The Well-Tempered Ear

Going live! Here are some links to newly announced summer concerts and 2021-22 seasons

June 15, 2021
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By Jacob Stockinger

Get out your datebooks.

Now that the pandemic is fast abating, at least locally, music groups and music presenters in the Madison area have been announcing a return to live music and their new seasons and summer events in a relentless way.

The Ear had been out of commission since mid-May until this week. But in any case, The Ear was overwhelmed and just couldn’t keep up with a separate post for each one.

Still, he thought it might be helpful to be able to check the dates, performers, programs, tickets and other information in one place.

Remember that the Madison Early Music Festival is no more. It has been absorbed into the regular music curriculum at the UW.

Please know that many groups – including, but not limited to, the University of Wisconsin-Madison’s Mead Witter School of Music (below is the UW Symphony Orchestra — masked, socially distanced and virtually streamed — during the pandemic), University Opera, Edgewood College, Just Bach, Grace Presents, the Salon Piano Series, the First Unitarian Society of Madison, Bach Around the Clock, the Festival Choir of Madison, the Wisconsin Chamber Choir and the Madison Bach Musicians – have not yet released details of their new seasons.

But most of their websites say that an announcement of their new season is coming soon.

There are also some trends you may notice.

Many of the groups are raising prices and persistently seek donations as well as subscribers, no doubt to help make up for the loss of revenue during the pandemic.

The Madison Symphony Orchestra and the Wisconsin Chamber Orchestra have reduced the number of concerts or start later.

Some have simply rescheduled events, like the Wisconsin Union  Theater closing its season with soprano Renée Fleming. And the Madison Symphony Orchestra’s new season is largely the same one they were planning to have to celebrate the Beethoven Year in 2020-21.

The Bach Dancing and Dynamite Society, the Middleton Community Orchestra and the Willy Street Chamber Players all have pop-up concerts and scheduled outdoor concerts in parks. Some have also scheduled individual mini-concerts or personal sessions.

If you look at programs, you will see an emphasis on Black composers and performers by almost all groups. (The Madison Symphony Orchestra has scheduled “Lyric for Strings” by George Walker, below. You can hear it performed by the Los Angeles Philharmonic under Gustavo Dudamel in the YouTube video at the bottom.)

What is most disappointing is that no group seems to have announced a special concert or event to pay homage to the public ordeal, health care workers and victims of the COVID-19 pandemic.

The Ear keeps thinking a performance of a suitable requiem (by perhaps Mozart, Faure, Brahms, Verdi or Britten) or Beethoven’s Ninth Symphony would have been an appropriate way to start the in-person season and, at the same time, acknowledge the more than 7,000 deaths in Wisconsin and almost 600,000 deaths in the U.S. and almost 4 million worldwide as of now. Maybe even Barber’s overplayed Adagio for Strings would suffice.

Finally, very few groups seem to be offering online virtual concert attendance as a possibility for those listeners who found that they actually enjoyed at least some the  music in their own homes and at their own times.

IN ANY CASE, HERE IS WHAT HAS ALREADY TAKEN PLACE OR IS STILL ON TAP. CHECK IT OUT! 

Bach Dancing and Dynamite Society in free live and for-pay recorded concertshttps://bachdancing.org

Middleton Community Orchestra’s summer concerts at Fireman’s Park (below) in Middleton: https://middletoncommunityorchestra.org

Madison Bach Musicians summer workshops (below): https://madisonbachmusicians.org/2021-summer-chamber-music-workshop/

Concerts on the Square with limited paid admission at Breese Stevens Field (below): https://wcoconcerts.org/concerts-tickets/concerts-on-the-square

Madison Symphony Orchestra (below, in a photo by Peter Rodgers): https://madisonsymphony.org/concerts-events/madison-symphony-orchestra-concerts/

Madison Opera and Opera in the Park (below): https://www.madisonopera.org/oitp21/; and https://www.madisonopera.org/21-22/

Wisconsin Union Theater: https://union.wisc.edu/visit/wisconsin-union-theater/seasonevents/concert-series/

Willy Street Chamber Players (below) at Orton Park: http://www.willystreetchamberplayers.org/2021-summer-concert-series.html

If you know of more entries or have observations to make about these, please leave word and, when possible, a link in the comment section.

The Ear wants to hear.


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The Wisconsin Union Theater closes its 2020-21 season with only one online concert this weekend. Sō Percussion on Saturday night has been CANCELED. The Wisconsin Sound all-Beethoven concert with the Pro Arte Quartet will take place at noon on Sunday.

April 30, 2021
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By Jacob Stockinger

Two online concerts this weekend were supposed to close the 2020-21 season at the Wisconsin Union Theater.

On Saturday night at 7:30 p.m., the usual subscriber season was supposed to wind up with an online concert by the Sō Percussion Ensemble with the contemporary Pulitzer Prize-winning American composer Caroline Shaw.

That concert has been CANCELED. No reason is listed.

On this Sunday, May 2, at noon CDT, however, the University of Wisconsin-Madison’s acclaimed string quartet, the Pro Arte Quartet (below top), will by joined by pianist and UW-Madison graduate Thomas Kasdorf (below bottom) in an all-Beethoven concert.

This will be the last concert of the WUT’s innovative Wisconsin Sounds – they feature local performers– this season.

Here are more details: 

PROGRAM and PERFORMERS

The “Beethoven in C Minor” program will feature two works:

String Trio in C minor, Op. 9, No. 3 (1797-98). Performers are Sally Chisholm, viola; Parry Karp, cello; and David Perry, violin.

Piano Trio in C Minor, Op. 1, No. 3 (1793-4). Performers are: Suzanne Beia, violin; Parry Karp, cello; and Thomas Kasdorf, piano. You can hear the opening movement in the YouTube video at the bottom.

The Pro Arte Quartet’s performance of early works by the young Beethoven (below) is part of the Wisconsin Sound Series, which showcases and supports local musicians and artists during the coronavirus pandemic.

Learn more about the series.

To learn more about the Pro Arte Quartet, go to the group’s Website or page on Facebook

TICKETS

Tickets cost $15 and are available at the Wisconsin Union Theater box office. You can purchase tickets and also see more information about the program and performers here: https://union.wisc.edu/events-and-activities/event-calendar/event/pro-arte-quartet/

For ticket buyers who purchase a ticket less than two hours before the event start time, the link to view the concert will be in the confirmation email you will receive immediately following your purchase. This link will be accessible for seven days following the initial broadcast.

For all other purchases, all emails will come from https://union.wisc.edu/visit/wisconsin-union-theater/theater-tickets/

If you do not receive your email to your inbox, please check your junk or spam folder in case it was filtered there. If you have questions or problems, the box offices phone number is (608) 265-ARTS (2787).


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This Sunday at 4 p.m., the Salon Piano Series debuts an online recital by pianist Kangwoo Jin. He plays music by Scarlatti, Beethoven, Liszt and Schumann. It is up until May 9

April 22, 2021
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By Jacob Stockinger

This Sunday afternoon at 4 p.m. CDT, the Salon Piano Series, hosted by Farley’s House of Pianos, will debut an online concert by pianist Kangwoo Jin (below, in a photo by Andy Manis).

The concert, which was recorded at Luther Memorial Church, costs $10 and will be available online through May 9.

The program is:

Scarlatti – Sonatas in D minor and D Major, K. 213 and 214 (ca. 1756-1757)

Beethoven – Sonata in C-sharp minor, Op. 27, No. 2, “Moonlight” (1801)

Liszt – Transcriptions for solo piano of the songs “Widmung” (Dedication) by Robert Schumann and “Litanei” (Litany) by Franz Schubert

Schumann – Symphonic Etudes, Op.13 (1830)

Bishop – Home, Sweet Home

Tickets are only available online at eventbrite.com. Service fees apply. Complete program and concert information is at salonpianoseries.org

PROGRAM NOTES 

Jin has written the following program notes for The Ear:

“As a musician, I am always eager to share music with the public. I am very excited to be able to reach out to the audience with this unprecedented Salon Piano Series Virtual Concert. 

“I believe music soothes our mental health in difficult times regardless of age, gender or race. I very much hope my performance will contribute to this collective healing we feel through music.

“I wanted to include three different styles, as I usually do for recitals. This time I have Baroque, Classical and Romantic music.

“I chose one of the most famous Beethoven sonatas in order to celebrate his 250th birth year (2020), which I did not have a chance to mark last year.

“This piece is popular with the title of “Moonlight,” which Beethoven (below) never intended. Five years after his death, the German critic Ludwig Rellstab used the word “Moonlight” in order to describe the first movement. But it was really inspired by the funeral march in Mozart’s opera “Don Giovanni.” I try to bring out the tragic color of the first movement. (You can hear Jin play the exciting final movement of the sonata in the YouTube video at the bottom.)

“I also wanted to play the virtuosic masterpiece “Symphonic Etudes,” Op. 13, by Robert Schumann (below), including the beautiful posthumous variations 4 and 5.

I find this piece special in the sense that Schumann intended to make this piece “symphonic.” He created multiple layers of voices in various ways through each etude and created orchestral sounds. This polyphonic writing with multiple layers and a thick texture is what makes this piece difficult to play.

“I also specifically wanted to include one of the piano transcriptions by Franz Liszt (below) of Schubert’s Litanei auf das Fest Aller Seelen (Litany for the Feast of All Souls), D. 343.

“Schubert (below) used the poem “Litany” by Johann Jacobi (1740-1814). It is written for comforting the deceased. Robert Capell, the author of the book “Schubert’s Songs” (1929), said about this lied: There was never a truer or more touching expression of simple devotion and consoled grief … “The music rises from a pure well of affection and humility.” 

“I would like to dedicate this piece to all the people who  suffered from Covid 19.”

BACKGROUND

Here is a link to Kangwoo Jin’s impressive website where you can see many photos, learn about his extensive career as a teacher and hear many samples of his playing: https://www.pianistkangwoojin.com

Praised for his “refined tone quality with powerful energy” (Chosun Daily Newspaper), Jin (below, in a photo by Steve Apps for the Wisconsin State Journal) concertizes nationally and internationally, including performances in Germany, Italy, China, Indonesia and South Korea.

He gave his debut concert at the Sejong Arts Center in Seoul, South Korea, sponsored by the Chosun Daily Newspaper. He has given live performances on Wisconsin Public Radio and WORT 89.9 FM. 

Jin appears frequently as a guest artist at music festivals, universities and various concert series. Recent invitations include UW-River Falls, Texas A&M University-Corpus Christi, and Tongji University in Shanghai. Kawai Pianos USA has also invited him as a guest artist at the annual Piano Technicians Guild Convention and Technical Institute in Florida.

Jin completed the Bachelor of Music degree at Hanyang University in South Korea, then earned his Performer Diploma and Master’s of Music at Indiana University, where he worked as an associate instructor.

He is the recipient of the J. Battista Scholarship for performance excellence at Indiana University and received the Collins Distinguished Fellowship for his doctoral studies, completed last year, at the University of Wisconsin-Madison, where he studied piano with Christopher Taylor and piano pedagogy with Jessica Johnson.


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The Madison Bach Musicians host a virtual online Baroque Tour starting this Saturday, April 24, and lasting through May 8

April 19, 2021
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By Jacob Stockinger

The Ear has received the following notice from Trevor Stephenson, the founder and artistic director of the Madison Bach Musicians (MBM), who will debut their season-closing concert live and online this coming Saturday night, April 24:

Stephenson (below) writes:

Since travel has been so very limited during the pandemic, Madison Bach Musicians is elated to conclude its 2020-21 season with a musical journey through both space and time, and invites you to join us from the intimacy and safety of your own home.

A Baroque Tour is a musical travelogue of instrumental masterworks from 17th- and 18th-century Europe. Luminaries like Handel, Vivaldi, Purcell and Buxtehude are in the mix on this program with their brilliant though lesser-known contemporaries such as Louis-Gabriel Guillemain (below top), Marc-Antoine Charpentier, Andrea Falconieri (below bottom) and Francisco Jose de Castro.

A Baroque Tour will explore the glorious sonic landscapes of Italy, Spain, France, England and Germany.

Our ensemble for this program consists of five strings plus harpsichord, and we are thrilled that baroque bassoon virtuoso Marc Vallon (below, in a photo by James Gill), who teaches at the UW-Madison’s Mead Witter School of Music, will join us for Vivaldi’s exuberant Bassoon Concerto in B-Flat Major. (You can hear the opening movement in the YouTube video at the bottom.)

A Baroque Tour will be broadcast via live-streaming from the acoustically spectacular sanctuary of Grace Episcopal Church on this Saturday evening, April 24. (Rebroadcasts will be available on demand through May 8.)

Tickets are $15 and available online at: https://madison-bach-musicians.square.site/product/a-baroque-tour-april-24-2021-livestream-on-demand-until-may-8/57?cs=true&cst=custom

If you wish to purchase tickets through the mail, use this downloadable form: https://madisonbachmusicians.org/wp-content/uploads/2021/03/MBM-2020-21-Live-Stream-Ticket-Form-A-Baroque-Tour.pdf

Here is the schedule for the concert and related events:

From 7:30-8 p.m., in a pre-concert lecture, MBM artistic director Trevor Stephenson will discuss the composers, the repertoire and the historical instruments.

The performance will run from 8 p.m. until approximately 9:15 p.m.

The evening will then conclude with a live Question-and-Answer session with the musicians who will be socially distanced on the concert platform.

Listeners should submit their questions—in advance or during the broadcast—via email to Karen Rebholz at madisonbachmusicians.manager@gmail.com.

THE MUSICIANS are:

Marc Vallon – baroque bassoon soloist

Kangwon Kim (below) – baroque violin

Emily Dupere – baroque violin

Micah Behr – baroque viola and baroque guitar

Martha Vallon – baroque cello and viola da gamba

James Waldo – baroque cello (and tambourine)

Trevor Stephenson – harpsichord 

THE PROGRAM is:

HANDEL – Sonata in A major for Violin and Continuo, HWV 361

CHARPENTIER – Concerto for Four Viols, H 545

PURCELL – Trio Sonata in C major, Z 795

VIVALDI – Bassoon Concerto in B-flat major, RV 503

GUILLEMAIN – Sonata in A minor for Two Violins, Op. 5, No.1

BUXTEHUDE – Trio Sonata in G major, BuxWV 271

DE CASTRO – Trio Sonata in C major, Op. 1, No. 6

FALCONIERI – La Folia (Folías de España)

Here is a link to some brief biographies and interesting facts about these remarkable composers: https://madisonbachmusicians.org/april-24-a-baroque-tour-a-livestream-event/


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This weekend, starting Friday night, the Wisconsin Chamber Orchestra finishes up its winter season of online chamber music

April 15, 2021
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By Jacob Stockinger

This is the time of the year when music groups generally announce their next season while finishing up the current one.

But of course the pandemic continues to shroud plans for the new upcoming season in uncertainty and whether it will be online or in-person.

Meanwhile, groups are in the final stretch of finishing up this season.

This Friday night, April 16, at 7:30 p.m., the Wisconsin Chamber Orchestra (WCO, below in photo by Mike Gorski) will debut the fourth and last online chamber music concert of its curtailed and substituted winter season.

The varied program includes works, both well-known and neglected, by four composers — from Italy, Russia, France and Austria — who come from the 18th, 19th and 20th centuries.

The concert begins with the complete Concerto for Four Violins in B minor, RV 580, by Antonio Vivaldi (below). The string accompaniment will be scaled down.

Then comes the complete Septet for Winds, Strings and Piano by Russian composer Igor Stravinsky (below).

The first and third movements of the Nonet by the rediscovered 19th-century French composer Louise Ferenc come next. (Here is the Wikipedia link to Ferenc (below):

https://en.wikipedia.org/wiki/Louise_Farrenc

The final music will be the first, fourth and fifth movements – including the famous theme-and-variations – of the famously tuneful “Trout” Piano Quintet by Franz Schubert (below).

In the YouTube video at the bottom, you can hear the namesake theme-and-variations movement — based on one of Schubert’s songs — played by Itzhak Perlman, Pinchas Zukerman, Daniel Barenboim, Jacqueline du Pre and Zubin Mehta, with a graphical depiction of the score.

The concert lasts 60-75 minutes.

Tickets are $30.

Here is a link to program notes by WCO music director and conductor Andrew Sewell (below, in a photo by Alex Cruz) and to purchasing a ticket through the Overture Center box office.

The ticket is good for one viewing between Friday night and Monday night, April 19, at 7:30 p.m.

https://wcoconcerts.org/events/winter-chamber-series-no-iv


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The UW Symphony Orchestra performs a FREE online concert Thursday night and Friday night the Wisconsin Chamber Orchestra debuts its second chamber music concert. But in-person micro-concerts on Sunday by the the Willy Street Chamber Players are sold-out

February 24, 2021
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By Jacob Stockinger

The second half of the music season is well under way, with just about every major group performing online – or in one case even in person.

Here are three selections this week:

THURSDAY

Two of the most musically and technically impressive concerts The Ear heard last semester took place at the UW-Madison’s Mead Witter School of Music. They were by the UW-Madison Symphony Orchestra under the direction of conductor Oriol Sans (below).

First, Sans conducted a socially distanced and virtual all-strings concert (below).

Then, for the second concert, the conductor had the winds and brass – which spray dangerous aerosol droplets – record their parts individually. Then for the live performance, Sans donned earphones and masterfully combined all the forces into a full orchestra performance (below).

You can see similar results – with percussion joining for the strings for the last piece — this Thursday night, Feb. 25, at 7:30 p.m. on YouTube when the UW Symphony Orchestra live-streams a 90-muinute concert from the Mead Witter Foundation Concert Hall in the Hamel Music Center. No in-person attendance is allowed.

Here is the program:

I Crisantemi (Chyrsanthemums) by Italian opera composer Giacomo Puccini (1858-1924), with Michael Dolan, guest conductor

“Leyendas: An Andean Walkabout” by contemporary American composer Gabriela Lena Frank (b. 1972) Coqueteos (Flirtations)

“Carmen” Suite (after the opera by Georges Bizet) by Russian composer Rodion Shchedrin (b.1932): Introduction; Dance; Carmen’s entrance and Habanera Torero; Adagio; Fortune-telling; and Finale.

Here is a link to the live-streamed video: https://youtu.be/GSrMLKrjlVg

And here is a link to more information, including program notes and the names of members of the orchestra: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-2/

FRIDAY NIGHT

On Friday night at 7:30 p.m. the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) will offer the second of its Winter Chamber Series. It will run between 60 and 75 minutes.

There will be string, brass and percussion music by Mozart, Beethoven, Rossini, Steve Reich, Craig H. Russell and Thomas Siwe. Be aware that three of the works – string quartets by Mozart and Beethoven and a string sonata by Rossini — are presented in excerpts. That is not listed on the webpage.

The cost for one-time access between Friday night and Monday night is $30.

Here is a link to more information, including a link to ticket sales from the Overture Center box office and program notes by WCO music director and conductor Andrew Sewell (below, in a photo by Alex Cruz): https://wcoconcerts.org/events/winter-chamber-series-no-ii

SOLD-OUT

The Micro-concerts scheduled for this coming Sunday, Feb. 28, by the esteemed Willy Street Chamber Players (below), are SOLD-OUT.

The 10-minute private concerts for two, which require masks and social distancing for all, are perhaps the most innovative move by any local music group during the coronavirus pandemic.

The Ear, who expects concert habits to change after the pandemic, thinks such micro-concerts have a very bright future even after the pandemic is under control and audiences can return safely to mass events.

The concert are pay-what-you can but a $20 donation for two was suggested.

For more information about the micro-concerts, listen to the YouTube video at the bottom and go to: http://www.willystreetchamberplayers.org/micro-concerts.html

 


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This Friday night the Verona Quartet performs an online concert of Brahms and Dvorak for the Wisconsin Union Theater. Plus, longtime music critic Jess Anderson has died

January 27, 2021
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ALERT: Jess Anderson (below), a longtime local music critic for Isthmus, an active participant in the local music scene and a veteran radio host of an early music program for WORT-FM 89.9, died this past Sunday. He was 85. When more information is known, The Ear will devote a blog post to Jess, who was also a friend.

By Jacob Stockinger

The Ear has received the following announcement to post:

The Wisconsin Union Theater’s Concert Series will continue this season with a performance by the Verona Quartet (below) on this Friday, Jan. 29, at 7:30 p.m. CST. It will be preceded by a question-and-answer session with the Quartet at 7 p.m. CST. 

The Quartet will perform two complete works: the String Quartet in A Minor, Op. 51, No. 2, by Johannes Brahms; and the famous String Quartet No. 12 in F Major, Op. 96, the “American,” by Antonin Dvorak. (In the YouTube video at the bottom, you can hear the Verona Quartet perform the familiar last movement of the string quartet by Dvorak.) 

The Verona Quartet rose to international fame by sweeping top prizes at competitions, including the Chamber Music America’s Cleveland Quartet Award in 2020.

Hailing from four different parts of the world, differences unify the Quartet’s members and music. Its music aims to show how diverse experiences can come together in harmony.

“The Verona Quartet brings fresh approaches to classical music masterpieces,” says Wisconsin Union Theater director Elizabeth Snodgrass (below). “The Quartet has risen to become one of the world’s most sought-after string quartets. We are honored to include them in our Concert Series season.”

Ticket purchase information can be found here. Tickets for this virtual online event are $10 for UW-Madison students, $17 for Wisconsin Union members and students who do not attend the UW-Madison, and $20 for all other patrons.

Ticket buyers will receive an email from approximately 2 hours before the event begins that contains the link to view the performance. 

Anyone who purchases a ticket within 2 hours of the event’s start time will receive their link in their confirmation email immediately following their purchase. Only 1 ticket per household is needed to view this concert. 

The link will remain active until Friday, Feb. 5, at 9:30 p.m. (CST) to view whenever you would like.

This performance will include the Quartet’s regular violinists Jonathan Ong and Dorothy Ro, and violist Abigail Rojansky.

But due to challenges related to the coronavirus pandemic, Quartet member and cellist Jonathan Dormand will not be part of the event. Instead, cellist Dmitry Kouzov (below top) will perform the string quartet by Brahms and cellist Annie Jacobs-Perkins (below bottom, in a photo by C. Tihms Van Velden) will perform the string quartet by Dvorak.

The Verona Quartet’s performance is made possible by the David and Kato Perlman Chamber Music Endowment Fund, with additional support from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

An additional Concert Series performance will take place on Sunday, Feb. 28, at 7:30 p.m. CDT and features the Meccore Quartet.

For more than 75 years, the Wisconsin Union Theater has served as a cultural center for community members and visitors and provides a variety of performing arts events.

The Theater’s Concert Series began more than a century ago and is one of the oldest uninterrupted series of its kind in the United States.

The Wisconsin Union Theater team presents the Concert Series in collaboration with the student-led Wisconsin Union Directorate (WUD) Performing Arts Committee.

The Theater team strives for all of its spaces to be accessible, and those that need accommodations can reach out by email to the Wisconsin Union Theater team at: wisconsinuniontheater@union.wisc.edu

For more information about the Verona Quartet, including how to purchase tickets, visit union.wisc.edu/events-and-activities/event-calendar/event/verona-quartet.  

 


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The Wisconsin Chamber Orchestra starts its four-concert Winter Chamber Series TONIGHT at 7:30. Tickets are $30 for one-time access from Friday night to Monday night

January 22, 2021
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By Jacob Stockinger

The new semester of virtual online concerts begins tonight with the inauguration of the Winter Chamber Series by the Wisconsin Chamber Orchestra (WCO, below in a photo by Mike Gorski).

Tonight’s program features music by Giovanni Gabrieli, Valerie Coleman, Alec Wilder, Craig Russell and Franz Schubert. (In the YouTube video at the bottom, you can hear the first movement of the Schubert Cello Quintet, played by the Chamber Music Society of Lincoln Center.)

The programs are short and feature classic works as well as new music and neglected composers. Often single movements or excerpts rather than complete works are performed.

Concerts all debut on Fridays and remain available through Monday night. Debut dates are TONIGHT, Jan. 22; Feb. 26; March 26; and April 16. A ticket entitles the purchaser to one viewing.

Here is a description of the chamber music series from the WCO:

“While full orchestras remain sidelined, the WCO is excited to present the Winter Chamber Series. This new series will feature chamber works for multiple ensembles ranging from trios to octets, showcasing the versatility and caliber of the WCO’s 34 world-class musicians.

“Patrons will enjoy the four-concert series in the comfort of their own home, streaming each concert on WCO Live on-demand starting at 7:30 p.m. on the evening of the concert launch.

“All programs will be 60–75 minutes in length, with not only music but also stories from the WCO’s own musicians on their journey to becoming professional musicians.

“Also included is a pre-concert talk with maestro Andrew Sewell and Norman Gilliland, as well as a post-concert reflection with musicians of the WCO.” 

Here is a link to the concerts, with programs plus notes by music director and conductor Sewell (below in a photo by Alex Cruz) as well as a link to purchase tickets from the Overture Center box office: https://wcoconcerts.org/concerts-tickets/winter-chamber-series

In addition, the WCO has started a musician’s relief fund. It seeks donations to pay musicians for the wages they have lost due to postponed or canceled concerts.

Here is a link: https://wcoconcerts.org/support/donate

 


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Salon Piano Series cancels the rest of this season but offers a free monthly video from past concerts

December 13, 2020
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By Jacob Stockinger

The Ear has received the following announcement from the Salon Piano Series that take place at Farley’s House of pianos:

Dear friends,

How we’ve missed seeing you, since last we were able to gather – in February, for pianist Shai Wosner (below, in a photo by Marco Borggreve) and his recital of heart-stopping Schubert, Scarlatti, Rzewski and Beethoven.

Since then, our pianos have sat silent, waiting for the day we can safely reopen and welcome you back.

For now, although it breaks our hearts, we do need to stay dark through the rest of the 2020-21 season, for everyone’s safety. Our highest priority is the well-being of our artists, audience and staff.

But rest assured that we are rescheduling all of our postponed performances:

Drew Petersen (below) (https://www.brownpapertickets.com/event/4275242) will perform next October.

Jazz great Bill Charlap (below) (https://www.brownpapertickets.com/event/4275248) will perform in June.

We are working to schedule Sara Daneshpour, violinist Rachel Barton Pine, Niklas Sivelov and John O’Conor over the next two seasons.

In the meantime, while we can’t gather in person, we’re pleased to announce the launch of a monthly video series featuring some of our past and upcoming artists.

December brings us the incomparable Shai Wosner  and in January, Adam Neiman (below).

During these uncertain times, we appreciate remembering time spent together enjoying music.

Please take a break from your day to see and hear Shai Wosner (below) performing Domenico Scarlatti’s Sonata in C Minor, K. 230, and Frederic Rzewski’s Nano Sonata No. 12.

The video was recorded live at Farley’s House of Pianos as part of the Salon Piano Series on Feb. 23, 2020.

Click here or at the bottom for the YouTube video: https://www.youtube.com/watch?v=-MCxr5ioV4o&feature=youtu.be

Last March, Shai Wosner released a 2-CD album (http://www.shaiwosner.com/recordings.html) of Schubert late piano sonatas. The album’s producer is nominated for a Grammy Award for the album.

Over the years, you have supported the intimate Salon Piano Series with your attendance, individual sponsorships and donations (https://salonpianoseries.org/donate).

We look forward to bringing you more world-class musical performances in our unique salon setting again soon.

In the meantime, these performances are a way to recapture the live concert experience, including commentary from artistic director Tim Farley, with videography by Tom Moss.

Those on our e-newsletter list, available at our website at https://salonpianoseries.org/contact.html, will receive a video link each month, and the videos are also available on our social media channels.

Stay safe, stay healthy and keep listening.

Sincerely,

The Salon Piano Series Board of Directors

 


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The Madison Symphony Orchestra cancels the remaining orchestra and organ concerts of the 2020-21 season and postpones its Beethoven celebration until next season

December 2, 2020
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Madison Symphony Orchestra (below, in a photo by Peter Rodgers) has canceled the remaining orchestral and organ concerts of the 2020-21 season due to the coronavirus pandemic.

A free online performance of “A Virtual Madison Symphony Christmas” will take place on Dec. 16 and stay posted through Dec. 31. For more information about the program and performers, plus a link to register and to hear that performance, go to: https://madisonsymphony.org

Plans for others online events – free or paid – have not been announced, although the MSO seems to be considering such steps. It also suggests that the 2021-22 season will be a postponed version of the same concerts planned this season to celebrate the Beethoven Year.

Here is the email from executive director Richard H. Mackie that the MSO sent out Monday:

Dear Friends of the Madison Symphony Orchestra,

As you know, the continuing COVID-19 crisis has curtailed planned performances of orchestras all over the world.

As more and more orchestras face the almost certain prospect that well-attended, full-orchestra concerts indoors will not be possible for the foreseeable future, at least until a successful vaccination program has brought COVID-19 under control, the remainder of many symphony concert seasons across America are now being cancelled
.

We have previously cancelled our live, main stage concerts and education performances through January 2021 due to public health restrictions and the closure of Overture Hall.

Public Health Madison and Dane County restrictions continue to prohibit publicly attended indoor concerts. As a consequence, we have faced a painful decision in recent months regarding the fate of the rest of our 2020–2021 season.

I am grieved to announce that, under the present conditions — which offer no reasonable prospect of abatement until the summer, at least — we deem it an unfortunate necessity to cancel all previously scheduled Madison Symphony Orchestra concerts, Education and Community Engagement Programs, and Overture Concert Organ performances through May 2021.

Our June 2021 Concert on the Green remains on our schedule at this time.

We are prepared to issue refunds to our subscribers as we did in the fall. We will be communicating directly with our subscribers to provide options, including the option to donate the value of their tickets.

As we consider alternative programming opportunities for the spring, we will continue to welcome donations to our Musicians’ Relief Fund.

When we planned a joyous celebration of Ludwig van Beethoven’s 250th birthday, we could scarcely have imagined the devastation of the coronavirus in almost every aspect of our lives. But we are finding solace in successfully rescheduling this epic season just one year hence.

The emerging promise of vaccine development has rekindled our enthusiasm for making great music on a grand scale for our community with our Beethoven celebration. We all look forward to a new beginning with John DeMain (below, in a photo by Greg Anderson) and the orchestra in September 2021. (You can hear the original promotional preview in the YouTube video at the bottom.)

Please stay tuned for some exciting news about next season. In the meantime, should there be a breakthrough opportunity to restore any of the cancelled orchestra or organ concerts, or educational and community services to the schedule, we will be prepared to do so.

We are committed to helping our orchestra and keeping great music alive in Madison. Thank you for your interest and continuing support.

Sincerely,

Richard H. Mackie, Executive Director

 


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