The Well-Tempered Ear

Classical music: A good pandemic project for the Beethoven Year is to follow Boris Giltburg as he learns and posts all 32 piano sonatas in one year

May 27, 2020
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By Jacob Stockinger

There are a lot of ways that musicians are celebrating the Beethoven Year of 2020 – the 250th anniversary of the birth of the composer (below).

One of the most interesting ways also makes for an engaging and ongoing coronavirus pandemic project.

The prize-winning Russian-Israeli pianist Boris Giltburg (below in a photo by Sasha Gusov) is learning all 32 piano sonatas in one year.

It is a formidable challenge, not only because most of the sonatas are technically and musically difficult, but also because the pianist says he has played only nine of the 32 sonatas before.

Giltburg’s videos feature not only fine playing and interpretations, but also a very readable and informative diary he writes that includes notes – also available in German on the website — about the sonatas and about what the process of learning and playing them has been like.

His approach works and makes you a vicarious participant in the major undertaking.

He posts performances of the sonatas every few weeks. He is learning and posting them in chronological order so you get a sense of the evolution. Giltburg is now up to Sonata No. 9 in E Major, Op. 14, No. 1.

Here is some background about Giltburg from Wikipedia: https://en.wikipedia.org/wiki/Boris_Giltburg

And here is a link to more background at his personal website where you can also find information about his other recordings for Naxos (he is known for his Liszt, Rachmaninoff, Scriabin and Prokofiev) and concerts: https://borisgiltburg.com

But the heart of the project is at Beethoven32.com where you can find the sonatas starting from the first.

The Ear likes hearing them this way.

Listening to them one at a time and reading about them seems a less overwhelming way to become familiar with what is called “The New Testament” – as compared to the Old Testament of the 48 preludes and fugues in Bach’s “The Well-Tempered Clavier.”

The Ear finds the playing first-rate and the sound quality excellent with great close-up videos of the keyboard and Giltberg’s playing.

Here is a link to the main website, which is easier than hunting for individual sonatas on YouTube: https://beethoven32.com

The Ear suggests starting at the bottom with Giltberg’s introduction and then working your way up one at a time, allowing time to appreciate both the music and his diary notes.

To get you started, here his introduction to the project:

https://www.youtube.com/watch?v=qeBrn_kwvfg

And below is his performance the Sonata No. 1 in F minor, Op. 2, No. 1.

Let us know what you think of Giltberg as a Beethoven interpreter and what you think of his sonata project.

The Ear wants to hear.

 


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Classical music: During the COVID-19 pandemic, hosts at Wisconsin Public Radio suggest music that expresses gratitude and hope

May 13, 2020
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By Jacob Stockinger

The various hosts of Wisconsin Public Radio (WPR) — an indispensable companion during self-isolation at home — listen to a lot of music and think a lot about it, especially about its meaning and appeal to the public.

So it comes as no surprise that they have once again suggested music to listen to during the coronavirus pandemic and the mounting toll of COVID-19.

Almost two months ago, the same radio hosts suggested music that they find calming and inspiring. They did so on the WPR home page in an ongoing blog where they also included YouTube audiovisual performances.

Here is a link to that earlier posting, which is well worth reading and following: https://welltempered.wordpress.com/?s=Wisconsin+Public+Radio

This time, the various hosts – mostly of classical shows but also of folk music and world music – suggest music that inspires or expresses hope and gratitude. (Below is Ruthanne Bessman, the host of “Classics by Request,” which airs at 10 a.m. on Saturdays.)

Here is the genesis of the list and public service project:

“At a recent WPR music staff meeting, we talked about the many ways music can unite us and about how music can express the gratitude we feel for people and things that are important to us, often much better than words.

“That discussion led to this collection of music, which we wanted to share with you. It’s eclectic and interesting, just like our music staff.”

The composers cited include some familiar names such as Johann Sebastian Bach, Peter Ilyich Tchaikovsky, Benjamin Britten and John Williams.

But some new music, based on historical events and written by contemporary or modern composers, is also named. It includes works by the American composer Daniel Gawthrop (b. 1949, below top) and the Israeli composer David Zehavi (1910-1977, below bottom). Here are links to their biographies.

https://en.wikipedia.org/wiki/Daniel_E._Gawthrop

https://www.encyclopedia.com/religion/encyclopedias-almanacs-transcripts-and-maps/zehavi-david

Sound-wise, it is quite an eclectic list that runs from solo harpsichord music to orchestral and choral music as well as chamber music.

Many of the performers have played in Madison at the Overture Center, with Wisconsin Chamber Orchestra, at the Wisconsin Union Theater, at the UW-Madison and on the Salon Piano Series at Farley’s House of Pianos.

They include: the Milwaukee Symphony Orchestra and Chorus; cellist Amit Peled and pianist Eli Kalman, who received his doctorate from the UW-Madison and now teaches at the UW-Oshkosh; conductor-composer John Rutter and the Cambridge Singers;  and superstars violinist Itzhak Perlman, cellist Yo-Yo Ma along with Venezuelan pianist-improviser Gabriela Montero  in a quartet that played at the inauguration of President Barack Obama.

Here is a link to the new WPR suggestions: https://www.wpr.org/wpr-hosts-share-music-gratitude-and-hope

Happy listening!

If you read the blog or listen to the music, let us know what you think in the Comment section.

The Ear wants to hear.


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Classical music: Today is May 5  — Cinco de Mayo. And here is a work by Mexican composer Gustavo Campa to celebrate the holiday

May 5, 2020
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By Jacob Stockinger

Today is May 5 – the colorful Mexican holiday Cinco de Mayo.

If you don’t know the origins of the holiday and what events sparked it, here is a link to the Wikipedia entry:

https://en.wikipedia.org/wiki/Cinco_de_Mayo

Usually the music that celebrates the holiday is popular music or folk music – including mariachi bands and guitar music.

But there is also a good amount of classical music by Mexican composers that can mark the occasion.

In past years, this blog has featured Mexican performing artists such as the terrific pianist Jorge Federico Osorio and the most famous Mexican composer, Carlos Chavez (below, in a photo by Paul Strand).

But there are many others.

Perhaps programming and performing more Mexican and Latin American composers and music would help attract Latinx listeners to concert halls once they reopen.

In any case, here is a link to a sampler or compilation of Mexican music found on Spotify:

https://www.classicalmusicindy.org/cinco-de-mayo-playlist/

And here, in the YouTube video at the bottom, is a lovely “Melody” for violin and orchestra, with a photo essay, by the Mexican composer Gustavo Campa (below) along with a link to his biography:

https://en.wikipedia.org/wiki/Gustavo_Campa

Happy Cinco de Mayo!


Classical music: Legendary American cellist Lynn Harrell, who performed in Madison, is dead at 76

April 29, 2020
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By Jacob Stockinger

Legendary American cellist Lynn Harrell (below) died Monday at 76.

If his name sounds familiar, it could be because Harrell performed in Madison at least three times – twice with the Madison Symphony Orchestra (2007 and 2011), in concertos by Lalo and Victor Herbert, and a recital with pianist Yefim Bronfman at the Wisconsin Union Theater (1994).

No cause of death has yet been given, but various sources say it was unrelated to COVID-19 or the coronavirus pandemic.

To know more about his remarkable life and impressive career, go to his biography on Wikipedia: https://en.wikipedia.org/wiki/Lynn_Harrell 

Colleagues were quick to praise Harrell not only as a master musician – gifted with beautiful tone and sensitive, expressive interpretations — but also as a great teacher and a congenial man who made friends easily. He also cut promotional ads for National Public Radio (NPR) urging members to donate, as he himself did.

Here is an interview he did in 2011 with host Norman Gilliland for Wisconsin Public Radio:

https://www.wpr.org/shows/lynn-harrell

Here is a link to an obituary from The Violin Channel that features quotes from many musicians who admired Harrell:

https://theviolinchannel.com/cellist-lynn-harrell-has-passed-away-died-obituary-rip/

And here are tributes from many of his colleagues for British critic Norman Lebrecht’s blog “Slipped Disc”:

https://slippedisc.com/2020/04/lynn-harrell-tributes-pour-in/

A prodigy who made his Carnegie Hall debut at 17, Harrell, who studied at Juilliard and the Curtis Institute, was renowned internationally. He later taught at the Royal Academy of Music in London.

In 1994 he played a Papal Concert at the Vatican to mark the first commemoration and remembrance of the Holocaust. His performance there of Max Bruch’s “Kol Nidrei”  for cello and orchestra can be seen and heard at the bottom in the most popular of Harrell’s many YouTube videos.

 


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Classical music: This Friday brings a FREE concert at noon of cello and violin sonatas by Beethoven. At night, the Wisconsin Chamber Orchestra explores rarely heard works and composers plus the “Jupiter” Symphony by Mozart

February 19, 2020
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ALERT: This Friday’s FREE Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features the Mosaic Chamber Players performing a one-hour, all-Beethoven concert in honor of the Beethoven Year, which celebrates the 250th anniversary of the composer’s birth.

The program is: Cello Sonata, Op. 5, No. 1; and two violin sonatas, Op. 12, No. 3, and Op. 30, No. 2. For more information, go to: http://www.mosaicchamberplayers.com

By Jacob Stockinger

Can you tell the difference between the real Mozart and the “Swedish Mozart”?

You’ll have the chance to find out this Friday night, Feb. 21, if you go to the concert by the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) at 7:30 p.m. in the Capitol Theater of the Overture Center.

That is when you can hear the Symphony in C-Sharp Minor, VB 140, by Joseph Martin Kraus (1756-1791, below), an 18th-century German-born, short-lived composer who, as an exact contemporary of Mozart, spent most of his career at the court in Stockholm, Sweden, and became known as the “Swedish Mozart.”

(You can hear the opening movement of the Kraus symphony, played by Concerto Koln, in the YouTube video at the bottom.)

Here is more about Kraus (below): https://en.wikipedia.org/wiki/Joseph_Martin_Kraus

The Kraus symphony opens the WCO concert.

Then for the purpose of comparison, the concert closes with Mozart’s “Jupiter” Symphony No. 41 in C Major, K. 551. It is often cited as Mozart’s most accomplished work in the symphonic form, and is renowned for its melodies and harmonies, and for the masterful, even spectacular, counterpoint in the last movement.

But that kind of discovery and approach to programming is not unusual for WCO maestro Andrew Sewell (below, in a photo by Alex Cruz), who has a penchant for exposing audiences to rarely heard works and composers as well as to well-known masterpieces.

For this concert, Sewell will be helped by the return of guest violin virtuoso Giora Schmidt (below in a photo by David Getzschman), who has been acclaimed for his technique, tone, lyricism and riveting interpretations. He played the Violin Concerto No. 2 in G Minor by Sergei Prokofiev with the WCO in 2018.

Schmidt will solo in two rarely heard works for violin and orchestra: the 16-minute Violin Concerto, Op. 48, by the Russian composer Dmitry Kabalevsky (1904-1987); and the 8-minute Romance by the Norwegian composer Johan Svendsen (1840-1911).

For more about Kabalevsky (below), go to: https://en.wikipedia.org/wiki/Dmitry_Kabalevsky

For more about Svendsen (below), who was a conductor and violinist as well as a composer, go to: https://en.wikipedia.org/wiki/Johan_Svendsen

To purchase tickets ($10-$77) and to read a detailed biography of soloist Schmidt and find out more about the concert, go to: https://wisconsinchamberorchestra.org/performances/masterworks-ii-5/

 


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Classical music: Weekends are a good time to explore music and listen to it. So today The Ear starts a “2020” series for the new year.

January 4, 2020
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By Jacob Stockinger

It’s a new year and the first weekend of the new year. And The Ear wanted to find some kind of organizing principle to explore recorded music in the coming weeks and months.

Turns out the year 2020 – with its symmetry of numerals and suggestions of excellent vision — held a certain appeal.

So he checked out musical works that were either Op. 20 or No. 20. They could even occur together, like, say, a Prelude that is Op. 20, No. 20.

What he found was more than he expected: Dozens of composers and works that qualify as interesting and of suitable quality.

Some are well known, but many are rarely performed live or are neglected in recordings.

They come from all periods and styles, from early music to contemporary music.

And they come in all kinds of genres from vocal and choral music to chamber music, solo instrumental music and symphonic music.

Some works are short, some are medium and some are long.

For the longer ones, which are often divided up into smaller movements or other sections, it seems better to post the whole piece and let the reader decide how long they want to listen at a time rather than to post one part at a time and limit or force the reader.

Anyway, here is the first installment.

It is a wonderful solo piano piece that is too often overlooked, even though it is by a great composer who wrote it in his prime when he was writing many of his other more popular piano works.

It is the Humoresque, Op. 20, by the German Romantic composer Robert Schumann (below). It lasts about 29 minutes but is divided into other sections.

And the performance, often praised as outstanding or even definitive, is by the Romanian pianist Radu Lupu (below, young and old, the latter by Roberto Serra), the 1966 first prize-winner of the Van Cliburn International Piano Competition who recently retired because of ill health.

Here is a link to a detailed biography of the distinguished and somewhat reclusive and enigmatic 74-year-old pianist:

https://en.wikipedia.org/wiki/Radu_Lupu

Here is YouTube video of Radu Lupu playing the Schumann Humoresque in a live recording from 1983:

Let The Ear know what you think of this piece and this idea for a 2020 series.

A long playlist for future 2020 postings – including works by Bach, Vivaldi, Haydn, Mozart, Beethoven, Schubert, Chopin, Dvorak, Tchaikovsky, Brahms and others — has already been compiled.

But if you have a favorite or suggested “2020” piece, leave word in the comment section.


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Classical music: This weekend, prize-winning pianist Joyce Yang solos in Prokofiev’s most popular piano concerto with the Madison Symphony Orchestra. Works by Schumann and Aaron Jay Kernis round out the program

November 4, 2019
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By Jacob Stockinger

This weekend, prize-winning pianist Joyce Yang (below) will return to Madison to join the Madison Symphony Orchestra in her local concerto debut and perform Prokofiev’s brilliant, bravura and tuneful Piano Concerto No. 3 in C major, Op. 26.

The concert opens with Kernis’ Newly Drawn Sky and concludes with Schumann’s Symphony No. 2 in C Major, Op. 61.

Performances will be held in Overture Hall, 201 State Street, on Friday night, Nov. 8, at 7:30 p.m.; on Saturday night, Nov. 9, at 8 p.m.; and Sunday afternoon, Nov. 10, at 2:30 p.m.

Tickets are $19-$95 with discounts available. See below for details.

Speaking about the program, music director and maestro John DeMain (below, in a photo by Greg Anderson) says: “November brings us another Madison Symphony debut, that of the amazing pianist Joyce Yang. She will perform the Prokofiev’s dazzling Piano Concerto No. 3, one of the great and most popular concertos, and certainly a favorite of mine.”

Adds DeMain: “I can’t wait for audiences to experience the hauntingly beautiful Newly Drawn Sky by Aaron Jay Kernis. And of the four symphonies by Robert Schumann, many regard his second as the greatest of them all.”

According to Aaron Jay Kernis (below), who has won the Pulitzer Prize and a Grammy Award and who teaches at the Yale School of Music, Newly Drawn Sky” is “a lyrical, reflective piece for orchestra, a reminiscence of the first summer night by the ocean spent with my young twins, and of the summer sky at dusk.”

The chromatically shifting three-note chords that begin in the strings and transfer to the winds are a central element in the creation of this work. The works last approximately 17 minutes and was premiered at the Ravinia Festival in 2005 by the Chicago Symphony Orchestra.

To read more about Kernis and his successful career, go to: https://en.wikipedia.org/wiki/Aaron_Jay_Kernis

Sergei Prokofiev (below) himself played the solo part at the world premiere of his Piano Concerto No. 3 on Dec. 16, 1921 in Chicago with the Chicago Symphony Orchestra. Although he started work on the composition as early as 1913, the majority of it was completed in 1921 and the piece didn’t gain popularity until 1922 when it was confirmed in the 20th-century canon. (You can hear Prokofiev play the first movement in the YouTube video at the bottom.) The Ear thinks that the work has much Russian Romanticism in it and if you like Rachmaninoff, you will probably like this Prokofiev.

Originally a composer for keyboard, Robert Schumann (below with wife Clara) began writing symphonies around the time of his marriage to his virtuoso pianist and composer wife Clara Wieck, who encouraged his compositional expansions.

The uplifting Symphony in C major was created while the composer was troubled with depression and hearing loss; a Beethovenian triumph over pessimism and despair, the creation of this symphony served as a healing process for Schumann.

ABOUT JOYCE YANG 

Blessed with “poetic and sensitive pianism” (The Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), Grammy-nominated pianist Joyce Yang, who years ago played a recital at the Wisconsin Union Theater, captivates audiences with her virtuosity, lyricism and interpretive sensitivity.

Yang first came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: Best Performance of Chamber Music (with the Takacs Quartet), and Best Performance of a New Work.

In 2006 Yang (below) made her celebrated New York Philharmonic debut alongside conductor Lorin Maazel at Avery Fisher Hall in Lincoln Center along with the orchestra’s tour of Asia, making a triumphant return to her hometown of Seoul, South Korea.

CONCERT, TICKET AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert.

One hour before each performance, Wisconsin Public Radio host Anders Yocom (below, in a photo by James Gill )will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.

The MSO recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bit.ly/msonov19programnotes.

  • Single Tickets are $19-$95 each and are on sale now at: https://madisonsymphony.org/event/joyce-yang-plays-prokofiev/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Flex-ticket booklets of 8-10 vouchers for 2019-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
  • Subscriptions for the 2019–2020 season are available now. Learn more at: https://madisonsymphony.org/19-20

Discounted seats are subject to availability, and discounts may not be combined. 

Major funding for this concert is provided by Madison Magazine, Stephen D. Morton, National Guardian Life Insurance Company, Scott and Janet Cabot, and Peggy and Tom Pyle. Additional funding provided by Foley & Lardner LLP, Howard Kidd and Margaret Murphy, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts


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Classical music: A busy week at the UW-Madison brings FREE concerts in new halls with an emphasis on new music for winds, chamber ensembles, orchestra and band

October 6, 2019
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ALERT: Tonight’s performance by the a cappella vocal group Chanticleer is SOLD OUT.

By Jacob Stockinger

It’s going to be a busy week at the University of Wisconsin-Madison Mead Witter School of Music and especially in its new Hamel Music Center (below), 740 University Ave., next to the new wing of the Chazen Museum of Art.

On tap is a variety of FREE concerts, with an emphasis on new music, including compositions for winds, chamber ensembles, orchestra and band.

Earlier mistakes on dates and time have been corrected. To double check dates, times and venues as well programs, go to: https://www.music.wisc.edu/events/

Here is a schedule:

TUESDAY, OCT. 8

At 7:30 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble (below), conducted by director Scott Teeple and guest conductor Ross Wolf, will perform a FREE program of contemporary wind music.

The program includes works by Augusta Read Thomas (below top), Jake Runestad, Larry Tuttle, Xi Wang (below bottom) and Carlos Simon.

There will be one world premiere and two Wisconsin premieres.

For more information and the complete program, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-5/

THURSDAY, OCT. 10

At 8 p.m. in Collins Recital Hall of the new Hamel Music Center, the Contemporary Chamber Ensemble will perform a FREE recital of new music, including two works — “Wet Ink” and ” Treetop Studio” — by the critically acclaimed UW-Madison composer Laura Schwendinger (below).

Also on the “Fall Notes” program are “Wing and Prayer” by Melinda Wagner (below top) and “Pentacle” by Irish composer Raymond Deane (below bottom) who will make his UW-Madison debut.

Performers for “Fall Notes” will feature UW-Madison musicians, including clarinetist Alicia Lee, cellist James Waldo, violist Sally Chisholm, pianist Christopher Taylor and student performers.

FRIDAY, OCT. 11

At 8 p.m. in the Mead Witter Foundation Concert Hall, the UW-Madison Symphony Orchestra (below) will open its season with a FREE concert under its new conductor Oriol Sans, a native of Catalonia, Spain, who studied at the Barcelona Conservatory and  who came to Madison from the University of Michigan at Ann Arbor.

The program is: “aequilibria” by contemporary Icelandic composer Anna Thorvaldsdottir (heard in the YouTube video at the bottom); “Death and Transfiguration; by Richard Strauss; and “Symphonic Dances” by Sergei Rachmaninoff.

For more information about conductor Oriol Sans (below), go to: https://www.music.wisc.edu/oriol-sans/

For more information, from Wikipedia, about composer Anna Thorvaldsdottir (below), go to: https://en.wikipedia.org/wiki/Anna_S._Þorvaldsdóttir

SUNDAY, OCT. 13

At 2 p.m., in the Mead Witter Foundation Concert Hall, the University Bands will perform a FREE concert under conductor Darin Olson (below), the assistant director of bands at the UW-Madison.

No program is available.


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