The Well-Tempered Ear

The Pro Arte Quartet plays the fourth installment of its FREE Beethoven string quartet cycle online TONIGHT at 7:30 CDT

October 23, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The historic Pro Arte Quartet, in residence at the University of Wisconsin-Madison’s Mead Witter School of Music, will perform the fourth installment of its FREE Beethoven string quartet cycle TONIGHT — Friday, Oct. 23 — at 7:30 p.m. CDT. (It should be posted for about a day, but will not be archived due to copyright considerations.)

Because of the coronavirus pandemic, the live concert will take place online and will be live-streamed without an audience from the Mead Witter Foundation Concert Hall in the new Hamel Music Center.

You can stream it live from https://youtu.be/IhmNRNiI3RM

The whole series of concerts are part of the Pro Arte Quartet’s yearlong retrospective to celebrate the Beethoven Year. This December marks the 250th anniversary of the birth of the composer (below).

Members of the Pro Arte Quartet (below, in a photo by Rick Langer) are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.

A pre-concert lecture by UW-Madison musicology Professor Charles Dill (below, in a photo by Katrin Talbot) starts at 7:30 p.m. CDT.

The program consists of one early and one late quartet: the string Quartet in C Minor, Op. 18 No. 4 (1798-1800), and you can hear the first movement played by the Dover Quartet in the YouTube video at the bottom; and the String Quartet in E-Flat Major, Op. 127 (1825).

The Pro Arte Quartet is one of the world’s most distinguished string quartets. Founded by conservatory students in Brussels in 1912, it became one of the most celebrated ensembles in Europe in the first half of the 20th century and was named Court Quartet to the Queen of Belgium.

Its world reputation blossomed in 1919 when the quartet (below, in 1928) began the first of many tours that enticed notable composers such as Bartok, Barber, Milhaud, Honegger, Martin and Casella to write new works for the ensemble.

The Pro Arte Quartet performs throughout the United States, Europe, and Asia and continues to champion both standard repertoire and new music.

Since being stranded in the U.S. when Belgium was invaded by Hitler and the Nazis in World War II, the group is an ensemble-in-residence at the Mead Witter School of Music and resident quartet of the Chazen Museum of Art.

The quartet, the longest active string quartet in the history of music, has performed at the White House and, during the centennial celebration, played for the King’s Counselor in Belgium.

Recent projects include the complete quartets of Bartok and Shostakovich and, in collaboration with the Orion and Emerson String Quartets, the complete quartets of Beethoven.

Regular chamber music collaborators that perform with Pro Arte include Samuel Rhodes and Nobuko Imai, viola; Bonnie Hampton, cello; and the late Leon Fleischer and Christopher Taylor, piano. 

Together since 1995, the quartet has recorded works of Mendelssohn, Dvorak, Rhodes, Shapey, Sessions, Fennelly, Diesendruck, Lehrdahl and the centennial commissions.

For more information and background, go to: https://www.music.wisc.edu/event/pro-arte-quartet-beethoven-string-quartet-cycle-program-iv/

For more about the challenges and modifications – including wearing masks and social distancing — of doing the Beethoven cycle for the virtual online performances and about the other dates and programs in the cycle, go to: https://welltempered.wordpress.com/2020/09/29/classical-music-uw-madisons-pro-arte-quartet-to-resume-its-free-beethoven-cycle-virtual-and-online-this-friday-night-with-two-other-programs-this-semester/

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: This Friday night, Nov. 22, the UW-Madison’s Pro Arte Quartet begins its 14-month complete cycle of Beethoven’s 16 string quartets. Here are programs and information about the six concerts

November 19, 2019
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

As you might have already heard, 2020 is a Beethoven Year. Musicians are already marking the 250th anniversary of the birth of Ludwig van Beethoven (1770-1827, below).

One of the big local events – unfolding over the next 14 months — is that the University of Wisconsin-Madison’s acclaimed Pro Arte Quartet will perform a complete, six-concert cycle of Beethoven’s 16 string quartets, which are considered to be a monumental milestone in chamber music and in the development of the genre.

They encompass the styles of Beethoven’s early, middle and late periods, and often served as an experimental laboratory for musical ideas he used on other works. Each of the Pro Arte’s programs wisely features works from different periods, which makes comparisons and differences easier to understand. (You can hear Beethoven biographer Jan Stafford discuss the late quartets in the YouTube video at the bottom.)

For more about Beethoven’s string quartets, go to: https://en.wikipedia.org/wiki/Category:String_quartets_by_Ludwig_van_Beethoven

A Beethoven cycle is also what originally brought the Pro Arte Quartet from Belgium — where it was founded by students at the Royal Conservatory in 1912 — to Madison, where they performed it at the Wisconsin Union Theater in 1940. In fact, they were in the process of performing the cycle when they heard that their homeland of Belgium has been invaded by Hitler and the Nazis, and they could not go home.

Stranded here by World War II, they were offered a chance to be artists-in-residence at the UW-Madison. They accepted — and the quartet has remained here since, becoming the longest performing quartet in music history.

For more about the history of the Pro Arte (below, in 1928), go to: https://www.music.wisc.edu/pro-arte-quartet/

Current members of the Pro Arte Quartet (below from left, in a photo by Rick Langer) are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.

PROGRAM I: Friday, Nov. 22, 8 p.m. in Collins Recital Hall

String Quartet in G Major, Op. 18, No. 2 (1798-1800)

String Quartet in F Minor, Op. 95 “Serioso” (1810)

String Quartet in B-Flat Major, Op. 130 (1825-6)

 

PROGRAM II: Friday, Feb. 28, 8 p.m., Mead Witter Foundation Concert Hall

String Quartet in F Major, Op. 18, No. 1 (1798-1800)

String Quartet in E-Flat Major, Op. 74 “Harp” (1809)

String Quartet in C-Sharp Minor, Op. 131 (1826)

 

PROGRAM III: Thursday, April 16 (NOT April 23, as was mistakenly listed in a press release), 7:30 p.m., Mead Witter Foundation Concert Hall

String Quartet in D Major, Op. 18, No. 3 (1798-1800)

String Quartet in E Minor, Op. 59, No. 2 (1806)

String Quartet in E-Flat Major, Op. 127 (1825)

PROGRAM IV: Friday, Oct. 2, 2020, 8 p.m., Mead Witter Foundation Concert Hall

String Quartet in A Major, Op. 18, No. 5 (1798-1800)

String Quartet in C Minor, Op. 18, No. 4 (1798-1800)

String Quartet in A Minor, Op. 132 (1825)

 

PROGRAM V: Friday, Nov. 20, 2020, 8 p.m., Mead Witter Foundation Concert Hall

String Quartet in B-Flat Major, Op. 18, No. 6 (1798-1800)

String Quartet in F Major, Op. 135 (1826)

String Quartet in C Major, Op. 59, No. 3 (1806)

 

PROGRAM VI: Saturday, Jan. 30, 2021, 8 p.m., Mead Witter Foundation Concert Hall

String Quartet in F Major, Op. 59, No. 1 (1806)

String Quartet in B-Flat Major, Op. 130 with the Great Fugue Finale, Op. 133 (1825)

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Today is the 75th anniversary of D-Day. Here is a sonic and visual “D-Day Symphony” to mark the event – as well as two moving pieces to honor the day and the dead. What music would you choose?

June 6, 2019
Leave a Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Today is the 75th anniversary of D-Day, that deadly day – June 6, 1944 — when massive Allied forces (below, seen gathering on Omaha Beach) invaded the Normandy coast of France in Nazi-occupied Europe, beginning the liberation from Hitler’ Germany and the end of World War II.

In searching for music to mark the occasion, The Ear returned to two of the best pieces of memorial music he knows of and which are below: the “Nimrod” Variation from Edward Elgar’s “Enigma” Variations, a piece that was used in Ken Burn’s celebrated TV documentary about World War II; and Samuel Barber’s “Adagio for Strings.”

It seems only fitting to the occasion to have works by an American composer and a British composer.

But in searching for music, The Ear also stumbled by chance across a little-known piece that uses a work by a French composer, which also seems fitting for the occasion and the day. It is a sonic and visual symphony of remembrance – a “D-Day Symphony,” if you will — that uses the second movement from the Symphony No. 3 by Arthur Honegger. It is in the YouTube video at the bottom.

The Ear hopes you also find the work moving and a welcome, if largely unknown, addition to musical remembrances for this historic event. Tell us what you think.

And if there is another work you would listen to while marking the anniversary of D-Day, please leave your comment along with the composer and title and, if possible, a YouTube link in the COMMENT section.

The Ear wants to hear.


    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,248 other followers

    Blog Stats

    • 2,228,322 hits
%d bloggers like this: