The Well-Tempered Ear

Classical music: Concerts by UW cellist Parry Karp and the chamber music group Con Vivo take place this Saturday night

October 11, 2018
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: The Rhapsodie Quartet, featuring members of the Madison Symphony Orchestra, will perform a FREE public concert (suggested donation is $5) at the Capitol Lakes Retirement Community,  333 West Main Street, two blocks off the Capitol Square, this Friday night, Oct. 12, at 7 p.m.

The program is the String Quartet in G minor, Op. 74, No. 3, by Franz Joseph Haydn and the “Razumovsky” String Quartet in C Major, Op. 59, No. 3, by Ludwig van Beethoven. For more information and background, go to: https://madisonsymphony.org/event/rhapsodie-quartet-recital/

By Jacob Stockinger

It is a busy week for classical music in Madison, and all the listings have still not been included here.

On Saturday night, Oct. 13, two more noteworthy events will take place.

PARRY KARP

A Faculty Concert Series recital by UW-Madison cello professor Parry Karp (below), who is also the longtime cellist of the Pro Arte Quartet, will take place on Saturday night in Mills Hall at 8 p.m.

Karp will be joined by two pianists: his mother Frances Karp, a longtime Madison piano teacher; and Thomas Kasdorf (below), who is pursuing his doctoral degree at the University of Wisconsin-Madison’s Mead Witter School of Music.

The program is an interesting and unusual one.

It features “Hamabdil” (1919), or Hebrew Rhapsody, by Granville Bantock (below), who, Karp says “was a wonderful British composer, a favorite of Elgar.” (You can hear “Hamabdil” in the YouTube video at the bottom.)

“Phantasma for Solo Cello” (2006) is by Jesse Benjamin Jones (below), who is on the faculty of the Oberlin College Conservatory.

The Violin Sonata in A Major, Op. 30, No. 1 (1801-02), by Ludwig van Beethoven, continues the exploration of Beethoven’s violin sonatas transcribed for the cello by Karp himself.

The Cello Concerto (1956) by William Walton (below), says Karp, who performed it this summer with the English Symphony Orchestra, “is one of the great cello concertos of the 20th century. This version features a piano reduction of the orchestral score.

CON VIVO

Con Vivo (below), the critically acclaimed Madison-based chamber music group, will also give a concert to open its 17th season on Saturday night at 7:30 p.m. in the First Congregational United Church of Christ, at 1609 University Avenue, near Camp Randall Stadium.

Free parking is two blocks away, at the nearby UW Foundation, 1848 University Avenue.

The eclectic program, called “Members Choice,”will include the  “Kegelstatt” Trio for piano, clarinet and viola by Wolfgang Amadeus Mozart; and the Suite for Organ, Violin and Cello by Josef Rheinberger (below).

The night will be rounded out by solo works from the group’s talented and veteran performers many of whom also play with other major groups including the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.

Tickets are available at the door, and cost $18 for general admission; $15 for seniors and students.

For information, go to www.convivomusicwithlife.org


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The second half of the concert season starts with a conflicting wealth of great music and promising performances this weekend and especially on Sunday

January 19, 2017
Leave a Comment

By Jacob Stockinger

The second half of the current concert season is getting off to a terrific, if crowded and competitive, start.

Take this weekend.

At least five individuals and groups are playing very appealing concerts. In some cases, there is time to get from one to another.

But there is also a good chance you will have to pick and choose, then be disappointed at what you miss as well as pleased with what you go to.

Here is a roundup:

SATURDAY

From 8:30 a.m. until 7 p.m., the University of Wisconsin-Madison School of Music will hold the 54th annual Wisconsin Day of Percussion. It features workshops, clinics, presentations and concerts for percussionists and fans of percussion at all levels.

All-day admission is $15 and is available at the door. For more information about attending and participating, go to:

http://www.music.wisc.edu/2016/11/10/wisconsin-day-of-percussion/

World Percussion Ensemble

World Percussion Ensemble

At 1:30 p.m. in the relaxed and cozy venue of A Place to Be, 911 Williamson Street, the Willy Street Chamber Players (below) will offer a 90-minute program of string quartets by Franz Joseph Haydn (String Quartet in D Major, Op. 20, No. 4), Felix Mendelssohn Four Pieces for String Quartet), Astor Piazzolla (Four for Tango) and Daniel Bernard Roumain String Quartet No. 5 “Rosa Parks”) as a prelude to the group’s third summer season this July. Admission is $20.

Willy Street Chamber Players 2016 outdoors

You may recall that last month The Ear named the Willys as Musicians of the Year for 2016. That post had details about the  program and the group’s history. Here is a link:

https://welltempered.wordpress.com/2016/12/30/classical-music-the-ear-names-the-willy-street-chamber-players-as-musicians-of-the-year-for-2016/

For more information about this quartet concert (below is a photo of last year’s concert in the same place), go to:

http://www.willystreetchamberplayers.org/calendar.html

And here is a link to the group’s home website with more specifics:

http://www.willystreetchamberplayers.org

Finally, one of the Willys assures The Ear that the Sunday performance will be over early enough to allow audience members to go watch the Green Bay Packers championship football game.

Willy Street Chamber Players string quartet cr JWB

At 7 p.m. the Oakwood Chamber Players will give an adventurous  concert of unusual works by Maurice Ravel,  Arnold Schoenberg, Byron Adams, Gabriel Jackson and Francis Poulenc at the Oakwood Village West Auditorium, 6002 Mineral Point Road on Madison far west side.

Here is a link to a story with more details about the program and how it fits into the yearlong series of concerts:

https://welltempered.wordpress.com/2017/01/18/classical-music-oakwood-chamber-players-perform-looking-within-can-we-see-within-ourselves-those-who-have-gone-before-this-coming-saturday-night-and-sunday-afternoon/

Oakwood Chamber Players 2015-16

SUNDAY

At 1:30 p.m., the Willy Street Chamber Players repeat their Saturday concert. See the information above for Saturday.

Also at 1:30 p.m., the Oakwood Chamber Players repeat their concert. See the information above for Saturday.

At 4 p.m. in Mills Hall, UW-Madison faculty members violinist Soh-Hyun Park Altino (below top) and pianist Christopher Taylor (below bottom) will give a recital of two violin sonatas: Sonata No. 1 in A major, Op. 13, by Gabriel Faure and the prize-winning 1963 Sonata for Violin and Piano by the contemporary American composer John Corigliano. (You can hear the lovely slow movement of the Corigliano sonata in the YouTube video at the bottom.)

Admission is $15, $5 for children and non-UW School of Music students.

Here is a link with more information:

http://www.music.wisc.edu/event/violinist-soh-hyun-altino-and-pianist-christopher-taylor/

Tickets can be bought at the door or by visit this site:

https://union.wisc.edu/visit/wisconsin-union-theater/theater-tickets/

Soh-Hyun Park Altino CR caroline bittencourt

Christopher Taylor new profile

Also at 4 p.m., pianist Catherine Kautsky (below) will perform a Schubert-themed program on the Salon Piano Series at Farley’s House of Pianos, 6522, Seybold Road, on Madison’s far west side near West Towne.

Her program includes the Sonata in D major and Twelve German Dances by Schubert; the Schubert-inspired “Valses nobles et sentimentales” (Noble and Sentimental Waltzes) by Maurice Ravel; Prelude and Fugue in E Major, from Book 2 of “The Well-Tempered Clavier” by Johann Sebastian Bach; and “Idyll and Abyss: Six Schubert Reminiscences” (20213) by the German composer Jeorg Widmann.

Admission is $45.

catherine-kautsky

Kautsky has concertized on five continents. You may recall, she came to teach for several years at the UW-Madison from Lawrence University Conservatory of Music in Appleton, Wisconsin, and then returned to Lawrence where she heads the keyboard department and this year received an Excellence in Teaching award.

Call more information and tickets, call (608) 271-2626.

You can also go to this link to get more information about this concert and forthcoming concerts in the Salon Piano Series:

http://salonpianoseries.org/concerts.html


Classical music: Sequels come to classical music – centuries after the originals

September 8, 2016
Leave a Comment

By Jacob Stockinger

Sequels are not just for books, movies and Broadway shows any more.

Classical music is also starting to generate them — centuries after the originals.

It may be hard to imagine writing sequels to masterpiece sonatas, chamber music, symphonies and concertos by Johann Sebastian Bach, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Igor Stravinsky and others.

But in a kind of musical postmodernism, that’s what is being done with more and more frequency.

The composer Timo Andres (below top, in a photo by Tawny Bannister for The New York Times) wrote a piano concerto based on Beethoven for the great young American pianist Jonathan Biss (below bottom), who has performed with the Madison Symphony Orchestra. Biss, along with the St. Paul Chamber Orchestra, has commissioned five piano concertos in the spirit of Beethoven’s five piano concertos.

Timo Andres CR Tawni Bannister NYT

JonathanBiss

And the great young American violinist Jennifer Koh (below top, in a  photo by Loren Wohl for The New York Times) and her equally terrific recording partner, pianist Shai Wosner (below bottom) – who has performed several times in Madison with the Wisconsin Chamber Orchestra — have commissioned three sonatas based on the work of older composers from three modern composers.

Jennifer Koh CR Loren Wohl NYT

Shai Wosner

But musicians and especially modern composers, including the important composer John Adams (below), have mixed feelings about such derivative projects.

john adams with pencil

Here is a fine story about the phenomenon of sequels that appeared in The New York Times:

http://www.nytimes.com/2016/08/21/arts/music/got-a-classic-piece-here-comes-the-sequel-composers-write-responses-to-old-masters-works.html?_r=0


Classical music: The Madison Symphony Orchestra celebrates Valentine’s Day this weekend with a varied program about love and the superb Russian violinist Alina Ibragimova playing Beethoven

February 8, 2016
Leave a Comment

By Jacob Stockinger

ALERT: TUESDAY is the last day for the Madison Symphony Orchestra’s special sale — two tickets for the price of one — for its Valentine’s Day concerts coming up this weekend. Read more about the players and program below.

By Jacob Stockinger

The Ear has received the following press release from the Madison Symphony Orchestra (below). To be honest, he cares less about the Valentine’s Day tie-ins – some of which seem tenuous – than about hearing the Russian violinist Alina Ibragimova in the Violin Concerto by Ludwig van Beethoven.

The Ear had heard all the of the Beethoven sonatas for violin and piano played by Ibragimova, with Belgian pianist Cedric Tiberghien, and thinks they rank right at the top of recorded versions. Plus, they are live!

She is clearly something very special, so The Ear says: Don’t miss her. (You can hear Alina Ibragimova and her forceful but subtle style — perfectly suited to Beethoven — in the first movement of Beethoven’s famous “Kreutzer” Sonata in a YouTube video at the bottom.)

John DeMain and MSO from the stage Greg Anderson

Now on to the overview, written under the headline:

“Music, the food of love” permeates Madison Symphony Orchestra’s Valentine’s Weekend Concerts on Feb. 12, 13 and 14

Cupid

Love’s attractions and dilemmas infuse the Madison Symphony Orchestra’s Valentine’s weekend concerts Feb. 12, 13 and 14. They feature the Madison debut of Russian violinist Alina Ibragimova in Overture Hall.

Guest conductor Daniel Hege will lead the Madison Symphony Orchestra (MSO) and substitute for music director John DeMain. (NOTE: John DeMain is in Washington, D.C., conducting a production of Kurt Weill‘s “Lost in the Stars” for the Washington National Opera at the Kennedy Center for the Performing Arts. It opens next week.)

Shakespeare’s tale of star-crossed lovers takes musical form in Peter Ilyich Tchaikovsky’s instantly recognizable Romeo and Juliet Fantasy Overture.

Next, Maurice Ravel’s lush Daphnis and Chloe Suite No. 2 depicts lovers Daphnis and Chloe reuniting at daybreak. That is followed by a Bacchanalian dance.

Ludwig van Beethoven’s hugely influential Romantic-era Violin Concerto brings the concert to a thrilling close with technical fireworks.

The concerts are in Overture Hall of the Overture Center, 201 State St., on this Friday at 7:30 p.m.; Saturday at 8 p.m.; and Sunday at 2:30 p.m.

Born in Russia, the young violinist Alina Ibragimova (below) rapidly established herself as a first-rate soloist and chamber musician with the world’s foremost ensembles. Britain’s The Guardian newspaper called her “one of the most technically gifted and charismatic instrumentalists of the age.” A highly flexible and adaptable musician, Ibragimova is equally at home on modern and baroque period instruments, and frequently tours as both soloist and director. She was awarded the Royal Philharmonic Society Young Artist Award in 2010.

alina ibragimova

The concerts cover three different periods of music.

The program begins with the late Romantic period with the Romeo and Juliet Fantasy Overture by Peter Ilyich Tchaikovsky (below). The work taps into the great Shakespearean play, contrasting the rivalry between the Capulet and Montague families, with the passionate music of the second theme clearly expressing the feelings of the two young lovers.

Tchaikovsky 1

The Impressionistic period is represented the sensuous Daphnis and Chloe Suite No. 2 by Maurice Ravel (below). It recounts the stirring fifth-century BCE Greek story of Daphnis and Chloe, who were abandoned as children and brought up by shepherds. The two fall in love, but Chloe is abducted by pirates. After Daphnis rescues Chloe, the couple pantomimes the tale of Pan wooing the nymph Syrinx as the sun rises. Ravel’s score originally accompanied a ballet premiered by the Ballets Russes in Paris in 1912.

ravel

Finally, the early Romantic period is featured with the technically challenging Violin Concerto by Ludwig van Beethoven (below top) which premiered in 1806. A work of beauty, the concerto did not become popular until several decades later, thanks to the advocacy of the legendary violinist Joseph Joachim (below bottom). Beethoven’s only violin concerto, this work paved the way for the great 19th-century German violin concertos by Felix Mendelssohn, Max Bruch and Johannes Brahms.

Beethoven big

Joseph Joachim

Known for his novel interpretations of standard repertoire, Colorado native Daniel Hege (below) is Music Director and Conductor of the Wichita Symphony Orchestra and a frequent guest conductor of orchestras throughout the United States including the Houston, Detroit, Seattle and Indianapolis symphonies.

Syracuse Symphony Orchestra

One hour before each performance, Randal Swiggum (below), artistic director of the Elgin Youth Symphony Orchestra, will lead a FREE 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

Randal Swiggum conducting BW

More background on the music can also be found in the Program Notes by MSO trombonist Michael Allsen at: http://www.madisonsymphony.org/ibragimova

Single Tickets are $16 to $85 each, available at http://www.madisonsymphony.org/ibragimova and through the Overture Center Box Office at 201 State Street or call the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734.

For more information visit, www.madisonsymphony.org/groups

Student rush tickets can be purchased in person on the day of the concert at the Overture Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: www.madisonsymphony.org/studentrush. Students can receive 20% savings on seats in select areas of the hall on advance ticket purchases.

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

Major funding for the February concerts is provided by Irving and Dorothy Levy Family Foundation, Inc., Johnson Bank, and Cyrena and Lee Pondrom. Additional funding is provided by John A. Johnson Foundation, a component fund of the Madison Community Foundation, Gary and Lynn Mecklenburg, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts (NEA).


Classical music: The Mosaic Chamber Players continues with its all-Beethoven concerts of sonatas for strings and piano this Saturday night. Plus, the woodwind quintet Black Marigold performs a FREE concert Friday at noon.

January 28, 2016
Leave a Comment

ALERT: The week’s FREE Friday Noon Musicale, to take place from 12:15 to 1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, will feature the local woodwind quintet Black Marigold. It will perform music by August Klughardt, Darius Milhaud and Brian DuFord.

Here is a link about Black Marigold’s winter concerts and the program:

https://welltempered.wordpress.com/2016/01/21/classical-music-the-wind-quintet-black-marigold-announces-its-four-upcoming-free-winter-concerts/

By Jacob Stockinger

The Mosaic Chamber Players — recently hailed as “among the finest purveyors of chamber music in Madison” by critic John W. Barker on The Well-Tempered Ear blog — will be performing an all-Beethoven program this Saturday night, Jan. 30, at 7:30 p.m.

The concert will take place in the beautiful and historic Landmark Hall of the Frank Lloyd Wright-designed First Unitarian Society of Madison, 900 University Bay Drive, on Madison’s near west side.

This will be the third program of a 5-concert cycle of all the string sonatas by Ludwig van Beethoven (below).

Beethoven big

The impressive list of performers (below, from left), most of whom were educated at the University of Wisconsin-Madison School of Music and Lawrence University in Appleton, includes pianist Jess Salek; violinist Laura Burns; cellist Michael Allen; and violinist Wes Luke.

They play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Oakwood Chamber Players, the Ancora String Quartet, the Rhapsodie String Quartet, the Madison Youth Choirs, Sound Ensemble Wisconsin, Fresco Opera Theatre, Opera for the Young, and other ensembles here and in Dubuque and LaCrosse.

Mosaic Chamber Players 2016. Jess Salek piano. Laura Burns violn, Michael Allen cello. Wes Luke violin

On the program are: the Sonata for Violin and Piano in A Major Op. 30, No. 1; the Sonata for Cello and Piano in C Major, Op. 102, No. 1; and the Sonata for Violin and Piano in A Major, Op. 47 “Kreutzer.” (You can hear the first movement of the famous and riveting Kreutzer Sonata performed by superstar violinist Itzhak Perlman and pianist Vladimir Ashkenazy in a YouTube video at the bottom.)

There will be a reception following the program.

Tickets are $15 for the public; $10 for seniors; and $5 for students – by cash or check only. NO CREDIT CARDS WILL BE ACCEPTED.

Adds founder and pianist Jess Salek:

“This concert is perfect for an adult or caregiver night-out, and also for students at the middle school-and-above age.

“Please come hear some beautiful music performed by talented, expressive, and professional local artists.

“Thanks for considering. Hope to see you there!”


Classical music: This week the UW School of Music offers two free classical concerts: two symphonies by Beethoven and a cello recital by Parry Karp.

October 26, 2015
1 Comment

By Jacob Stockinger

This coming Friday night — Halloween Eve — will be a busy one.

So far, three fine classical music concerts compete for your attendance. They including a UW faculty cello recital, a program of Johannes Brahms and Franz Schubert by Con Vivo and a concert of violin and piano sonatas by Wolfgang Amadeus Mozart, Edvard Grieg and Karol Szymanowski by the Mosaic Chamber Players.

All will receive preview attention here.

But first things first.

The Ear tends to favor FREE and PUBLIC concerts. So he is starting with the two very appealing events at the University of Wisconsin-Madison School of Music.

WEDNESDAY

On Wednesday night at 7:30 p.m. in Mills Hall, the strings (below) of the UW Symphony Orchestra will perform the Symphonies Nos. 1 and 4 by Ludwig van Beethoven. Graduate student Kyle Knox (center right) will conduct.

Kyle Knox and UW Symphony Orchestra

For more information about the program and about clarinetist-turned-conductor Kyle Knox, here is a link:

http://www.music.wisc.edu/event/uw-symphony-strings/

FRIDAY

On Friday night at 7:30 p.m. in Mills Hall, UW-Madison cello professor Parry Karp (below left), who is also a member of the Pro Arte Quartet, will perform with pianist Eli Kalman (below right), who received his doctorate from the UW-Madison and now teaches at the UW-Oshkosh.

Parry Karp and Eli Kalman

The exotic program mixes the known and the unusual. It includes:

The “Ruralia Hungarica” for Cello and Piano, Op. 34/d (1923) by Hungarian composer Ernst Dohnanyi; the Violin Sonata in E-flat Major for Piano and Violin, Op. 12 No. 3 (1798) by Ludwig van Beethoven, as transcribed for piano and cello by Parry Karp; the Capriccio for Violoncello and Piano (1985) American composer William Bolcom; the First Rhapsody for Cello and Piano (1928) by Hungarian composer Bela Bartok (you can hear the work in a YouTube video at the bottom); and the Sonata in B-flat Major for Cello and Piano, Op. 8 (1899) by Ernst Dohnanyi.

PLEASE NOTE: Parry Karp and Eli  Kalman will also repeat their Friday night recital program this Sunday, Nov. 1,  for “Sunday Afternoon Live From the Chazen.” The FREE and PUBLIC performance will start at 12:30 p.m. for the audience in Brittingham Gallery 3. The recital will be streamed LIVE on the website for the Chazen Museum of Art.

Here is a link:

http://www.chazen.wisc.edu/about/news/in-the-news/sunday-afternoon-live-at-the-chazen-november-1-with-parry-karp-and-eli-kalm

 


Classical music education: The Wisconsin Youth Symphony Orchestras (WYSO) is expanding its chamber music program to non-WYSO string and wind players. The program also seeks non-WYSO pianists.

September 4, 2014
Leave a Comment

By Jacob Stockinger

Here is the news I have heard from cellist Karl Lavine, who heads the expanding chamber music program (below) for the Wisconsin Youth Symphony Orchestras. It is good news for many reasons, but especially to pianists who often remain stuck as soloists and never experience the joy of collaborative work in chamber music. (Below is a piano quartet from a WYSO chamber music concert last spring in Morphy Hall at the University of Wisconsin-Madison School of Music.)

WYSO DSC_8972

Karl Lavine (below top) is as congenial and cooperative as he is accomplished, and that is saying something. He is the principal cellist with both the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, and he also plays in the MSO’s Rhapsodie String Quartet (below bottom).

Karl Lavine, principal cello of WCO

Rhapsodie Quartet MSO Greg Anderson

Writes Karl:

“We are interested in having pianists for the WYSO Chamber Music Program. We have not had any formal auditions to date as most of the pianists have previously come from WYSO or they have been students of Karen Boe (below), who is the WYSO Chamber Music Program piano ensemble coach.

Karen Boe

“We also have only had two or three pianists — all advanced musicians capable of learning and performing chamber works by Wolfgang Amadeus Mozart, Ludwig van Beethoven or Johannes Brahms  — per semester working with our groups. (At bottom is a YouTube video of violinist Kyung-Wha Chung playing one of The Ear’s favorite chamber works, the piano part of which he wishes he himself could play with a violinist: Mozart’s dramatic and tuneful Violin Sonata No. 21 in E minor, K. 304.)

“The history so far has been one that involved our more advanced players, mostly string players, with these pianists. However, we have had wind players join us as well. Doing both their main instrument and the piano can stretch them pretty thin.

WYSO DSC_8944

“We have not opened collaboration with pianists up to our younger string and wind players primarily because the level of technique and experience necessary make it very difficult to assign repertoire.

“I am not opposed to considering younger WYSO instrumentalists to collaborate with pianists, but it creates a whole new set of parameters for coaching and rehearsing.

“Frankly, it is tough enough to get the more experienced pianists up to speed on the standard chamber repertoire — even though they might be very accomplished as soloists — given we only have 10 coaching sessions per semester. Many of the pianists that have participated in the program have never worked in this type of collaboration before.

“We are open to the idea of having an audition of prospective pianists. In addition, a letter of reference from their private teachers would be required. We would also limit applicants to pianists who have advanced to the Wisconsin School Music Association State Level with the “A” list repertoire, or participated in Wisconsin Music Teachers Association or Federation competition in piano.

Farley's House of PIanos MMM 20141

Here is another tidbit for the blog: We are opening up participation in the WYSO Chamber Program to string and wind players who are NOT a part of WYSO. We have a separate brochure/application for these folks. This is a pilot project this year and we will see what our numbers turn out to be.

So, It would be most helpful if you could write about WYSO’s Chamber Music Program offering openings for those instrumentalists who are not current members, orchestral musicians (string and wind Players) AND pianists:

“1. Membership is open to those between the ages of 10 and 18 and currently in Middle School or High School.

“2. For pianists, a letter from your current private teacher recommending you for the program.

“3. A WYSO Chamber Music Program Brochure can be obtained from the WYSO office. You can find information about the coaching sessions and performance possibilities offered as well as expectations.

“4. For more information, contact the WSYO office: (608) 263-3320, OR send an email to wyso@wyso.music.wisc.edu   OR by contacting Program Director, Karl Lavine at (608) 239-4131; email is karllavine@gmail.com

The WYSO Chamber Music Program offers 10 coaching sessions a semester and public recitals in December and May.

 

 

 

 

 

 

 


Classical music: The Ear catches up again. This time he takes in a terrific evening sampler of Edvard Grieg at Taliesin in Spring Green. Plus, here is more news from Day 3 of WYSO’s tour in Argentina.

July 27, 2014
Leave a Comment

Here is the daily alert for the tour though Aug. 3 by Wisconsin Youth Symphony Orchestras (WYSO) in Argentina. Here is a link to the latest news from Day 3: www.wysotour2014.blogspot.com

WYSO Youth  Orchestra

By Jacob Stockinger

As I said yesterday, The Ear is finally getting a chance to catch up on some old business, now that live concerts have quieted down a bit for a while.

I have another short review for today.

THE EAR HEARS A GREAT GRIEG SAMPLER AT TALIESIN

Earlier this month, The Ear found himself wondering: Why don’t we hear more music by Edvard Grieg?

Well, we know that famed architect Frank Lloyd Wright -– better known to his cult-like following as Mr. Wright –- much preferred the music of Ludwig van Beethoven.

Wright1

Beethoven big

Makes sense. One big and difficult ego attracted to another big and difficult ego. One would-be artistic titan wanting to cloak himself in the mantle of another.

But nevertheless on July 14 -– forget Bastille Day — the Hillside Theater (below) at Wright’s Taliesin compound in Spring Green saw an evening sampler of the 19th-century Norwegian composer Edvard Grieg, and some other Scandinavian composers, performed, thanks to the Rural Musicians Forum and its director Kent Mayfield.

taliesin_hillside2

Called “Songs of Norway,” the program featured the kind of variety that The Ear would like to see in more concert programming: a dozen or so songs; 10 solo piano pieces from the “Lyric Pieces”; and the Sonata No. 2 in G Major, Op. 13, for violin and piano.

I found the music somewhat uneven, but never bad. And all the performances, turned in by three outstanding musicians (below), proved quite satisfying.

3 Grieg musicians

University of Wisconsin-Madison School of Music soprano Mimmi Fulmer (below) showed fine control and tone while singing songs both a cappella and with the piano. Moreover, her Norwegian diction and pronunciation were quite good, or so I was told by a native Norwegian speaker.

Mimmi Fulmer at Taliesin 2014

Pianist Michael Keller, a retired professor from UW-Stevens Point, performed admirably both as soloist and accompanist or collaborator. He excelled at conveying the quickly changing moods of miniature Lyric Pieces, of which he played 10 contrasting ones.

Michael Keller playing

And violinist Stephen Bjella, an artist-in-residence at the UW-Stevens Point, played the more ambitious violin sonata with conviction and aplomb.

steven bjella norway

Now truth be told, Edvard Grieg’s music is no match for the achievement of Bach. Or Beethoven. Or Mozart. Or Haydn, Or Schubert. Or Schumann. Or Brahms. Or Mahler. And so on and so on. But The Ear thinks of Grieg as The Dvorak of the North. I think Claude Debussy once said his works were bonbons filled with snow.

That doesn’t mean his music is without value. His “salon”-like music certainly is enjoyable and worth hearing more often. Major artists like pianists Arthur Rubinstein, Emil Gilels and Stephen Hough play his Lyric Pieces and included several in their active repertoire. I think the violinist Jascha Heifetz also liked his three violin sonatas. And his songs are too rarely heard, perhaps because of the difficulty of singing Norwegian instead of German and French, Italian and English. Plus, the Emerson Quartet won a Grammy with his one string quartet.

edvard grieg

So this was a thoroughly enjoyable concert that reminded The Ear that the music of Grieg deserves to be heard more often in live performance than it currently is. Just listen to the lovely Nocturne, played by a contestant in the Grieg Piano Competition, in a YouTube video at the bottom.

Thanks go to Kent Williams (below top), to the Rural Musicians Forum –- which he directs and which is presenting a FREE tango quintet this Monday night at 7:30 p.m. in the Unity Chapel in Spring Green –- to Taliesin and especially to the three performers as well as to the full house (below bottom) that makes such a proposal all the more feasible and appealing.

Kent Mayfield at Taliesin

Grieg audience

Hear more music by Edvard Grieg?

As the late Eileen Stritch would sing: “I’ll Drink to That.”

Better break out the ice water.

 

 

 

 

 


Classical music: Vocal music, piano music and violin music of Norway – especially by Edvard Grieg — and other Scandinavian music will be explored and performed for FREE at Taliesin in Spring Green on Monday, July 14.

July 10, 2014
2 Comments

By Jacob Stockinger

The Ear’s loyal friend and good source Kent Mayfield, who brings classical music to rural areas of southwest and south-central Wisconsin, writes:

“Music for a Summer Evening” — the annual series of concerts sponsored by the Rural Musicians Forum — moves to the Hillside Theater (below) at architect Frank Lloyd Wright’s historic Taliesin compound on this coming Monday, July 14.

There is no admission charge for the concert. However, a free-will offering assists in underwriting the concert series.

taliesin_hillside2

The concert will feature “Songs of Norway,” an evening with the works of Norwegian composers, who capture the musical landscape of Norway in a haunting, tender way.

Pianist Michael Keller (below) joins University of Wisconsin-Madison soprano Mimmi Fulmer and University of Wisconsin-Stevens Point violinist Steven Bjella in this notable chamber music concert.

Michael Keller

Fulmer will open the concert with a piece that she remembers her grandmother, a Finnish immigrant, singing to her.

“I’m sure she sang several pieces,” she says, “but one song that remains a vivid memory is “Tuoll’ on mun kultani.” I sing it without accompaniment, just the way I remember her singing it, and it casts a spell every time. I feel as if I am channeling her voice and her experience of coming through Ellis Island, missing her home country, and connecting to Finland by singing the song.”

Fulmer (below) will also sing a winsome array of pieces by prominent composers of Norway.

mimmi fulmer headshot (2)

For his part, Madison pianist Michael Keller will focus on the works of Edvard Grieg (below). Grieg is best known for his Piano Concerto in A minor and Peer Gynt (which includes “Morning Mood,” “Anitra’s Dance” and “In the Hall of the Mountain King”). His solo piano works include his “Lyric Pieces” as well as longer, less folk music-inspired pieces like the Ballade.

The Ear likes the program a lot and finds it very appealing and welcome, despite the day being Bastille Day, which should celebrate France, the French and the French Revolution. The lovely and accessible music of Edvard Grieg is simply too often overlooked and underplayed, even on the radio.

Adds Mayfield: “It was said that Grieg painted the people, the scenery, and the moods of Norway in music. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping develop a national identity. In many ways, Edvard Grieg is to Norway what George Washington is to America and William Shakespeare to England: his country’s most celebrated human icon.”

edvard grieg

“To close the program, Keller will be joined by violinist Steven Bjella (below) with the Sonata No. 2 in G major Op. 13 for violin and piano, which allows Grieg’s unique and colorful character to shine through with great power and elegance.” (You can listen to the haunting violin sonata played by violinist Vadim Repin and pianist Nikolai Lugansky in a YouTube video at the bottom.)

steven bjella norway

In all, the concert promises to be a moving tribute to Edvard Grieg and his fellow Scandinavian composers in the unique architectural space at Taliesin’s Hillside Theater. The theater is located at 6604 State Highway 23, in Spring Green near the Wisconsin River. The concert begins at 7:30 p.m. Seating is limited.

For more information, visit www.ruralmusiciansforum.org OR contact Kent Mayfield, artistic director, at ruralmusiciansforum@yahoo.com.


Classical music education: The Ear takes the “Cello Cure” at the University of Wisconsin-Madison and now can’t wait for another “treatment” next summer.

June 19, 2014
3 Comments

By Jacob Stockinger

Last Saturday night, for the first time ever, I went to the free public concert put on every June by the National Summer Cello Institute, which takes place each summer at the University of Wisconsin-Madison School of Music.

Cello Choir 2014 with Uri Vardi

The NSCI is under the direction of University of Wisocnsin-Madison cello professor Uri Vardi (below top) and his wife Hagit Vardi (below body), who works with the UW-Madison Institute of Integrative Medicine and emphasizes the use of the Feldenkrais Method to help performers in workshops called, fittingly, “You Body is Your Strad.”

Uri Vardi with cello COLOR

hagitvardistretching artm

Here is a link to a previous post about the cello institute, with still other links to even earlier stories:

https://welltempered.wordpress.com/2014/06/11/classical-music-a-free-cello-choir-concert-will-take-place-this-saturday-night-at-the-university-of-wisconsin-madison-it-features-new-music-and-works-by-villa-lobos-poulenc-j-s-bach-cesar-frank/

The event proved so thoroughly enjoyable and so deeply pleasurable, and put me in such a great mood and frame of mind, that a close friend referred to the experience as the “Cello Cure.”

I won’t argue because it sure did feel curative.

But then I find that experiencing great beauty often feels that way.

One came away from the concert -– which included a cello choir of 16 undergraduate, graduate and professional cellists, selected by audition, from around the nation and perhaps even the world –- completely understanding why the cello, with its human voice-like singing tone, is the favorite instrument of so many listeners. (For The Ear, the cello ranks right up there, just below the piano and alongside the violin and the oboe.)

Cello and bow

One thing The Ear liked was the lack of purism. Enjoyment was the goal of the evening, and so the program featured some simply gorgeous isolated single movements from sonatas and concertos, and NOT the entire pieces. The Great Hits format worked exceptionally well. And so was featuring soloists, and not just ensembles, for the first time.

And on top of all the cellos, The Ear also had two special and bonus experiences: He heard Anna Whiteway, a fabulously talented undergraduate soprano at the UW-Madison, and he heard what sounds like an eminently listenable contemporary composer, Kyle Price, who will be attending the UW-Madison for a graduate degree.

So here are the highlights with photos and not a lot of commentary except to say I found excellence from everyone and disappointment from no one.

The concert opened up with UW-Madison conductor James Smith (below right) leading the famous “Bachianas Brasileiras” No. 5, with its soaring and lyrical soprano aria or wordless vocalise, by Brazilian composer Heitor Villa-Lobos. In it and the other similar suites, the composer attempted to adapt and update the musical style of Johann Sebastian Bach to his native country’s indigenous folk melodies and dance rhythms.

Cello Choir 2014 Jim Smith

Here are members of the cello choir, which wouldn’t fit well in a single photo.

Cello Choir 20144 left

Cello Choir 2014 right

And here is Anna Whiteway, who got enthusiastic applause from the cellists and the woefully small audience of several dozen listeners. No wonder. She is The Real Deal. She possesses beautiful tone, big volume, pleasant and modest vibrato, excellent diction and a thoroughly confident stage presence:

Cello Choir 2014 Anna Whiteway

Here is Brian Klickman and pianist Claire Mallory in the poignantly moving Cavatina movement from the Cello Sonata by Francis Poulenc.

Cello Choir 2014 Brian Klickman, Claire Mallory piano

Here is that wonderfully tuneful last movement from Cesar Franck‘s Violin Sonata transcribed for cello and played by Cordula Aeschbacher with pianist Claire Mallory:

Cello Choir 2014 Cordula Aeschbacher

Then Aleks Tengesdal played the impressively turbulent first movement of the Cello Concerto No. 1 by Finnish composer Einojuhani Rautavaara, with piano accompaniment.

Cello Choir 2014 Aleks Tengesdal, Claire Mallory piano

Julian Mueller closed out the first half with the gorgeous Andante Cantabile by Peter Ilyich Tchaikovsky, who, it seems, was never at a loss for a beautiful, bittersweet melody. (You can hear it played by superstar cellist Yo-Yo Ma in a YouTube video at the bottom):

Cello Choir 2014 Julian Mueller

The second half opened with seven cellists playing the Recitative and Meditation movements from the young contemporary American composer Kyle Price’s “Requiem in Memory of Connie Barrett.” The Ear found it a very promising and appetizing foretaste of what sounds like a listener-friendly composing style, something too often missing from new music:

Cello Choir 2014 Kyle Price Requiem cellos

Then came back-to-back performances by father and son cellists.

Son Andrew Laven played three movements –- the Bourees 1 and 2 and the Gigue -– from the Suite No. 4 for Solo Cello by Johann Sebastian Bach:

Cello Choir 2014 Andrew Laven

Father Steven Laven, with pianist Christina Lalog, played “The Tears of Jacqueline” by Jacques Offfenbach, a work he said he first heard when it was dedicated to the late great British cellist Jacqueline du Pre. You understand the dedication because the piece is appropriately lyrical in its lament:

Cello Choir 2014 Steven Laven, Christina Lalog piano

And then the concert closed as it opened, with the music of Villa-Lobos. But this was a work The Ear didn’t know, the “Bachianas Brasileiras” No. 1, which has a lovely and soulful slow movement and catchy fugal finale:

Cello Choir 2014 Bachianas Brasileiras No. 1

As an encore, the cello choir demonstrated an improvisational exercise that it used during the two-week workshop. It involves a conductor using unusual and unpredictable hands movements that are unrelated to a particular score or piece of music, and to which the cellists must each respond as they desire or hear is necessary. To The Ear, it sounded a bit like the famous simultaneous, full-orchestra crescendo in the Beatles’ “A Day in the Life” song from “Sgt. Pepper’s Lonely Hearts Club Band” album.

Cello Choir 2014 Improvisation exercise

Uri Vardi graciously thanked the small but very appreciative audience that rose to its feet and added: “See you next year.”

Indeed, he will.

He will almost certainly see The Ear, although I hope the NSCI can find a way to avoid a conflict with a concert on the same night by the popular Bach Dancing and Dynamite Society. Audiences shouldn’t have to choose between two such deserving groups.

And Vardi should also see a full house in Mills Hall.

The Cello Choir concert is that good and that lovely, that beautiful and, yes, that curative.


Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,187 other followers

    Blog Stats

    • 2,036,064 hits
%d bloggers like this: