The Well-Tempered Ear

Classical music: Recorder virtuoso Piers Adams solos in baroque and contemporary concertos this Friday night with the Wisconsin Chamber Orchestra

April 18, 2019
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By Jacob Stockinger

During his long and successful tenure with Wisconsin Chamber Orchestra (below), music director and conductor Andrew Sewell has established a reputation for championing unusual repertoire and booking young or relatively unknown soloists as well as for offering insightful interpretations of classic masterworks.

But Sewell (below) seems to be surpassing himself with the concert he will lead this Friday night, April 19, at 7:30 p.m. in the Capitol Theater of the Overture Center.

For one, the concert features the British recorder virtuoso Piers Adams (below), who established his own reputation as a part of the unusual baroque quartet Red Priest, the nickname for Antonio Vivaldi, who was indeed a priest in Venice with flaming red hair. (In the YouTube at the bottom, you can sample Adams’ virtuosity as he makes bird calls on the recorder while playing a section of “Spring” from Vivaldi’s “Four Seasons.”)

You can also go to the following websites for more information about Piers Adams:

https://piersadams.com

https://en.wikipedia.org/wiki/Piers_Adams

The Ear can’t think of another time any major group in the area offered a soloist on the recorder – a baroque wooden flute-like instrument — except for the Madison Early Music Festival.

True to form, Adams will perform baroque music with the WCO – specifically, the Concerto for Recorder in C Major by Georg Philipp Telemann.

But to add to the more unusual aspects of the concert, Adams will also perform a contemporary work with the WCO – specifically, a 1994 recorder concerto by the English composer David Bedford (1937-2011, below) that was commissioned by Adams and has proven popular both on a recording and in concert.

For more information about Bedford, go to:

https://en.wikipedia.org/wiki/David_Bedford

To round out the program, Sewell has programmed two other rarely heard works: the “Brook Green” Suite by Gustav Holst, best known for “The Planets”; and the Serenade in E-Flat Major, Op. 6, by the Czech composer Josef Suk (below), a very accomplished violinist and composer who studied with Antonin Dvorak and then became his son-in-law.

https://en.wikipedia.org/wiki/Josef_Suk_(composer)

For more information about the concert, including tickets ($12-$80) and notes on the performers and the program, go to:

https://wisconsinchamberorchestra.org/performances/masterworks-iv-4/


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Classical music: The Wisconsin Chamber Choir celebrates 20 years with a retrospective concert and alumni singers this Saturday night

April 11, 2019
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By Jacob Stockinger

This Saturday night, the Wisconsin Chamber Choir (below) will celebrate its 20th anniversary with a retrospective concert that includes alumni.

The performance is at 7:30 p.m. in the Atrium Auditorium (below, in a photo by Zane Williams) of the First Unitarian Society of Madison, 900 University Bay Drive.

The program features favorite works from the choir’s history.

Founding conductor Gary McKercher (below top) will join current artistic director Robert Gehrenbeck (below bottom) – who directs choral activities at the University of Wisconsin-Whitewater — to lead the choir in this special performance.

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Familiar composers such as Felix Mendelssohn, Sergei Rachmaninoff and Franz Joseph Haydn share billing with Jean Belmont Ford (below), whose Sand County, a setting of Aldo Leopold’s words, will be performed.

Also on the program are a set of pieces by Howard Helvey (below top) that the WCC commissioned in 2002, and the U.S. premiere of Utyos by longtime WCC member Albrecht Gaub (below bottom).

Alumni of the choir will participate as guest singers in the final two works on the program: Haydn’s humorous Eloquence; and Gregg Smith’s serene Now I Walk in Beauty, which is based on a Navajo prayer and can be heard in the YouTube video at the bottom. 

Immediately following the performance, audience members are invited to join the singers for cake and refreshments to celebrate this milestone in the history of one of Madison’s premiere music ensembles.

Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Johann Sebastian Bach, George Frideric Handel, Wolfgang Amadeus Mozart and Johannes Brahms; a cappella works from various centuries; and world premieres of commissioned works.

Artistic director Gehrenbeck has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks.

Advance tickets for the April 13 performance at are available for $15 ($10 for students) from www.wisconsinchamberchoir.org, via Brown Paper Tickets.

Tickets are also available in Madison from Orange Tree Imports, all three Willy Street Co-op locations, and from members of the choir. Tickets at the door will be available for $20 for adults and $10 for students.


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Classical music: Pianist James Giles will replace Ya-Fei Chuang for TONIGHT’s recital at Farley’s House of Pianos

April 6, 2019
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By Jacob Stockinger

The Ear has received the followed announcement from Farley’s House of Pianos about its solo recital tonight.

“We are sad to announce that pianist Ya-Fei Chuang has sustained an injury that will prevent her from performing for us TONIGHT and teaching a master class on Sunday. It is our intent to reschedule her as soon as her health and schedule permit.

“In the meantime, we are very fortunate that James Giles (below), of Northwestern University, is able to step in and perform for us, and we are excited about the program and repertoire he has shaped for us.

“We apologize for this last-minute change, but are excited to introduce James Giles to our Salon Piano Series audience, and look forward to seeing you TONIGHT at 7:30 p.m. at 6522 Seybold Road, on Madison’s far west side near West Towne Mall.”

His recital at Salon Piano Series will include works of Johannes Brahms, Franz Schubert, Isaac Albeniz, Ignaz Jan Paderewski, Leopold Godowsky and others.

An artist’s reception will follow the concert.

Tickets are $50 in at the door ($10 for tickets) and $45 in advance at:

https://www.brownpapertickets.com/event/3499200

For more information about the master class, including participants and repertoire, call Farley’s at (608) 271-2626 or go to:

https://welltempered.wordpress.com/2019/04/04/classical-music-acclaimed-pianist-ya-fei-chuang-plays-works-by-schubert-liszt-and-ravel-this-saturday-night-at-farleys-house-of-piano/

Giles has been praised as “a technically polished, elegant pianist” (Sibelius Academy, Helsinki), “with a riveting intelligence given to everything he play[s],” (Wigmore Hall, London), a “distinctive interpretive persona [and] beautiful pianism … direct and unmannered” (Alice Tully Hall, New York). His Paris recital at the Salle Cortot in 2004 was hailed as “a true revelation, due equally to the pianist’s artistry as to his choice of program.” (You can hear Giles playing the Humoresque by Robert Schumann in the YouTube video at the bottom.)

Giles regularly performs in important musical centers in America, Europe, and Asia, in solo and chamber recitals and as concerto soloist. A native of North Carolina, he studied at the Manhattan School, the Juilliard School, Eastman School of Music, and at Oberlin College. He was awarded a Fulbright Grant to study in Italy with the legendary Russian pianist Lazar Berman.

Coordinator of the Piano Program and Director of Music Performance Graduate Studies at Northwestern University, Giles is director of the Amalfi Coast Music Festival during the summers, and was director of the 2017 American Liszt Society Festival.


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Classical music: Saturday brings percussion music, chamber music and choral music, much of it free

April 5, 2019
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By Jacob Stockinger

As you can tell from earlier posts this week, this weekend will be very busy with music.

But Saturday is especially, offering percussion music, chamber music and vocal music, much of it FREE.

PERCUSSION MUSIC

At 1:30 p.m. in Mills Hall, the Percussion Ensemble of the Wisconsin Youth Symphony Orchestras will perform its 18th annual Percussion Extravaganza.

It features the world premiere of “Common Mind” by composer and WYSO alumnus Jon D. Nelson (below). For more a bout Nelson and his music, go to: http://jondnelson.com

More than 150 performers – instrumentalists, singers and dancers – will be featured.

Here is a link to details about the event, including ticket prices:

https://www.wysomusic.org/wyso-percussion-ensemble-to-present-the-2019-percussion-extravaganza/

CHAMBER MUSIC

At 3:30 p.m. in Morphy Hall, the Perlman Piano Trio plus two guest artists will give a FREE concert.

The program is the “Kakadu”Variations in G major, Op. 121a, by Ludwig van Beethoven; the Piano Trio No. 1 in D minor, Op. 49, by Felix Mendelssohn; and the Piano Quintet in F minor by Cesar Franck. (You can her the first movement of the Mendelssohn Trio performed in the YouTube vide at the bottom, by pianist Emanuel Ax, violinist Itzhak Perlman and cellist Yo-Yo Ma.)

Members of the quintet, based on an annual student piano trio supported by Kato Perlman (below), are: Kangwoo Jin, piano; Mercedes Cullen, violin; Micah Cheng, cello; Maynie Bradley, violin; and Luke Valmadrid, viola.

A reception will follow the concert.

CHORAL MUSIC

At 8 p.m. in Mills Hall, the UW-Madison Concert Choir (below top) will perform a FREE concert under conductor Beverly Taylor (below bottom), who is the director of choral activities at the university.

AN UPDATE: Conductor Beverly Taylor has sent the following update about the program:

“I’m happy to update our Saturday, April 6, free concert at 8 p.m. in Mills Hall:

“The Concert Choir is singing a program called “Half a Bach and other good things.”

“We’re singing just half of the B Minor Mass: the Kyrie and Gloria (12 movements), which were what Bach originally wrote and sent off for his job interview!

We have a small orchestra and a mixture of student and professional soloists: Julia Rottmayer, Matthew Chastain, Wesley Dunnagan, Miranda Kettlewell, Kathleen Otterson, Elisheva Pront and Madeleine Trewin.

The remaining third of the concert is an eclectic mix of modern composers (Petr Eben’s “De circuitu eternal,” Gerald Finzi’s “My Spirit Sang All Day”), Renaissance music (Orlando Gibbons’ “O Clap your Hands”), spirituals and gospel.


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Classical music: The 16th annual all-day Wisconsin Flute Festival will be held this Saturday and will present a FREE public concert on Saturday afternoon

April 3, 2019
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By Jacob Stockinger

The Ear has received the following announcement to post:

The 16th annual Wisconsin Flute Festival will be held on this coming Saturday, April 6, at the Pyle Center, 702 Langdon Street, at the University of Wisconsin-Madison.

The Wisconsin Flute Festival brings together flutists and music lovers of all ages from Wisconsin, the greater Midwest, and across the country, for an engaging and educational day celebrating everything flute.

The festival includes: workshops; lectures; performances; junior, youth, and collegiate artist competitions; master classes and an extensive exhibit hall.

This year’s festival will feature guest artist Bonita Boyd (below in a photo by Kate Lemmon), an internationally renowned performer and Professor of Flute at the Eastman School of Music. (You can hear a sample of her teaching in the YouTube video at the bottom.)

The festival will begin at 8 a.m. at the Pyle Center at the University of Wisconsin-Madison and will culminate in a FREE 90-minute public concert beginning at 5:30 p.m. in Music Hall, at the bottom of Bascom Hill and a short walk from the Pyle Center.

The free evening concert will be performed by featured guest artist Bonita Boyd with Madison guitarist Christopher Allen (below).

Workshop topics will include yoga for flutists, orchestral audition preparation, recording techniques, a repair clinic, piccolo techniques, and more.

Participants will also have the opportunity to participate in an interactive session with low flutes including; alto flutes, bass flutes, and a contrabass flute, and take part in two flute choir reading sessions.

Performances during the day will feature an eclectic mix of music performed by professional and student flutists.

Festival attendees will hear music by composers from around the globe and from a variety of periods. Compositions by living composers will feature prominently in many of the recitals at the festival. Solo flute, flute and piano, flute quartet, and flute with mixed ensemble can be heard.

For flutists shopping for an instrument, music or accessories, companies from across the U.S. will be on-site in the Festival’s exhibit hall. Technicians will be also available to evaluate instruments and conduct minor repairs. Confirmed exhibitors include Burkart Flutes and Piccolos, Flute Specialists, Inc., Flute World, the Geoghegan Company, Heid Music and Verne Q. Powell Flutes.

Tickets range from $30 to $40 for festival participants. Tickets for non-flutist family members of participants (parents, siblings, etc.) are available for at a special rate of $7. Registration is now open and information is available online at https://wisconsinflutefestival.org. Tickets can also be purchased at the festival.

The evening concert, beginning at 5:30 p.m., will be held in Music Hall at the UW-Madison and is FREE and open to the public.

The program will include Mountain Songs by Robert Beaser, Histoire du Tango by Astor Piazzolla, Canyon Echoes by Katherine Hoover, Entr’acte by Jacques Ibert and Pièce en form de Habenera by Maurice Ravel.

The 2019 Flute Festival – which is a program of the Madison Flute Club — is sponsored by Heid Music. Major funding is provided by Verne Q. Powell Flutes, American Printing, Eric and Tobi Breisach, Distillery Marketing and Design, and Karl Sandelin – in memory of Joyce Sandelin.

Additional funding is provided by Audio for the Arts, Breisach Cordell PLLC, Dr. Danielle and Jeffrey Breisach, Madison Classical Guitar Society, Wisconsin Youth Symphony Orchestras, and Jessica and Jim Yehle.

ABOUT THE MADISON FLUTE CLUB

The Madison Flute Club was founded in 2002 and currently presents over 20 concerts each year to an audience of more than 1,500 community members. The club involves, on average, 35 active adult members and over 30 youth from the surrounding area.

To advance and achieve its mission, the Madison Flute Club has undertaken several large projects and partnered with numerous organizations and events in Dane County. These projects include the commissioning and world premiere of a work for flute choir for Design MMoCA, successfully fundraising for a contrabass flute — the first such instrument in Wisconsin — and performing at the National Flute Association Convention.

Madison Flute Club ensembles and members have been featured on Wisconsin Public Radio’s The Midday with Norman Gilliland, on WORT 89.9 FM in Madison and in the publication The Flutist Quarterly.

For more information about the Madison Flute Club, go to: http://www.madisonfluteclub.org


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Classical music: On Saturday night and Sunday afternoon, the Madison Bach Musicians explore the miracle of Mozart across his lifetime and across different genres

April 1, 2019
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By Jacob Stockinger

The Madison Bach Musicians concludes its 15th season on this coming Saturday night, April 6, at 8 p.m. and Sunday afternoon, April 7, at 3:30 p.m. with  The Mozart Miracle .

The program features performances of beloved music by Wolfgang Amadeus Mozart (1756-1791, below) with an all period-instrument chamber orchestra in the magnificent acoustic setting of the First Congregational United Church of Christ (below), 1609 University Avenue, near Camp Randall Stadium.

Period-instrument specialists hailing from Madison, Milwaukee, Chicago, Omaha, Seattle, Philadelphia and New York City will perform on natural or valveless horns, classical oboes, gut-strung violins, violas, cellos and a double bass played with 18th-century transitional bows.

Early music specialist and bassoon professor Marc Vallon (below to, in a photo by James Gill) of UW-Madison Mead Witter School of Music will lead the orchestra (below bottom, in a performance last year at the First Unitarian Society of Madison).

Internationally acclaimed soprano Ariadne Lih (below), from Montreal, Canada, will join the ensemble for  Exsultate Jubilate — a ringing example of how Mozart could seamlessly fuse religious zeal with vocal pyrotechnics. (You can hear Renée Fleming sing “Exsultate Jubilate” in the YouTube video at the bottom.)

The program also features dance sequences, choreographed by Karen McShane Hellenbrand (below) of the UW-Madison, from Mozart’s ballet Les Petits Riens  (The Little Nothings).

Also included are pre-concert lectures: On Saturday, April 6, at 7:15 p.m.  there is a lecture by MBM artistic director Trevor Stephenson with an 8 p.m. concert . On Sunday, April 7, his lecture is at 2:45 p.m.  with the concert at 3:30 p.m.

Advance-sale discounted  tickets are $35 for general admission.

Tickets are available at  Orange Tree Imports and Willy Street Coop (East and West). You can also buy advance tickets online at www.madisonbachmusicians.org

Tickets at the door are:  $38 general for adults, $35 for seniors 65-plus, and student rush for $10, on sale 30 minutes before lecture.

MBM artistic director Stephenson (below) sent the following remarks to The Ear:

Here are two fantastic quotations about Mozart:

“Together with the puzzle he gives you the solution.” Ferrucio Busoni on Mozart

“It may be that when the angels go about their task of praising God, they play only Bach. I am sure, however, that when they are together as a family, they play Mozart…” Karl Barth

Both quotes underline, I believe, Mozart’s charismatic generosity of spirit, his sense of play and camaraderie. We’re all in this together! Mozart’s music is a perfect fusion of melodic inspiration — tunes so good they can stay in your head for joyous weeks at a time, or even a lifetime — and structural clarity.

His sense of proportion — when to display 18th-century balance and when to step outside the frame — is uncanny and always a delight. And for me, as a five-year-old-boy, dancing about the living room to the old LP vinyl — dancing lightly, though, so the record wouldn’t skip — it was Mozart’s boundless energy and joy, pouring out of the speakers, that really revved me up.

The Madison Bach Musicians program on this coming Saturday and Sunday will explore several sides of Mozart’s genius: master orchestrator and symphonist; aficionado of fugues; virtuoso keyboard player and mesmerizing improviser; ballet composer; and the greatest fashioner of material for the soprano voice.

MBM has assembled a Classical-period chamber orchestra, replete with gut strings and transitional bows, natural horns, and classical oboes. To this we’ll add: a fortepiano — the type of instrument Mozart toured with; an elegant dancer — for dance was an integral part of 18th-century living; and a magnificent soprano — Mozart was virtually besotted with the magic of the high female voice, and he wrote for it throughout his life with imagination and a sense of thrilling experiment that has never been equaled before or since.

Here is a bit about each selection:

Symphony No. 1 in E-flat majorComposed 1764 when Mozart was just eight years old (below), during an extended stay in London with his father Leopold and sister Nannerl. Strongly influenced by the symphonies of C. F. Abel and J. C. Bach (The London Bach, youngest son of Johann Sebastian).

Symphony No. 29 in A majorComposed 1774 when Mozart was 18 years old (below). It is often considered the pinnacle of his early symphonic writing.

Exsultate Jubilate  for soprano and orchestra – Written 1773 in Milan for the castrato, or male soprano, Venanzio Rauzzini, it is an elegant fusion of rapturous melodies and vocal display.

Adagio & Fugue  in C minor for strings – Composed in 1788, certainly the latest Mozart work on the program when the composer was 32. Mozart had by this time — largely through the Sunday soirees at Baron van Swieten’s—been studying Bach’s fugues closely for several years. This fugue is an arrangement of a work for two fortepianos, K. 426, which Mozart had composed five years earlier in 1783. Mozart added the opening Adagio for the strings version.

Fantasy in D minor for fortepiano – Mozart improvised frequently as part of both private and public performance. This Fantasy, with its dark distinctive opening which explores the fantastical low register of the fortepiano, may give us a good idea of what Mozart might have done one night just sitting down to “jam” for his friends.

Two French Songs for soprano and fortepiano — Birds follow the warm weather, so they never cease their courtship. And in the woods one day the protagonist foolishly rouses a sleeping Cupid — and pays a terrible price.

Ballet excerpts from  Les Petit Riens – literally The Little Nothings. Mozart composed most, but not all, of this ballet in Paris 1778 for Jean-Georges Noverre, ballet master of the Paris Opera. The work served as an interlude to an opera by Niccolo Piccinni that closed after just four performances.

For more information, go to: www.madisonbachmusicians.org


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Classical music: Personal experience, artistic excellence and historical importance drew pianist Wu Han and cellist David Finckel into planning next year’s centennial season at the Wisconsin Union Theater

March 30, 2019
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By Jacob Stockinger

Now that Spring Break is over and subscription tickets are available for the Wisconsin Union Theater’s special centennial celebration next season – which includes superstar soprano Renée Fleming and pianist Emanuel Ax — here is an email interview that pianist Wu Han and cellist David Finckel (below, in a photo by Lisa-Marie Mazzucco), the wife-and-husband consultants and planners of that season, granted to The Ear.

For more about the season and tickets, go to two websites:

https://welltempered.wordpress.com/2019/03/04/classical-music-superstar-soprano-renee-fleming-and-pianist-emanuel-ax-headline-the-100th-anniversary-of-the-wisconsin-union-theaters-concert-series-next-season/

https://union.wisc.edu/visit/wisconsin-union-theater/seasonevents/concert-series/

Could you briefly introduce yourselves to readers and tell them both your past and current activities?

We have been performing on the world’s many concert stages for almost our entire lives. In addition to our careers as concert performers, we serve as the founding Artistic Directors of Music@Menlo, the premier chamber music festival in Silicon Valley, as well as the Artistic Directors of the Chamber Music Society of Lincoln Center (CMS) in New York City.

Our main responsibility as concert performers is to give the best concerts we possibly can, and we are constantly striving to achieve the highest possible level of artistry in our performances.

In our roles as artistic directors, our responsibilities lie in the programming, casting and designing of concert series and chamber music projects for our organizations. At CMS, this includes designing the programming for our seven different satellite series around the country, plus international partnerships in Taiwan, Korea and Europe.

We are also involved in chamber music programming endeavors beyond Music@Menlo and CMS, having just completed a first-ever chamber music residency at the Society of the Four Arts in Palm Beach, Florida. Furthermore, Wu Han is serving as Artistic Advisor to Wolf Trap Chamber Music at the Barns, which entails thematically programming eight concerts per season for the 2018–19 and 2019–20 seasons.

As artistic directors, we spend much of our time putting ourselves in the shoes of our listeners, measuring their experience and receptivity to chamber music of all periods and styles, and putting together the best programs and artists who will move our audiences forward into ever-increasing engagement with and love of the art.

David was the cellist of the Emerson String Quartet for 34 seasons, and we have been performing together as a duo for about 35 years, and continue to do so as one of our main performance activities.

What are your personal relationships to the Wisconsin Union Theater, and what do you think of it as a concert venue?

Our engagement with the Wisconsin Union Theater goes back quite a few years, but certainly not even close to the beginning of the Theater’s distinguished history. For any performer setting foot on its stage, there’s a sense of slipping into an ongoing tradition of artistic excellence that makes us feel both privileged and obligated to do our best.

The Wisconsin Union Theater and its story in American cultural life is larger than any of us; only the music we play rises above and beyond it all, and as performers, our lucky moment is to represent that incredible literature in a venue as significant and storied as the Wisconsin Union Theater. (Below is the theater’s main venue, the renovated and restored Shannon Hall.)

Why did you agree to be artistic advisors and artists-in-residence for the centennial season? Did your personal experiences in Madison play a role in that decision?

As seasoned artists, we deeply admire and respect the very special place in the classical music tradition and history that the Wisconsin Union Theater (below) inhabits, and the invitation to participate in the Theater’s 100th anniversary was an honor for us to receive. Our experiences playing on this distinguished stage and forming a relationship with the local audience have made our pursuit of the common goal of artistic excellence in the centennial season incredibly fulfilling.

Of course, having performed there in the past gave us a hint of confidence through our familiarity with the place, but we must say we have learned perhaps double what we knew originally through this planning process. Without interfering, but at the same time sharing our uncompromised commitment to artistic excellence, we hope that our presence during the process has been useful, and we know that we look so much forward to seeing the careful thought and hard work of all involved come to fruition.

Is there a unifying or guiding principle to the season you have put together?

The guiding principle behind our work on this historic season is artistic excellence, which in our opinion is what most inspires audiences and best serves the art form of classical music.

Our area of expertise is chamber music, and, as we wanted to share the best of what we can do with the Theater, our focus has been on ensuring that the chamber music offerings during this historic season, and hopefully beyond, reflect the best of the world of chamber music.

In our suggestions, we looked for variety of instrumentations, of composers and periods—in other words, giving as much of an overview of the art as we could within a season.

What would you like the public to know about the Wisconsin Union Theater and the upcoming centennial season?

In the Theater’s centennial season, the audience will have the opportunity to savor a variety of different genres of chamber music, from solo piano to vocal music, as well as a sampling of the very best works of the chamber music canon. Between these various genres, the great composers left a wealth of chamber music that could sustain the art form on its own, but that’s still only the tip of the iceberg.

Our chamber music offerings will include the Kalichstein-Laredo-Robinson Trio, which has a long history of performing for the Madison audience. Their December program will include celebrated cornerstones of the piano trio repertoire, including Mendelssohn’s D minor Trio and Beethoven’s “Archduke” Trio. (You can hear the opening of the Archduke Trio in the YouTube video at the bottom.) Both pieces have achieved monumental historical significance through their influence in propelling the art form forward from the Classical period to the Romantic period.

The Escher String Quartet performance in January represents the best of the next generation of young string quartets. Their program includes a quartet by Franz Joseph Haydn—the father of the string quartet genre—and the sole quartet of none other than revered violin virtuoso Fritz Kreisler, who performed in the Wisconsin Union Theater nearly a century ago. Kreisler set foot on the Theater’s stage numerous times, and his rarely heard string quartet nods to the Theater’s long, distinguished history. David will join the Escher Quartet for the beloved Schubert Cello Quintet, which is the “desert island” must-have piece for many music lovers.

Furthermore, in March, we will bring two of the most fantastic musicians in the world to join us for a program of Antonin Dvorak, Josef Suk and Johannes Brahms. This multigenerational cast of musicians includes the incredible young French violinist Arnaud Sussmann (below top, in a photo by Matt Dine) as well as the most important violist of our generation, Paul Neubauer (below bottom). This program is all about the passing down of the baton and the continuous investment in the next generations of artists: Brahms was the one who discovered Dvorak, and Dvorak in turn discovered Suk.


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Classical music: Saturday is busy with baroque music by Vivaldi and Bach at the Wisconsin Union Theater; Wagner’s opera “Die Walküre” in cinemas; and FREE Beethoven performances for families by the Wisconsin Chamber Orchestra

March 28, 2019
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By Jacob Stockinger

This Saturday, March 30, is busy with classical music from morning until night.

In the morning, the Wisconsin Chamber Orchestra’s Family Series features two FREE performances of “Beethoven Lives Next Door” featuring Beethoven’s iconic Fifth Symphony.

They start with pre-concert educational activities at 9 a.m. and 10:45 a.m. with 40-minute concerts at 9:30 a.m. and 11:15 a.m.

All activities take place at the Warner Park Recreational Center, 1625 Northport Drive.

To get FREE tickets and see more information, go to:

https://wisconsinchamberorchestra.org/education/wco-connect-family-concerts/

From 11 a.m. to 4 p.m., the penultimate Live From the Met in HD production of this season will feature “Die Walküre” (The Valkyries), the Metropolitan Opera’s second installment of the epic “Ring” cycle by Richard Wagner.

Screenings will be at the Point Cinema on the west side, near West Towne Mall, and the Palace Cinema in Sun Prairie.

The encore HD showings are next Wednesday, April 3, at 1 p.m. and 6:30 p.m.

The opera will be sung in German with supertitles in English, Italian and Spanish.

Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.

 It will also be broadcast live on Wisconsin Public Radio, starting at 11 a.m. (You can hear the famous and dramatic “Ride of the Valkyries” in the YouTube video at the bottom.)

For a cast list and synopsis, go to:

https://www.metopera.org/season/in-cinemas/synopsiscast/2018-19/die-walkure/?performanceNumber=15381

For information about the production, go to:

https://www.metopera.org/season/2018-19-season/die-walkure/

But the big local event is the Madison debut of Apollo’s Fire (below), a period-instrument baroque group that just won a 2019 Grammy Award, at 7:30 p.m. in Shannon Hall of the Wisconsin Union Theater.

The program features suite and concertos by Antonio Vivaldi and Johann Sebastian Bach. Vivaldi’s Concerto for Four Violins and “The Goldfinch” Flute Concerto will be featured as will Bach’s Orchestral Suite No. 2 and Brandenburg Concerto No. 3.

Trevor Stephenson, founder and director of the Madison Bach Musicians, will give a FREE pre-concert lecture at 6 p.m. in the Old Madison Room.

For more information and samples of rare reviews about the Cleveland-based group devoted to passionate and dramatic performances of early music, go to:

https://apollosfire.org

For the full program, background, videos and ticket information ($10-$47), go to:

https://union.wisc.edu/events-and-activities/event-calendar/event/apollos-fire/


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Classical music: Mozart’s “Don Giovanni” meets “The Sopranos” when an all-female mob gets even in Fresco Opera Theatre’s new show this Thursday, Friday and Saturday nights

March 19, 2019
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By Jacob Stockinger

The Ear has received the following information about what promised to be another unusual take, perfect for the age of the MeToo movement, on the standard opera repertoire from Fresco Opera Theatre.

The show takes place on this coming Thursday, Friday and Saturday nights in Promenade Hall of the Overture Center. Dinner table seats are $50 and other seats are $35.

We are doing a production called the “The Sopranos: Don Giovanni’s Demise,” which is our re-imagining of Wolfgang Amadeus Mozart’s “Don Giovanni.”

We feature an all female-mob, who put a hit on “The Don.” And who can blame them? “The Sopranos” is the story of a score settled, and a scoundrel silenced. Don Giovanni is a rat, who has pushed the family too far. And the family has put out a hit on him.

“This is a fun production, which retains the music of “Giovanni,” but with a slightly different take using 20th-century Mafia imagery. (You can hear the dark and ominous Overture to the “Don  Giovanni” in the YouTube video at the bottom.)

“We have a strong cast, featuring Ryan White as Don Giovanni, Erin Sura as Donna Elvira, Katie Anderson as Donna Anna, Ashley McHugh as Zerlina and Diana Eiler as Leporello. We are excited to have Vincent Fuh as our piano accompanist, and Melanie Cain will be directing.

“We will have limited seating on stage, which will be tables on which meals will be served, adding to the ambiance. Fresco is very excited to present our interpretation of this classic tale, including the timeless music.”

Adds director Melanie Cain:

“I’ve always been intrigued with the way Mozart portrayed female characters in his operas. They are daring, courageous and bold. He also was not afraid to give the women who were from the non-privileged classes, such as his spunky maids, the task of fixing all their bosses messes and oftentimes saving the day.

“Don Giovanni” resonates so well in today’s social landscape. The idea of women uniting to take down the males who take advantage, suffocate and demoralize the female gender runs through the core of this opera.

“What better way to portray a bunch of strong women than to have them run the male dominant world of the mob? As I was thinking about the look of this show, I came across the art of Tamara de Lempicka, a painter of the Art Deco era, best known for her portraits of powerful women. She was a brave, strong-willed openly bisexual artist who wasn’t afraid to be herself at a time that wasn’t accepted.

“Not only will you hear some vivacious female singers, you will see many of Lempicka’s works displayed throughout the production, which really resonates not only with this show, but in the way I like to create opera: “I live life in the margins of society and the rules of normal society don’t apply to those who live on the fringe.””

For tickets and a plot summary, here is the link to Overture Center:

https://www.overture.org/events/sopranos?fbclid=IwAR280iCL1zZLagO31ke0AUXYrYtrDHlr2cMyRaPzksrg8HaL4cK3FEg-mQ8

And for more information about Fresco Opera Theatre, here is link to its home page:

http://www.frescooperatheatre.com/?fbclid=IwAR0_Oq62sQ2I41z79HMYlnm7XDmMFqZKKiButDW5OmWa4kUX5oOH02SJ6Ws


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Classical music: This Wednesday brings a FREE Just Bach concert and the FREE Final Forte concerto competition of the  Madison Symphony Orchestra on Wisconsin Public Radio and Wisconsin Public Television

March 11, 2019
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By Jacob Stockinger

This Wednesday, March 13, brings two noteworthy and FREE events: this month’s midday Just Bach concert; and, at night, the annual Final Forte teenage concerto competition of the Madison Symphony Orchestra.

Here are details about both events:

JUST BACH

This month’s FREE hour-long performance by Just Bach (below, in a photo by John W. Barker) will take place at Luther Memorial Church, 1021 University Avenue, starting at 1 p.m. Food and drink are permitted and free-will donations are accepted.

The program this Wednesday is: the Toccata and Fugue in D Minor “Dorian” for organ, BWV 538, by Johann Sebastian Bach; the cantata “Herr, Ich Warte auf dein Heil” (Lord, I Wait for Your Salvation) by Johann Michael Bach, a cousin of Johann Sebastian; and the famous cantata “Christ lag in Todesbanden” (Christ Lay in the Bonds of Death”), BWV 4, by Johann Sebastian Bach. (You can hear the opening Sinfonia and Chorus to the latter in the YouTube video at the bottom.)

Here is a list of upcoming performances and programs for the second semester:

https://justbach.org/concerts/

And here is a link to the home page and website with links to information about the performers and more.

https://justbach.org

FINAL FORTE

Then on Wednesday night, starting at 6:45 p.m. in Overture Hall of the Overture Center, the four finalists in the annual Final Forte teenage concerto competition, held by the Madison Symphony Orchestra, will compete accompanied by the MSO and conductor John DeMain.

The public is invited to attend the FREE event, but tickets but must be reserved in advance.

The performances will also be broadcast live starting at 7 p.m. by both Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR).

The four finalists, from dozens of statewide applicants who took part in the two preliminary rounds, are (below, from left): violinist Monona Suzuki of Fitchburg playing Ravel; cellist Grace Kim of Waunakee playing Saint-Saens; flutist Holly Venkitaswaren of Lisbon playing Pierce; and pianist Antonio Wu of Madison playing Rachmaninoff.

For more information about the performers, what they will perform and how to obtain tickets, as well as background on the competition, including impressive radio and television ratings, go to:

https://madisonsymphony.org/education-community/education-programs/young-artist-competitions/the-final-forte/


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