The Well-Tempered Ear

Classical music: Here is the world premiere of the first piece of “pandemic music” commissioned by the Library of Congress

June 16, 2020
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By Jacob Stockinger

It has started.

This is the week when the world premieres of the 10 short pieces — written by American composers for the U.S. Library of Congress’ “Boccaccio Project” — will go public and start being posted on various social media sites such as Facebook, Twitter and YouTube as well as the Internet.

The project is a way to capture some of the unique culture brought about by the coronavirus pandemic and COVID-19.

The first is “Sequestered Thoughts,” a solo piano work by composed Damien Sneed (below top) and performed by Jeremy Jordan (below  bottom).

Below is a link to the page with the performance. You can also read what both the composer and the pianist have to say about the new work and what it means — including rippling octaves that depict the monotony of the days in isolation.

Here is the link: https://www.loc.gov/concerts/boccaccio-project/sneed-jordan.html

You can also follow links on the bottom of the page to more information about both the composer and the performer, and to general background of the project.

If you would like some more background, along with commentary and questions, go to: https://welltempered.wordpress.com/2020/06/13/classical-music-the-library-of-congress-has-commissioned-new-music-about-the-coronavirus-pandemic-you-can-listen-to-the-premieres-from-this-monday-june-15-through-june-28/

What do you think of the new piece?

What do you think of the whole project?

Do you want to hear more of the commissioned music?

The Ear wants to hear.


Classical music: Madison Opera announces its 2020-21 season and plans for Opera in the Park on July 25. Plus, today is the 50th anniversary of Earth Day. What music would you choose to mark the event?

April 22, 2020
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ALERT: Today, April 22, is the 50th anniversary of Earth Day, which was founded by Gaylord Nelson, a former Wisconsin governor and senator. To celebrate it, in the YouTube video at the bottom is “The Earth Prelude” — a long work, both Neo-classical and minimalist, with beautiful photos, by the best-selling, award-winning Italian composer Ludovico Einaudi. It has more than 2.3 million views.

What music would you listen to to mark the event? Leave suggestions with YouTube links, if possible, in the Comment section.

By Jacob Stockinger

The Madison Opera has just announced its upcoming 2020-21 season.

As usual, there are three works. The fall and spring operas take place in Overture Hall and the winter production, a Broadway musical, will use the Capitol Theater.

Below are the titles with links to Wikipedia entries for more information about the works and their creators:

Here are the titles:

“Il Trovatore” (The Troubadour) – with the popular “Anvil Chorus” — by Giuseppe Verdi (below) in Overture Hall on Friday night, Nov. 6, at 8 p.m. and Sunday afternoon, Nov. 8, at 2:30 p.m. It will be sung in Italian with projected English translations.

https://en.wikipedia.org/wiki/Il_trovatore

“She Loves Me” with music by Jerry Bock and lyrics by Sheldon Harnick (below) – the same team that created “Fiddler on the Roof” — in the Capitol Theater on Friday night, Jan. 29, at 8 p.m. and Sunday afternoon, Jan. 31, at 2:30 p.m. It will be sung in English with projected text.

https://en.wikipedia.org/wiki/She_Loves_Me

“The Marriage of Figaro,” by Wolfgang Amadeus Mozart (below) in Overture Hall on Friday night, April 30, at 8 p.m. and Sunday afternoon, May 2, at 2:30 p.m. It will be sung in Italian with projected English translations.

https://en.wikipedia.org/wiki/The_Marriage_of_Figaro

You can see a short preview peek — with music but no word about casts, sets or production details — on Vimeo by using the following link: https://vimeo.com/398921274

For more forthcoming information about the season, go to: https://www.madisonopera.org

OPERA IN THE PARK

You may recall that this spring the Madison Opera had to cancel its production of “Orpheus in the Underworld” by Jacques Offenbach because of the COVID-19 pandemic.

What about this summer’s 19th annual Opera in the Park (below, in a photo by James Gill)?

It is still slated for Saturday, July 25, in Garner Park, on Madison’s far west side, with a rain date of Sunday, July 26.

But the opera company is being understandably cautious and says: “At this time, we are proceeding with Opera in the Park as scheduled.

“The safety and wellbeing of our community are our top priority, and we are closely following the guidelines and recommendations of public health officials. We are prepared to make necessary decisions in response to rapidly changing conditions.

“We appreciate your patience and understanding as we navigate these circumstances.”

For updates and more information about Opera in the Park, go to: https://www.madisonopera.org/2019-2020-season/oitp2020/

 


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Classical music: The Madison Symphony Orchestra cancels concerts and events through June. Here are details and links about ticket donations, exchanges and refunds

April 13, 2020
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By Jacob Stockinger

The Ear has received the following announcement to post:

The Madison Symphony Orchestra (MSO, below in a photo by Peter Rodgers) has canceled or postponed concerts and events that would have taken place in April, May and June 2020 in response to the impact of the coronavirus crisis.

“We have been continuously monitoring the latest news and guidance from our public officials throughout this pandemic,” Executive director Rick Mackie said. “All of us here at the MSO are saddened not to be able to share our final two symphony concerts and organ season finale performance with our audiences and community.

“It is with confidence and optimism that we look forward to welcoming you back to the beautiful experience of concerts in Overture Hall that are a part of both our 2020-21 “Beethoven and Beyond” symphony season and new organ series that begin this September.”

Here are more details:

APRIL AND MAY CONCERT CANCELLATIONS AND TICKET OPTIONS

The MSO’s April 3, 4 and 5 “Dvorak Requiem” subscription season concerts were canceled last month due to the closure of Overture Center through April 24, 2020 and the recommendations of local, state and national officials.

Ticket-holders were notified and given the option of donating their tickets back to the MSO, exchanging tickets for a new 2020-21 season concert, or requesting a refund. The MSO is grateful that a majority of people have chosen to donate their tickets to date.

The MSO’s May 1, 2 and 3 “Piano Power” season finale concerts, with Yefim Bronfman, are also now canceled. Patrons who have tickets for these subscription season concerts have received an email giving them the options to donate, exchange or receive a refund. Due to the cancellation of the concerts, the open rehearsal scheduled for Thursday, April 30, will also not take place.

SUPPORT FOR OUR MUSICIANS

The care of the MSO Board of Directors for the well-being and sustenance of our artists has been manifest from the outset of the coronavirus emergency.

We understand that the musicians will need our help keeping their lives together. The decision was made to pay the musicians of the orchestra for both the April and May subscription concerts.

MAY 5, 2020 OVERTURE CONCERT ORGAN PERFORMANCE POSTPONED

The May 5 Overture Concert Organ performance — “Greg Zelek (below in a photo by Peter Rodgers) with the Diapason Brass and Timpani” — is now postponed. When a new date is secured, we will notify ticket-holders about their options.

EDUCATION EVENTS

MSO’s Education and Community Engagement Programs, including Symphony Soup scheduled for May 18 and 19, and Link Up scheduled for May 20-21, have been canceled for this year. HeartStrings® and Up Close & Musical® events have previously been canceled.

2020 JUNE CONCERT ON THE GREEN

The Madison Symphony Orchestra League’s 2020 Concert on the Green annual fundraiser that was scheduled to take place on Monday, June 15, has been canceled for this year. The League’s event committee is already working on plans to bring the event back in 2021. More information about the date for the event next year will be announced as soon as it is available.

Here are helpful links to more information about Madison Symphony Orchestra concerts and events.

April 3, 4, 5 and May 1, 2, 3 symphony season concerts, ticket options: https://madisonsymphony.org/tickets

 May 5 organ performance postponement: https://madisonsymphony.org/organzelek

2020 Concert on the Green: https://madisonsymphony.org/event/concert-on-the-green-2020/

Upcoming Concerts & Events page (updated continually): https://madisonsymphony.org/events-list/

Learn more about MSO’s Education and Community Engagement Programs: https://madisonsymphony.org/education-community/

View the new 20/21 “Ode to Joy: Beethoven and Beyond” season that starts in September, 2020 (subscriptions available now): https://madisonsymphony.org/20-21

The MSO continuously composes and presents a series of News and Stories at https://madisonsymphony.org/news-stories/to keep the essential connection with its staff, audiences, artists and community alive. Explore two recent stories of note.

April 30, 2020, Experience Dvorak’s Requiem Virtually: https://madisonsymphony.org/experience-dvorak-requiem-virtually/

March 27, 2020, A Message from MSO maestro John DeMain: https://madisonsymphony.org/march-2020-message-from-john-demain/


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Classical music: What music is helping you get through the Coronavirus by staying home? Help create a Pandemic Playlist

March 25, 2020
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By Jacob Stockinger

Starting today, Wisconsin joins other states and countries in proclaiming a stay-at-home emergency condition to help fight the coronavirus pandemic.

That means non-essential businesses and schools are closed; restaurants can only deliver food and do pick-up; and residents must stay at home except for essential services and travel such as buying food, seeing a doctor and getting medicine.

For a couple of weeks, many of us have already been spending almost all our time hunkering down at home.

And the Internet and other mass media are full of helpful hints about how to handle the loneliness, fear and anxiety that can come with self-isolation and self-quarantining.

For many, music proves a reliable coping strategy.

Since there are no live concerts to preview or review, now seems like a good time for The Ear to ask readers: What music helps you deal with the isolation of staying at home?

Is listening to music a part of your daily schedule, structure or routine?

Maybe you are using the time to discover new music or neglected composers, works and performers.

Maybe you are using the time to revisit old favorites by Bach, Mozart and Beethoven.

Maybe you prefer darker and deeper, more introverted works such as symphonies by Mahler, Bruckner and Shostakovich?

Maybe you prefer the stories and drama of operas by Verdi and Puccini, oratorios by Handel and songs by Schubert?

Maybe, like The Ear, you find the music of Baroque Italian composers, such as the violin concertos by Vivaldi and Corelli, to be a great, upbeat way to start the day with energy and a good mood.

One more modern but neo-classical work that The Ear likes to turn to — a work that is rarely heard or performed live – is the beautiful “Eclogue” for piano and strings by the 20th-century British composer Gerald Finzi (below).

Finzi wrote it as a slow movement to a piano concerto, but then never finished the concerto. The “Eclogue” — a short pastoral poem — was never performed in his lifetime. So it continues to stand alone.

But like so much English pastoral music, the poignant Eclogue feels like sonic balm, some restorative comfort that can transport you to a calmer and quieter place, put you in a mood that you find soothing rather than agitated.

Hear it for yourself and decide by listening to it in the YouTube video at the bottom, then let The Ear know what you think.

Perhaps you have many other pieces to suggest for the same purpose.

But the series of reader suggestions is meant to be ongoing.

The idea is to build a collective “Pandemic Playlist.”

So right now and for this time, please post just ONE suggestion – with a YouTube link, if possible — in the Comment section with perhaps what you like about it and why it works for you during this time of physical, psychological and emotional distress from COVID-19.

What do you think of the idea of creating a Pandemic Playlist?

The Ear hopes that you like his choice, and that he and other readers like yours.

Be well and stay well.

Let’s get through this together.

 


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Classical music: Acclaimed local soprano Sarah Brailey explains why performing artists and presenters need help during the COVID-19 pandemic

March 23, 2020
2 Comments

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By Jacob Stockinger

Sarah Brailey (below) is worried.

And with good reason.

Chances are good that you have seen the local soprano or heard her sing.

She is the artistic director of the Handel Aria Competition, which she herself won in 2015. (In the YouTube video at the bottom, you can hear Brailey sing the aria “Will the Sun Forget to Streak” from Handel’s oratorio “Solomon,”  with the Trinity Baroque Orchestra under conductor Julian Wachner, in the St. Paul Chapel in New York City.)

Brailey is a co-founder of and participant in the monthly free Just Bach concerts here. In addition, while pursuing graduate studies at the UW-Madison, she is a concert artist with a budding international career. For more about her, including a rave review from The New York Times and sample videos, go to: https://sarahbrailey.com

But right now the Wisconsin native is especially concerned about the lasting impact that the Coronavirus pandemic will have on her own career as well as on the careers of others like her and on the well-being of arts presenters.

Brailey (below, in photo by Miranda Loud) sent The Ear the following essay:

By Sarah Brailey

This is a scary time for everyone, but particularly for anyone who works as an independent contractor.

I am a freelance classical soprano based in Madison. I maintain a very active performing career, traveling all over the globe, and I am also a doctoral student at the UW-Madison Mead Witter School of Music.

When COVID-19 hit the United States, presenting organizations on the east and west coasts started canceling concerts to comply with social distancing recommendations.

I initially thought I was lucky to be living in the middle of the country where our lesser population density might save us. Plus, I am a Teaching Assistant at the UW right now, so I will still be getting my stipend — although teaching virtual voice lessons will be its own special challenge!

But many of my colleagues are not so lucky and are facing bankruptcy. If the government doesn’t include independent contractors in its relief packages, a lot of people are going to be insolvent.

And I myself am not immune. As the seriousness of the situation became clear, all my concerts in the next two months soon disappeared one by one.

While not being able to perform is emotionally devastating, these cancellations are also financially devastating.

There exists a clause in every standard performance contract called “force majeure” (superior force), which is idiomatically referred to as, “an act of God.” This clause excuses a party from not honoring its contractual obligations that becomes impossible or impracticable, due to an event or effect that the parties could not have anticipated or controlled.

This can come in handy for a presenter if there is, say, a blizzard that necessitates the cancellation of a concert. (This happened to me a few seasons ago with the Boston Symphony.) If the presenter will not make any money on ticket sales, they are not then further injured by having to pay the musicians for the canceled concert. (Below, Brailey sings Samuel Barber’s “Knoxville: Summer of 1915” with the Colorado Symphony.)

The ramifications of this pandemic are unprecedented. Every freelance musician I know is suddenly out of work. The current conventions put all of the upfront financial burden on the artists. We are paid in one lump sum at the end of a project. We do not get a fee for the countless hours of preparation.

We often book travel and lodging on our own dime, and are not reimbursed until the end of the gig. We pay for our own health insurance, and we cannot file for unemployment because our work is paid via IRS Form 1099 and not W2s. The abrupt work stoppage caused by this pandemic means insolvency – or even bankruptcy — for many artists. (Below, Brailey sings Handel’s “Messiah” at the famed Trinity Church on Wall Street in New York City.)

Many institutions — and, unfortunately, many of the bigger players like The Metropolitan Opera — are invoking force majeure without much regard for how their artists are struggling.

My colleague, tenor Zach Finkelstein, is covering this in great detail on his blog The Middle Class Artist, as is Alex Ross, the prize-winning music critic for The New Yorker. Read his piece on force majeure here.

However, there are also thankfully some good stories to tell. The Bach Society of Minnesota reimbursed all my travel expenses and is paying 75 percent of my fee, as is the Lyra Baroque Orchestra.

I am helping Zach keep track of the organizations that are helping their artists in this time of need. (Read about them here. Madison Opera is on the list.)

The arts are not just cultural enrichment; they are an essential part of our economy. In 2017, the industry contributed $877.8 billion, or 4.5 percent, to U.S. Gross Domestic Product (GDP) and employed over 5 million workers. We cannot afford to let this industry disappear. I fear that many individual artists and arts organizations will not recover from this. (Below, Brailey sings Johann Sebastian Bach’s “Magnificat” at the Bucknell Bach Festival.)

While we wait out this storm, I implore you to donate to a Madison arts organization. Here is a short list of recommendations along with some national relief funds for artists.

Local Arts Organizations

Madison Bach Musicians

Handel Aria Competition

Madison Early Music Festival

Madison Opera

Madison Youth Choirs

List of National Relief Funds


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Classical music: A reader urges others to donate ticket refunds to support the arts. What do you think?

March 18, 2020
8 Comments

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ALERT: The Wisconsin Chamber Choir has canceled its upcoming concert, “Music She Wrote,” on April 18.

By Jacob Stockinger

A reader — who prefers to remain anonymous but who has been deeply involved in the Madison arts scene for a long time — recently wrote:

“I’d like to suggest an angle for your column: Encourage subscribers to the various arts organizations and single ticket holders who can afford it NOT to ask for a refund on their upcoming cancelled concerts, if or when they are offered that option.

“I subscribe — on my own or as part of others’ subscriptions — to the Madison Symphony Orchestra (below, in photo by Peter Rodgers), the Madison Opera, the Broadway musicals at the Overture Center, Forward Theater, and the Wisconsin Union Theater’s Concert series. (I also buy a lot of single tickets to chamber music concerts by the Bach Dancing and Dynamite Society and to American Players Theatre in Spring Green.)

“As all those arts organizations cancel their concerts and plays, they still have costs. Forward Theater, for instance, is paying the full contract of all the people who were involved with the production of “The Amateurs.” And I’m glad they are.

“Personally, I will not be asking for a refund on any of the tickets I long ago purchased. I want the arts to stay healthy in Madison, and not asking for a refund is a small gesture in trying to make sure they are able to move forward.” (At bottom is the Bach Dancing and Dynamite Society, which just announced its summer schedule from June 7 to June 28 and has not cancelled anything. Go to: https://bachdancing.org)

“You reach a lot of people and you could plant a lot of powerful seeds by making this the topic of a column.”

If you are a member of a performing arts group, what do you think?

If you are a ticket holder, what do you think?

The Ear wants to hear.


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Classical music: What concerts or performances in 2019 did you most like, and do you most remember and want to praise?

January 12, 2020
7 Comments

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By Jacob Stockinger

The concert season’s winter intermission will soon draw to a close.

So this is a good time to recall favorite concerts and performances of last year.

But let’s be clear.

This is a not a request to name “The Best Concerts of 2019.”

Calling them the most memorable concerts doesn’t necessarily mean they were the best.

Perfection or “the best” sounds so objective, but can really be quite personal and subjective. So much can depend not only on the music and the performers, but also on your own mood and your taste or preferences.

So please share the concerts or performances that you most liked and enjoyed, the one that most still linger in your mind. And, if you can pin it down, tell us why you liked them so much and why they linger for you.

There are so many excellent groups and concerts, so much fine classical music, in the Madison area that there should be lots of candidates.

Here are several performances or complete concerts that The Ear remembers with special fondness.

The MADISON SYMPHONY ORCHESTRA (below, in a photo by Peter Rodgers) held a season-long celebration of the 25th anniversary of John DeMain’s tenure as its music director and conductor. The big event came at the end: Mahler’s massive Symphony No. 8 – the so-called “Symphony of a Thousand” – that brought together the MSO and the MSO Chorus as well as the Madison Youth Choirs and the UW-Madison Choral Union.

It proved an impressive, overwhelming and moving display of coordination and musicianship, a testament to how far DeMain (below, in a photo by Prasad) has brought the orchestra.

(Also memorable on the MSO season were pianist Marc-Andre Hamelin in Ravel’s jazzy Piano Concerto in G Major and UW-Madison pianist Christopher Taylor in the Leonard Bernstein’s “Age of Anxiety” symphony during the MSO tribute to Bernstein, with whom DeMain worked closely.)

The WISCONSIN CHAMBER ORCHESTRA (below, in a photo by Mike Gorski), under its veteran music director Andrew Sewell, continues to test its own limits and surpass them. Particularly impressive was the last concert of the winter season with Shostakovich’s Symphony No. 14 featuring two outstanding soloists: soprano Mary Mackenzie and bass Timothy Jones.

The playing of the difficult score was precise but moving, and the singing blended beautifully. It made one understand why during this season – when the orchestra marks 60 years and maestro Sewell (below, in a photo by Alex Cruz) marks his 20th season — the WCO has deservingly graduated to two performances of each Masterwork concert (one here on Friday nights followed by one in the Milwaukee suburb of Brookfield on Saturday night).

Also memorable was an impressive concert by the mostly amateur but critically acclaimed MIDDLETON COMMUNITY ORCHESTRA. The Ear likes amateur musicians, and for their 10th anniversary concert they really delivered the goods in Dvorak’s famous Symphony No. 9 “From the New World” and, with fabulous guest soloist J.J. Koh (below — principal clarinet of the Madison Symphony Orchestra — in Mozart’s sublime Clarinet Concerto.

But it wasn’t only large-scale works that The Ear remembers.

Three chamber music concerts continue to stand out.

During the summer, the WILLY STREET CHAMBER PLAYERS and guest UW-Madison pianist Christopher Taylor (both below) delivered a performance of Dvorak’s Piano Quintet in A Major that would be hard for any group to match, let alone surpass, for its tightness and energy, its lyricism and drama.

The same goes for the veteran PRO ARTE QUARTET at the UW-Madison, which this fall started its complete cycle of Beethoven’s 16 string quartets in the new Hamel Music Center to celebrate the Beethoven Year in 2020 when we mark the 250th anniversary of the composer’s birth.

The quartet played early, middle and late quartets with complete mastery and subtlety. Treat yourself. Don’t miss the remaining five concerts, which resume in February and take place over the next year at the Hamel center and also at the Chazen Museum of Art, from where they will also be live-streamed.

Finally, The Ear will always remember the wholly unexpected and thoroughly captivating virtuoso accordion playing he heard last summer by Milwaukeean Stas Venglevski (below) at a concert by the BACH DANCING AND DYNAMITE SOCIETY. Venglevski performed music by Johann Sebastian Bach, Igor Stravinsky and Astor Piazzolla in a new and enthralling way.

Unfortunately, for various reasons The Ear missed many other concerts – by the Madison Opera and the University Opera among others – that promised to be memorable performances.

But perhaps you can fill him in as we start 2020 concerts next weekend.

What concerts in 2019 did you like most and do you most remember and praise? Why?

The Ear wants to hear.


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Classical music: Famed radio station WQXR names the best 100 recordings of 2019. Listen to samples of them here

December 28, 2019
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By Jacob Stockinger

Did you get a gift card for the holidays?

Are you looking how to spend it by either purchasing CDs or subscribing to a streaming service?

Help and guidance are available.

Few names in the airing of classical music carry more prestige than the famed radio station WQXR in New York City.

To check out the radio station’s choice of the best recordings of 2019 is also to see where the worlds of recording and concertizing are heading.

Such trends include rediscovering neglected composers and championing new music as well as women composers, such as Clara Schumann, and composers of color, such as the American composer Florence Price (below), who has often been featured on Wisconsin Public Radio this past year.

But you will also find noteworthy recordings of such classics as Johann Sebastian Bach – and two of his rarely heard cousins instead of his sons – and well as outstanding recordings of symphonies and piano sonatas (below, the set by Igor Levit) for the upcoming Beethoven Year to mark the 250th anniversary of the birth of the composer.

And you will also find names of outstanding performers you may not have heard of — such as the exceptional Chinese pianist Haochen Zhang (below), a Van Cliburn Competition gold medalist whom The Ear would like to see perform here.

Here is a link to 25 picks with commentaries– plus another 75 titles and samples, without commentary, to round out a Top 100.

Happy listening!

https://www.wqxr.org/story/best-classical-recordings-2019/


Posted in Classical music
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