The Well-Tempered Ear

Classical music: The Wisconsin State Capitol will mark Earth Day this Saturday and next Wednesday with music by Wisconsin composer John Harmon plus words by Wisconsin figures responsible for the environmental tribute. Plus, the Edgewood College Chamber Orchestra performs Mozart, Debussy and Stravinsky this Sunday afternoon. And don’t forget about WYSO’s “Art of Note” fundraiser Saturday night and two performances on Friday night and Sunday afternoon of Rameau’s opera-ballet “Pygmalion” by the Madison Bach Musicians.

April 17, 2015
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REMINDERS: This Saturday night from 6 to 10 p.m., the Wisconsin Youth Symphony Orchestras (WYSO) will hold its annual “Art of Note” fundraiser at CUNA Mutual. Auctions, fine food and live music will be featured.

For more information visit: http://wyso.music.wisc.edu/artofnote/ and https://welltempered.wordpress.com/2015/03/24/classical-music-education-wysos-art-of-note-benefit-on-april-18-seeks-to-raise-50000-to-benefit-music-education-in-greater-madison-area/

Art of Note logo copy

Also: The Madison Bach Musicians presents two performances of “Pygmalion” by Jean-Philippe Rameau It’s a 1784 Baroque opera-ballet done in the Atrium Auditorium (below, in a photo by Zane Williams) of the First Unitarian Society of Madison.

The first performance is tonight with a 6:45 p.m. lecture and 7:30 p.m. concert. The second is on Sunday afternoon with a lecture at 2:45 p.m.  and a 3:30 p.m. concert.

Internationally recognized UW-Madison early-music specialist Marc Vallon will direct a full baroque orchestra, dancers and an outstanding vocal cast as they tell the tale of a sculptor who falls in love with his beautiful creation—and then, through the power of Venus, the statue comes to life. Tickets are $25 in advance, $30 at the door.

For more information, go to: http://madisonbachmusicians.org/concerts/current-concert-season/

FUS Atrium, Auditorium Zane Williams

ALERT: At 2:30 p.m. this Sunday afternoon, in the St. Joseph Chapel, 1000 Edgewood College Drive, the Edgewood Chamber Orchestra will give its Spring Concert.

Admission for the public is $5 and will benefit music scholarships. Admission is FREE with an Edgewood College ID.

The Edgewood Chamber Orchestra will play under the director of Blake Walter (below, in a photo by John Maniaci). Included on the program are the Symphony No. 32 in G by Wolfgang Amadeus Mozart; the “Prelude to the Afternoon of a Faun” by Claude Debussy and the Pulcinella Suite by Igor Stravinsky.

blake walter john maniaci

Also being performed is the first movement of Mozart’s Piano Concerto No. 19, K. 459, featuring pianist Stephanie Crescio (below), the winner of the Edgewood College Music Department Student Concerto Competition.

Stephanie Crescio

By Jacob Stockinger

Madison-based music publicist and activist Jon Becker writes:

Wisconsin’s Earth Day Heritage will be celebrated in music and words this Saturday, April 18, and on next Wednesday, April 22. (You can hear a short history of Earth Day in a YouTube video at the bottom.)

Music broadcasts will feature the voices of the descendants of
John Muir, Aldo Leopold, and Earth Day Founder U.S. Senator and former state Governor Gaylord Nelson, set to the symphonic music of Wisconsin composer John Harmon.

There will be several opportunities to hear a “sneak preview” of Earth Day Portrait, music celebrating Earth Day values, before its international release on CD later this year.

For the third year, the music will be “broadcast” in the Rotunda of Wisconsin’s State Capitol building (below). Listeners should gather at the bust of “Fighting Bob” La Follette (the East Gallery entry is closest).

Wisconsin Capitol

Wisconsin Capitol Rotunda

On Saturday, April 18, the music will be broadcast 10 times on the half hour, starting at 9 a.m. and ending at 2 p.m.

On Wednesday,  April 22 — which is Earth Day — there will be broadcasts at 4:30 p.m. and 5 p.m.

Earth Day 2015

Earth Day Portrait is a symphonic setting of eco-moral texts of John Muir, Aldo Leopold and Earth Day founder, former Wisconsin Gov. and U.S. Sen. Gaylord Nelson (below). For the CD recording, the words of these environmental legends were read by their descendants: William (Muir) Hanna, great-grandson; Nina Leopold Bradley, daughter; Gaylord Nelson Jr., son; and Kiva Nelson, grand-daughter.

Gaylord Nelson

Patty Loew, an enrolled member of the Bad River Band of Lake Superior Ojibwe, narrated connecting texts that paint intimate, personal portraits of Muir, Leopold, and Nelson, while recalling their unique mutual connection to Madison, Wisconsin.

All this is woven together by the story of the passenger pigeon’s extinction. Members of the Madison Youth Choirs (below, in a photo by Karen Holland) recorded a call-and-response part that -– at concert performances -– is spoken by audience members.

Madison Youth Choirs boychoirs Purcell, Britten and Holst CR Karen Holland

Earth Day Portrait was composed in 2001 by John Harmon (below), who graduated from Lawrence University in Appleton, Wis., and who makes his home on the Wolf River, near Winneconne.

Harmon’s music was recorded in Glasgow by the Royal Scottish National Orchestra, led by conductor Marin Alsop, the first conductor to win a MacArthur “genius” Fellowship. London’s EMI-Abbey Road Studios produced the master recording. Voiceovers were recorded at Audio for the Arts in Madison and at Umbrella Studios in Los Angeles.

John Harmon

For the forthcoming Earth Day CD, Harmon’s composition will be paired with Hymn to the Earth, by American composer Edward Joseph Collins (1886-1951, below). Composed in Door County, and inspired by Wisconsin’s seasons and landscapes, Collins’s ode to nature also may well be the first Western classical composition to refer to our home planet as “Mother Earth.”

Edward Joseph Collins

 

 

 


Classical music: Violinist Katie Lansdale performs a solo recital sponsored by Suzuki Strings this Saturday afternoon. Plus, a FREE recital of art songs is at noon on Friday. And pianist Martin Kasik plays Beethoven, Ravel and Prokofiev on Saturday night at Farley’s House of Pianos.

April 16, 2015
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ALERTS:

This week’s FREE Friday Noon Musicale, to be held from 12:15 to 1 p.m. in the Landmark Auditorium of the Frank Lloyd Wright-designed Meeting House of the First Unitarian Society of Madison, 900 University Bay Drive, will feature contralto Allissane Apple and pianist Jane Peckham in music of Leonard Bernstein, Hugo Wolf, Francis Poulenc, William Bolcom, Aaron Copland and Peter Warlock.

FUS1jake

Czech pianist Martin Kasik (below) will perform a recital on Saturday night at 7:30 p.m. at Farley’s House of Pianos, located at 6522 Seybold Road on Madison far west side near West Towne. The program includes works by Ludwig van Beethoven (the “Les Adieux” and “Moonlight” Sonatas), Maurice Ravel and Sergei Prokofiev. For more information, go to: http://salonpianoseries.org/concerts.html

Martin Kasik w piano

By Jacob Stockinger

The Ear has received the following announcement: 

Violinist Katie Lansdale (below), assistant professor of violin at the Hartt School at the University of Hartford, will present a recital of works for solo violin on this Saturday afternoon, April 18 at 1:30 pm in the sanctuary of Covenant Presbyterian Church, 326 South Segoe Road in Madison.

Katie Lansdale B&W

The recital is sponsored by Suzuki Strings of Madison and a $5 donation is suggested for attendees.

The program will include a selection of Sonatas and Partitas for Solo Violin by Johann Sebastian Bach, Etudes Caracteristiques by Edward Elgar and Cleopatra by Fazil Say.

Lansdale is an active recitalist and chamber musician in Europe and the United States. Lauded for her wide interests and repertoire, she has a particular passion for solo Bach, often performing the complete works in concert.

A champion of new music, she has collaborated with a number of leading composers internationally, as a member of both the Lions Gate Trio, and as a member of the Locrian Ensemble.  She has recorded for the Triton and Centaur labels — most recently a double CD of duos and trios by Robert Schumann (below).

Katie Lansdale Schumann CD cover

Lansdale’s awards have included the Schlosspreis for the performance of solo Bach at the Salzburg Mozarteum, the grand prize winner at both the Yellow Springs and Fischoff National Chamber Music competitions, and awards for both Outstanding Violinist and Outstanding Participant at Tanglewood’s Fellowship Program.

Lansdale received her B.A. cum laude in humanities from Yale University, a Master of Music degree and an Artist Diploma from the Cleveland Institute of Music, and a D.M.A. from Manhattan School of Music.  She has studied with Josef Gingold, Felix Galimir, Ronda Cole, Donald Weilerstein and Mitchell Stern.

In 2001, Lansdale (seen below with two students) initiated a school outreach program called Music for 1,000 Children. She challenged her studio to play for 1,000 children, promising to play for another 1,000 herself. Her studio then joined with the Hartt student chapter of the American String Teachers’ Association to challenge other groups in North America to play for 1,000 school children. Responses were highly enthusiastic, and in the end, musical performances were brought to 13,000 children from Quebec to Texas.

katie lansdale with students

 

 


Classical music: The Wisconsin Chamber Choir will perform the “German” Requiem by Brahms plus two world premieres this coming Saturday night in Madison and Sunday afternoon in Whitewater. Also, here are the winners and sonatas you can hear in the FREE Beethoven piano sonata recital this Sunday afternoon at the UW-Madison.

April 15, 2015
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ALERT: The Ear has been informed of the winners of the annual UW-Madison Beethoven Sonata Competition. The FREE winners’ recital is this Sunday afternoon at 3:30 p.m. in Morphy Recital Hall. Three major late sonatas will be featured on the program: the Sonata in A Major Op. 101, played by Kangwoo Jin (below right in a photo by Katherine Esposito); the last Sonata in C minor, Op. 111, played by  SeungWha Baek (middle); and the titanic “Hammerklavier” Sonata, Op. 106, played by Luis Alberto Peña (left).

For more information about the student performers and their teachers, go to:

http://www.music.wisc.edu/events/beethoven-competition-recital/

Beethoven 2015

By Jacob Stockinger

Our friends at the Wisconsin Chamber Choir write:

This coming weekend, the Wisconsin Chamber Choir (below) performs the “German” Requiem by Johannes Brahms plus world premieres by Giles Swayne and Christian Ellenwood.

wisconsin-chamber choir 2012

The two performances are:

This Saturday, April 18, at 7:30 p.m. in Luther Memorial Church (below), 1021 University Avenue, Madison. Tickets are $25 in advance ($30 at the door); students pay $10 ($15). Visit: www.WisconsinChamberChoir.org

luther memorial church madison

This Sunday, April 19 at 3 p.m. in the Young Auditorium, 930 West Main Street, Whitewater. Tickets are $20.50, $18.50, $15.50; UW-Whitewater students pay $10.50. Visit http://www.uww.edu/youngauditorium

One of the most beloved and popular of all choral works, the German Requiem by Johannes Brahms (below), is a masterpiece of musical Romanticism. (You can hear the opening movement on a YouTube video at the bottom.)

brahms-1

Brahms began the work as a memorial to his mentor, Robert Schumann (below), but the death of Brahms’ own mother spurred him to complete it several years later.

Schumann photo1850

The score embraces a wide variety of emotions, from the lush sounds of the choir and orchestra that envelope the audience in a message of consolation, to lively fugues, worthy of Bach or Handel, that promise the hope of salvation. This music will thrill audiences as well as comfort all who have ever lost a loved one.

Sharing billing with the Brahms are two world premieres, one commissioned by each choir.

The Wisconsin Chamber Choir will present Our Orphan Souls by British composer Giles Swayne (below top) on a transcendental text from Herman Melville’s novel Moby Dick.

The UW-Whitewater Chamber Singers will present Prairie Spring by UW-Whitewater professor of music, Christian Ellenwood (below bottom), a setting of the poem by American author Willa Cather.

Giles Swayne

Christian Ellenwood copy

Joining the WCC in this performance are soprano soloist Tanya Kruse Ruck, baritone Brian Leeper, and bass Gregory Berg; the UW-Whitewater Chamber Singers; and Sinfonia Sacra, the WCC’s own fully professional orchestra made up of members of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and the Wisconsin Baroque Ensemble.

Founded in 1998, the Madison-based Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Mozart and Haydn; a cappella masterworks from various centuries; and world-premieres. Robert Gehrenbeck (below) who directs the Choral Program at the UW-Whitewater, is the Wisconsin Chamber Choir’s Artistic Director.

Robert Gehrenbeck new headshot 2013 USE

 


Classical music: Bass trombonist Alan Carr joins the Madison Area Trombone Ensemble for a concert this Thursday night. Plus, Mikko Utevsky sings art songs and plays the viola this Saturday night.

April 14, 2015
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ALERT: UW-Madison School of Music student Mikko Utevsky (below) seems a musician for all seasons.

Primarily a violist, he is also a conductor who founded and directs the Madison Area Youth Chamber Orchestra (MAYCO). He is also an informed and fluid writer. For this blog, he wrote about the European tour to Prague, Vienna and Budapest that the Wisconsin Youth Symphony Orchestras (WYSO) undertook) three years ago, and he reviews Madison Opera productions. He also sings and was in the University Opera’s recent production of “The Magic Flute” by Wolfgang Amadeus Mozart.

Utevky’s unusual FREE student recital, with UW-Madison alumnus pianist Thomas Kasdorf, this Saturday night at 7:30 p.m. in Capitol Lakes Retirement Center, 333 West Main Street, off the Capitol Square, highlights two of his talents. Utevsky, a baritone, will sing Robert Schumann’s song cycle “Dichterliebe” (A Poet’s Loves), then pick up his viola and play the famous “Arpeggione” Sonata by Franz Schubert.

MAYCO Mikko Utevsky by Steve Rankin

By Jacob Stockinger

A musician friend who is a trombonist writes:

The Madison Area Trombone Ensemble (MATE, below) is back for another spring concert, featuring bass trombonist Alan Carr.

Madison Area Trombone Ensemble

Join us at 7:30 p.m. on this Thursday, April 16, at First United Methodist Church, 203 Wisconsin Avenue, off the Capitol Square.

Parking is available in FUMC’s lot, or free on the street after 6 p.m.

Admission is free, but a suggested donation of $10 is greatly appreciated.

Alan Carr will join MATE to perform “The Chief,” composed by UW-Madison Professor Emeritus John Stevens (below) who taught tuba and euphonium. The concert will also feature works by Peter Phillips, Richard Wagner, Fisher Tull, Eric Whitacre, Ralph Vaughan Williams, Eric Clapton and more.

john stevens lon gprofile with tuba

Directed by Madison freelance trombonist and University of Wisconsin-Madison School of Music alumnus Kevan Feyzi (below), MATE is comprised of top UW-Madison trombonists in groups such as Phat Phunktion, the Madison Brass Band, the Madison Mellophonium Jazz Orchestra, and the Madison Jazz Orchestra.

Kevan Feyzi

In just its second year of existence, MATE numbers 16 strong and is already being lauded as a leading community ensemble. (At bottom is a YouTube video with an excerpt from the inaugural concert in 2014 by the Madison Area Trombone Ensemble.)

Alan Carr (below) currently completing a DMA (Doctor of Musical Arts) at the UW-Madison — where he is a Collins Fellow — and is Adjunct Professor of Low Brass at Concordia University. He holds degrees from the Julliard School in New York City and the Peabody Conservatory at Johns Hopkins University in Baltimore.

He has also been a finalist in several competitions and was selected as a participant in the prestigious Alessi Seminar. Alan performed and toured for seven years with the King’s Brass, and has appeared with Ensemble ACJW, the American Brass Quintet, Isthmus Brass, and the Baltimore, Hartford, and Dubuque Symphony Orchestras.

alan carr bw mate

Recently, Alan formed a consortium with a dozen other prominent American bass trombonists to commission John Stevens’ newest composition: the Kleinhammer Sonata for Bass Trombone. Premiered this spring by Alan and other consortium members, Alan will release the first recording of the piece on his forthcoming solo album “The Elephant in the Room.”

Find out more about Alan and the Kleinhammer Sonata at http://www.carralan.com

This performance is a part of International Trombone Week, from April 12–19, organized by the International Trombone Association. More info here: https://www.trombone.net/itw/


Classical music: It’s a very busy week at the UW-Madison School of Music. Here is a roundup of the mostly FREE concerts, master classes and other events.

April 13, 2015
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By Jacob Stockinger

You always know when we are coming down to the end of a semester or the end of the school year. The music events start stacking up over the University of Wisconsin-Madison School of Music likes planes stacked up over O’Hare.

Talk about Train Wreck Weekends! And this is just the UW. There is plenty more to come, as you will see here over the course of this week.

In a way, it is a testament to the vitality of the music scene here in the Madison area.

But it is also too bad to the degree that so many events almost guarantee that some audiences will be smaller than they might otherwise be because people just can’t keep up with so many things that are so closely scheduled that they compete with each other for listeners’ free time. And we are not even talking about big draws like the three performances of the annual concert and show by the UW-Madison Varsity Band.

TUESDAY

Guest artists the Elaris Duo (below) will give master classes Tuesday night, April 14. The violin class with Larisa Elisha will be from 6-7:30 p.m. in Mills Hall, and the cello class will be with Steven Elisha from 8-9:30 p.m. They perform a concert Wednesday night at 8 in Mills Hall. See below.

elaris duo

WEDNESDAY

A FREE concert will be given by the UW-Madison Guitar Ensemble at 7:30 p.m. in Morphy Recital Hall under the direction of Javier Calderon (below top). Sorry, The Ear has received no word about the program. For more information, go to: http://www.music.wisc.edu/events/uw-guitar-ensemble-2/

$2 Broom, a FREE concert of electro-acoustic improvised music by students will be held in Music Hall, under the direction of UW-Madison horn professor Daniel Grabois (below bottom, in a photo by James Gill). For more information when it is posted, go to: http://www.music.wisc.edu/events/2-dollar-broom-2015/

A FREE concert by guest artists the Elaris Duo — husband-and-wife cellist and violinist — in Mills Hall at 8 p.m. The program includes works by Wolfgang Amadeus Mozart, Zoltan Kodaly and Erwin Schulhoff. For more information, visit: http://www.music.wisc.edu/events/elaris-duo-guest-artists/

Javier Calderon color

Daniel Grabois 2012  James Gill

THURSDAY

The Pro Arte Quartet (below, in a photo by Rick Langer) will perform a FREE concert at 7:30 p.m. in Mills Hall. The program includes the String Quartet in A Major, K. 464, by Wolfgang Amadeus Mozart; the String Quartet No. 4 by Leon Kirchner; and the early String Quartet in C Minor by Ludwig van Beethoven, Op. 18, No. 4. For more information about the concert and the Pro Arte Quartet, go to: http://www.music.wisc.edu/events/pro-arte-quartet_4_16/

Pro Arte Quartet new 2 Rick Langer

FRIDAY

At 2 p.m. in Room 1629 of the Humanities Building, Brazilian percussionist Ney Rosauro (below) will give a master class that is open to the public. For information about the artist, go to: http://www.music.wisc.edu/events/master-class-with-brazilian-percussionist-ney-rosauro/

ney rosauro

At 7:30 p.m. in Music Hall, the Mad City Brass Quintet, made up of UW-Madison students, will perform a FREE concert of music by UW-Madison professor emeritus of tuba and euphonium John Stevens (below) as well as by Billy Joel, Michael Kamen and Andre Lafosse. For more information, visit: http://www.music.wisc.edu/events/mad-city-brass-quintet/

john stevens lon gprofile with tuba

At 7:30 p.m. in Luther Memorial Church, 1021 University Avenue, the UW-Madison Concert Choir, Chorale, and Madrigal Singers will perform. Bruce Gladstone will conduct. The joint concert of the three choirs is themed “O Beauty” but each ensemble will have its own section. (Below is the Concert Choir performing.)

The choirs will perform together on the following large works: Blest Pair of Sirens by C.H.H. Parry and Missa “O Pulchritudo” by Gian-Carlo Menotti.

These will be performed with UW-Madison Professor John Chappell Stowe on organ.

For information, visit: http://www.music.wisc.edu/events/uw-concert-choir-chorale-and-madrigal-singers/

Concert Choir 2

SATURDAY

At 3:30 in Morphy Recital Hall, the Perlman Trio (funded by local philanthropist Kato Perlman) and two guest artists (below in a photo by Tori Rogers) will perform a FREE concert. The piano trio members (three in the front) are SeungWha Baek, piano; Valerie Sanders, violin; and Daniel Ma, cello. Guests are Keisuke Yamamoto, violin, and Jeremy Kienbaum, viola.

The program includes: Piano Trio in E-flat Major, Hoboken XV: 29, by Franz Joseph Haydn; the Piano Quintet in D Major, Op. 51, by Anton Arensky; and the Piano Trio in B Major, Op. 8 (original version) by Johannes Brahms. For information, go to: http://www.music.wisc.edu/events/perlman-trio-recital/

Perlman Trio (left three) and guests CR Tori _Rogers

At 4 p.m. in Mills Hall, the Low Brass Ensemble will offer a FREE concert. Sorry, no other details are available. When they are, go to: http://www.music.wisc.edu/events/low-brass-ensemble/

At 6 p.m. in Morphy Recital Hall. UW-Madison bassoonist-conductor Marc Vallon (below top, in a photo by James Gill) and Madison Bach Musicians founder, director and keyboard player Trevor Stephenson (below bottom) will host a demonstration of early music practices and period instruments, featuring performers from the Madison Bach Musicians. The event is part of the year-long “Rediscovering Rameau” music festival.

Later this week there will be two semi-staged performances of Rameau’s 1748 ballet-opera “Pygmalion” that Stephenson and the Madison Bach Musicians will give at the First Unitarian Society of Madison this Friday night at 6:45 p.m. and Sunday afternoon at 2:45 p.m. Go to: http://www.music.wisc.edu/events/pygmalion-madison-bach-musicians/

Marc Vallon 2011 James Gill (baroque & modern)[2]

Prairie Rhapsody 2011 Trevor Stephenson

At 6:30 p.m. in Mills Hall, the gala concert of the 12th annual Madison Flute Festival, “Flutes Down Under,” will take place. Admission is $5 for those not taking part in the day-long festival. It is held by the Wisconsin Flute Club and the flute studio of UW Professor Stephanie Jutt, who is Principal Flute of the Madison Symphony Orchestra and also a co-founder and co-director of the Bach Dancing and Dynamite Society.

The Madison Flute Club is winding up a fund-raising drive — nearly $15,000 — for the purchase of a contra bass flute. This instrument was made by Eva Kingma in the Netherlands, and is in transit now. This instrument will be the first contra bass flute in Wisconsin.

The Madison Flute Club also recently sponsored a composition contest for the contra bass flute, and the winning piece will be performed at the Flute Club’s Spring Recital May 9 at Midvale Lutheran Church.

At the conclusion of the Flute Festival this week, the public is invited to hear a performance featuring the family of low flutes. This concert will present pieces by Gary Shocker, Vaughan McAlley and many other composers writing for the low flutes. Attendees will hear performances on alto, bass, contra bass and subcontrabass flute –an extremely rare instrument.

Other festival events take place at the UW-Madison Pyle Center. The festival features guest artist Peter Sheridan (below), low flutes specialist visiting from Australia.  Activities include flute choir reading sessions, master class, performances, presentations, vendors and competitions featuring monetary prizes. For more information, go to: http://www.madisonfluteclub.org/FluteFestival.html

and

http://www.music.wisc.edu/events/gala-concert-wisconsin-flute-festival/

British Flute Society Convention 2010

SUNDAY

At 3:30 p.m., the winners of UW-Madison’s annual Beethoven Piano Sonata Competition will perform. A reception will follow. The event is made possible by the generosity of former UW-Madison Chancellor Irving Shain (below bottom). For word on the winners and the sonatas to be performed, go to: http://www.music.wisc.edu/events/beethoven-competition-recital/

Beethoven big

Irving Shain

 


Classical music: This afternoon is your last chance to hear pianist Christopher Taylor and the Madison Symphony Orchestra in rave-receiving performances of concertos by Bach and Liszt and the Symphony No. 7 by Anton Bruckner. Then this Tuesday night, organist Samuel Hutchison will continue the celebration of the 10th anniversary of the Overture Concert Organ with a recital of Bach, Mozart, Widor and other composers.

April 12, 2015
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ALERT: This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear what may be the best concert of this season by the Madison Symphony Orchestra. The program features UW-Madison virtuoso pianist Christopher Taylor (below) in Keyboard Concerto No. 4 by J.S. Bach and Piano Concerto No. 1 by Hungarian composer Franz Liszt as well as a “landmark” performance of the Late Romantic Austrian composer Anton Bruckner’s Symphony No. 7.

Here is a rave review by John W. Barker, the dean of Madison’s music critics who writes for Isthmus and for this blog:

http://www.isthmus.com/arts/stage/piano-virtuoso-joins-madison-symphony-orchestra-christopher-taylor/

Christopher Taylor new profile

By Jacob Stockinger

The Madison Symphony Orchestra’s Principal Organist and Curator Samuel Hutchison will mark a decade of memorable performances on the Overture Concert Organ (below) in a recital on this coming Tuesday, April 14, at 7:30 p.m. in Overture Hall, 201 State Street.

Overture Concert Organ overview

The program will include music by Johann Sebastian Bach, Wolfgang Amadeus Mozart, Alexander Guilmant, Jehan Alain, Charles-Marie Widor and Charles Villiers Stanford. (You can hear one of the Bach works he will play — the Fantasy and Fugue in G  Minor, BWV 542, in a YouTube video at the bottom.)

For the specific works on the program and more information, go to:

http://www.madisonsymphony.org/hutchisonrecital

Hutchison (below) has presented many recitals in the U.S and in Europe in locations that include the Riverside Church, New York City; St. Paul’s Cathedral, London; and Notre Dame, St. Sulpice and St. Étienne-du-Mont, Paris.

Sam Hutchison with organ (c) JoeDeMaio

He also performed the complete works of J.S. Bach – himself primarily an organist — in a series of 11 weekly recitals for the 300th anniversary of the composer’s birth in 1985.

General admission for the concert is $20 and tickets can be purchased at www.madisonsymphony.org/hutchisonrecital, the Overture Center Box Office or (608) 258-4141.

Student rush tickets are $10 day of show with a valid student ID see http://www.madisonsymphony.org/studentrush).

This concert is sponsored by Friends of the Overture Concert Organ.

For more Overture Concert Organ information, including recital, hymn sings and community visit http://www.madisonsymphony.org/organseason

 


Classical music: What qualities are needed to be a world-class conductor? New York Times critics weigh in. What do you think?

April 11, 2015
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By Jacob Stockinger

You may recall that Alan Gilbert (below), the conductor of the New York Philharmonic, surprised the music world when he recently announced he would step down at the end of the 2017 season after only eight seasons on the job.

New York Philharmonic

Speculation about a successor — with Marin Alsop (below top) of the Baltimore Symphony Orchestra and Finnish native Esa-Pekka Salonen (below bottom)  former director of the Los Angeles Philharmonic, topping the lists — began immediately.

Right now, The Ear leans toward Marin Alsop. It would be great to see a woman in such a high-profile post. It would also be fitting for a protege of Leonard Bernstein to ascend to the podium where American-born and American-trained conductors first made their name. Buy American!

Marin Alsop big

esa-pekka-salonen-goes-multimedia-philharmonia-Esa_Pekka_Salonen_Philharmonia

The sensational Venezuelan-born and Venezuelan-trained superstar Gustavo Dudamel (below) seems to have taken himself out of the competition by agreeing to stay longer in LA. But every performer has his or her price, so his story may not yet be over in terms of going to New York.

dudamel-wild49754818

But Gilbert’s move also raises the issue: What qualities should one look for in a world-class music director and conductor?

These days, it involves a whole lot more than holding the baton and leading the players.

Anyway recently music critics for The New York Times weighed in with their preferences and points of view.

Here is a link to the story:

http://www.nytimes.com/2015/03/15/arts/music/the-new-york-philharmonic-and-the-search-for-a-new-music-director.html?_r=0

Read and see what you agree and disagree with.

And also let us know who you think would be a good choice to be the next music director and conductor of the New York Philharmonic.

The Ear wants to hear.


Classical music: Famed music critic Andrew Porter has died at 86.

April 10, 2015
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By Jacob Stockinger

Music critic Andrew Porter, best known in this country for his 20-year tenure at The New Yorker magazine, died in London this week at the age of 86. (Below, he is seen working on “The Magic Flute” by Wolfgang Amadeus Mozart in a Toronto production in 2005.)

andrew porter magic flute toronto 2005

In his music reviews for The New Yorker magazine, critic Andrew Porter always seemed a cut above most journalistic critics.

His reviews had enough depth and substance beyond the occasion of the specific performance he was reviewing that they were collected and published in several books — unfortunately many are now out of print — that still provide terrific research possibilities and vindicate his earlier judgments.

Here is a link to a page at amazon.com that lists his essays and libretto translation:

http://www.amazon.com/s/ref=nb_sb_ss_i_1_13?url=search-alias%3Dstripbooks&field-keywords=andrew+porter+music&sprefix=andrew+porter%2Cstripbooks%2C237

Andrew Porter book

So many of us learned to appreciate classical music in more knowledgeable and sophisticated ways, thanks to Andrew Porter and his wealth of detailed knowledge as well as his superior writing style. (Below, you can see Andrew Porter in the 1970s.)

andrew porter 1970s

But I had no idea of his really erudite sides — including his command of several languages and his extensive involvement in the actual performances of music, especially translating opera librettos — until I read his obituaries.

Here is a sampling of the memorial essays about a critic who will go down as one of the greatest critics ever.

Here is a story from the terrific Deceptive Cadence blog of NPR )National Public Radio:

http://www.npr.org/blogs/deceptivecadence/2015/04/03/397295421/multifaceted-music-critic-andrew-porter-dies-at-86

Here is a story from The New York Times:

http://www.nytimes.com/2015/04/05/arts/music/andrew-porter-new-yorker-classical-music-critic-dies-at-86.html

And here is a story, with great background and details, from The Guardian newspaper in the United Kingdom where Porter — seen below in 1992 in a photo by Jane Bown — lived in London since retiring from the New Yorker:

http://www.theguardian.com/music/2015/apr/07/andrew-porter

Andrew Porter in 1992.

 


Classical music: The Wisconsin Baroque Ensemble performs baroque chamber music this Saturday night in Madison. Plus, harpist Linda Warren performs a FREE concert at noon on Friday.

April 9, 2015
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ALERT: This week’s FREE Friday Noon Musicale, which runs from 12:15 to 1 p.m. in the Landmark Auditoriun of the Frank Lloyd Wright-designed First Unitarian Society of Madison, 900 University Bay Drive, will feature harpist Linda Warren (below) playing music by Benjamin Britten, Pearl Chertok and Astor Piazzolla.

linda warren

By Jacob Stockinger

The Ear has received the following note:

The Wisconsin Baroque Ensemble invites the public to a concert of baroque chamber music.

The concert is this Saturday night, April 11, at 8 p.m. in Saint Andrew’s Episcopal Church (the exterior is below top, the interior is below bottom), 1833 Regent Street, Madison, on the near west side.

St. Andrew's Episcopal Madison Front

St. Andrew's Church interior

Members of the Wisconsin Baroque Ensemble include: Brett Lipshutz – traverso; Eric Miller – viola da gamba, baroque cello; Consuelo Sañudo – mezzo-soprano; Monica Steger – traverso, harpsichord; Martha Vallon – viola da gamba; and Max Yount – harpsichord.

Wisconsin Baroque Ensemble composite

Tickets at the door only: $20 for the public, $10 for students.

For more information call (608) 238-5126 or visit www.wisconsinbaroque.org.

The program includes:

  1. Jean-Marie Leclair – Première Récréation de Musique (You can hear it in a YouTube video at the bottom)
  2. Louis MarchandPièces de Clavecin, Suite No. 1 in D minor (1702) (selected movements)
  3. George Frideric Handel – “Nice, che fa? Che pensa?”
  4. Johan Helmich Roman – Sonata No. 3 for flauto traverso in C minor

Intermission

  1. Michel Pignolet de Montéclair – Ariana et Bachus
  2. Marin Marais – Pièces de Viole, Book 3 (selected movements)
  3. Jacques Hotteterre – Trio Sonatas, Op. 3, No. 1


Classical music: Behold Bruckner! Conductor John DeMain explains the monumental beauty and major technical and interpretative challenges of Anton Bruckner, whose mammoth Seventh Symphony he will perform this weekend with the Madison Symphony Orchestra.

April 8, 2015
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By Jacob Stockinger

This weekend brings what, for The Ear, is the most interesting program of the season from the Madison Symphony Orchestra. The combination of Baroque, Romantic and Late Romantic music includes the long-awaited performance of a major symphony—the Seventh—by Anton Bruckner (below).

Anton Bruckner 2

The program, to be performed under the baton of longtime MSO music director John DeMain, includes the Keyboard Concerto No. 4 by Johann Sebastian Bach and the Piano Concerto No. 1 by Franz Liszt. The soloist for both works is the dynamic and versatile Christopher Taylor (below), the resident virtuoso at the University of Wisconsin-Madison School of Music. Here is a link to an interview with him that appeared here earlier this week:

https://welltempered.wordpress.com/2015/04/06/classical-music-uw-madison-pianist-christopher-taylor-says-bach-wouldnt-mind-being-played-on-the-piano-and-the-public-should-get-to-know-the-less-virtuosic-side-of-liszt-he-plays-concertos/

Christopher Taylor new profile

Performances are in Overture Hall in the Overture Center. Times are Friday at 7:30 p.m.; Saturday at 8 p.m.; and Sunday at 2:30 p.m.

Tickets are $12-$84.

For details, go to https://www.madisonsymphony.org or call the Overture Center Box Office at (608) 258-4141.

Maestro DeMain (below, in a photo by Prasad) recently agreed to do an email Q&A about Bruckner with The Ear:

John DeMain full face by Prasad

Why has the MSO gone so long without playing a Bruckner symphony? Why did you choose the Symphony No. 7 as the first Bruckner symphony to be performed by the MSO during your tenure?

When I first came to Madison, I was so focused on Mahler that I didn’t think much about Bruckner. Doing so much Mahler in a short season of seven classical concerts, I felt that adding Bruckner to the mix was too much for our audiences from this period.

Now I can focus on other composers from the late Romantic period, most notably Anton Bruckner. The MSO performed Bruckner’s Fourth Symphony (“Romantic”) in the mid-1980s. So I felt the Seventh would be the right symphony to perform after such a long hiatus, and one the audience would have enormous pleasure listening to.

Do you plan to program other Bruckner symphonies in future seasons? What is the next one you would like to conduct?

I’m certainly interested in a reload at the Fourth Symphony as well as the Eighth and Ninth in some future year.

What makes Bruckner great and how does his music differ from that of his contemporaries such as Gustav Mahler? What are his musical signatures?

Bruckner’s music is monumental in structure. The music basks in tonal beauty. His melodic lines are long, and he loves sequences, modulating as he goes along, building to temporary climaxes, until the big ones come along. The slow movement of the Seventh Symphony is achingly beautiful and moving.

At times, he sounds like Mahler (below), and why not? They were both writing at the same time, so musical trends are going to creep into the composers’ writing in any given era. The lilting waltz in the middle of the slow movement and the scherzo are two such examples that call to mind the music of Mahler.

For me, Mahler’s music struggles more, from the depths of human misery to the glories of newfound salvation. Bruckner doesn’t do that. His music is more architectural in its dramatic unfolding, relying on sequential melodic and harmonic tension, and powerful eruptions from the brass sections of the orchestra.

Gustav Mahler big

What are the major challenges, technical and interpretive, for you and the MSO players in doing Bruckner?

Bruckner is not as explicit as Mahler or Richard Strauss in his directions to the interpreter. Often a movement will have one, or, at the most, two or three general tempo indications. This leaves enormous leeway for the conductor to interpret Bruckner’s intentions. Listening to a variety of past performances by some of our greatest German and Austrian conductors of the past reveals enormous differences regarding tempo, consistency of tempo and general shaping. My influences will be more recent to reflect the scholarship and musical sensibilities of our time.

The challenge for the orchestra will primarily be endurance, particularly for the brass, as Bruckner the loves repetition during his big climaxes, literally embracing the audience with rapturous sound. Also, the strings are asked to play tremolo a lot, and that can be fatiguing. The effect, however, is wonderful. (Note: You can hear that for yourself in a YouTube video at the bottom that features an excerpt from the Scherzo movement of Bruckner’s Symphony No. 7 as performed by Sir Simon Rattle and the Berlin Philharmonic.)

The biggest challenge for me will be the shaping of the symphony. Finding the right tempo, and knowing when to depart from it, so the music can breathe, are additional challenges, as well as paying strict attention to the long crescendos, diminuendos and sudden dynamic changes.

I can’t wait to get to work on it. Other aspects of orchestral playing are always present, like the intonation of the Wagner tubas that we will be using and strict adherence to dynamic changes that are bold, frequent and often extreme.

MSO-HALL

John DeMain conducting 2

What would you like the audience to pay special attention to in the symphony and your performance of it?

I think the audience should let the power and beauty of this symphony take them on their own personal journey. The Wagnerian and Mahlerian influences, as well as the Germanic nature of the music, should be immediately apparent to the listener and put them on familiar territory.

Is there anything else you would like to say about Bruckner?

I would just like to say to the audience, that if they haven’t had a chance to hear Bruckner live, or much at all, this is the perfect choice and chance to get closer to this major composer of 19th-century German Romanticism.


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