The Well-Tempered Ear
TONIGHT at 7:30 the UW-Madison offers free but conflicting online concerts of opera and percussion music
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Tonight – Tuesday, Nov. 24 – at 7:30 p.m. the University of Wisconsin’s Mead Witter School of Music will offer two FREE but competing events online.
You would think with so many empty spots in the events calendar due to the coronavirus pandemic that such conflicts could be avoided.
In any case, whichever concert you choose to watch – or perhaps to toggle back and forth between the two – here are the details:
OPERA SCENES
The first concert, done by University Opera, is Opera Scenes.
According to the website description: “What was to be Opera Workshop’s Fall Opera Scenes program has morphed in a delightful way.
“This term, each singer undertook an in-depth study of one particular operatic role. We’ll be presenting the fruits of that study – excerpted recitatives and arias from The Coronation of Poppea, Don Giovanni and Orfeo ed Euridice – staged in each student’s adapted habitat, and filmed by the students themselves.”
Here is the program with specifics about the singers and the selections as well as other aspects such as direction and accompaniment:
UW-Madison Opera Workshop: Professors Mimmi Fulmer, Thomas Kasdorf and University Opera head David Ronis (below) are the directors; William Preston and Molly Schumacher are the TAs.
“Batti, batti” and “Vedrai carino” from “Don Giovanni” by Wolfgang Amadeus Mozart
Zerlina: Maria Steigerwald
Directors: Molly Schumacher and David Ronis
Pianist: William Preston
“Chiamo il mio ben così” and “Che farò senza Euridice” from “Orfeo ed Euridice” by Christoph Willibald Gluck
Orfeo: Emily Quartemont
Director: David Ronis
Pianist: Thomas Kasdorf
“Or sai chi l’onore” and “Non mi dir” from “Don Giovanni” by Wolfgang Amadeus Mozart
Donna Anna: Sachie Ueshima
Director: Mimmi Fulmer
Pianist: Thomas Kasdorf
Excerpts from Act I, Scenes 3, 4, and 10 from “L’incoronazione di Poppea”by Claudio Monteverdi. (Below is a photo by Michael R. Anderson of a previous fully staged production in 2018 by University Opera of the Monteverdi opera.)
Poppea: Molly Schumacher
Director: Mimmi Fulmer
Pianist: William Preston
Here is a direct link to the one-hour production: https://www.youtube.com/watch?v=ANcPY9sLGls
UW CHAMBER PERCUSSION ENSEMBLE
Also tonight is a concert by the UW-Madison Chamber Percussion Ensemble (below), directed by Anthony Di Sanza and Thomas Ross.
It takes place in the Mead Witter Foundation Concert Hall of the Hamel Music Center, and will run from 7:30 p.m. to 9 p.m. No in-person attendance is allowed.
The UW-Madison Chamber Percussion Ensemble is dedicated to the performance of significant and engaging works for the Western percussion ensemble tradition. Repertoire from diverse trends in 20th and 21st century chamber composition is explored with an emphasis on new compositions for percussion.
Here is a direct link to the live-streamed concert, with more information about the program and the names of the players if you click on “Show More”: https://youtu.be/iZKO8pZmomA
And here is the program of the mostly new music:
Living Room Music (in the times of Covid) (1940) by John Cage and heard in the YouTube video at the bottom.
I. To Begin
II. Story
III. Melody
IV. End
Spanesque Oscillations (2003) by Steve Riley
For High Hats (2017) by Matt McBane
INTERMISSION
Marimbaireachd (1997) by Matthew Welch
The Lonelyness of Santa Clause (1994) by Fredrik Andersson
Metric Lips (1988) by Bela Fleck (arr. Steinquest)
Tags: #20thCentury, #21stCentury, #AnthonyDiSanza, #BaroqueComposer, #BaroqueMusic, #BaroqueOpera, #BelaFleck, #BlogPost, #BlogPosting, #ChamberMusic, #ChamberPercussionEnsemble, #ChristophWillibaldGluck, #ClaudioMonteverdi, #CollaborativePianist, #ConcertProgram, #CoronavirusPandemic, #COVID-19, #DavidRonis, #DonGiovanni, #EmperorNero, #FacebookPost, #FacebookPosting, #FacultyMember, #FredrikAndersson, #HamelMusicCenter, #HighHats, #JacobStockinger, #JohnCage, #LivingComposers, #LivingRoom, #LivingRoomMusic, #MarimbaMusic, #MatthewWelch, #MattMcBane, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MetricLips, #MimmiFulmer, #ModernComposers, #Musicfaculty, #NewMusic, #OnlineConcert, #OperaAria, #OperaMusic, #OperaScenes, #OperaticRecitative, #OrfeoedEuridice, #PercussionMusic, #PianoAccompanist, #SantaClause, #SopranoSinger, #SteveRiley, #TheCoronationofPoppea, #TheEar, #TheUW, #ThomasKasdorf, #ThomasRoss, #Tuesdaynight, #UniversityOpera, #VirtualConcert, #VocalMusic, #WilliamPreston, #WolfgangAmadeusMozart, #YouTubevideo, 2018, 20th-century, 21st century, ;ik, accompany, act, adapted, allow, Anthony Di Sanza, Arts, audience, avoid, Baroque, begin, Bela Fleck, blog, calendar, Chamber music, Christoph Willibald Gluck, Classical music, Claudio Monteverdi, competing, composer, compositions, Concert, conflict, coronation, coronavirus, David Ronis, dedicate, description, details, director, diverse, Don Giovanni, Early music, emphasis, empty, end, engaging, event, Facebook, Facebook post, Facebook posting, faculty, fall, forward, Fredrik Andersson, Gluck, habitat, Hamel Music Center, high hats, in person, in-depth, Jacob Stockinger, John Cage, like, lips, living composers, living room, Living Room Music, lonely, Madison, marimba, Matt McBane, Matthew Welch, Mead Witter Foundation Concert Hall, Mead Witter School of Music, melody, metric, Mimmi Fulmer, modern, Monteverdi, morph, Mozart, Music, music faculty, Nero, new, New Music, online, opera, Opera aria, opera scenes, operatic, Orfeo ed Euridice, oscillations, pandemic, percussion, Percussion music, performer, Pianist, Piano, Piano accompanist, Poppea, post, posting, previous, production, professor, program, recitative, repertoire, repertory, role, run, Santa Clause, scene, selection, share, significant, singer, soprano, specifics, spot, stage, staged, Steve Riley, story, Student, study, tag, The Coronation of Poppea, The Ear, Thomas Kasdorf, Thomas Ross, toggle, tonight, tradition, trend, Tuesday, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, UW, UW-Madison, virtual, virtual concert, vocal music, watch, Western, William Preston, Wisconsin, Wolfgang Amadeus Mozart, works, YouTube, Zelina
Recent Comments
 | welltemperedear on What do you think of the… |
 | Scott on What do you think of the… |
| welltemperedear on Yunchan Lim’s Chopin etudes ar… |
 | bratschespeilerin on What do you think of the… |
 | MARVIN P WICKENS on Yunchan Lim’s Chopin etudes ar… |
The Well-Tempered Ear 
Classical music: This week the UW-Madison hosts a faculty horn recital and two orchestral concerts – one by the visiting and innovative chamber orchestra The Knights and the other by UW students
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This week is a busy one at the UW-Madison’s Mead Witter School of Music with concerts on Wednesday, Thursday and Saturday.
There are also FREE and PUBLIC master classes on Friday.
Here are details:
WEDNESDAY, FEB. 5
At 7:30 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave., UW horn professor Daniel Grabois (below, in a photo by James Gill) – a member of the acclaimed Wisconsin Brass Quintet – will perform a FREE faculty recital.
Grabois will be accompanied by pianist Shuk-Ki Wong.
No specific program has been posted. But composers on the program include Eugene Bozza, Charles Gounod, Francis Poulenc, Wolfgang Plagge and a world premiere by Daniel Kessner.
THURSDAY, FEB. 6
At 7:30 p.m. in the Mead Witter Foundation Concert Hall, also in the Hamel Music Center, the UW Symphony Orchestra (below, with the UW Choral Union in the background) will give a FREE concert.
UW professor Oriol Sans (below), who is new to campus this year, will be the main conductor with Michael Dolan serving as a guest conductor.
The program is the “Appalachian Spring” Suite by Aaron Copland and the Symphony No. 9 by Dmitri Shostakovich.
SATURDAY, FEB. 8
At 8 p.m. in the Mead Witter Foundation Concert Hall, guest artists The Knights will give a concert that features UW clarinetist Alicia Lee (below), who is a member of the Wingra Wind Quintet and who toured with The Knights chamber orchestra during the decade she lived and worked in New York City.
Says Lee: “We are excited to bring a group with a fresh perspective that is run in perhaps a less traditional way,” Lee says of the residency. “This is a group of people with interesting, diverse approaches to a life in music. Many have been making music together for nearly 20 years, so the roots of both friendship and musical values run very deep.”
On Friday, Feb. 7, The Knights (below) will offer a one-day, on-campus residency that is FREE and OPEN TO THE PUBLIC.
Opportunities include access to strings, wind, percussion and horn master classes; a workshop on music business; a side-by-side orchestral reading; and attendance at their rehearsal. All activities will take place in the Hamel Music Center. For a day-long schedule, go to: https://www.music.wisc.edu/the-knights/
You can hear rehearsals and commentaries by The Knights in the YouTube video at the bottom.
According to program notes: “The Knights is a collective of adventurous musicians, dedicated to transforming the orchestral experience and eliminating barriers between audiences and music.
“Driven by an open-minded spirit of camaraderie and exploration, they inspire listeners with vibrant programs that encompass their roots in the classical tradition and passion for artistic discovery.
“The orchestra has toured and recorded with renowned soloists including Yo-Yo Ma, Dawn Upshaw, Bela Fleck and Gil Shaham, and have performed at Carnegie Hall, Tanglewood and the Vienna Musikverein. Read more at: https://theknightsnyc.com”
The program for The Kreutzer Project concert on Saturday night is:
Colin Jacobsen: World premiere of a new work
Ludwig van Beethoven: Kreutzer Concerto (based on the famous Kreutzer Sonata) arranged by The Knights for solo violin and chamber orchestra
INTERMISSION
Leos Janacek: The “Kreutzer Sonata” String Quartet arranged by The Knights for chamber orchestra
Johannes Brahms: Hungarian Dances arranged by The Knights for chamber orchestra
General admission tickets are $30 and are available at the Campus Ticketing Office in the Memorial Union and by calling (608) 265-ARTS (2787) or visiting: https://artsticketing.wisc.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=83A6D957-B006-4ABC-AFB2-6485A8C4D94C.
Free rush tickets for UW-Madison students and music faculty are subject to availability. Visit the Hamel box office one hour before the concert.
Share this:
Tags: #AaronCopland, #AliciaLee, #AppalachianSpring, #BandConcert, #BelaFleck, #BrassMusic, #CampusArtsTicketing, #CarnegieHall, #ChamberMusic, #ChamberOrchestra, #CharlesGounod, #ColinJacobsen, #CollaborativePianist, #ConcertoCompetition, #DanielGrabois, #DanielKessner, #DawnUpshaw, #DmitriShostakovich, #EugeneBozza, #FrancisPoulenc, #FrenchHorn, #GeneralAdmission, #GilShaham, #HamelMusicCenter, #HungarianDances, #JohannesBrahms, #KreutzerSonata, #LeosJanacek, #LudwigVanBeethoven, #MeadWitterFoundationConcertHall, #MichaelDolan, #MusicBusiness, #NewMusic, #NewYorkCity, #OrchestralArrangement, #OriolSans, #PianoAccompaniment, #PianoAccompanist, #Shuk-KiWong, #StringQuartet, #TanglewoodFestival, #TheEar, #TheKnights, #UniversityofWisconsin-Madison, #UWChoralUnion, #UWProfessor, #UWSymphonyOrchestra, #ViennaAustria, #ViennaMusikverein, #ViolinMusic, #ViolinSonata, #WindQuintet, #WingraWindQuintet, #WisconsinBrassQuintet, #WolfgangPlagge, #WorldPremiere, #Yo-YoMa, #YouTubevideo, Aaron Copland, activity, Alicia Lee, Appalachian Spring, arrange, arrangement, audience, available, Beethoven, Bela Fleck, blog, box office, Brahms, brass, brass music, Business, call, Campus, Campus Arts Ticketing, Carnegie Hall, Chamber music, chamber orchestra, Charles Gounod, choral, clarinet, clarinetist, Colin Jacobsen, commentary, Concert, concerto, conductor, Copland, dance, Daniel Grabois, Daniel Kessner, Dawn Upshaw, day, decade, diverse, Dmitri Shostakovich, Eugene Bozza, event, faculty, forward, France, Francis Poulenc, free, French, French horn, fresh, Friday, friendship, general admission, Gil Shaham, Gounod, group, guest, Hamel Music Center, Horn, hornist, hour, Hungarian, Hungarian Dances, Hungary, inspire, Janacek, Johannes Brahms, Kreutzer, Kreutzer Sonata, Leos Janacek, life, like, link, listener, live, Ludwig van Beethoven, master class, masterclass, Mead Witter Foundation Concert Hall, Mead Witter School of Music, Michael Dolan, Music, music business, new, New Music, New York City, night, online, orchestral, Oriol Sans, People, performer, perspective, phone, Pianist, Piano, post, posting, Poulenc, professor, public, reader, recital, rehearsal, residency, rush, Saturday, schedule, share, Shostakovich, Shuk-Ki Wong, Sonata, specific, String quartet, Student, Suite, symphony, tag, Tanglewood, The Ear, The Knights, Thursday, tickets, tour, traditional, transcription, union, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW Choral Union, UW Symphony Orchestra, UW-Madison, values, Vienna, Vienna Musikverein, Violin, Violin Sonata, Wednesday, Wind quintet, Wingra Wind Quintet, Wisconsin Brass Quintet, Wolfgang Plagge, Wong, work, workshop, world premiere, Yo-Yo Ma, YouTube