The Well-Tempered Ear

Classical music: Pianists Peter Serkin and Julia Hsu will play works for piano-four hands by Mozart, Schubert, Schumann and Brahms this Saturday night at Farley’s House of Pianos.

March 31, 2015
2 Comments

By Jacob Stockinger

Our friends at Farley’s House of Pianos write to the blog with news of a noteworthy piano concert this Saturday night:

Renowned American pianist Peter Serkin (below top) and Julia Hsu (below bottom) will perform piano, four-hand pieces by Schumann, Bizet, Mozart and more, as part of the Salon Piano Series concerts held at Farley’s House of Pianos at 6522 Seybold Road on Madison’s far west side near West Towne.

Peter Serkin

Julia Hsu

The concert is at 7:30 p.m. this Saturday night, April 4 and will include an introduction by Karlos Moser (below), a retired University of Wisconsin-Madison professor of music and former longtime director of the University Opera at the UW-Madison School of Music.

Karlos Moser

The program includes: Six Etudes in the Form of Canons for Pedal-Piano, Op. 56, by Robert Schumann; Three Pieces from “Jeux d’Enfants” (Children’s Games) by Georges Bizet; the Sonata in B flat Major, K. 358, by Wolfgang Amadeus Mozart; the Allegro ma non troppo in A minor (the dramatic and lyrical “Lebenssturme” or “Lifestorms” that you can hear in a live performance in a YouTube video at the bottom), D.947, and the Rondo in A Major, D.951, by Franz Schubert; and Four Hungarian Dances by Johannes Brahms.

Tickets are $45 and are expected to sell quickly. They are available online at www.salonpianoseries.org and http://www.brownpapertickets.com/profile/706809 or at Farley’s House of Pianos, (608) 271-2626.

For more information about the Salon Piano Series, visit: http://salonpianoseries.org

The distinguished American pianist Peter Serkin has performed with the world’s major symphony orchestras with such conductors as Seiji Ozawa, Daniel Barenboim, George Szell, Claudio Abbado, Eugene Ormandy and James Levine. A dedicated chamber musician, Serkin has collaborated with artists including violinist Pamela Frank and cellist Yo-Yo Ma.

An avid exponent of the music of many contemporary composers, Serkin has brought to life the music of Arnold Schoenberg, Igor Stravinsky, Michael Wolpe, and others for audiences around the world. He has performed many world premieres written specifically for him, in particular, works by Toru Takemitsu, Oliver Knussen and Peter Lieberson. Serkin currently teaches at Bard College Conservatory of Music and the Longy School of Music. Serkin became friends with the Farleys in 1994 when he was in town for a concert and visited the Farley’s showroom (below).

Farley Daub plays

Originally from Taiwan, Julia Hsu received scholarships to study at The Purcell School for young musicians at the age of 14. She has also studied at the Royal Academy of Music, London and at the Hannover Hochschule für Musik und Theater, Germany. Julia has collaborated with conductors Fabio Panisello, Lutz Koeler and cellist Ivan Moniguetti. She was a Festival Fellow at Bowdoin Music Festival, and a scholar at the Banff Centre, Canada before she became a Piano Fellow at Bard College Conservatory of Music in 2013.

The Salon Piano Series is a non-profit founded by Tim and Renée Farley to continue the tradition of intimate salon concerts at Farley’s House of Pianos.

Upcoming concerts include the internationally acclaimed Czech pianist Martin Kasík (below top), who will play the “Moonlight” and “Les Adieux” Sonatas by Ludwig van Beethoven and Sonata No. 3 by Sergei Prokofiev, on Saturday, April 18, 2015 at 7:30 p.m. Jazz pianist Dick Hyman (below bottom) will perform on May 30 and 31, 2015, at 4 p.m. both days.

Martin Kasik w piano

dick hyman

For ticket information and concert details see www.salonpianoseries.org.

All events will be held at Farley’s House of Pianos, 6522 Seybold Road, Madison, on Madison’s west side near the Beltline, and plenty of free parking is available. It is also easy to reach by bicycle or Madison Metro.


Classical music: Do symphony orchestras really need conductors? A comparative study done by NPR determines the answer. Plus, Candid Concert Opera performs Mozart’s “The Abduction From the Seraglio” next Saturday night.

December 2, 2012
7 Comments

ALERT: Next Saturday night, Dec. 8 — NOT Sunday, Dec. 9. as originally and mistakenly posted –, at 7 p.m. in Capitol Lakes Retirement Community, 333 West Main Street, Candid Concert Opera (below) will perform a concert version (edited and without costumes or sets) of Mozart’s opera “The Abduction from the Seraglio.” The concert is FREE, although a donation of $12 is suggested. Codrut Birsan will conduct and English supertitles will be used.  For more information and reviews, visit www.candidconcert.org.

Candid Concert Opera Fledermaus ensemble
By Jacob Stockinger

Sure, you sometimes see and hear successful performances by chamber orchestras without a conductor, though it often seems they have a principal violinist or someone else who gives cues and maintains control or balance.

But the question remains: Do symphony orchestras really need conductors to perform at their best?

And if they do, what kind of conductor do they need most? A more authoritarian one? Or a more laid-back and collaborative one? (Below is a photo by James Garrett of The New York Daily News and Getty Images of Leonard Bernstein conducting a rehearsal of the Cincinnati Symphony in 1977 in Carnegie Hall.)

leonard-bernstein

Famed maestro Herbert von Karajan once said he only need to convey four words to conduct: faster, slower, louder, softer.

But music is complex and symphony orchestras are big organizations.

NPR recently did a comparison study that was reported by its science reporter – which is a nice way to bring science to bear on the arts.

Here is the story – the unidentified music, by the way, comes from the first movement on YouTube of Mozart’s Symphony No. 40 in G Minor (at bottom in a performance by famed perfectionist conductor George Szell) — and what the experimenters found:

http://www.npr.org/blogs/deceptivecadence/2012/11/27/165677915/do-orchestras-really-need-conductors


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