The Well-Tempered Ear

Classical music: The Festival Choir of Madison will sing “Songs of Fate” this Saturday night. A FREE all-Brahms concert of violin, cello and piano music is Friday night

October 31, 2019
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ALERT 1: The concert on this Friday night, Nov. 1, by the UW-Madison Madrigal Singers has been POSTPONED. A future date will be announced.

ALERT 2: This Friday night, Nov. 1, at 7 p.m. at Oakwood Village Woods, 6205 Mineral Point Road, UW-Madison cellist Parry Karp – joined by pianist David Abbott and clarinetist Christian Ellenwood – will perform a FREE all-Brahms chamber music concert. On the program are the Cello Sonata No. 2 in F Major, Op. 99; the Violin Sonata No. 2, in A Major, Op. 100, arranged for cello by Karp; and the Clarinet Trio in A minor, Op. 114.

By Jacob Stockinger

The Festival Choir of Madison (below) will present its first concert of the season — “Songs of Fate” – this Saturday night, Nov. 2, at 8 p.m. at Luther Memorial Church, 1021 University Ave., in Madison.

Under artistic director and Edgewood College professor Sergei Pavlov (below top), the choir will perform “Gesang der Parzen” (Song of the Fates) and “Schicksalslied” (Song of Destiny, heard in the YouTube video at the bottom) by Johannes Brahms; “Stabat Mater” by Giuseppe Verdi; and Alexander Borodin’s “Polovtsian Dances.” The concert will feature the Romanian pianist Samir Golescu (below bottom) accompanying the choir.

The concert  has general seating. Admission is $10 for students, $15 for senior citizens and $20 for adults. Tickets will be available at the door the day of the concert. Tickets can also be purchased online at: https://www.brownpapertickets.com/event/4383429

The Festival Choir of Madison is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. The group performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern and eclectic works, and for singers who enjoy developing their talents with others.

To learn more about the Festival Choir, including other concerts this season, go to: www.festivalchoirmadison.org.


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Classical music: The gala opening this weekend of the UW-Madison’s new Hamel Music Center is SOLD OUT. What do you think of the building, the music and the event? Plus, veteran music critic John W. Barker has died

October 25, 2019
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ALERT: Word arrived late last night that the respected longtime music critic John W. Barker, a retired UW-Madison professor of medieval history, died Thursday morning. He wrote locally for Isthmus, The Capital Times and this blog. Details will be shared when they are known. 

By Jacob Stockinger

This weekend, Oct. 25-27, marks the official gala opening of the new Hamel Music Center (below, in a photo by Bryce Richter for University Communications) at the University of Wisconsin-Madison Mead Witter School of Music. It is located at 740 University Ave., next to the new wing of the Chazen Museum of Art, which has a special exhibit relating to the new music center.

The impressive $58-million structure, which has taken many years to fund  (completely privately) and then to build, will celebrate its opening tonight, Saturday night (while the 14th annual Halloween FreakFest on State Street is happening) and Sunday afternoon.

The performers will include distinguished alumni, faculty members and students.

Here is a link to an overall schedule as published on the School of Music’s home website: https://www.music.wisc.edu/hamel-music-center-opening-schedule/

Thanks to an astute reader who found what The Ear couldn’t find, here is a complete schedule — long, varied and impressive — of works and performers: https://www.music.wisc.edu/wp-content/uploads/2019/10/20191025-Hamel-Music-Center-Opening-Weekend.pdf

And here is a link to the official UW-Madison press release with more background and details about the building: https://news.wisc.edu/mead-witter-school-of-musics-hamel-music-center-opening-this-fall/

UW-Madison composer Laura Schwendinger (below) has been commissioned to write a Fanfare that will receive its world premiere tonight.

The opening promises to be a success, complete with receptions at the end of each performance.

In fact, the public has signed on enough that the FREE tickets to all events are SOLD OUT, according to the School of Music’s home website.

Taste is personal and varies, and The Ear has heard mixed reviews of the new building. (For the special occasion, you can hear “The Consecration of the House” Overture by Beethoven, performed by the La Scala opera house orchestra in Milan under Riccardo Muti, in the YouTube video at the bottom.)

Basically, people seem to agree that the acoustics are much improved over Mills Hall and Morphy Recital Hall in the old Humanities Building.

But public opinion seems more divided over other aspects, from the overall external architecture and interior design to the smaller size of the big hall, the seats and seating layout, and the restrooms.

So if you go – or have already gone – let the rest of us know what you think about those various aspects of the new building and about the various performers and programs.

As a warm-up preview, here are photos of the main halls or spaces, all taken by Bryce Richter for University Communications:

Here is the 660-seat Mead Witter Concert Hall:

Here is the 300-seat Collins Recital Hall:

And here is the Lee/Kaufman Rehearsal Hall:

But what do you say? You be the critic.

The Ear and others hope to see COMMENTS from listeners and especially performers. What is it like to perform there? Or to sit and listen?

What does the public think of the new building and concert halls? Are you satisfied? What do you like and what don’t you like?

Should some things have been done – or not done – in your opinion?

Does the building and do the concert halls live up to the expectations and hype?

The Ear wants to hear.


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Classical music: UW-Madison cellist Parry Karp and his longtime collaborator pianist Eli Kalman perform a FREE mostly French recital this Thursday night

October 23, 2019
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By Jacob Stockinger

The new Hamel Music Center, located at 740 University Avenue next to the newer wing of the Chazen Museum of Art, hasn’t even officially opened yet at the University of Wisconsin-Madison Mead Witter School of Music, but already it is beginning to feel like the new normal.

Adding to that feeling is a FREE chamber music recital at 7:30 p.m. this Thursday night, Oct. 24, in Collins Recital Hall.

The always-reliable performers and longtime music partners are UW-Madison cellist Parry Karp (below left), who is an artist-in-residence and the longest-serving member of the Pro Arte Quartet in its more than a century-long history; and collaborative pianist Eli Kalman (below right), who received his doctorate from the UW-Madison and now teaches at the UW-Oshkosh.

The modern program from the first half of the 20th century features mostly French music with some rarely heard works:

Gabriel Pierné (1863-1937, below) – Sonata in One Movement in F-sharp Minor for Cello and Piano, Op. 46 (1922)

Dmitri Shostakovich (1906-1975, below) – Sonata in D Minor for Cello and Piano, Op. 40 (1934)

Camille Saint-Saëns (1835-1921, below)) – Sonata No. 2 in F Major for Cello and Piano, Op. 123 (1905). You can hear the opening movement in the YouTube video at the bottom.

For more information and extensive biographies of the performers, go to: https://www.music.wisc.edu/event/parry-karp-cello-with-eli-kalman-piano/


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Classical music: The Pro Arte Quartet minus one plays string trios this Friday night and Sunday afternoon, then starts its Beethoven string quartet cycle on Friday, Nov. 22. Plus 3 UW profs premiere a new fusion work tonight

October 3, 2019
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CORRECTION: The all-Telemann concert by the Madison Bach Musicians on this Saturday night at the First Unitarian Society of Madison is at 8 p.m. — NOT 7:30 as it was mistakenly listed in the early version of yesterday’s post. The Ear apologizes for the error. The pre-concert lecture is at 7:15 p.m. There is also a performance on Sunday at Holy Wisdom Monastery in Middleton at 3:30 p.m., with a lecture at 2:45 p.m. For more information, go to: https://welltempered.wordpress.com/2019/10/02/classical-music-how-did-baroque-composer-telemann-get-overshadowed-and-why-is-he-being-rediscovered-trevor-stephenson-talks-about-his-all-telemann-concerts-this-weekend/

ALERT: TONIGHT, Thursday, Oct. 3, at 8 p.m., three UW-Madison music professors — Anthony Di Sanza (percussion), Tom Curry (tuba, keyboard and electronics) and Mark Hetzler (trombone and electronics) — will perform their new composition “Don’t Look Down” at the Arts + Literature Laboratory, located at 2021 Winnebago Street on Madison’s near east side. (Phone is 608 556-7415.)

The trio’s goal to showcase their instruments using a combination of electro-acoustic techniques, improvisation and traditional chamber music applications to create an array of sonic environments and musical languages.

The result is a work that looks at the impact of media and technology on society, while featuring shifting soundscapes and a variety of styles including classical, rock, jazz and experimental.

Tickets are $10 in advance at: https://dontlookdown.brownpapertickets.com; and $15 at the door. Student tickets are $5 off with a valid school ID. Advance ticket sales end one hour before the show. Doors open at 7:30 p.m.

By Jacob Stockinger

First, a news flash: The University of Wisconsin-Madison’s critically acclaimed Pro Arte Quartet (below, in a photo by Rick Langer) will begin its complete cycle of Beethoven’s 16 string quartets on Friday, Nov. 22.

The program, time and other dates are not available yet, but should be announced soon.

The performances are part of the 2020 Beethoven Year, which will celebrate the 250th anniversary of the composer’s birth. Stayed tuned for more details.

This Friday night, Oct. 4, at 8 p.m. in Mills Hall, three members of the Pro Arte will perform a FREE concert of string trios. Performers are second violinist Suzanne Beia, violist Sally Chisholm and cellist Parry Karp.

Featured on the program are: the Serenade in C Major, Op. 10 (1902), by the Hungarian composer Ernst von Dohnanyi (below top); the String Trio, Op. 48 (1950), by the Polish composer Mieczyslaw Weinberg (below bottom); and the Serenade in D Major, Op. 8 (1796-97), by Ludwig van Beethoven.) You can hear the opening movement of the Weinberg Trio in the YouTube video at the bottom.

For more information about the quartet and the program, go to: https://www.music.wisc.edu/event/pro-arte-quartet-5/

This Sunday afternoon, the Pro Arte Quartet will also perform FREE at the Chazen Museum of Art on Sunday Afternoon Live at the Chazen. The same program of string trios will be repeated. The performance will be held starting at 12:30 in the Brittingham Gallery 3.

For details about attending, go to: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen9/

It will also be streamed live at the following portal: https://c.streamhoster.com/embed/media/O7sBNG/OS1C0ihJsYK/iqf1vBMs3qg_5


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Classical music: The Karp family turns in a memorable and moving 40th annual Labor Day concert that also took listeners back in time

September 5, 2019
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By Jacob Stockinger

If you missed the free 40th annual Karp Family Labor Day Concert on Tuesday night in Mills Hall, you missed more than music. You missed the kind of event that makes for long and precious memories.

Sure, you can nitpick the program and the performers, who also included daughter-in-law violist Katrin Talbot (below right) and guest violinist Suzanne Beia (below left), who performs with the Pro Arte Quartet, the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.

You could ask, for example, which cello transcription worked better – the Violin Sonatina, Op. 100, by Dvorak or the Violin Sonata No. 10, Op. 96, by Beethoven. (The Ear votes for the Dvorak.)

And you could also ask which performer stood out the most. (The Ear thinks that is the great-grandmother and matriarch pianist Frances Karp playing in a Mozart piano quartet. At 90, Frances still possesses beautiful tone, the right volume and balance, and the necessary technical chops. They say there is nowhere to hide in Mozart, but Frances Karp did need any place to hide. Her Mozart was, simply, sublime.)

But, in the end, those kinds of questions and critiques really seem beside the bigger point.

What mattered most was the sheer enjoyment of hearing a family perform live some wonderful music by Mozart, Beethoven, Dvorak and Schumann (the passionate Adagio and Allegro in A-flat Major, Op. 70, played by Lynn Harrell in the YouTube video at the bottom).

And what mattered more as The Ear thought about it was the kind of time travel the concert involved.

There were two kinds, really.

One had to do with having watched the various performing Karps – clearly Madison’s First Family of Music – over four decades. It was touching to realize that The Ear has seen cellist Parry Karp, to take one example, evolve from son to husband to father to grandfather. And through it all, the music remained.

In today’s culture of short attention spans, that kind of constancy and persistence — through the inevitable ups and downs of 40 years — is something to celebrate, admire and cherish.

Time travel happened in another way too.

The Ear first watched Frances Karp accompany her son Parry (below top), then watched son Christopher Karp accompany his older brother Parry (below bottom). And it called to mind the days when – before radio or recordings – families made music together in their homes.

Historically, that’s how many great composers and much great music got started. Wolfgang Amadeus Mozart and Felix Mendelssohn played piano duets with their gifted sisters, Nannerl and Fanny, respectively. Jean Sibelius played duets with his sister. And there were surely many more. Hausmusik, or “house music,” played a vital role.

And this is how it felt at the traditional Karp family concert. We felt invited into a loving, close and gifted musical family who were performing as much for each other as for the audience.

We could use more of that.

The musical and the familial mixed so beautifully, so convincingly, that all one can say after the event is “Thank you” with the ardent wish to hear them again next year.


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Classical music: Here is a year-long list of concerts at the University of Wisconsin Mead Witter School of Music. They start Tuesday night with the 40th annual Karp Family Labor Day Concert

September 1, 2019
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By Jacob Stockinger

Get out your datebooks and calendars.

Here is a complete listing for major concerts and events at the University of Wisconsin Mead Witter School of Music during the new 2019-20 season.

The calendar starts with the FREE season-opening 40th annual Karp Family Labor Day Concert this coming Tuesday night, Sept. 3, at 7:30 p.m. in Mills Hall. The program features chamber music by Mozart, Beethoven, Schumann and Dvorak. For more information about the program and performers, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/

Using the search engine on this blog, you could also consult whenever individual or group you want. You could print it out and have it in hand instead of the usual brochure, which will not be printed this year. See a previous blog post: https://welltempered.wordpress.com/2019/08/19/classical-music-the-uw-madison-school-of-music-will-not-have-a-complete-brochure-for-the-new-season-go-to-the-website-and-sign-up-for-an-email-newsletter-the-30th-karp-family-labor-day-concert-is-s/

Most concerts this season will take place in the new Hamel Music Center (below), which has a three-day opening celebration Oct. 25-27.

Please note that just a few programs are listed. For other programs, and for information about any admission charge, you can go to the School of Music’s home website closer to the event and click on Concerts and Events: https://www.music.wisc.edu/events/

Tuesday, Sep 3, 2019

Karp Family Concert

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7:30 PM

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Mills Hall

Sunday, September 29, 2019,

Jessica Martin & John O’Brien – Nordic song recital

4:00 PM

Morphy Hall

Monday, Sept. 30, 2019

Beth Wiese, Tuba, Guest Artist Recital

7:30 PM

Morphy Hall

Friday, October 4, 2019

Pro Arte Quartet

8:00 PM

Mills Hall

Sunday, Oct. 6, 2019

Chanticleer

7:30 PM

Mead Witter Hall

Tuesday, Oct. 8, 2019

Wind Ensemble

7:30 PM

Mead Witter Hall

Friday, October 11, 2019

UW-Madison Symphony Orchestra

8:00 PM

Mead Witter Hall

Sunday, October 13, 2019

University Bands

2:00 PM

Mead Witter Hall

Tuesday, October 15, 2019

Contemporary Jazz & Blue Note Ensemble

7:30 PM

Collins Hall

Wednesday, October 16, 2019

Wisconsin Brass Quintet – Faculty Concert Series

7:30 PM

Mead Witter Hall

Thursday, October 17

Jazz Faculty Quintet with special guest Michael Dudley, trumpet

7:30 PM

Collins Hall

Monday, October 21, 2019

Afro-Cuban Jazz Ensemble and UW Jazz Orchestra

7:30 PM

Play Circle

Tuesday, October 22, 2019

Concert Band

7:30 PM

Mead Witter Hall

Wed, October 23, 2019

Jazz Composers Group & Jazz Standards

7:30 PM

Collins Hall

Thu, October 24, 2019

Parry Karp with Eli Kalman, piano

7:30 PM

Collins Hall

Friday, October 25, 2019

Opening Celebration Weekend: Hamel Music Center. Please check our website for details.

All Day

740 University Avenue

Saturday, October 26, 2019

Opening Celebration Weekend: Hamel Music Center. Please check our website for details.

All Day

740 University Avenue

Sunday, October 27, 2019

Opening Celebration Weekend: Hamel Music Center. Featured Event: Collins Fellows Concert

1:00 PM

Collins Recital Hall, Hamel Music Center

Wed, October 30, 2019

Master Class with Violist Nobuko Imai

6:30 PM

Collins Hall

Thu, October 31, 2019

Violist Nobuko Imai with Pro Arte Quartet

12:00 PM

Collins Hall

Fri, November 1, 2019

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Madrigal Singers

8:00 PM

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Mead Witter Hall

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Sat, November 2, 2019

Alicia Lee, faculty clarinet

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8:00 PM

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Collins Hall

Sun, November 3, 2019

Wind Ensemble

2:00 PM

Mead Witter Hall

Fri, November 8, 2019

Wingra Wind Quintet

8:00 PM

Collins Hall

Sat, November 9, 2019

UW Chorale

8:00 PM

Mead Witter Hall

Thu, November 14, 2019

UW-Madison Symphony Orchestra

7:30 PM

Mead Witter Hall

Fri, November 15, 2019

University Opera: Benjamin Britten’s A Midsummer Night’s Dream

7:30 PM

Music Hall

Sun, November 17, 2019

University Opera: Benjamin Britten’s A Midsummer Night’s Dream

2:00 PM

Music Hall

Tue, November 19, 2019

University Opera: Benjamin Britten’s A Midsummer Night’s Dream

7:30 PM

Music Hall

Sat, November 16, 2019

Low Brass Ensemble

4:00 PM

Collins Hall

Sat, November 16, 2019

Combined Choirs

8:00 PM

Mead Witter Hall

Sat, November 16, 2019

Timothy Hagen, faculty flute

8:00 PM

Collins Hall

Fri, November 22, 2019

UW Concert Choir

8:00 PM

Mead Witter Hall

Fri, November 22, 2019

Pro Arte Quartet

8:00 PM

Collins Hall

Fri, November 22, 2019

UW Jazz Orchestra

5:00-7:00 PM

Rathskeller

Saturday, Nov 23, 2019

Undergrad Audition Day

All day

Sat, November 23, 2019

World Percussion Ensemble

12:00 PM

Music Hall

Sat, November 23, 2019

Brass Ensembles

1:00 PM

??

Sun, November 24, 2019

UW Concert Band with Winds of Wisconsin

5:00 PM

Mead Witter Hall

Mon, November 25, 2019

Chamber Percussion Ensemble

7:30 PM

Mills Hall

Tue, November 26, 2019

Opera Scenes

7:30 PM

Music Hall

Mon, December 2, 2019

Piano Studio Recital

6:30 PM

Collins Hall

Tue, December 3, 2019

Jazz Composers & Contemporary Jazz Ensembles

7:30 PM

Collins Hall

Wed, December 4, 2019

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Jazz Standards Ensemble & Afro-Cuban Jazz

7:30 PM

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Collins Hall

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Thu, December 5, 2019

UW-Madison Symphony Orchestra & UW Wind Ensemble

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7:30 PM

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Mead Witter Hall

Fri, December 6, 2019

Saxophonist Greg Ward with the Blue Note Ensemble and UW jazz faculty

8:00 PM

Collins Hall

Sat, December 7, 2019

UW & Madison Metropolitan Jazz Festival

Final Concert, 3:00 PM

Mead Witter Hall

Sat, December 7, 2019

Choral Union: Ralph Vaughan Williams’s “A Sea Symphony”

8:00 PM

Mead Witter Hall

Sun, December 8, 2019

University Bands

2:00 PM

Mead Witter Hall

Sun, December 8, 2019

Choral Concerts at Luther Memorial Church

2:00 PM

Luther Memorial Church

Sun, December 8, 2019

Choral Concerts at Luther Memorial Church

4:00 PM

Luther Memorial Church

Sun, December 8, 2019

All-University Strings

4:30 PM

Mead Witter Hall

BEGIN 2020

Sun, January 26, 2020

Annual Schubertiade

3:00 PM

Mead Witter Hall

Sat, February 1, 2020

Christopher Taylor and Friends — Beethoven Symphony Extravaganza

8:00 PM

Mead Witter Hall

Wed, February 5, 2020

Daniel Grabois, horn

7:30 PM

Collins Hall

Thu, February 6, 2020

UW Symphony Orchestra

7:30 PM

Mead Witter Hall

Sat, February 8, 2020

The Knights

8:00 PM

Mead Witter Hall

Sun, February 16, 2020

UW Wind Ensemble

2:00 PM

Mead Witter Hall

Monday, February 17, 2020

Chamber Percussion Ensemble

7:30 PM

Mills Hall

Tue, February 18, 2020

Concert Band

7:30 PM

Mead Witter Hall

Thu, February 20, 2020

Parry Karp, faculty recital

7:30 PM

Collins Hall

Fri, February 21, 2020

Marc Vallon & Friends

8:00 PM

Collins Hall

Sunday, Feb 23, 2020

Les Thimmig, faculty recital

2:00 PM

Collins Hall

Sat, April 18, 2020

Low Brass Ensemble

4:00 PM

Mead Witter Hall

Fri, February 28, 2020

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Pro Arte Quartet

8:00 PM

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Collins Hall

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Sat, February 29, 2020

Wingra Wind Quintet

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8:00 PM

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Collins Hall

Fri, February 28, 2020,

University Opera – Mozart’s Così fan tutte

7:30 PM

Music Hall

Sun, March 1, 2020

University Opera – Mozart’s Così fan tutte

2:00 PM

Music Hall

Tue, March 3, 2020

University Opera – Mozart’s Così fan tutte

7:30 PM

Music Hall

Sun, March 1, 2020

Winds of Wisconsin

5:30 PM

Mead Witter Hall

Wed, March 4, 2020

Afro-Cuban Jazz Ensemble & Jazz Composers Group

7:30

Collins Hall

Thu, March 5, 2020

Blue Note Ensemble & Jazz Standards Ensemble

7:30 PM

Collins Hall

Sat, March 7, 2020

UW-Madison Symphony Orchestra with guest pianist Wu Han

8:00 PM

Mead Witter Hall

Sun, March 8, 2020

University Bands

2:00 PM

Mead Witter Hall

Tue, March 10, 2020

Percussion Department Recital

7:30 PM

Collins Hall

Weds March 11, 2020

UW Jazz Orchestra

7:30 PM

Play Circle

Wednesday, March 11, 2020

Wisconsin Brass Quintet – Faculty Concert Series

8:00 PM

Mead Witter Hall

Thu, March 12, 2020

UW Wind Ensemble

7:30 PM

Mead Witter Hall

Fri, March 27, 2020

Le Domaine Musicale with Marc Vallon and Friends

8:00 PM

Collins Hall

Sun, March 29, 2020

Concert Band

2:00 PM

Mead Witter Hall

Sun, April 5, 2020

Beethoven Competition Winners’ Recital

3:30 PM

Collins Hall

Sun, April 5, 2020

“Symphony Showcase” Concerto Winners’ Solo Concert

7:00 PM

Mead Witter Hall

Sat, April 11, 2020

Chorale

8:00 PM

Mead Witter Hall

Fri, April 12, 2019

Perlman Trio Chamber Concert

3:00 PM

Collins Hall

Tue, April 14, 2020

Opera Scenes

7:30 PM

Music Hall

Wed, April 15, 2020

Contested Homes: Migrant Liberation Movement Suite

7:30 PM

Mead Witter Hall

Thu, April 16, 2020

Pro Arte Quartet

7:30 PM

Collins Hall

Fri, April 17, 2020

Combined Choirs

8:00 PM

Mead Witter Hall

Sat, April 18, 2020

Low Brass Ensemble

4:00 PM

Mead Witter Hall

Sat, April 18, 2020

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UW-Madison Choral Reunion concert featuring Concert Choir, Madrigals and alumni

8:00 PM

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Mead Witter Hall

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Mon, April 20, 2020

Afro-Cuban Jazz Ensemble & Blue Note Ensemble

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7:30 PM

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Collins Hall

Tue, April 21, 2020

Jazz Standards Ensemble & Jazz Composers Group

7:30 PM

Collins Hall

Wed, April 22, 2020

Chamber Percussion Ensemble

7:30 PM

Mills Hall

Thu, April 23, 2020

UW Jazz Orchestra with the UW Honors Jazz Band

7:30 PM

Music Hall

Fri, April 24, 2020

Concert Band and Wind Ensemble

7:30 PM

Mead Witter Hall

Sat, April 25, 2020

All-University Strings

2:00 PM

Mead Witter Hall

Sat, April 25, 2020

Choral Union: Giuseppe Verdi’s “Requiem”

8:00 PM

Mead Witter Hall

Sun, April 26, 2020

Choral Union: Giuseppe Verdi’s “Requiem”

7:30 PM

Mead Witter Hall

Sun, April 26, 2020

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University Bands 2 PM Mead Witter Hall

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Classical music: The UW-Madison School of Music will NOT have a complete brochure for the new season. Use the website and sign up for an email newsletter. The 40th Karp Family Labor Day Concert is Sept. 3

August 19, 2019
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By Jacob Stockinger

Summer is almost over and the new concert season is about to begin in just a couple weeks.

Just about all the groups in the Madison area, large and small, have announced their upcoming seasons.

But it you are wondering why the brochure for the hundreds of events that will take place at the University of Wisconsin-Madison’s Mead Witter School of Music hasn’t arrived yet, here is the answer.

There isn’t one this year.

For many years the UW-Madison’s SOM  — as the School of Music is often abbreviated – has issued a handsome season brochure (below) with names and dates, if not always complete programs.

In the past couple of years, the brochure has been particularly informative with background about performers and events at the school as well as about students and alumni.

But due to a variety of factors, there will be no season brochure although there will be a special brochure for the opening weekend on the new Hamel Music Center (below), which is Oct. 25-27.

A variety of reasons has caused the lack of a brochure, says Publicist and Concert Manager Katherine Esposito. But the familiar full-season brochure will return for the 2020-21 season.

It the meantime, Esposito recommends that you go to the Concert and Events calendar, which has been updated and made more user-friendly, on the website for the school of music. It also features information about faculty and staff as well as news about the school. Here is a link:

https://www.music.wisc.edu/events/

On the right hand side is a menu that allows you to view the calendar as a running list or by the month, week or day with maps or photos.

On the left hand side is another menu that allows you to search by musical category (performers and ensemble) as well as concert date, time, venue and admission cost, if any.

Esposito always recommends that you subscribe to the email newsletters. You can see past ones and sign up to receive future ones if you go to this part of the home website: https://www.music.wisc.edu/recent-newsletters/

As usual, the season at the UW-Madison will open with 40th FREE Karp Family Labor Day Concert, which now takes place the day after the holiday, on Tuesday, Sept. 3, at 7:30 p.m. in Mills Hall.

Over four decades, the Karps (below are the brothers pianist Christopher Karp with cellist Parry Karp, who will team up again this year) have never repeated a piece on the the Labor Day concerts.

The program this year includes the sublime Piano Quartet No. 2 in E-Flat Major, K. 493, by Wolfgang Amadeus Mozart (you can hear the first movement with a visual schematic in the YouTube video at the bottom); the late Sonata No. 10 for Violin and Piano in G major, Op. 96, by Ludwig van Beethoven, which has been transcribed by Parry Karp for cello and piano; and lesser known works by Robert Schumann and Antonin Dvorak.

For more about the program and the performers, who include guest violinist Suzanne Beia of the Pro Arte Quartet, the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/


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Classical music: Looking for serious fun? The thoroughly successful opening concerts by the Bach Dancing and Dynamite Society bode well for the upcoming second weekend

June 19, 2019
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By Jacob Stockinger

After 28 summers, going to a concert by the Bach Dancing and Dynamite Society still feels like attending a family reunion – the best kind of family reunion where everyone is familiar and friendly, where everything is fun, and where you always leave glad that you went.

That’s not by chance.

The first thing that co-founders and co-artistic directors Stephanie Jutt and Jeffrey Sykes did last Friday and Saturday nights was to thank the loyal audience. And the audience, full of longtime fans, returned the favor by being attentive to and appreciative of the first-rate music-making as well as responsive to the horseplay and antics – such as the surreal scene of virtuoso Axel Strauss playing “The Skater’s Waltz” on his violin while rollerblading around the stage (below).

BDDS players really mean it when they say that their audiences are in for something different, something they won’t find elsewhere and won’t forget.

Last weekend that meant the return of two longtime guest performers: San Francisco cellist Jean-Michael Fonteneau and Montreal violinist Axel Strauss (below, with pianist Jeffrey Sykes). Neither disappointed as they performed very varied music by Franz Joseph Haydn, C.P.E. Bach, Johannes Brahms, Gabriel Faure, Lili Boulanger, Maurice Ravel and Ned Rorem. And as always, the amazing  pianist Jeffrey Sykes proved a chameleon who blended masterfully into the style of each period and each composer.

But for The Ear, the unexpected standout last weekend was guest accordion player Stas Venglevski from Milwaukee. Born in Russia and trained at the Moscow Conservatory, he is a virtuoso player, a sensitive arranger and a convincing composer – all done with good humor and a charismatic stage presence.

The Ear never thought of the accordion – the Russian bayan, to be specific – as an instrument for chamber music. But he does now, after hearing Venglevski play serious Russian, French and Latin American music that ran the gamut from a graceful waltz and a sprightly polka to torchy tangos. And then there were his flying fingers punching out “The Flight of the Bumblebee,” a real crowd-pleaser.

The large audience responded on both nights with wild applause and a standing ovation every time that Venglevski (below) played, and Jutt promised the audience that he will be back.

“As you can see, we have fun here,” Jutt deadpanned.

She is not exaggerating.

Which bodes well for the second weekend of three that will happen this coming weekend.

The second weekend — two programs in three venues — celebrates Jutt and Sykes, plus two of BDDS’ favorite guest artists: violinist Stephanie Sant’Ambrogio and Madison pianist Thomas Kasdorf.

Kasdorf (below) and Sykes are both featured in a program called “Rock the Sykes-o-delic Kas-bah.” Kasdorf is featured in Brahms’ Horn Trio with guest horn player Karl Kramer Johansen, and in the appealing and accessible Café Concertino by the contemporary Australian composer Carl Vine.

Sykes will perform another chamber transcription of a Classical-era symphonic work, which over the years has become a welcome specialty of BDDS. In this case it is Wolfgang Amadeus Mozart’s snappy and appealing Piano Concerto No. 9 in E-flat Major, K. 271, the “Jeunehomme” concerto. (You can hear the irresistible last movement of the piano concerto, used in the film “Amadeus,” in the YouTube video at the bottom.) Sykes will also perform in Robert Schumann’s “Fairy Tales” for clarinet and viola.

A Madison native, cellist Alison Rowe (below) — an artist from the Dynamite Factory, which is BDDS’ program for emerging talent — will be featured in the Sonata for Cello and Piano in D Major by Johann Sebastian Bach.

“Rock the Sykes-o-delic Kas-bah” will be performed at the Stoughton Opera House on Friday, June 21, at 7:30 p.m. Braisin’ Hussies Food Cart will be parked outside the Opera House prior to the performance. The program will also be performed in Spring Green at the Hillside Theater, Sunday, June 23, at 2:30 p.m.

Jutt (below top) and Sant’Ambrogio (below bottom, in a photo by Stephanie Ann Boyd) worm their musical way into the most unexpected places in the other program, “Steph Infection.” The Nocturne for flute, violin, horn and piano of Franz Doppler opens the program, which continues with Jutt’s own arrangement of Antonin Dvorak’s popular “American” String Quartet, with a flute substituting for one of the two violins.

Dmitri Shostakovich’s Five Pieces for flute, clarinet and piano add spice to the program, and the evening concludes with Ernst von Dohnanyi’s epic Sextet for clarinet, horn, violin, viola, cello and piano. A work that ranges from stormy and turbulent to tender and funny, it features an all-star cast including audience favorite clarinetist Alan Kay, horn player Karl Kramer Johansen, violist Carol Cook (principal at the Lyric Opera of Chicago), and Madison’s own cellist of the UW-Madison’s Pro Arte Quartet, Parry Karp (below).

“Steph Infection” will be performed at The Playhouse, Overture Center for the Arts, Saturday, June 22, at 7:30 p.m.; and in Spring Green at the Hillside Theater, Sunday, June 23, at 6:30 p.m.

And of course there could also be some unannounced surprises – more door prizes, perhaps a mystery guest, or more shenanigans and antics that correspond to the “Name Dropping” pun theme of the programs.

For tickets ($43-$49) and more information, go to: https://bachdancing.org


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Classical music: Here are short takes about some chamber music, orchestral music and choral music concerts for this week, starting TODAY

April 7, 2019
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By Jacob Stockinger

It is another very busy week in Madison for classical music. Here are some short takes about various concerts, starting today and running through the week.

TODAY

Today — Sunday, April 7 — at 12:30 p.m., longtime chamber music partners UW-Madison cellist Parry Karp and UW-Oshkosh pianist Eli Kalman (below) will perform a FREE all-French recital at the Chazen Museum of Art in Brittingham Gallery 3. The concert  is part of the regular monthly series Sunday Afternoon Live at the Chazen.

The concert will also be STREAMED LIVE starting at 12:30 p.m.

For a streaming portal and details about the program, go to:

https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen31/

TUESDAY

On Tuesday night, April 9, at 7:30 p.m. in Music Hall, at the foot of Bascom Hill, students in the UW-Madison Opera Workshop class perform a variety of scenes from opera and musical theater, staged and with piano accompaniment.

Sorry, but there are no details available about the composers, opera or scenes.

WEDNESDAY, APRIL 10

On Wednesday night, April 10, at 7:30 p.m. in the Middleton Performing Arts Center that is attached to Middleton High School, 2100 Bristol Street, the largely amateur but critically acclaimed Middleton Community Orchestra (below) will perform.

The program, under guest conductor Kyle Knox, features the Symphony No. 2 in D Major by Ludwig van Beethoven and “The Wand of Youth” Suites by Sir Edward Elgar. (You can hear the opening of the Beethoven symphony in the YouTube video at the bottom.)

The box office opens at 6:30 p.m. and the auditorium opens at 7 p.m.

A meet-and-greet reception follows the concert.

Tickets are $15 for the general public. Admission is FREE to students.

For more information, including how to purchase tickets in advance and how to support the orchestra, go to:

http://middletoncommunityorchestra.org/concert_information

FRIDAY

On Friday, April 12, at 8 p.m. in Mills Hall, the UW Chorale will perform a FREE concert under conductor Bruce Gladstone.

Sorry, no details are available about the program.

SATURDAY

On Saturday, April 13, at 8 p.m. in Mills Hall, a FREE concert by UW-Madison Combined Choirs will be performed. The event features the Masters Singers, the University Chorus and the Women’s Chorus (below).

Sorry, there are no details available about the program.


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Classical music: Two FREE chamber music concerts on Thursday and Friday nights at the UW-Madison feature quartets and quintets by Mozart, Boccherini, Schubert, Dvorak and Weinberg

March 26, 2019
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By Jacob Stockinger

Chamber music fans have something special to look forward to this week with back-to-back evening concerts at the University of Wisconsin-Madison’s Madison’s Mead Witter School of Music that mix famous and well-known works with less familiar ones.

THURSDAY NIGHT

On Thursday night at 7:30 p.m. in Mills Hall, the Pro Arte Quartet will perform.

The program features six miniature “Evening Songs”  (1865) – also called “Cypresses” — by Antonin Dvorak; the String Quartet No. 5 in B-Flat Major (1945) by Mieczyslaw Weinberg; and the String Quartet in B-Flat Major “Hunt,” K. 458 (1784), by Wolfgang Amadeus Mozart. (You can hear one of Dvorak’s “Cypresses” in the YouTube video at the bottom.)

Members of the Pro Arte Quartet (below, from left, in a photo by Rick Langer) are: violinists David Perry and Suzanne Beia; violist Sally Chisholm; and cellist Parry Karp.

For more information about the unique and dramatic history of the critically acclaimed Pro Arte Quartet, the longest active string quartet in the history of music, go to:

https://www.music.wisc.edu/event/pro-arte-quartet/

FRIDAY NIGHT

On Friday night at 7:30 p.m. in Mills Hall, UW-Madison cellist Uri Vardi (below) will be joined by several faculty colleagues, one of his students and his son for an evening of three quintets.

In addition to Uri Vardi, the performers include: clarinetist Amitai Vardi (below); pianist Christopher Taylor; violinists David Perry and Soh-Hyun Park Altino; violist Sally Chisholm; cellist James Waldo; and double bassist David Scholl.

The program includes: the Quintet in C major, assembled from other quintets by Johann Lauterbach, by Luigi Boccherini, a contemporary of Mozart; the famous Clarinet Quintet in A Major, K. 581, by Wolfgang Amadeus Mozart and the well-known “Trout” Quintet by Franz Schubert.

For more background, go to: https://www.music.wisc.edu/event/uri-vardi-quintets-students-friends-and-family/


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