By Jacob Stockinger
This coming weekend, the Madison Symphony Orchestra (below) offers one of the best must-hear programs of the season – or so thinks The Ear.
Pianist Stephen Hough (below, in a photo by Sim Canetty-Clarke) returns for his fourth appearance with the Madison Symphony Orchestra (MSO), led by music director and conductor John DeMain.
The concert will open with Samuel Barber’s Second Essay, a dramatic piece written in the midst of World War II, followed by a performance of the exotic Saint-Saëns Piano Concerto No. 5 (“Egyptian”) featuring soloist Stephen Hough, who won major awards for his recordings of the complete works for piano and orchestra by Saint-Saëns. The concert will close with a performance of Tchaikovsky’s emotional Symphony No. 6 (“Pathétique”).
The concerts are Friday, Feb. 17, at 7:30 p.m.; Saturday, Feb. 18, at 8 p.m.; and Sunday, Feb. 19, at 2:30 p.m. in Overture Hall of the Overture Center, 201 State Street. (Ticket information is below.)
Samuel Barber (below) was one of the new generation of mid-20th century American composers with contemporaries Howard Hanson, Aaron Copland, David Diamond and, later, Leonard Bernstein.
His Second Essay was written in 1942, in the middle of the Second World War. Barber once wrote: “Although it has no program, one perhaps hears that it was written in a war-time.” This will be the first time this piece is performed by the Madison Symphony Orchestra.
The Piano Concerto No. 5 (“Egyptian”) by Camille Saint-Saëns (below) was composed while he was on a winter vacation in the Egyptian temple city of Luxor, in 1895-96. The location of this piece is important because it helped give the piece its nickname, and also influenced the sound of the score. This will be the first time this piece is performed by the Madison Symphony Orchestra.
Peter Ilyich Tchaikovsky (below) wrote his final piece between February and August 1893. The Symphony No. 6 (Pathétique) was then performed in Oct. 1893 and was conducted by Tchaikovsky himself. Nine days later he was dead.
Tchaikovsky’s late symphonies are autobiographical, and the sixth being “the best, and certainly the most open-hearted,” according to Tchaikovsky himself. Seeing that he was a troubled man, dealing with a dark depression, Symphony No. 6 (Pathétique) is filled with poignancy and deep sorrow, as you can hear in the finale in the YouTube video at the bottom.
One hour before each performance, Randal Swiggum (below), artistic director of the Elgin Youth Symphony Orchestra Artistic Director and the newly appointed Interim Music Director of the Wisconsin Youth Symphony Orchestras, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.
For more background on the music, read the program notes by MSO trombonist and UW-Whitewater professor Michael Allsen (below, in a photo by Katrin Talbot) at: http://www.allsenmusic.com/NOTES/1617/5.Feb17.html
Single Tickets are $16 to $87 each, and are available at madisonsymphony.org/hough and through the Overture Center Box Office at 201 State Street or by calling the Box Office at (608) 258-4141.
Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information visit, madisonsymphony.org/groups
Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: madisonsymphony.org/studentrush. Students can receive 20% savings on seats in select areas of the hall on advance ticket purchases.
Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
Discounted seats are subject to availability, and discounts may not be combined.
Find more information at madisonsymphony.org
Major funding for the February concerts is provided by: Irving and Dorothy Levy Family Foundation, Inc., Stephen Morton, and BMO Wealth Management. Additional funding is provided by: Boardman & Clark LLP, Forte Research Systems & Nimblify, James and Joan Johnston, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison features Danielle Breisach and Taya König-Tarasevich playing music for baroque and modern flutes. They will play works by Johann Sebastian Bach, Georg Philipp Telemann, Jacques-Martin Hottetere and Yuko Uebayashi. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
“Con Vivo! … music with life,” (below) continues its 15th season with a chamber music concert entitled “Capital Europeans” on this Sunday afternoon, Feb. 12, at 2:30 p.m. at First Congregational United Church of Christ, 1609 University Ave. across from Camp Randall Stadium.
Tickets can be purchased at the door. Admission is $18 for adults and $15 for seniors and students.
The winter concert, called, “Capital Europeans,” features pieces from three distinct European composers, each with his own style.
Representing Paris, the program includes selections from the Organ Preludes by French composer Darius Milhaud.
Audience members are invited to join the musicians after the concert for a free reception to discuss the concert.
Adds Con Vivo’s artistic director Robert Taylor: “With this concert, we are performing a Sunday matinee with three unique composers, each with his own musical language. Our Madison audience will be able to hear our musicians up close and personal playing music of extreme delight and depth.”
Con Vivo is a professional chamber music ensemble comprised of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and various other performing groups familiar to Madison audiences.
For more information about Con Vivo and its upcoming concerts, go to: http://www.convivomusicwithlife.org
By Jacob Stockinger
Trevor Stephenson (below), who founded and co-directs the Madison Bach Musicians, may be best known in the Madison area for his work with early music and Baroque music.
But Stephenson, who is known for his outstanding pre-concert lectures as well as for his performances, is also deeply involved in period instruments and historically informed performance practices concerning Romantic music.
He writes to The Ear: “In February, I’m offering a four-part course on piano music by Frederic Chopin (below). This will meet on Thursday evenings 6-7:30 p.m. at my home studio. Information is below. Email me to enroll.
“Also, I’ll play an all-Chopin house concert on SATURDAY, FEB. 25 AT 7 P.M. — NOT Sunday, Feb. 26, at 3 p.m. as first and mistakenly printed here — which will be here at the home studio as well. Refreshments will be served. Reservations are required (email@example.com). Admission is $40.”
DATES: February 2, 9, 16, 23
TIME: Thursdays 6−7:30 p.m.
PLACE: 5729 Forstyhia Place, Madison WI 53705
COST: Enrollment is $120
Reading knowledge of music is suggested.
Class size is limited to 15, and enrollment closes TODAY, Friday, Jan. 27.
Feb. 2: Waltzes, Preludes
Feb. 9: Nocturnes, Mazurkas
Feb. 16: Etudes, Polonaises
Feb. 23: Ballades, Scherzos
Instruments to be used are: an 18th-century Fortepiano (Sheppard after Stein) c. 1840; a Cottage Upright Piano (attr. C. Smart ) c. 1850; and English Parlor Piano (Collard & Collard) c. 1855; and a Viennese Concert Grand Piano (Bösendorfer)
Subject matter will include: Origins of Chopin’s compositional style; tonal qualities of his pianos, early 19th-century temperaments; fingering; pedaling; articulation; touch; tempo; and tempo rubato.
By Jacob Stockinger
The second half of the current concert season is getting off to a terrific, if crowded and competitive, start.
Take this weekend.
At least five individuals and groups are playing very appealing concerts. In some cases, there is time to get from one to another.
But there is also a good chance you will have to pick and choose, then be disappointed at what you miss as well as pleased with what you go to.
Here is a roundup:
From 8:30 a.m. until 7 p.m., the University of Wisconsin-Madison School of Music will hold the 54th annual Wisconsin Day of Percussion. It features workshops, clinics, presentations and concerts for percussionists and fans of percussion at all levels.
All-day admission is $15 and is available at the door. For more information about attending and participating, go to:
At 1:30 p.m. in the relaxed and cozy venue of A Place to Be, 911 Williamson Street, the Willy Street Chamber Players (below) will offer a 90-minute program of string quartets by Franz Joseph Haydn (String Quartet in D Major, Op. 20, No. 4), Felix Mendelssohn Four Pieces for String Quartet), Astor Piazzolla (Four for Tango) and Daniel Bernard Roumain String Quartet No. 5 “Rosa Parks”) as a prelude to the group’s third summer season this July. Admission is $20.
You may recall that last month The Ear named the Willys as Musicians of the Year for 2016. That post had details about the program and the group’s history. Here is a link:
For more information about this quartet concert (below is a photo of last year’s concert in the same place), go to:
And here is a link to the group’s home website with more specifics:
Finally, one of the Willys assures The Ear that the Sunday performance will be over early enough to allow audience members to go watch the Green Bay Packers championship football game.
At 7 p.m. the Oakwood Chamber Players will give an adventurous concert of unusual works by Maurice Ravel, Arnold Schoenberg, Byron Adams, Gabriel Jackson and Francis Poulenc at the Oakwood Village West Auditorium, 6002 Mineral Point Road on Madison far west side.
Here is a link to a story with more details about the program and how it fits into the yearlong series of concerts:
At 1:30 p.m., the Willy Street Chamber Players repeat their Saturday concert. See the information above for Saturday.
Also at 1:30 p.m., the Oakwood Chamber Players repeat their concert. See the information above for Saturday.
At 4 p.m. in Mills Hall, UW-Madison faculty members violinist Soh-Hyun Park Altino (below top) and pianist Christopher Taylor (below bottom) will give a recital of two violin sonatas: Sonata No. 1 in A major, Op. 13, by Gabriel Faure and the prize-winning 1963 Sonata for Violin and Piano by the contemporary American composer John Corigliano. (You can hear the lovely slow movement of the Corigliano sonata in the YouTube video at the bottom.)
Admission is $15, $5 for children and non-UW School of Music students.
Here is a link with more information:
Tickets can be bought at the door or by visit this site:
Also at 4 p.m., pianist Catherine Kautsky (below) will perform a Schubert-themed program on the Salon Piano Series at Farley’s House of Pianos, 6522, Seybold Road, on Madison’s far west side near West Towne.
Her program includes the Sonata in D major and Twelve German Dances by Schubert; the Schubert-inspired “Valses nobles et sentimentales” (Noble and Sentimental Waltzes) by Maurice Ravel; Prelude and Fugue in E Major, from Book 2 of “The Well-Tempered Clavier” by Johann Sebastian Bach; and “Idyll and Abyss: Six Schubert Reminiscences” (20213) by the German composer Jeorg Widmann.
Admission is $45.
Kautsky has concertized on five continents. You may recall, she came to teach for several years at the UW-Madison from Lawrence University Conservatory of Music in Appleton, Wisconsin, and then returned to Lawrence where she heads the keyboard department and this year received an Excellence in Teaching award.
Call more information and tickets, call (608) 271-2626.
You can also go to this link to get more information about this concert and forthcoming concerts in the Salon Piano Series:
By Jacob Stockinger
The “Grace Presents” series of FREE monthly Saturday noon concerts has been suspended indefinitely.
The series presented folk music, jazz, ethnic, country and other genres in addition to classical music.
Over several years, he has heard memorable performances of sonatas and suites, cantatas and preludes, of vocal, string and piano music by Johann Sebastian Bach, Johannes Brahms and other composers. Included here are some photos of past events.
The concerts – held in the wonderful interior (below) of Grace Episcopal Church on the downtown Capitol Square — always attracted a large, friendly and appreciative crowd, and the series became a showcase to spotlight some performers who have a lower profile, including graduate students at the University of Wisconsin-Madison School of Music.
No specific reason for the action was given, and The Ear wonders if it had to do with finding financial sponsors or perhaps with the difficulty of booking performers in a city with such competitive programming of music.
It was not an easy job to set it up and keep it running. So The Ear offers congratulations and thanks to the many people who made the series successful for many years. (Below are violinist Laura Burns, who plays with the Madison Symphony Orchestra and the Rhapsodie Quartet, and pianist Jess Salek, who teaches and performs with the Mosaic Chamber Players and the Madison Youth Choirs.)
Here is the official statement:
Dear Grace Presents Community:
After six seasons of offering free community concert programming monthly at the historic Grace Episcopal Church, the Grace Presents Concert Series has been suspended indefinitely.
From performers such as Yid Vicious, Kenn Lonquist, The Dang-It’s, the Madison Bach Musicians (below) and so many others we have enjoyed presenting these concerts free of charge to the Madison community and the thousands of downtown Madison visitors.
It is our hope that this concert series may find a champion in the near future, but until then, the red doors will no longer be open on Saturdays for free concerts to the public.
Thank you for your support of this series and local musicians. (Below is pianist Yana Groves who played music by Bach and Rachmaninoff at Grace Presents).
Grace Presents Board Members
PS: Thank you to the following:
– Bruce Kasprzyk for recording dozens of our concerts and providing his services free of charge
– Oakwood University Woods for printing our programs each month
– Bruce Croushore for initiating the Grace Presents Concert Series seven years ago
– folks who have served on the Grace Presents board
– over 100 musicians who performed for a Grace Presents concert
– all of you who have attended and supported live music at Grace Church
We especially thank our many donors and supporters over the years, and in particular Dane Arts, the W. Jerome Frautschi Foundation, the Madison Arts Commission, and the Wisconsin Arts Board
ALERT: Edgewood College will present its 89th Annual Christmas Concerts tonight at 7 p.m. and Saturday afternoon at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive.
Now expanded to two performances, the holiday concert features the Edgewood College choirs and Concert Band, along with audience sing-alongs, prelude music by the Guitar Ensemble, and a post-concert reception featuring the Jazz Ensemble.
By Jacob Stockinger
Classical music meets old media and new media this weekend through opera and chamber music.
This Saturday marks the beginning of the LIVE RADIO broadcasts of operas from the Metropolitan Opera (below) in New York City. This will be the 86th season for the radio broadcasts, which educated and entertained generations of opera lovers before there were DVDs, streaming and the “Live in HD From the Met” broadcasts to movie theaters.
The performances will be carried locally on Wisconsin Public Radio, WERN-FM 88.7. This Saturday, the starting time for Puccini’s “Manon Lescaut” with Russian superstar soprano Anna Netrebko (below, in a photo by Richard Termine for The New York Times), is 11:30 CST. Other operas will have different starting times, depending their length.
This season runs from Dec. 3-May 15.
Radio has certain strengths, The Ear thinks. For one, it allows the listeners to focus on the music, to be less distracted or less enriched – depending on your point of view – by sets, costumes, lighting, the physicality of the acting and other stagecraft that is left to the imagination.
This season, there will be lots of standard fare including: Verdi’s “La Traviata” and “Aida”; Puccini’s “La Boheme”; Bizet’s “Carmen”; Beethoven’s “Fidelio”; Wagner’s “Tristan und Isolde” and “The Flying Dutchman”; Richard Strauss’ “Der Rosenkavalier” and “Salome”; and Mozart’s “Idomeneo.”
But you can also hear the new music and less frequently staged operas. They include the 2000 opera “L’amour de loin” (Love From Afar) by Finnish composer Kaija Saariaho, which will receive its Metropolitan Opera premiere next week, on Dec. 10.
Here is a link to the complete season along with links to information about the various productions. Starting times are Eastern Standard Time, so deduct an hour for Central Standard Time or a different amount for your time zone:
On this Sunday afternoon, the Pro Arte Quartet (below, in a photo by Rick Langer), longtime artists-in-residence at the University of Wisconsin-Madison School of Music, will wrap up the first semester of “Sunday Afternoon Live From the Chazen,” which used to air weekly on Wisconsin Public Radio but now is presented once a month, on the first Sunday of the month, directly by the museum.
The program this Sunday features the “Italian Serenade” by Hugo Wolf; the String Quartet No. 3 in F Major by Dmitri Shostakovich; and the String Quartet in A-Flat Major, Op. 105, by Antonin Dvorak.
The FREE concert takes place from 12:30 to 2 p.m. in Brittingham Gallery No. 3 of the Chazen Museum of Art and the University of Wisconsin-Madison.
Donors to the museum can reserve seats. Concerts by the Pro Arte Quartet, kind of the house quartet of the museum, are usually “sold out.”
But the concert can also be streamed live via computer or smart phone by clicking on the arrow in the photo and using the portal on the following website:
You might also want to arrive early or stay late to see the historic and rare First Folio edition (below) of the plays by William Shakespeare that is on display at the Chazen Museum through Dec. 11 to mark the 400th anniversary of the death of the Bard.
By Jacob Stockinger
To mark his 40th year in Madison, piano teacher Bill Lutes will give three FREE recital programs in the coming weeks. They are:
• This Sunday, Nov. 20, at 7 p.m., in the Capitol Lakes Grand Hall (below)
• Sunday, Dec. 4, at 3 p.m. at Oakwood Village West Auditorium (below)
• Friday, Dec. 16, at 12:15-1 p.m. p.m. at First Unitarian Society of Madison Meeting House (below) — Schumann and Schubert only.
The program will for the first two recitals will be:
• Sonata No. 49 in E-flat major by Franz Joseph Haydn
• “Papillons” (Butterflies), Op. 2, by Robert Schumann
• Sonata in B-flat major, D. 960, by Franz Schubert
Lutes (below, in a photo by Katrin Talbot) is an independent piano teacher in Madison. His name may also be familiar because he was a host, producer and music director for Wisconsin Public Radio for over a decade as well as a voice coach at the University of Wisconsin-Madison School of Music, where he did his master’s degree with the late pianist Howard Karp.
In addition to teaching piano, Lutes performs with his pianist-singer wife Martha Fischer, who teaches at the UW-Madison, and he gives music talks at various venues around the city. The couple is known for performing Gilbert and Sullivan and for hosting and participating in the annual Schubertiades at the UW-Madison.
“The motivation for this program is first and foremost to express my gratitude to my friends and family, colleagues, students and the community for my rich life in Madison,” Lutes says. “I cannot begin to name all the people I’ve come to know and love in this beautiful city, which has afforded me so many wonderful opportunities.”
Adds Lutes: “I thought it would be a good idea to play a solo program of music I love to say “Thank you.’”
ALERT 1: Tonight at 8 p.m. in Mills Hall, UW-Madison trombonist Mark Hetzler will give a FREE recital with pianist Vincent Fuh. Hetzler will perform a retrospective of pieces he has recorded over the past 14 years, representing five different recordings. Music from the following recordings from his Summit catalogue will be represented in this recital: American Voices (2002); Serious Songs, Sad Faces (2003); 20th Century Architects (2004); Three Views (2012); and Blues, Ballads and Beyond (2015).
Hetzler will repeat this concert on Thursday, Nov. 17 in Fond du Lac, at St. Patrick’s Church, 41 E. Follett Street, as part of the Searl Pickett Chamber Music Series.
For more information go to: http://www.markhetzler.com/
ALERT 2: Tomorrow afternoon, Sunday, Nov. 13, at 4 p.m., Dan Broner, the music director at the First Unitarian Society of Madison, will give a FREE organ recital at the FUS Meeting House, 900 University Bay Drive. The program features the Trio Sonata No. 4 in E minor, “Sleepers Wake!” and the Prelude and Fugue in A major by Johann Sebastian Bach; Prelude, Fugue and Variations by Cesar Franck; and “Dorian Chorale” and “Litanies” by Jehan Alain. Donations will be accepted.
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT-FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.
By John W. Barker
The clavichord was an instrument of subtle importance in the 18th century. It was a kind of alternative to the harpsichord in several ways. For one, its strings were not plucked, as in a harpsichord, but hammered, as in its descendants, the fortepiano and the subsequent pianoforte or just plain piano.
The clavichord, moreover, was really an instrument for private use, for practice, study and composing work, rather than for concert use, beyond the most intimate of audiences. (You can hear a sample, using J.S. Bach’s Partita No. 2, in a YouTube video at the bottom.)
Local builder and restorer, Tim Farley has made several clavichords before, but this one is a relatively large one. Notable is its incorporation of wood from a number of old pianos, and some rare maple wood that had been submerged in water for a long time. Out of these elements he has created an instrument of great beauty and elegance, as well as of distinctive artistic usefulness.
To introduce this new instrument to Madison’s musical community, Tim and his wife Renee, the reigning royalty of the remarkable Farley’s House of Pianos on the city’s far west side, chose not to do so in their usual salon, as it is too commodious and not noise-free.
Instead, they brought it to the historic Gates of Heaven Synagogue on Sunday afternoon, Nov. 6. A program of four works was played on it by David Schrader (below), an early music specialist who teaches at Chicago’s Roosevelt University.
An audience of about 45 attended. I suspect many were surprised by how tiny (not tinny!) was the instrument’s sound—much more pale than what they would have expected from a harpsichord. Modest as is the Gates of Heaven hall, it was still a bit larger than ideal. Nevertheless, the audience followed the performance intently, and I heard no complaints from anyone afterwards about inaudibility.
The music chosen was entirely from the 18th century. It began with the Partita No. 5 from Johann Sebastian Bach’s Clavierübung or Keyboard Works. On these terms, we heard it as Bach might have played it himself for his own pleasure—or as a student might do for study.
The two middle works were from the other end of the century. An extended Sonata, K. 330, by Wolfgang Amadeus Mozart would in its time have been played on the fortepiano, or even harpsichord, and sounded rather pallid this way.
But a two-movement Sonata in G minor by Franz Joseph Haydn, full of introspective feeling, worked well on the clavichord as highly personal expression.
Balancing the opening with J. S. Bach was the closing work, a three-movement Sonata in A minor (Wq49), a relatively early work by Carl Philip Emmanuel Bach, his most influential son. C.P.E. Bach was famous as an expressive player, and for music of inward probing.
I had hoped to hear Schrader demonstrate on this new instrument its feature of Bebung, a capacity for quasi-vibrato quivering on sustained notes that the clavichord’s action famously allowed the player to exploit. There was some of that, but Schrader explained that such an effect did not work on many pitches, limiting its possibilities.
Listeners for whom this type of instrument is unfamiliar surely found this program illuminating, while this instrument’s excellence was a further reminder of what craftsmanship Tim Farley (below, seated at the clavichord he built) has brought to Madison.
By Jacob Stockinger
Ludwig van Beethoven’s popular Symphony No. 6 “Pastorale” anchors the Madison Symphony Orchestra (MSO) concerts under the baton of music director John DeMain on this coming Friday, Saturday and Sunday.
Norwegian violinist Henning Kraggerud returns to perform a violin concerto and some of his own original compositions.
The concerts will open with “In the South” by Sir Edward Elgar, a work that was inspired by the countryside and music he experienced during an Italian holiday.
Kraggerud will perform the dramatic and lyrical Violin Concerto No. 1 by Max Bruch (below), followed by his own Three Postludes from his composition “Equinox.”
The program will conclude with Ludwig van Beethoven’s Symphony No. 6, “the Pastorale,” which is a tribute to country life, as you can see and hear in the popular YouTube video, with almost 3 million hits, that is at the bottom.
The concerts are in Overture Hall of the Overture Center, 201 State Street, on Friday at 7:30 p.m.; Saturday at 8 p.m.; and Sunday at 2:30 p.m.
While escaping a drab English winter, Elgar (below), inspired by the Italian Riviera and his realization of the human cost of war, wrote “In the South” – an overture that begins and ends in a stormy mood, while encompassing wistful music for clarinets and strings.
Austrian violin virtuoso Joseph Joachim (below) put Max Bruch’s Violin Concerto No. 1 in the same league as the violin concertos of Beethoven, Brahms and Mendelssohn, calling the Bruch composition the “richest, most seductive” of the four composers. The main musical theme eventually becomes the foundation for a flashy and exhilarating ending.
Kraggerud’s “Equinox” is a set of 24 postludes for solo violin and orchestra in all major and minor keys, with a concluding 25th movement, based on a narration titled “24 Keys to a World Before it Slips Away” by Norwegian novelist Jostein Gaarder.
The Three Postludes, each short character pieces expressing an emotion, will transport audiences around the globe, capturing in a witty way a bit of the flavor of the protagonist’s various stops on his imaginary journey.
Beethoven’s Symphony No. 6 was inspired by his love for the countryside around Vienna. In it he reflects upon humanity’s role in the quiet spaces of nature. According to Beethoven (below), the Pastorale is meant to transport the listener to lush, restful, nature scenes that are “more an expression of feeling than painting.” Popularized through the Disney-animated classic film “Fantasia,” the Pastorale Symphony delights audiences of all ages.
One hour before each performance, Tyrone Greive (below, in a photo by Kathy Esposito), former MSO Concertmaster and retired professor of violin at the University of Wisconsin-Madison, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.
For more background on the music, please visit the Program Notes at: madisonsymphony.org/kraggerud.
Single Tickets are $16 to $87 each, available at madisonsymphony.org/kraggerud, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.
Groups of 15 or more can save 25 percent by calling the MSO office at (608) 257-3734. For more information visit, madisonsymphony.org/groups
Club 201, MSO’s organization for young professionals, has continued to fulfill its mission for the past 11 years as the premier organization promoting classical music and networking opportunities to the young professionals’ community in Madison.
For a $35 ticket, young professionals will enjoy world-class seating in Overture Hall, an exclusive after-party in the Promenade Lounge, one drink ticket and a cash bar. Conductor John DeMain (below, in a photo by Prasad), as well as musicians from the symphony, will be attending to mingle with Madison’s young professionals.
The deadline to purchase tickets is this Thursday, Oct. 20. Tickets can be purchased for this event, as well as the other events throughout the 2016-17 season by visiting the Club 201 page on the MSO’s website at http://www.madisonsymphony.org/club201.
Student rush tickets can be purchased in person on the day of the concert at the Overture Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: madisonsymphony.org/studentrush. Students can receive 20 percent savings on seats in select areas of the hall on advance ticket purchases.
Seniors age 62 and up receive 20 percent savings on advance and day-of-concert ticket purchases in select areas of the hall.
Discounted seats are subject to availability, and discounts may not be combined.
Major funding for the October concerts is provided by: Steinhauer Charitable Trust, Rosemarie Blancke, Cyrena and Lee Pondrom, and UW Health & Unity Health Insurance. Additional funding is provided by: DeWitt Ross & Stevens S.C., Audrey and Philip Dybdahl, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.