood as a Jewish child prodigy in Argentina; his training and early career as both pianist and conductor; his performances with marriage to British cellist Jacqueline du Pré, who died young; his love of German music and his role in Germany’s reunification; his controversial criticism of how Israel treats Palestinians; and the orchestra and music school he co-founded with the Palestinian activist and world-famous literary scholar Edward Said.

Here is a story from British newspaper The Guardian:

https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2023%2Fjan%2F06%2Fdaniel-barenboim-step-down-berlin-state-opera-poor-health&data=05%7C01%7C%7C66c77484055c4288326508daf02e850f%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638086379832875661%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=pGEA0TsdHFxtYwzzqeugIDeFUh6zR5FNejjokYL5cZY%3D&reserved=0

And here is the story from the German broadcasting network and media conglomerate Deutsche Welle:

https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.dw.com%2Fen%2Fconductor-daniel-barenboim-resigns-as-berlin-state-opera-director-over-ill-health%2Fa-63760683&data=05%7C01%7C%7Ceeb75c8f244542d0496e08daf02ed28b%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0e%7C638086381129033294%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=qmTwyPzkWpJKfAT4ohHJVWWnISE%2BxZS%2FxuM7hrC09zQ%3D&reserved=0

Finally, here is a recent compilation video from the outstanding arts website and streaming service medici.tv to celebrate Barenboim’s recent 80th birthday. It is called “80 Minutes with the Barenboim” and it features many other classical luminaries such as Itzhak Perlman, Pinchas Zukerman and Pierre Boulez who have been vital to his life and global career.

Do you know any of Barenboim’s many recordings?

Do you have a favorite recording to recommend?

Did you ever hear Barenboim in person conduct or play the piano?

What did you think of him? Of his conducting or playing?

The Ear wants to hear.

Posted in Classical music
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Ukraine’s most famous living composer is now a war refugee in Germany

April 2, 2022
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By Jacob Stockinger

He fights and defends his native country with beautiful sounds.

Ukraine’s most famous living composer has had to flee his war-torn country and — like some 3 million fellow Ukrainians in various other countries — is now living as a a war refugee in Germany.

He is Valentin Sylvestrov (below), 84, and has survived both World War II and the Nazi occupation as well as the Soviet rule experiencing democracy and freedom after the fall of the USSR and now the devastating Russian invasion five weeks ago.

The irony is that his music, which The Ear can’t recall ever hearing performed live in Madison — although Wisconsin Public Radio recently featured a beautiful choral work — seems calming and peaceful, even consoling.(Please correct me if I am mistaken.) Many people compare him to the style of Arvo Pärt, his Eastern European contemporary and colleague in Estonia.

Little wonder that his works have found a new popularity in worldwide concerts as the world hopes for the survival and victory of Ukraine — below is Ukraine’s flag — over Vladimir’s Putin’s army and war crimes.

His works have been particularly popular at fundraisers and memorials. They underscore the long history and importance of Ukraine’s tradition of making music, which has been recounted in the news features you find in the press, on TV, on radio and elsewhere in the media including live streams and recorded videos other media, especially the Internet.

As far as The Ear can tell, his most popular work in the concert hall these days is his hauntingly beautiful 1937 “Prayer for Ukraine.” You can hear it, in an orchestra version, in a YouTube video at the bottom.

As background here are two different interviews with the distressed and saddened Sylvestrov in exile.

The first interview, from The New York Times, is by a professor at Arizona State University who has published a book on postwar Eastern European composers and offers links to more works: https://www.nytimes.com/2022/03/30/arts/music/valentin-silvestrov-ukraine-war.html

The other interview is from the German media outlet Deutsche Welle, translated into English and featuring current photos: https://www.dw.com/en/ukrainian-composer-valentin-silvestrov-what-are-you-kremlin-devils-doing/a-61158308

The tragic occasion of the war in Ukraine could be the event that brings the soul-stirring music of Sylvestrov to a larger global public.

He certainly deserves it — along with some live performances here — and The Ear certainly plans on posting more of his music.

Have you heard the music of Valentin Sylvestrov?

Do you have favorite works from his piano music, chamber music, choral music and many symphonies?

The Ear wants to hear.

Posted in Classical music
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Critics for The New York Times name their Top 10 online classical concerts for May

May 3, 2021
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By Jacob Stockinger

Even as we wait to see whether concerts in the next season will be mostly streamed or live, the critics for The New York Times have named their Top 10 classical concerts to stream and hear online in May.

The Times critics have been doing this during the pandemic year. So perhaps if and when they stop, it will be a sign of returning to concert life before the pandemic.

Then again, maybe not, since The Ear suspects that many listeners have liked the online format, at least for some of the times and for certain events. So maybe there will be a hybrid format with both live and online attendance.

As the same critics have done before, they mix an attention to contemporary composers, world premieres and up-and-coming performers, including the Finnish conductor Susanna Maliki (below top) in a photo by Hiroyuki Ito for The New York Times).

In a welcome development, the recommendations for this month also seem to mention more Black composers, performers and pieces than usual, including the rising star bass-baritone Davon Tines (below, in a photo by Vincent Tullo for The New York Times).

But you will also find many of the “usual suspects,” including Haydn, Mozart, Schubert, Bartok, Benjamin Britten, Olivier Messiaen and Shostakovich. (On the play list is Schubert’s last song, “The Shepherd on the Rock,” which you can hear in the YouTube video at the bottom.)

You will also find dates and times (all are Eastern), links to the event and some short commentaries about what makes the concerts, programs and the performers noteworthy.

Here is a link to the story: https://www.nytimes.com/2021/04/29/arts/music/classical-music-streaming.html

Do you know of local, regional, national or international online concerts that you recommend? Leave word with relevant information in the Comment section.

Happy Listening!

Posted in Classical music
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Edgewood College will live-stream its FREE Spring Celebration concert this Friday night

April 28, 2021
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By Jacob Stockinger

At 8 p.m. CDT this Friday night, April 30, the music department at Edgewood College will live-stream its FREE online Spring Celebration concert.

Here is the link: music.edgewood.edu

Here is the program:

The Edgewood Chamber Orchestra (below) will perform music by the Austrian composer Johann Nepomuk Hummel, who studied with Mozart and knew Haydn, Beethoven and Schubert (see the Wikipedia bio at https://en.wikipedia.org/wiki/Johann_Nepomuk_Hummel; Krzysztof Penderecki, a Polish composer who died a year ago March; and the Argentinean “new tango” composer Astor Piazzolla, whose birth centennial was last month. Soloists include Gwyneth Ferguson on trumpet, and Malia Huntsman on oboe.

The Chamber Singers (below) will offer selections from Broadway musicals and contemporary choral arrangements, including Lord of the Rings by Enya, works from Josh Groban, and the Polish composer Henrik Gorecki.

The Guitar Ensemble will perform Haru no Umi (The Sea in Spring) by the Japanese composer Michio Miyagi (below), and a medley from the 1970s rock group Chicago: 25 or 6 to 4/Saturday in the Park, by Mark Lamm.

The Chamber Winds will perform selections from Crooner’s Serenade; Josef Rheinberger’s Evening Song (Abendlied, in the YouTube video at the bottom); and an arrangement of John Williams’ movie score for Star Wars: The Force Awakens.

Posted in Classical music
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This Sunday at 4 p.m., the Salon Piano Series debuts an online recital by pianist Kangwoo Jin. He plays music by Scarlatti, Beethoven, Liszt and Schumann. It is up until May 9

April 22, 2021
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By Jacob Stockinger

This Sunday afternoon at 4 p.m. CDT, the Salon Piano Series, hosted by Farley’s House of Pianos, will debut an online concert by pianist Kangwoo Jin (below, in a photo by Andy Manis).

The concert, which was recorded at Luther Memorial Church, costs $10 and will be available online through May 9.

The program is:

Scarlatti – Sonatas in D minor and D Major, K. 213 and 214 (ca. 1756-1757)

Beethoven – Sonata in C-sharp minor, Op. 27, No. 2, “Moonlight” (1801)

Liszt – Transcriptions for solo piano of the songs “Widmung” (Dedication) by Robert Schumann and “Litanei” (Litany) by Franz Schubert

Schumann – Symphonic Etudes, Op.13 (1830)

Bishop – Home, Sweet Home

Tickets are only available online at eventbrite.com. Service fees apply. Complete program and concert information is at salonpianoseries.org

PROGRAM NOTES

Jin has written the following program notes for The Ear:

“As a musician, I am always eager to share music with the public. I am very excited to be able to reach out to the audience with this unprecedented Salon Piano Series Virtual Concert.

“I believe music soothes our mental health in difficult times regardless of age, gender or race. I very much hope my performance will contribute to this collective healing we feel through music.

“I wanted to include three different styles, as I usually do for recitals. This time I have Baroque, Classical and Romantic music.

“I chose one of the most famous Beethoven sonatas in order to celebrate his 250th birth year (2020), which I did not have a chance to mark last year.

“This piece is popular with the title of “Moonlight,” which Beethoven (below) never intended. Five years after his death, the German critic Ludwig Rellstab used the word “Moonlight” in order to describe the first movement. But it was really inspired by the funeral march in Mozart’s opera “Don Giovanni.” I try to bring out the tragic color of the first movement. (You can hear Jin play the exciting final movement of the sonata in the YouTube video at the bottom.)

“I also wanted to play the virtuosic masterpiece “Symphonic Etudes,” Op. 13, by Robert Schumann (below), including the beautiful posthumous variations 4 and 5.

I find this piece special in the sense that Schumann intended to make this piece “symphonic.” He created multiple layers of voices in various ways through each etude and created orchestral sounds. This polyphonic writing with multiple layers and a thick texture is what makes this piece difficult to play.

“I also specifically wanted to include one of the piano transcriptions by Franz Liszt (below) of Schubert’s Litanei auf das Fest Aller Seelen (Litany for the Feast of All Souls), D. 343.

“Schubert (below) used the poem “Litany” by Johann Jacobi (1740-1814). It is written for comforting the deceased. Robert Capell, the author of the book “Schubert’s Songs” (1929), said about this lied: There was never a truer or more touching expression of simple devotion and consoled grief … “The music rises from a pure well of affection and humility.”

“I would like to dedicate this piece to all the people who suffered from Covid 19.”

BACKGROUND

Here is a link to Kangwoo Jin’s impressive website where you can see many photos, learn about his extensive career as a teacher and hear many samples of his playing: https://www.pianistkangwoojin.com

Praised for his “refined tone quality with powerful energy” (Chosun Daily Newspaper), Jin (below, in a photo by Steve Apps for the Wisconsin State Journal) concertizes nationally and internationally, including performances in Germany, Italy, China, Indonesia and South Korea.

He gave his debut concert at the Sejong Arts Center in Seoul, South Korea, sponsored by the Chosun Daily Newspaper. He has given live performances on Wisconsin Public Radio and WORT 89.9 FM.

Jin appears frequently as a guest artist at music festivals, universities and various concert series. Recent invitations include UW-River Falls, Texas A&M University-Corpus Christi, and Tongji University in Shanghai. Kawai Pianos USA has also invited him as a guest artist at the annual Piano Technicians Guild Convention and Technical Institute in Florida.

Jin completed the Bachelor of Music degree at Hanyang University in South Korea, then earned his Performer Diploma and Master’s of Music at Indiana University, where he worked as an associate instructor.

He is the recipient of the J. Battista Scholarship for performance excellence at Indiana University and received the Collins Distinguished Fellowship for his doctoral studies, completed last year, at the University of Wisconsin-Madison, where he studied piano with Christopher Taylor and piano pedagogy with Jessica Johnson.

Posted in Classical music
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The Madison Bach Musicians host a virtual online Baroque Tour starting this Saturday, April 24, and lasting through May 8

April 19, 2021
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By Jacob Stockinger

The Ear has received the following notice from Trevor Stephenson, the founder and artistic director of the Madison Bach Musicians (MBM), who will debut their season-closing concert live and online this coming Saturday night, April 24: 

Stephenson (below) writes:

Since travel has been so very limited during the pandemic, Madison Bach Musicians is elated to conclude its 2020-21 season with a musical journey through both space and time, and invites you to join us from the intimacy and safety of your own home.

A Baroque Tour is a musical travelogue of instrumental masterworks from 17th- and 18th-century Europe. Luminaries like Handel, Vivaldi, Purcell and Buxtehude are in the mix on this program with their brilliant though lesser-known contemporaries such as Louis-Gabriel Guillemain (below top), Marc-Antoine Charpentier, Andrea Falconieri (below bottom) and Francisco Jose de Castro.

A Baroque Tour will explore the glorious sonic landscapes of Italy, Spain, France, England and Germany.

Our ensemble for this program consists of five strings plus harpsichord, and we are thrilled that baroque bassoon virtuoso Marc Vallon (below, in a photo by James Gill), who teaches at the UW-Madison’s Mead Witter School of Music, will join us for Vivaldi’s exuberant Bassoon Concerto in B-Flat Major. (You can hear the opening movement in the YouTube video at the bottom.)

A Baroque Tour will be broadcast via live-streaming from the acoustically spectacular sanctuary of Grace Episcopal Church on this Saturday evening, April 24. (Rebroadcasts will be available on demand through May 8.)

Tickets are $15 and available online at: https://madison-bach-musicians.square.site/product/a-baroque-tour-april-24-2021-livestream-on-demand-until-may-8/57?cs=true&cst=custom

If you wish to purchase tickets through the mail, use this downloadable form: https://madisonbachmusicians.org/wp-content/uploads/2021/03/MBM-2020-21-Live-Stream-Ticket-Form-A-Baroque-Tour.pdf

Here is the schedule for the concert and related events:

From 7:30-8 p.m., in a pre-concert lecture, MBM artistic director Trevor Stephenson will discuss the composers, the repertoire and the historical instruments.

The performance will run from 8 p.m. until approximately 9:15 p.m.

The evening will then conclude with a live Question-and-Answer session with the musicians who will be socially distanced on the concert platform.

Listeners should submit their questions—in advance or during the broadcast—via email to Karen Rebholz at madisonbachmusicians.manager@gmail.com.

THE MUSICIANS are:

Marc Vallon – baroque bassoon soloist

Kangwon Kim (below) – baroque violin

Emily Dupere – baroque violin

Micah Behr – baroque viola and baroque guitar

Martha Vallon – baroque cello and viola da gamba

James Waldo – baroque cello (and tambourine)

Trevor Stephenson – harpsichord

THE PROGRAM is:

HANDEL – Sonata in A major for Violin and Continuo, HWV 361

CHARPENTIER – Concerto for Four Viols, H 545

PURCELL – Trio Sonata in C major, Z 795

VIVALDI – Bassoon Concerto in B-flat major, RV 503

GUILLEMAIN – Sonata in A minor for Two Violins, Op. 5, No.1

BUXTEHUDE – Trio Sonata in G major, BuxWV 271

DE CASTRO – Trio Sonata in C major, Op. 1, No. 6

FALCONIERI – La Folia (Folías de España)

Here is a link to some brief biographies and interesting facts about these remarkable composers: https://madisonbachmusicians.org/april-24-a-baroque-tour-a-livestream-event/

Posted in Classical music
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New York Times critics choose 10 online classical music concerts to stream in February, starting this Thursday

February 2, 2021
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By Jacob Stockinger

As they have done for previous months during the coronavirus pandemic, the classical music critics for The New York Times have named their top 10 choices of online concerts to stream in February, which is also Black History Month, starting this Thursday, Feb. 4.

Also predictably, they focus on new music – including a world premiere — new conductors and new composers, although “new” doesn’t necessarily mean young in this context.

For example, the conductor Fabio Luisi (below) is well known to fans of Richard Wagner and the Metropolitan Opera. But he is new to the degree that just last season he became the new conductor of Dallas Symphony Orchestra and its digital concert series.

Similarly, the Finnish composer Magnus Lindberg (below top, in a photo by Saara Vuorjoki) and the American composer Caroline Shaw (below bottom, in a photo by Kait Moreno), who has won a Pulitzer Prize, have both developed reputations for reliable originality.

But chances are good that you have not yet heard of the young avant-garde cellist Mariel Roberts (below top) or the conductor Jonathon Heyward (below bottom).

Nor, The Ear suspects, have you probably heard the names and music of composers Angélica Negrón (below top), who uses found sounds and Tyshawn Sorey (below bottom). (You can sample Negrón’s unusual music in the YouTube video at the bottom.)

Of course, you will also find offerings by well-known figures such as the Berlin Philharmonic and its Kurt Weill festival; conductor Alan Gilbert; pianists Daniil Trifonov and Steven Osborne; violinist Leonidas Kavakos; and the JACK Quartet.

Tried-and-true composers are also featured, including music by Beethoven, Schnittke, Weber, Ravel and Prokofiev. But where are Bach, Vivaldi, Telemann and Handel? No one seems to like Baroque music.

Here is a link to the events with links and descriptions. All times are Eastern: https://www.nytimes.com/2021/01/28/arts/music/classical-music-streaming.html

Do you have other virtual and online concerts to suggest? Please leave details in the Comment sections.

Posted in Classical music
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The eighth annual UW Schubertiade is this Sunday afternoon. It features a FREE online retrospective of the past seven years plus a new four-hand piano performance

January 29, 2021
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By Jacob Stockinger

The University of Wisconsin has posted the following announcement:

For the eighth consecutive year, the University of Wisconsin-Madison’s Mead Witter School of Music will present its annual Schubertiade — a special concert celebrating the music of Franz Schubert (below).

Traditionally these concerts have been held around the composer’s birthday. This year’s concert will in fact occur on his birthday — this Sunday, Jan. 31, at 3-4:30 p.m. CST. The pre-recorded premiere is at: https://youtu.be/7sshhKiFPAg

You can also use the link to prepare for the concert before or during the concert. You will find the program with song titles, the original German texts and English translation, and biographies of the performers by simply clicking on “SHOW MORE” on the YouTube website and follow the links to PDFs.

BECAUSE THERE ARE NO COPYRIGHT ISSUES, ACCORDING TO UW OFFICIALS, THE POST SHOULD BE UP AND AVAILABLE INDEFINITELY AFTER ITS PREMIERE.

As in past years, founders and performers Martha Fischer (below left), professor of piano and head of the collaborative piano program at UW-Madison, and her husband Bill Lutes (below right), an independent piano teacher, and UW emeritus artist-in-residence, will host the program.

These concerts have been presented in the sprit of the first Schubertiades (below, in a painting by Julius Schmid) that took place during the composer’s lifetime (1797-1828) in the homes of his friends and fellow artists, poets and fans.

These were social as well as musical occasions with Schubert himself presiding at the piano, giving his audience a chance to hear his latest songs, piano duets and chamber music, as well as pieces that had already become favorites.

This year’s Schubertiade will be different in response to the restrictions imposed by the Covid-19 pandemic. It will be an online look back — or Rückblick — at past concerts, with songs chosen from performances that have been preserved in the audio and video archive.

The featured performers will include faculty members, students and alumni from the Mead Witter School of Music, along with special guests.

In addition, pianists Fischer and Lutes will give a “new” performance recorded for this occasion of the great Fantasie in F minor for piano duet. (In the YouTube video at the bottom, you can hear that work, performed by Dutch brothers Lucas and Arthur Jussen and recorded live in Seoul, South Korea.)

The songs have been chosen to reflect themes that were not only relevant to Schubert and his circle, but also to all of us in the midst of this challenging time: hope for a brighter future; the need for connection with others; remembrance of happier times; and the consolation to be found in nature.

Schubert left a vast and precious legacy of beauty — an enormous output of music that he composed in his short lifetime.

In a sense, each time his music is performed and heard, it is a journey from the past to our own time, the sounds speaking to us today as vividly and consolingly as they did when they were created 200 years ago.

Performers

Martha Fischer and Bill Lutes, pianists

Alumni:

Jamie-Rose Guarrine, soprano (below, in a photo by Peter Konerko)
Emily Birsan, soprano
Michael Roemer, baritone
Jennifer D’Agostino, soprano
Daniel O’Dea, tenor
Wesley Dunnagan, tenor
Sarah Brailey (alumna and current DMA student)
Sara Guttenberg

Guests:

Marie McManama, soprano
Cheryl Bensman-Rowe, mezzo-soprano

Faculty:

Mimmi Fulmer, soprano
Paul Rowe, baritone (below)
Julia Rottmayer, soprano

Staff

David Alcorn, videographer, editor, etc.
Katrin Talbot, images for audio only tracks

Posted in Classical music
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