The Well-Tempered Ear

Classical music: World-famous Japanese violist Nobuko Imai will teach and perform two FREE concerts with students and the Pro Arte Quartet during her UW residency today and Thursday

October 30, 2019
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By Jacob Stockinger

Think of it as Viola Week at the University of Wisconsin-Madison Mead Witter School of Music — a chance to celebrate the gorgeous, mellow sound of a frequently but unjustly maligned instrument (below) the range of which falls between the higher violin and the lower cello.

The world-famous Japanese violist Nobuko Imai (below) is returning to the UW-Madison campus this week for a two-day residency where she will give master classes and perform.

Imai will be joined by two other distinguished guest violists, both Taiwanese: Wei-Ting Kuo (below top, in a photo by Todd Rosenberg) now of the Chicago Symphony Orchestra and formerly the Milwaukee Symphony Orchestra; and En-Chi Cheng (below bottom), a prize-winning, concertizing student of Imai now studying at the Juilliard School.

For detailed biographies of all three violists  go to: https://www.music.wisc.edu/event/nobuko-imai-with-wei-ting-kuo-and-the-uw-madison-viola-studio/

The violists will give two FREE concerts in the new Hamel Music Center, 740 University Avenue.

At 7 p.m. TONIGHT, Wednesday, Oct. 30, in Collins Recital Hall, Nobai and the two other guest artists will perform with viola students at the UW-Madison Mead Witter School of Music. No program has been given for them. Nobuko will also perform a chorale by Johann Sebastian Bach with UW-Madison collaborative pianist Martha Fischer (below).

Then at NOON tomorrow, Thursday, Oct. 31, in the Mead Witter Foundation Concert Hall, the UW’s Pro Arte Quartet (below, in a photo by Rick Langer) will perform the melodious “American” Viola Quintet by Antonin Dvorak with Imai. (You can hear the second movement of the Dvorak quintet in the YouTube video at the bottom.)

In addition to a viola arrangement of the “Song of the Birds” by Pablo Casals, Imai will perform the Adagio movement from Beethoven’s Trio in C Major for Two Oboes and English Horn, Op. 87, with Wei-Ting Kuo and Pro Arte Quartet violist Sally Chisholm (below, second from right). 


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Classical music: A busy week at the UW-Madison brings FREE concerts in new halls with an emphasis on new music for winds, chamber ensembles, orchestra and band

October 6, 2019
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ALERT: Tonight’s performance by the a cappella vocal group Chanticleer is SOLD OUT.

By Jacob Stockinger

It’s going to be a busy week at the University of Wisconsin-Madison Mead Witter School of Music and especially in its new Hamel Music Center (below), 740 University Ave., next to the new wing of the Chazen Museum of Art.

On tap is a variety of FREE concerts, with an emphasis on new music, including compositions for winds, chamber ensembles, orchestra and band.

Earlier mistakes on dates and time have been corrected. To double check dates, times and venues as well programs, go to: https://www.music.wisc.edu/events/

Here is a schedule:

TUESDAY, OCT. 8

At 7:30 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble (below), conducted by director Scott Teeple and guest conductor Ross Wolf, will perform a FREE program of contemporary wind music.

The program includes works by Augusta Read Thomas (below top), Jake Runestad, Larry Tuttle, Xi Wang (below bottom) and Carlos Simon.

There will be one world premiere and two Wisconsin premieres.

For more information and the complete program, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-5/

THURSDAY, OCT. 10

At 8 p.m. in Collins Recital Hall of the new Hamel Music Center, the Contemporary Chamber Ensemble will perform a FREE recital of new music, including two works — “Wet Ink” and ” Treetop Studio” — by the critically acclaimed UW-Madison composer Laura Schwendinger (below).

Also on the “Fall Notes” program are “Wing and Prayer” by Melinda Wagner (below top) and “Pentacle” by Irish composer Raymond Deane (below bottom) who will make his UW-Madison debut.

Performers for “Fall Notes” will feature UW-Madison musicians, including clarinetist Alicia Lee, cellist James Waldo, violist Sally Chisholm, pianist Christopher Taylor and student performers.

FRIDAY, OCT. 11

At 8 p.m. in the Mead Witter Foundation Concert Hall, the UW-Madison Symphony Orchestra (below) will open its season with a FREE concert under its new conductor Oriol Sans, a native of Catalonia, Spain, who studied at the Barcelona Conservatory and  who came to Madison from the University of Michigan at Ann Arbor.

The program is: “aequilibria” by contemporary Icelandic composer Anna Thorvaldsdottir (heard in the YouTube video at the bottom); “Death and Transfiguration; by Richard Strauss; and “Symphonic Dances” by Sergei Rachmaninoff.

For more information about conductor Oriol Sans (below), go to: https://www.music.wisc.edu/oriol-sans/

For more information, from Wikipedia, about composer Anna Thorvaldsdottir (below), go to: https://en.wikipedia.org/wiki/Anna_S._Þorvaldsdóttir

SUNDAY, OCT. 13

At 2 p.m., in the Mead Witter Foundation Concert Hall, the University Bands will perform a FREE concert under conductor Darin Olson (below), the assistant director of bands at the UW-Madison.

No program is available.


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Classical music: The Pro Arte Quartet minus one plays string trios this Friday night and Sunday afternoon, then starts its Beethoven string quartet cycle on Friday, Nov. 22. Plus 3 UW profs premiere a new fusion work tonight

October 3, 2019
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CORRECTION: The all-Telemann concert by the Madison Bach Musicians on this Saturday night at the First Unitarian Society of Madison is at 8 p.m. — NOT 7:30 as it was mistakenly listed in the early version of yesterday’s post. The Ear apologizes for the error. The pre-concert lecture is at 7:15 p.m. There is also a performance on Sunday at Holy Wisdom Monastery in Middleton at 3:30 p.m., with a lecture at 2:45 p.m. For more information, go to: https://welltempered.wordpress.com/2019/10/02/classical-music-how-did-baroque-composer-telemann-get-overshadowed-and-why-is-he-being-rediscovered-trevor-stephenson-talks-about-his-all-telemann-concerts-this-weekend/

ALERT: TONIGHT, Thursday, Oct. 3, at 8 p.m., three UW-Madison music professors — Anthony Di Sanza (percussion), Tom Curry (tuba, keyboard and electronics) and Mark Hetzler (trombone and electronics) — will perform their new composition “Don’t Look Down” at the Arts + Literature Laboratory, located at 2021 Winnebago Street on Madison’s near east side. (Phone is 608 556-7415.)

The trio’s goal to showcase their instruments using a combination of electro-acoustic techniques, improvisation and traditional chamber music applications to create an array of sonic environments and musical languages.

The result is a work that looks at the impact of media and technology on society, while featuring shifting soundscapes and a variety of styles including classical, rock, jazz and experimental.

Tickets are $10 in advance at: https://dontlookdown.brownpapertickets.com; and $15 at the door. Student tickets are $5 off with a valid school ID. Advance ticket sales end one hour before the show. Doors open at 7:30 p.m.

By Jacob Stockinger

First, a news flash: The University of Wisconsin-Madison’s critically acclaimed Pro Arte Quartet (below, in a photo by Rick Langer) will begin its complete cycle of Beethoven’s 16 string quartets on Friday, Nov. 22.

The program, time and other dates are not available yet, but should be announced soon.

The performances are part of the 2020 Beethoven Year, which will celebrate the 250th anniversary of the composer’s birth. Stayed tuned for more details.

This Friday night, Oct. 4, at 8 p.m. in Mills Hall, three members of the Pro Arte will perform a FREE concert of string trios. Performers are second violinist Suzanne Beia, violist Sally Chisholm and cellist Parry Karp.

Featured on the program are: the Serenade in C Major, Op. 10 (1902), by the Hungarian composer Ernst von Dohnanyi (below top); the String Trio, Op. 48 (1950), by the Polish composer Mieczyslaw Weinberg (below bottom); and the Serenade in D Major, Op. 8 (1796-97), by Ludwig van Beethoven.) You can hear the opening movement of the Weinberg Trio in the YouTube video at the bottom.

For more information about the quartet and the program, go to: https://www.music.wisc.edu/event/pro-arte-quartet-5/

This Sunday afternoon, the Pro Arte Quartet will also perform FREE at the Chazen Museum of Art on Sunday Afternoon Live at the Chazen. The same program of string trios will be repeated. The performance will be held starting at 12:30 in the Brittingham Gallery 3.

For details about attending, go to: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen9/

It will also be streamed live at the following portal: https://c.streamhoster.com/embed/media/O7sBNG/OS1C0ihJsYK/iqf1vBMs3qg_5


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Classical music: Two FREE chamber music concerts on Thursday and Friday nights at the UW-Madison feature quartets and quintets by Mozart, Boccherini, Schubert, Dvorak and Weinberg

March 26, 2019
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By Jacob Stockinger

Chamber music fans have something special to look forward to this week with back-to-back evening concerts at the University of Wisconsin-Madison’s Madison’s Mead Witter School of Music that mix famous and well-known works with less familiar ones.

THURSDAY NIGHT

On Thursday night at 7:30 p.m. in Mills Hall, the Pro Arte Quartet will perform.

The program features six miniature “Evening Songs”  (1865) – also called “Cypresses” — by Antonin Dvorak; the String Quartet No. 5 in B-Flat Major (1945) by Mieczyslaw Weinberg; and the String Quartet in B-Flat Major “Hunt,” K. 458 (1784), by Wolfgang Amadeus Mozart. (You can hear one of Dvorak’s “Cypresses” in the YouTube video at the bottom.)

Members of the Pro Arte Quartet (below, from left, in a photo by Rick Langer) are: violinists David Perry and Suzanne Beia; violist Sally Chisholm; and cellist Parry Karp.

For more information about the unique and dramatic history of the critically acclaimed Pro Arte Quartet, the longest active string quartet in the history of music, go to:

https://www.music.wisc.edu/event/pro-arte-quartet/

FRIDAY NIGHT

On Friday night at 7:30 p.m. in Mills Hall, UW-Madison cellist Uri Vardi (below) will be joined by several faculty colleagues, one of his students and his son for an evening of three quintets.

In addition to Uri Vardi, the performers include: clarinetist Amitai Vardi (below); pianist Christopher Taylor; violinists David Perry and Soh-Hyun Park Altino; violist Sally Chisholm; cellist James Waldo; and double bassist David Scholl.

The program includes: the Quintet in C major, assembled from other quintets by Johann Lauterbach, by Luigi Boccherini, a contemporary of Mozart; the famous Clarinet Quintet in A Major, K. 581, by Wolfgang Amadeus Mozart and the well-known “Trout” Quintet by Franz Schubert.

For more background, go to: https://www.music.wisc.edu/event/uri-vardi-quintets-students-friends-and-family/


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Classical music: On Thursday and Friday nights, brass music and a modernist homage to Martin Luther King round out UW-Madison concerts before spring break

March 13, 2019
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By Jacob Stockinger

Spring Break at the University of Wisconsin-Madison starts on Saturday. But there are noteworthy concerts right up to the last minute.

THURSDAY

On this Thursday night, March 14, at 7:30 p.m. in Mills Hall, the acclaimed Wisconsin Brass Quintet (below, in 2017, in a photo by Michael R. Anderson) will perform a FREE concert.

The program by the faculty ensemble  includes music by William Byrd; Isaac Albeniz; Leonard Bernstein; Aaron Copland; David Sampson; Anton Webern; Joan Tower; Ennio Morricone; and Reena Esmail.

For more details, including the names of quintet members and guest artists who will participate as well as the complete program with lengthy notes and background about the quintet, go to:

https://www.music.wisc.edu/event/wisconsin-brass-quintet-3-14-2019/

FRIDAY

On this Friday night, March 15, at 7:30 p.m. in Mills Hall, UW-Madison bassoonist Marc Vallon (below, in a photo by James Gill) – who worked in Paris with the renowned 20th-century composer and conductor Pierre Boulez – will host another concert is his series of “Le Domaine Musical” that he performs with colleagues.

Vallon explains:

Every year, I put together a concert devoted to the masterpieces of the 1950-2000 period. We call it “Domaine Musical,” which was the group founded in Paris by Pierre Boulez in the 1950s. Its subtitle is : “Unusual music for curious listeners.”

“The series offers Madison concert-goers an opportunity to hear rarely performed music of the highest quality, played by UW-Madison faculty, students and alumni.

“The program features a deeply moving piece by Luciano Berio, O King, written in 1968 after the murder of Martin Luther King Jr.” (You can hear “O King” in the YouTube video at the bottom.)

The all-modernist program is:

Pierre Boulez (below), Dialogues de l’Ombre Double (Dialogues of the Double Shadow) for solo clarinet and electronics.

Luciano Berio (below), O King and Folk Songs.

Also included are unspecified works by Karlheinz Stockhausen and Timothy Hagen.

Guest performers are Sarah Brailey, soprano (below); Alicia Lee, clarinet; Leslie Thimmig, basset horn; Sally Chisholm, viola; Parry Karp, cello; Timothy Hagen, flute; Yana Avedyan, piano; Paran Amirinazari, violin; and Anthony DiSanza, percussion.

For more information, including a story about a previous concert in “Le Domaine Musical,” go to:

https://www.music.wisc.edu/event/le-domaine-musical-with-marc-vallon/


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Classical music: The world premiere of John Harbison’s Sonata for Viola and Piano this Sunday night headlines a busy weekend at the UW that includes wind music and band music

February 16, 2019
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By Jacob Stockinger

This is a big and busy weekend at the University of Wisconsin-Madison’s Mead Witter School of Music.

The most publicized event this week, justifiably, is the world premiere of a new Sonata for Viola and Piano by composer John Harbison, who has won many awards and honors including a Pulitzer Prize and a MacArthur “genius” Fellowship. The guest pianist, from Minnesota, is Timothy Lovelace.

The premiere takes place in Mills Hall on Sunday night at 7:30 p.m. The Pro Arte Quartet will also play the “Sunrise” Quartet by Franz Joseph Haydn and “Four Encores for Stan” by Harbison. Pro Arte violist Sally Chisholm (below, in a photo by Rick Langer) will perform the new work that was written for her. It was commissioned by an anonymous patron to mark the composer’s 80th birthday.


Admission is $25.

For more information about the concert, the piece and tickets, go to: https://www.music.wisc.edu/2018/12/17/world-premiere-of-john-harbisons-viola-sonata/

In addition, Harbison (below) will give a free and public master class on Monday, Feb. 18, from noon to 1:30 p.m. in the Mills Music Library Seminar Room (Room B162G in the Memorial Library).

But that is far from the only important or noteworthy event going on.

Here is a day-by-day schedule, not including the concert by the Wisconsin Youth Symphony Orchestras’ Youth Orchestra with guest clarinetist Amitai Vardi that takes place TODAY in Mills Hall at 4 p.m. Here is a link to more about the WYSO concert:

https://welltempered.wordpress.com/2019/02/15/classical-music-wisconsin-youth-symphony-orchestras-wyso-to-perform-the-annual-winterfest-concerts-this-saturday-and-march-2/

TODAY

At 3 p.m. in Morphy Hall, the winners’ FREE concert of the Irving Shain Woodwind-Piano Duo Competition will take place. To see the four winners and their complete programs, go to: https://www.music.wisc.edu/event/irving-shain-woodwind-piano-duo-competition-winners-recital-2/

At 7:30 p.m., faculty member bassoonist Marc Vallon (below, in a photo by James Gill), who plays with the Wingra Wind Quintet, and friends will give a FREE concert. Music to be performed includes works by Robert Schumann, John Harbison, Ida Gotkowsky, Emmanuel Chabrier, Georges Bizet, Jules Massenet and Marc Vallon, although specific titles are not listed. For more information, go to: https://www.music.wisc.edu/event/faculty-recital-marc-vallon-bassoon-2/

SUNDAY

At 2 p.m. in Mills Hall, a FREE concert will be the inaugural Wind Ensemble Concerto Competition and its winner Midori Samson (below). Scott Teeple is the faculty conductor, and Cole Hairston and Ross Wolf are graduate student conductors. The concert will be STREAMED LIVE. Here is a link to the streaming portal, which also has an archive of other streamed concerts: https://www.music.wisc.edu/video/

At 4 p.m. in Mills Hall, the UW Concert Band will perform a FREE concert under the baton of its retiring director Mike Leckrone (below).

The program, subject to change, include: “Nessum Dorma” by Giacomo Puccini; “Universal Judgment” by Camille de Nardis; “Psalm for Band” by Vincent Persichetti; “La Boutique Fantastique” by Gioacchino Rossini, arranged by Ottorino Respighi; and “Nobles of the Mystic Shrine” by John Philip Sousa.

Here is a link to the program: https://www.music.wisc.edu/event/uw-concert-band/


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Classical music: Tonight brings an all-Bach organ recital at Overture Hall. At the UW-Madison, this week brings music for band, brass and strings

October 23, 2018
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By Jacob Stockinger

TONIGHT, Tuesday, Oct. 23

At 7:30 p.m. in Overture Hall, Paul Jacobs (below) will perform an all-Bach program. Jacobs, who is the only organist to have won a Grammy Award, is the chair of the organ department at the Juilliard school in New York City and was the teacher and mentor of Greg Zelek, who is the new organist for the Madison Symphony Orchestra.

Heralded as “one of the major musicians of our time” by Alex Ross of The New Yorker and as “America’s leading organ performer” by The Economist, the internationally celebrated Jacobs combines a probing intellect and extraordinary technical mastery with an unusually large repertoire, both old and new. He has performed to great critical acclaim on five continents and in each of the 50 United States.

Jacobs made musical history at age 23 when he played Bach’s complete organ works in an 18-hour marathon performance on the 250th anniversary of the composer’s death. (You can hear Jacobs play Bach in the YouTube video at the bottom.) Jacobs has premiered works by Samuel Adler, Mason Bates, Michael Daugherty, Wayne Oquin, Stephen Paulus, Christopher Theofanidis and Christopher Rouse, among others.

During the 2018-19 season, Jacobs will perform the world premiere of John Harbison’s “What Do We Make of Bach?” for organ and orchestra with the Minnesota Orchestra under conductor Osmo Vanska; with the Cleveland Orchestra he will give the American premiere of Austrian composer Bernd Richard Deutsch’s “Okeanos” for organ and orchestra.

For more details about Jacobs, his complete all-Bach program and tickets ($20), go to: https://madisonsymphony.org/event/paul-jacobs/

WEDNESDAY, Oct. 24

At 7:30 p.m. in Mills Hall, the UW Concert Band will perform a FREE concert of music by Leonard Bernstein (excerpts from “Candide”), Vincent Persichetti, Percy Grainger, Mark Markowski and Steven Bryant.

For more information about the performance and the program, go to: https://www.music.wisc.edu/event/uw-concert-band-fall-concert-2/

THURSDAY, Oct. 25

At 7:30 p.m. in Mills Hall, the Wisconsin Brass Quintet and special guest UW percussionist Anthony DiSanza (below, in a photo by Katherine Esposito) will perform a ticketed concert of genre-bending music by Michael Tilson Thomas, Pat Metheny, Modest Mussorgsky, Alan Ferber, James Parker and David Sanford.

Admission is $17 for adults, $7 for students and children.

For more information about the performers, the program and how to purchase tickets, go to:

https://www.music.wisc.edu/event/wisconsin-brass-quintet-with-anthony-disanza-professor-of-percussion-2/

Members of the Wisconsin Brass Quintet (below, from left, in a photo by Michael R. Anderson) are: Daniel Grabois, horn; Mark Hetzler, trombone; Matthew Onstad, trumpet; Tom Curry, tuba; and Alex Noppe, trumpet.

SATURDAY, Oct. 27

At 8 p.m. in Mills Hall, the Pro Arte Quartet will perform a FREE concert.

The program features: the String Quartet in C Major, D. 46 (1813), by the young Franz Schubert; Three Rags for String Quartet (“Poltergeist” from 1971, “Graceful Ghost” from 1970, and “Incinteratorag” from 1967) by William Bolcom; and the String Quartet in E minor, Op. 44, No. 2 (1837), by Felix Mendelssohn.

For more information about the Pro Arte Quartet and its long, historic and fascinating background, go to: https://www.music.wisc.edu/event/pro-arte-quartet-3/

Members of the Pro Arte Quartet (below, from left, in a photo by Rick Langer, are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.)


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Classical music: String quartets, African-American spirituals and a farewell faculty flute recital plus many graduate student recitals are FREE highlights this week at the UW-Madison

April 10, 2017
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By Jacob Stockinger

Only about a month of classes remains in the academic year, so concerts by faculty members, guest artists and students are backing up at the University of Wisconsin-Madison School of Music.

But quantity does NOT preclude quality — or variety.

Just take a look at the highlights this week:

TUESDAY

At 8:30 p.m. in Morphy Recital Hall, the Hunt Quartet will perform its spring concert.

Members of the graduate student ensemble are (below, from left, in a photo by Katrin Talbot): Kyle Price, cello; Vinicius “Vinny” Sant’Ana, violin; Blakeley Menghini, viola; and Chang-En Lu, violin.

The program is: String Quartet in G Major, Op. 77, No. 1 by Franz Joseph Haydn; String Quartet in F minor “Serioso,” Op. 95, by Ludwig van Beethoven; and the String Quartet No. 2, Op. 90, by Sergei Prokofiev. (You can hear the riveting Prokofiev quartet in the YouTube video at the bottom.)

The Hunt Quartet is sponsored by Dr. Kato Perlman and the Madison Symphony Orchestra.

For more information about the quartet and its individual members, as well as a SoundCloud audio sample of the Hunt Quartet playing a 1924 piece by Joaquin Turina, go to:

http://www.music.wisc.edu/event/the-hunt-quartet-spring-concert/

WEDNESDAY

At 7:30 p.m. in Morphy Recital Hall, guest artist Emery Stephens (below), faculty collaborative pianist Martha Fischer and UW students will perform African-American spirituals, songs and instrumental works.

For more about the visit by scholar-performer Stephens, see this blog posting done just before he cancelled the last date, which fell on a Tuesday rather than a Wednesday:

https://welltempered.wordpress.com/2017/03/13/classical-music-singer-scholar-returns-to-coach-students-about-and-perform-a-free-recital-of-african-american-songs-and-spirituals-on-tuesday-night-at-uw/

THURSDAY

At 7:30 p.m. in Mills Hall, retiring professor of flute Stephanie Jutt (below) will perform her farewell faculty recital.

Jutt will be joined by faculty colleagues violist Sally Chisholm, clarinetist Amy McCann and pianist Christopher Taylor.

Sorry, no word about the program.

Jutt (below), who has been teaching and performing at the UW-Madison for 28 years, is also the principal flutist of the Madison Symphony Orchestra and the co-founder and co-artistic director of the Bach Dancing and Dynamite Society. Jutt says she will continue with MSO and BDDS after she retires.

This week also features a plethora of degree recitals by students, most held in Morphy Recital Hall (below). The Ear counts 11 in fields from voice to percussion. For more information, check out these links:

http://www.music.wisc.edu/events/

And for the full lineup for April, visit:

https://uwmadisonschoolofmusic.wordpress.com


Classical music: Bach Dancing and Dynamite Society announces its upcoming summer season of “Alphabet Soup” this June

March 18, 2017
1 Comment

By Jacob Stockinger

The time for announcing new seasons has arrived.

Pretty soon, over the next several weeks and months, The Ear will hear from larger and smaller presenters and ensembles in the Madison area, and post their new seasons.

First out of the gate is the critically acclaimed and popular summer group, the Madison-based Bach Dancing and Dynamite Society. (You can see a short promo video about BDDS on the YouTube video at the bottom.)

It has just announced its upcoming summer season this June, and sent out brochures with the season’s details.

This will be the 26th annual summer season and it has the theme of “Alphabet Soup.”

The concept is explained online and in a brochure newsletter (also online) in an editorial essay by BDDS co-founder and co-artistic director flutist Stephanie Jutt (seen below with co-founder and co-director pianist Jeffrey Sykes).

By the way, Jutt is retiring from the UW-Madison this spring but will continue to play principal flute with the Madison Symphony Orchestra and to work and perform with BDDS.

In many ways it will be a typical season of the eclectic group. It will feature local and imported artists. Many of both are favorites of The Ear.

His local favorites include UW-Madison pianist Christopher Taylor; violist Sally Chisholm of the UW-Madison’s Pro Arte Quartet; UW violinist Soh-Hyun Park Altino (below top, in a photo by Caroline Bittencourt); and Pro Arte cellist Parry Karp (below bottom).

Among The Ear’s favorite guest artists are violinist Carmit Zori, clarinetist Alan Kay, the San Francisco Piano Trio (below top); UW alumna soprano Emily Birsan; pianist Randall Hodgkinson; and baritone Timothy Jones (below bottom).

As usual, the season features 12 concerts of six programs over three weeks (June 9-25) in three venues – the Playhouse in the Overture Center (below top), the Hillside Theater (below middle) at Frank Lloyd Wright’s Taliesin compound in Spring Green and the Stoughton Opera House (below bottom).

In addition, there is a FREE family concert in the Overture Playhouse on June 10.

What does seem somewhat new is the number of unknown composers and an edgier, more adventurous choice of pieces, including more new music and more neglected composers.

Oh, there will be classics by such composers as Joseph Haydn, Wolfgang Amadeus Mozart, Luigi Boccherini, Franz Schubert, Johannes Brahms, Peter Tchaikovsky, Sergei Prokofiev, Maurice Ravel, Bela Bartok, Arnold Schoenberg, Benjamin Britten and others. These are the ABC’s of the alphabet soup, according to BDDS.

But also represented are composers such as Philippe Gaubert, Czech Holocaust victim Gideon Klein (below), Guillaume Conneson, Carl Czerny, Paul Moravec and Franz Doppler. These are the XYZ’s of the alphabet soup.

In between come others. Contemporary American composer, and Pulitzer Prize winner, Kevin Puts (below) is a BDDS favorite and is well represented. You will also find less performed works by Ned Rorem, Erich Wolfgang Korngold and Gerald Finzi.

For the complete programs and schedules as well as the list of performers, some YouTube videos and ticket prices, both for season tickets ($109.50, $146, $182 and $219) and for individual concerts ($43), and other information, go to:

http://bachdancinganddynamite.org/concerts/festival-concerts/


Classical music: Today is Super Bowl Sunday, so The Ear asks: Who are the winners and champions in the concert hall? Here are the most popular pieces, composers and soloists. Plus, on Tuesday night, violist Elias Goldstein returns to perform Paganini’s fiendish Caprices in a FREE recital

February 7, 2016
1 Comment

ALERT: The Ear has received the following note from University of Wisconsin-Madison School of Music viola professor Sally Chisholm, who also plays with the Pro Arte Quartet: “Elias Goldstein, who has a doctorate from UW-Madison (2011) and was a Collins Fellow, is playing a concert of all 24 Caprices, originally composed for solo violin by Niccolo Paganini, on VIOLA this Tuesday night at 7:30 p.m. in Morphy Hall. Admission is FREE and OPEN TO THE PUBLIC.

“On March 9, he will perform this program at Carnegie Hall in New York City, as the first violist ever to perform all 24 Caprices in one concert. This is such a feat that it is difficult to believe one of our own is accomplishing it. I was with him in Krakow, Poland when he performed 6 of them. He got standing ovations. He is professor of viola at Louisiana State University, won top prizes at the Primrose International Viola Competition and the Yuri Bashmet Viola Competition in Moscow in 2011.”

Elias Goldstein big

By Jacob Stockinger

Today is the 50th Super Bowl of the NFL, and will be played by the Carolina Panthers and the Denver Broncos in the Levi’s Stadium in Santa Clara, California, near San Francisco.

It starts at 5:30 p.m. CST.

Lady Gaga will sing the national anthem. Coldplay, Beyoncé and Bruno Mars will perform in the half-time show. The Super Bowl will be broadcast live on CBS-TV.

super bowl 50 logo

So, one might ask in a society that loves competition, what constitutes The Super Bowl of classical music?

It is a source of endless discussion and often disagreement.

What classical music is the most mainstream, if not best?

Who are the big winners and champions in the concert hall?

A survey, compiled by a student at the UW-Milwaukee, of the most popular or frequently performed composers, works and soloists was recently conducted by the League of American Orchestras. The rest are for the 2010-11 season.

The No. 1 work is a YouTube video at the bottom. It is the Symphony No. 1 in C Minor by Johannes Brahms and is performed by the Chicago Symphony Orchestra under its late music director and conductor Sir George Solti.

And on March 11, 12 and 13 the Madison Symphony Orchestra hosts TWO of the Top 10 winners: Pianist Emanuel Ax performing the Piano Concerto No. 4 by Ludwig van Beethoven. (The Symphony No. 4 by Gustav Mahler completes the program.)

Emanuel Ax Philharmonia

Here is a link to the complete results along with the method used to gather data:

http://www.classicalmpr.org/story/2014/04/08/league-american-orchestras-performance-data

See what you think and leave a COMMENT.

Do they match up with your preferences and your choices of favorites?

In your opinion, what makes them so popular?

The Ear wants to hear.


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