The Well-Tempered Ear

TONIGHT at 7:30 the UW-Madison offers free but conflicting online concerts of opera and percussion music

November 24, 2020
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By Jacob Stockinger

Tonight – Tuesday, Nov. 24 – at 7:30 p.m. the University of Wisconsin’s Mead Witter School of Music will offer two FREE but competing events online.

You would think with so many empty spots in the events calendar due to the coronavirus pandemic that such conflicts could be avoided.

In any case, whichever concert you choose to watch – or perhaps to toggle back and forth between the two – here are the details:

OPERA SCENES

The first concert, done by University Opera, is Opera Scenes.

According to the website description: “What was to be Opera Workshop’s Fall Opera Scenes program has morphed in a delightful way.

“This term, each singer undertook an in-depth study of one particular operatic role. We’ll be presenting the fruits of that study – excerpted recitatives and arias from The Coronation of Poppea, Don Giovanni and Orfeo ed Euridice – staged in each student’s adapted habitat, and filmed by the students themselves.”

Here is the program with specifics about the singers and the selections as well as other aspects such as direction and accompaniment:

UW-Madison Opera Workshop: Professors Mimmi Fulmer, Thomas Kasdorf and University Opera head David Ronis (below) are the directors; William Preston and Molly Schumacher are the TAs.

“Batti, batti” and “Vedrai carino” from “Don Giovanni” by Wolfgang Amadeus Mozart

Zerlina: Maria Steigerwald
Directors: Molly Schumacher and David Ronis
Pianist: William Preston

“Chiamo il mio ben così” and “Che farò senza Euridice” from “Orfeo ed Euridice” by Christoph Willibald Gluck

Orfeo: Emily Quartemont
Director: David Ronis
Pianist: Thomas Kasdorf

“Or sai chi l’onore” and “Non mi dir” from “Don Giovanni” by Wolfgang Amadeus Mozart
Donna Anna: Sachie Ueshima
Director: Mimmi Fulmer
Pianist: Thomas Kasdorf

Excerpts from Act I, Scenes 3, 4, and 10 from “L’incoronazione di Poppea”by Claudio Monteverdi. (Below is a photo by Michael R. Anderson of a previous fully staged production in 2018 by University Opera of the Monteverdi opera.)

Poppea: Molly Schumacher
Director: Mimmi Fulmer
Pianist: William Preston

Here is a direct link to the one-hour production: https://www.youtube.com/watch?v=ANcPY9sLGls

UW CHAMBER PERCUSSION ENSEMBLE

Also tonight is a concert by the UW-Madison Chamber Percussion Ensemble (below), directed by Anthony Di Sanza and Thomas Ross.

It takes place in the Mead Witter Foundation Concert Hall of the Hamel Music Center, and will run from 7:30 p.m. to 9 p.m. No in-person attendance is allowed.

The UW-Madison Chamber Percussion Ensemble is dedicated to the performance of significant and engaging works for the Western percussion ensemble tradition. Repertoire from diverse trends in 20th and 21st century chamber composition is explored with an emphasis on new compositions for percussion.

Here is a direct link to the live-streamed concert, with more information  about the program and the names of the players if you click on “Show More”: https://youtu.be/iZKO8pZmomA

And here is the program of the mostly new music:

Living Room Music (in the times of Covid) (1940) by John Cage and heard in the YouTube video at the bottom.
I. To Begin
II. Story
III. Melody
IV. End

Spanesque Oscillations (2003) by Steve Riley

For High Hats (2017) by Matt McBane

INTERMISSION

Marimbaireachd (1997) by Matthew Welch

The Lonelyness of Santa Clause (1994) by Fredrik Andersson

Metric Lips (1988) by Bela Fleck (arr. Steinquest)


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The UW-Madison’s Pro Arte Quartet performs the fifth installment of its complete Beethoven cycle this Friday night at 7:30 in a FREE live-streamed concert

November 19, 2020
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By Jacob Stockinger

As we draw close to Dec. 16 and the 250th birthday celebrations for Ludwig van Beethoven (below, in 1803), one of the joys and highlights of the Beethoven Year continues to impress.

The UW-Madison’s acclaimed Pro Arte Quartet will give the fifth installment of their complete cycle of the 16 string quartets by Beethoven this Friday night, Nov. 20, at 7:30 p.m.

Here is a direct link: https://youtu.be/nZN7tRu8N_k

Members of the quartet (below, from left) are: violinists David Perry and Suzanne Beia; violist Sally Chisholm; and cellist Parry Karp.

The FREE online virtual concert is a livestream from the Mead Witter Foundation Concert Hall, where the quartet will once again play with masks and social distancing (below).

No in-person attendance is allowed.

“It’s different playing without a live audience,” says cellist Parry Karp. “But we’re getting used to it. Not having to play other live concerts or to go on tour around the state also allows us to focus more. And the upside of playing online is that we saw quite a number of viewers from Brazil and Argentina listening to our last concert.”

Before each of the two quartets, Professor Charles Dill (below in a photo by Katrin Talbot), who teaches musicology at the UW-Madison’s Mead Witter School of Music, will give a short introductory lecture.

The program features one early quartet and one middle “Razumovsky” quartet: String Quartet No. 3 in D Major, Op. 18 No. 3 (1798-1800); and String Quartet No. 8 in E Minor, “Razumovsky,” Op. 59, No. 2 (1806). 

You can hear the Ebène Quartet play the hymn-like slow movement of the Razumovsky quartet, with its use of a Russian theme, in the YouTube video at the bottom.)

Here is more background from Wikipedia about both quartets:

https://en.wikipedia.org/wiki/String_Quartet_No._3_(Beethoven)

https://en.wikipedia.org/wiki/String_Quartet_No._8_(Beethoven)

For more information about the program, the names of the orchestra’s players and impressive historical background about the Pro Arte Quartet, go to: https://www.music.wisc.edu/event/pro-arte-quartet-beethoven-string-quartet-cycle-program-v/


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UW-Madison’s new Marvin Rabin String Quartet makes its premiere when it performs a FREE online concert this Friday night

November 4, 2020
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By Jacob Stockinger

This Friday night, Nov. 6, will see the premiere concert by the new Marvin Rabin String Quartet at the University of Wisconsin-Madison Mead Witter School of Music.

The concert takes place virtually and online on the music school’s YouTube channel. It is scheduled to start at 6:30 p.m. and run to 8 p.m.

Here is the direct link: https://youtu.be/ObJMMA220Jw

The new string quartet — which replaces The Hunt Quartet — is named in honor of the late Dr. Marvin J. Rabin, who was an internationally acclaimed music educator and Professor Emeritus at UW-Madison.

Rabin (below) is best known as the founder of the Wisconsin Youth Symphony Orchestras.

The members of the Marvin Rabin String Quartet are graduate students at the UW-Madison.

Members are (below from top left) are: Fabio Saggin, viola; Ben Therrell, cello; Ava Shadmani, violin; and Rachel Reese-Kollmeyer, violin.

They will perform the virtual concert in the Mead Witter Foundation Concert Hall of the Hamel Music Center.

There is NO in-person attendance

The program is:

String Quartet in B-flat major, Op. 18, No. 6 by Ludwig van Beethoven (1770-1827)

Two Armenian Miniatures for String Quartet –“The Red Shawl” (heard in the YouTube video at the bottom) and “Echmiadzin Dance” – by the Armenian priest Komitas (1869-1935, see 1902 photo below) as arranged by S. Aslamazyan

Here is Komitas’ Wikipedia entry: https://en.wikipedia.org/wiki/Komitas

15-MINUTE INTERMISSION

String Quartet in E minor, Op. 44, No. 2 by Felix Mendelssohn (1809-1847)

 


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The UW-Madison Symphony Orchestra will provide a welcome break on Election Night

November 1, 2020
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By Jacob Stockinger

If you find yourself needing some relief or a short break from vote counting and the barrage of election news this coming Tuesday night, Nov. 3, the masked and socially distanced UW-Madison Symphony Orchestra (below) fits the bill.

The group’s refreshingly short, one-hour and intermission-free online video premiere begins at 7 p.m. CST on YouTube. There is no fee for watching the event in the Mead Witter Foundation Concert Hall in the Hamel Music Center, although donations are welcome.

No in-person attendance is allowed.

The program features “Strum” (1981) by Jessie Montgomery (below, in a photo by Jiyang Chen); the famous and familiar Adagietto from the Symphony No. 5 by Gustav Mahler (which you can hear with conductor Claudio Abbado in the YouTube video at the bottom); and the youthful Sinfonia No. 7 in D minor by Felix Mendelssohn, who wrote 13 of the string symphonies between the ages of 12 and 14.

 

Here is a direct link to the UW-Madison music school’s YouTube channel: https://youtu.be/TMNCy9qooCM

Just a personal note of appreciation and encouragement from The Ear: If you are a fan of orchestral music and pay attention to the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Middleton Community Orchestra, for example, then you owe to it yourself to become acquainted with the UW-Madison Symphony Orchestra if you don’t already know it.

It is that good, as you can hear for yourself in this virtual concert during the pandemic. You will probably find yourself wanting to hear more.

The programs are outstanding and often feature neglected, modern and contemporary music as well as classic repertoire, and the playing is usually first-rate.

The orchestra sounds exceptionally good, often even professional, under its new conductor Oriol Sans (below), a native of Spain who arrived here last season from a post at the University of Michigan-Ann Arbor.

Sans has provided remarkable leadership both in the orchestra’s programs and in accompanying the University Opera productions and the UW Choral Union.

For more information, including the names of the orchestra’s members, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-video-premiere/

If you listen to it, please let us know: What did you think?

Did the performances please or impress you?

Did you like or dislike the scheduling on Election Night?

The Ear wants to hear.

 


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The Pro Arte Quartet plays the fourth installment of its FREE Beethoven string quartet cycle online TONIGHT at 7:30 CDT

October 23, 2020
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By Jacob Stockinger

The historic Pro Arte Quartet, in residence at the University of Wisconsin-Madison’s Mead Witter School of Music, will perform the fourth installment of its FREE Beethoven string quartet cycle TONIGHT — Friday, Oct. 23 — at 7:30 p.m. CDT. (It should be posted for about a day, but will not be archived due to copyright considerations.)

Because of the coronavirus pandemic, the live concert will take place online and will be live-streamed without an audience from the Mead Witter Foundation Concert Hall in the new Hamel Music Center.

You can stream it live from https://youtu.be/IhmNRNiI3RM

The whole series of concerts are part of the Pro Arte Quartet’s yearlong retrospective to celebrate the Beethoven Year. This December marks the 250th anniversary of the birth of the composer (below).

Members of the Pro Arte Quartet (below, in a photo by Rick Langer) are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.

A pre-concert lecture by UW-Madison musicology Professor Charles Dill (below, in a photo by Katrin Talbot) starts at 7:30 p.m. CDT.

The program consists of one early and one late quartet: the string Quartet in C Minor, Op. 18 No. 4 (1798-1800), and you can hear the first movement played by the Dover Quartet in the YouTube video at the bottom; and the String Quartet in E-Flat Major, Op. 127 (1825).

The Pro Arte Quartet is one of the world’s most distinguished string quartets. Founded by conservatory students in Brussels in 1912, it became one of the most celebrated ensembles in Europe in the first half of the 20th century and was named Court Quartet to the Queen of Belgium.

Its world reputation blossomed in 1919 when the quartet (below, in 1928) began the first of many tours that enticed notable composers such as Bartok, Barber, Milhaud, Honegger, Martin and Casella to write new works for the ensemble.

The Pro Arte Quartet performs throughout the United States, Europe, and Asia and continues to champion both standard repertoire and new music.

Since being stranded in the U.S. when Belgium was invaded by Hitler and the Nazis in World War II, the group is an ensemble-in-residence at the Mead Witter School of Music and resident quartet of the Chazen Museum of Art.

The quartet, the longest active string quartet in the history of music, has performed at the White House and, during the centennial celebration, played for the King’s Counselor in Belgium.

Recent projects include the complete quartets of Bartok and Shostakovich and, in collaboration with the Orion and Emerson String Quartets, the complete quartets of Beethoven.

Regular chamber music collaborators that perform with Pro Arte include Samuel Rhodes and Nobuko Imai, viola; Bonnie Hampton, cello; and the late Leon Fleischer and Christopher Taylor, piano. 

Together since 1995, the quartet has recorded works of Mendelssohn, Dvorak, Rhodes, Shapey, Sessions, Fennelly, Diesendruck, Lehrdahl and the centennial commissions.

For more information and background, go to: https://www.music.wisc.edu/event/pro-arte-quartet-beethoven-string-quartet-cycle-program-iv/

For more about the challenges and modifications – including wearing masks and social distancing — of doing the Beethoven cycle for the virtual online performances and about the other dates and programs in the cycle, go to: https://welltempered.wordpress.com/2020/09/29/classical-music-uw-madisons-pro-arte-quartet-to-resume-its-free-beethoven-cycle-virtual-and-online-this-friday-night-with-two-other-programs-this-semester/

 


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New York Times music critics pick 10 MUST-HEAR online virtual classical concerts to stream for October

October 3, 2020
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ALERT: Tonight’s concert by the choral group Roomful of Teeth for the Wisconsin Union Theater at the UW-Madison’s Hamel Music Center has been canceled and postponed indefinitely.

By Jacob Stockinger

Increasingly the coronavirus pandemic seems surging out of control. So it comes as no surprise that also more and more concerts of classical music are taking place virtually and online.

Coronavirus image CDC

There are many ways to choose among local, regional, national and international concerts.

But one good guide was published this last week and featured the choice of must-hear classical concerts by critics for The New York Times.

It is an interesting and varied selection, and includes times, links and brief descriptions.

It features concerts that emphasize Black composers such as Florence Price (below top) and women composers. It covers many genres from a solo piano recital by Jeremy Denk (below bottom) – who is supposed to perform here on Dec. 11 at the Wisconsin Union Theater – to chamber music, vocal music, orchestral concerts and operas.

Florence Price head shot University of Arkansas Libraries

Jeremy Denk playing CR Hiroyuki Ito NYTImes

Curiously, there is quite bit of new music but little early music, either Renaissance or Baroque. Perhaps more will appear around the holiday times, when that music is part of the traditional holiday celebrations.

You will find contemporary composers but also lots of certified, tried-and-true classics and masterworks.

Some are one-day only events but many run from a week through a month.

Here is a link to the story. PLEASE NOTE THAT TIMES ARE ALL EASTERN: https://www.nytimes.com/2020/09/29/arts/music/classical-music-stream.html

Please let The Ear know if you like this kind of listing and find it useful.

And please feel free to leave in the comment section other guides or events that the public should know about.


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Classical music: UW-Madison’s Pro Arte Quartet resumes its FREE Beethoven cycle virtual and online this Friday night with two other programs this semester

September 29, 2020
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By Jacob Stockinger

The University of Wisconsin-Madison’s Pro Arte Quartet (below, performing the first all-Beethoven program in Collins Recital Hall) will resume its complete cycle of Beethoven’s 16 string quartets online and virtually this coming Friday night.

This third concert is free, and as you might have read in previous reviews, The Ear found the first two to be outstanding performances that also mixed works from early, middle and late periods.

The cycle is being undertaken to mark the Beethoven Year, which culminates this December with the 250th anniversary of the birth of the composer (below).

Cellist Parry Karp (below) – the longest-standing member of the quartet and the person who often speaks for the quartet – sent the following note for posting:

“I thought I should bring the public up to date with the Pro Arte Quartet’s Beethoven cycle. Obviously things have had to change because of the coronavirus pandemic.

“Before the pandemic, we were doing three quartets per concert. Since we now need to give the performances virtually and online, we have decided to perform two quartets per concert. Sitting at a computer for two hours at a time seemed a bit too much!

“We will be continuing the Beethoven cycle starting this Friday, Oct. 2, at 7:30 p.m. CDT. The program will consist of the early String Quartet in A Major, Op. 18 No. 5; and the late String Quartet in A Minor, Op. 132, with the famous “Sacred Hymn of Thanksgiving” (heard played by the Alban Berg Quartet in the YouTube video at the bottom).

The link to watch that concert is at: https://youtu.be/Mf-Mpt3EyNk

“Charles Dill (below, in a photo by Katrin Talbot), professor of musicology at the UW-Madison’s Mead Witter School of Music, will give a short lecture about each quartet before the Pro Arte Quartet performs.

“Although the concerts will be taking place in the bigger Mead Witter Foundation Concert Hall in the new Hamel Music Center, the hall will be closed to the public for reasons of safety and public health.

“We will be playing with masks and with more separation or social distance from each other, which is a challenge and takes some adjusting to. It will also be odd to perform without a live audience.

“Unfortunately, because of copyright questions and royalties from the music editions we are using, the online concerts will not be archived for later viewing

“The other two concerts in the Pro Arte Quartet’s Beethoven cycle this semester will be on Friday, Oct. 23, at 7:30 p.m. CDT and Friday, Nov. 20, at 7:30 p.m. CST.

“We plan to complete the Beethoven cycle during the spring semester of 2021.

The programs for this semester are listed below.”

SEMESTER I SCHEDULE

Beethoven String Quartet Cycle will be performed by the Pro Arte Quartet with pre-performance lectures of the quartets by Professor Charles Dill

Pro Arte Quartet members (below in photo by Rick Langer) are: violinists David Perry and Suzanne Beia; violist Sally Chisholm; and cellist Parry Karp.

For history and background about the Pro Arte Quartet, which is the oldest active string quartet in the history of music, go to: https://www.music.wisc.edu/pro-arte-quartet/.

PROGRAM 3

This Friday, Oct. 2, 2020 at 7:30 p.m. CDT in the Mead Witter Foundation Concert Hall.

String Quartet in A Major, Op. 18 No. 5 (1798-1800); and String Quartet in A Minor, Op. 132 (1825)

PROGRAM 4: Friday, Oct. 23, 2020, at 7:30 p.m. CDT in the Mead Witter Foundation Concert Hall

String Quartet in C Minor, Op. 18 No. 4 (1798-1800); and the String Quartet in E-Flat Major, Op. 127 (1825)

PROGRAM 5: Friday, Nov. 20, 2020 at 7:30 p.m. CST in the Mead Witter Foundation Concert Hall

String Quartet in D Major, Op. 18 No. 3 (1798-1800); String Quartet in E Minor, Op. 59 No. 2 (1806)

 


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UW-Madison will forego in-person concerts through the fall and go virtual. The FREE online concerts start TONIGHT, Monday, Sept. 14, at 6-8:30 p.m. with a graduate student recital

September 14, 2020
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PLEASE NOTE: The following post has been updated with more information since it first appeared.

By Jacob Stockinger

In ordinary times, the yearlong schedule would be set and concerts at the University of Wisconsin-Madison’s Mead Witter School of Music would be already well underway.

But these are not ordinary times – as you can tell from the silence about the UW season that usually presents some 300 events.

It has taken time, but the music school has finally worked out the basic approach to concerts during the pandemic. It will allow worldwide listening.

Audiences will NOT be present for any Mead Witter School of Music concerts or recitals this fall. Instead, a live stream of faculty recitals and all required student recitals, many of them in the new Hamel Music Center (below), will be available.

The portal to the live streaming, along with a scheduling clock and time countdown, can be found at: youtube.com/meadwitterschoolofmusic

The concert season starts tonight at 6:30 to 8 p.m. The performer is graduate student flutist Heidi Keener (below), who is giving her recital for the Doctor of Musical Arts degree. The recital was postponed from March 23 due to the coronavirus pandemic.

On the school of music’s concert website you will find a biography and the program — just hover the computer’s cursor over the event: https://www.music.wisc.edu/event/recital-heidi-keener-dma/.

The same information will also be on the YouTube website for the actual concert. Just click on MORE: https://youtu.be/gA6S3OXUKCc

Given so few calendar listings so far, clearly the format is still a work-in-progress.

For updated listings of other events, go to: https://www.music.wisc.edu/events/

The next events are slated for Oct. 2 with a student recital and another installment of the Pro Arte Quartet’s Beethoven cycle (below).

That other programs and dates are still missing is not surprising.

The entire UW-Madison from classes to sports, is in a state of flux about how to deal with the pandemic, with in-person classes paused through Sept. 25, and possibly longer.

Many questions about concerts remain as the process plays out.

All live-stream concerts will be free. But they will NOT be archived, so they will be taken down as soon as they end.

A donation link to the UW Foundation will be included to help cover the costs of the livestreaming and also other expenses.

Will choral concerts even take place, given that singing is especially risky because the singers can’t wear masks and social distancing is nearly impossible to provide with groups?

What about chamber music groups like the Pro Arte Quartet, the Wingra Wind Quintet and Wisconsin Brass Quintet? Many faculty members, who have to teach virtually and online right now, are no doubt concerned about the possible health risks of playing in groups.

And what about the excellent UW Symphony Orchestra, which The Ear considers a must-hear local orchestral ensemble? Those musicians too will have a hard time social distancing – unless individual safe performances at home or in a studio are edited and stitched together.

So far, though, we know that the University Opera will offer “I Wish It Were So,” an original revue of the American opera composer Marc Blitzstein on Oct. 23.

Here is a link to a story with more details about the production: https://welltempered.wordpress.com/2020/08/07/classical-music-the-university-opera-announces-a-new-season-that-is-politically-and-socially-relevant-to-today-the-two-shows-are-a-virtual-revue-of-marc-blitzstein-and-a-live-operatic-version-of/

What do you think of the plans for the concert season?

Do you have any suggestions?

The Ear wants to hear.


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Classical music: The amateur, acclaimed and affordable Middleton Community Orchestra suspends its new season until further notice

September 4, 2020
1 Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

At a time when many concert schedules are getting complicated due to virtual online concerts and other alternatives because of the coronavirus pandemic and Covid-19, the message couldn’t be simpler.

The Middleton Community Orchestra (below) has suspended its new season until further notice.

You can check for additional information by going to the website: https://middletoncommunityorchestra.org

There it says: “Concerts are postponed until further notice. Check back here and join our email list for updates to the season.”

It’s too bad.

The season took a lot of organizing. It was going to take place in alternative venues because the Middleton Performing Arts Center, attached to Middleton High School, is undergoing renovations. (In the YouTube at the bottom, you can hear the MCO performing the Overture to Wagner’s opera “Die Meistersinger.”

It was also to feature new soloists including violinist David Perry of the UW-Madison Pro Arte String Quartet, and two guest conductors from Edgewood College and the UW-Whitewater.

It could also mean another cancellation of the new teenage concerto competition and concert as well as the cancellation of conductor Kyle Knox’s inaugural season as the MCO’s new music director (below).

Here is the largely amateur, well planned, unquestionably ambitious and very affordable season that was scheduled: https://welltempered.wordpress.com/2020/03/30/classical-music-the-middleton-community-orchestra-announces-an-ambitious-2020-21-season-with-new-soloists-and-conductors-but-with-no-middleton-venue-for-the-season/

Do you have comments for the MCO?

The Ear wants to hear.

 


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Classical music: UW-Madison piano virtuoso Christopher Taylor performs a free virtual recital of impromptus by Schubert and Scriabin this Wednesday afternoon

August 4, 2020
5 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

A note from The Ear: Thank you to the many blog followers who left a message of encouragement when I had computer troubles last week. The problem seems to be solved, at least temporarily. And I am healthy, despite the fears that some of you expressed that I was covering for coming down with the coronavirus virus or Covid-19.

By Jacob Stockinger

A friend has passed along the following note from Christopher Taylor, the piano virtuoso who won a bronze medal at the Van Cliburn International Piano Competition and who has been teaching for many years at the UW-Madison Mead Witter School of Music.

Taylor (below) writes:

“Despite having my performance schedule ravaged, like everyone else, I do actually have one positive morsel of news to relay regarding a “recital” coming up in the near future, which I wanted to you know about.

“It is being hosted by the Chautauqua Institution, where I’ve performed a few times in the past. Unsurprisingly, they’ve had to switch to an online format this summer.

“Just last week I made the actual recording, playing four impromptus by Scriabin, and Four Impromptus, Op. 142, by Schubert in the Mead-Witter Foundation Concert Hall (below, with the UW Choral Union and UW Symphony Orchestra), which seemed like a propitious setting. (Editor’s note: In the YouTube video at the bottom, you can hear the third impromptu in the set by Schubert performed by Vladimir Horowitz during his historic 1986 recital in Moscow.)

“Under the circumstances I think the video turned out pretty well. The actual streaming, which will include the 45 minutes of music plus a little live interview before and afterwards, takes place this Wednesday – Aug. 5 – at 3 p.m. CDT.

You can get there by way of the following link: https://porch.chq.org/ue/event/6518/

“Apparently there is a brief registration form one has to fill out prior to viewing the show, but basically getting in should be a free and painless process for all and sundry.

“Hope you get a chance to join in, and that you enjoy it!”

 


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