The Well-Tempered Ear

Classical music: Thursday night brings FREE concerts of orchestral, wind and piano music at the UW-Madison – including recognition of construction workers who built the new Hamel Music Center

December 4, 2019
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By Jacob Stockinger

This is an extraordinarily busy week for classical music, as the past week of postings has demonstrated.

But there is always room for more, especially at the University of Wisconsin Mead Witter School of Music as the semester winds down.

Take the concerts on this Thursday, Dec. 5.

UW SYMPHONY ORCHESTRA and UW WIND ENSEMBLE

At 7:30 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Avenue, the UW-Madison Symphony Orchestra (below top, in Mills Hall) and the UW Wind Ensemble (below bottom) will join forces for a FREE concert.

The concert will be under the two groups’ directors and main conductors — Oriol Sans (below top) and Scott Teeple (below bottom), respectively.

The program features the Symphony “Circus Maximus” – which ends with a blank gunshot — by the contemporary American composer John Corigliano (below top); “Fratres” (Brothers) by the popular 84-year-old Estonian composer Arvo Pärt with UW violin professor Soh-Hyun Park Altino (below bottom, in a photo by Caroline Bittencourt) as soloist; and “The Pines of Rome” by Italian composer Ottorino Respighi.

You can hear “Fratres” in the YouTube video at the bottom.

Billed as a “Builder Appreciation Concert” for those men and women who worked on constructing the new Hamel Music Center, there is also a pre-concert reception starting at 6:30 p.m.

Admission is free and no tickets are required.

PIANO DEPARTMENT RECITAL

Also on this Thursday, the UW-Madison piano department with present a collective recital.

It takes place from 6:30 to 8 p.m. in the smaller Collins Recital Hall of the Hamel Music Center.

So far, no performers or pieces on the program have been listed on the School of Music’s website.

 


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Classical music: A FREE concert of stripped down Opera Scenes takes place this Tuesday night at UW-Madison

November 25, 2019
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By Jacob Stockinger

It has been a busy week for students and staff in the opera program at the University of Wisconsin-Madison Mead Witter School of Music.

Last week saw three sold-out and critically acclaimed performances of Benjamin Britten’s opera “A Midsummer Night’s Dream.” Here is a review: https://welltempered.wordpress.com/2019/11/23/classical-music-university-opera-succeeded-brilliantly-by-staging-brittens-a-midsummer-nights-dream-as-a-pop-project-of-andy-warhol-and-the-factory-in-the-1960s/

This week – on Tuesday night, Nov. 26, at 7:30 p.m. in Music Hall (below) at the foot of Bascom Hill – the UW-Madison Opera Workshop will present a concert that presents a series of stripped down, quasi-staged opera scenes. There is piano accompaniment instead of an orchestra, and sometimes a prop with the suggestion of a costume instead of full costumes and full sets. 

Admission is FREE to the public and no tickets are required.

David Ronis (below top, in a photo by Luke Delalio) and Mimmi Fulmer (below bottom) are the directors, and Ben Hopkins is the Teaching Assistant

No specific roles, arias or works are listed.

But the program features scenes from: “Werther” by the French composer Jules Massenet; “Fidelio” by Ludwig van Beethoven; “Little Women” by  American composer Mark Adamo (below top); “Eugene Onegin” by Russian composer Peter Ilyich Tchaikovsky; “A Little Night Music” by American Broadway composer Stephen Sondheim; “Dead Man Walking” by American composer Jake Heggie (below bottom); and “Hansel and Gretel” by German composer Engelbert Humperdinck.


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Classical music: A busy week at the UW-Madison brings FREE concerts in new halls with an emphasis on new music for winds, chamber ensembles, orchestra and band

October 6, 2019
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ALERT: Tonight’s performance by the a cappella vocal group Chanticleer is SOLD OUT.

By Jacob Stockinger

It’s going to be a busy week at the University of Wisconsin-Madison Mead Witter School of Music and especially in its new Hamel Music Center (below), 740 University Ave., next to the new wing of the Chazen Museum of Art.

On tap is a variety of FREE concerts, with an emphasis on new music, including compositions for winds, chamber ensembles, orchestra and band.

Earlier mistakes on dates and time have been corrected. To double check dates, times and venues as well programs, go to: https://www.music.wisc.edu/events/

Here is a schedule:

TUESDAY, OCT. 8

At 7:30 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble (below), conducted by director Scott Teeple and guest conductor Ross Wolf, will perform a FREE program of contemporary wind music.

The program includes works by Augusta Read Thomas (below top), Jake Runestad, Larry Tuttle, Xi Wang (below bottom) and Carlos Simon.

There will be one world premiere and two Wisconsin premieres.

For more information and the complete program, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-5/

THURSDAY, OCT. 10

At 8 p.m. in Collins Recital Hall of the new Hamel Music Center, the Contemporary Chamber Ensemble will perform a FREE recital of new music, including two works — “Wet Ink” and ” Treetop Studio” — by the critically acclaimed UW-Madison composer Laura Schwendinger (below).

Also on the “Fall Notes” program are “Wing and Prayer” by Melinda Wagner (below top) and “Pentacle” by Irish composer Raymond Deane (below bottom) who will make his UW-Madison debut.

Performers for “Fall Notes” will feature UW-Madison musicians, including clarinetist Alicia Lee, cellist James Waldo, violist Sally Chisholm, pianist Christopher Taylor and student performers.

FRIDAY, OCT. 11

At 8 p.m. in the Mead Witter Foundation Concert Hall, the UW-Madison Symphony Orchestra (below) will open its season with a FREE concert under its new conductor Oriol Sans, a native of Catalonia, Spain, who studied at the Barcelona Conservatory and  who came to Madison from the University of Michigan at Ann Arbor.

The program is: “aequilibria” by contemporary Icelandic composer Anna Thorvaldsdottir (heard in the YouTube video at the bottom); “Death and Transfiguration; by Richard Strauss; and “Symphonic Dances” by Sergei Rachmaninoff.

For more information about conductor Oriol Sans (below), go to: https://www.music.wisc.edu/oriol-sans/

For more information, from Wikipedia, about composer Anna Thorvaldsdottir (below), go to: https://en.wikipedia.org/wiki/Anna_S._Þorvaldsdóttir

SUNDAY, OCT. 13

At 2 p.m., in the Mead Witter Foundation Concert Hall, the University Bands will perform a FREE concert under conductor Darin Olson (below), the assistant director of bands at the UW-Madison.

No program is available.


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Classical music: The Bach Dancing and Dynamite Society again brings its surefire summery approach to serious classical chamber music when it starts its 28th annual series this weekend

June 11, 2019
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By Jacob Stockinger

It’s not just the calendar that makes the Bach Dancing and Dynamite Society the official start of the increasingly busy summer classical musical season in Madison.

The real reason is that the summer chamber music series, about to start its 28th annual summer this Friday night, June 14, is downright summery in its approach.

Say “summer,” and you think of lightness, of fun, of playfulness. And those are the very same qualities – along with serious, first-rate performances of great music by outstanding musicians – that BDDS brings to its six programs spread out in 12 concerts over three weekends and three venues during the month of June.

By now both the performers (below, in a photo by Dick Ainsworth for BDDS) and the audiences know that the formula works, however finely tuned or slightly changed it is from one summer to the next.

WHAT’S THE SAME

This year much remains.

There are still door prizes, spoken introductions and stories, mystery guests and a colorful art installation by UW-Madison designer Carolyn Kallenborn.

The titles of the six programs for 12 concerts over three weekends still have groan-inducing puns — “Name Dropping” in the theme for this summer — that are based on the musicians’ names like “Founteneau of Youth” after the San Francisco cellist Jean-Michel Fonteneau (below top) and “Quadruple Axel” after the Montreal-based violin virtuoso Axel Strauss (below bottom).

There are still the usual venues: the Playhouse in the Overture Center (below top); the Stoughton Opera House (below middle); and the Hillside Theater at Taliesin, the Frank Lloyd Wright compound in Spring Green.

There are still the many distinguished and accomplished musicians among the many imported guest artists and the many local musicians, including the co-founders and co-artistic directors flutist Stephanie Jutt and pianist Jeffrey Sykes (below). The Ear can’t recall ever hearing a bad BDDS performance, even of music he didn’t like.

And there is a mix of older well-known and classic repertoire along with newer and neglected composers and works.

WHAT’S NEW

But some things are different too.

The first concert this Friday will have a post-concert reception with free champagne and dessert to celebrate the 28th season.

This summer, unlike recent ones, there is no vocal music. All music is instrumental.

At both Stoughton and Spring Green, you can get food. Go to the home website for details.

Especially new and noteworthy is that the Russian virtuoso accordion player Stas Venglevski (below), from Milwaukee, will also perform on programs. Venglevski performs on the bayan, a Russian-style accordion noted for its deep bass sound and range and purity of tone.

Venglevski will be featured in works that range from polkas and heart-on-the-sleeve tangos by Argentinian composer Astor Piazzolla, Cuban composer Ernesto Lecuona and Russian composer Igor Stravinsky; down-and-dirty original works by Russian master Tatyana Sergeyeva and arrangements of favorite pieces by Johann Sebastian Bach and others.

This Wednesday night, June 12, from 7 to 9 p.m., Venglevski and Jutt will perform “Bayan-o-rama” at the Arts and Literature Lab, 2021 Winnebago Street. Tickets are $10 at the door. Refreshments will be served.

Here is a summary of the first weekend:

WEEK ONE

The elegance, charm, and finesse of French cellist Jean-Michel Fonteneau is displayed in a program called “Fonteneau of Youth.”

It includes music written by great composers in their youth, including the ravishing Elegy for cello and piano of French composer Gabriel Fauré; the rhythmically exciting Trio for flute, cello and piano of living American composer Ned Rorem; and the astonishing D’un soir triste (One Sad Evening) and D’un matin de printemps (One Spring Morning), both for piano trio, of 21-year old Lili Boulanger (below), who was the Prix de Rome-winning composer sister of famed teacher Nadia Boulanger and who died very young. (You can hear both pieces by Lili Boulanger in the YouTube video at the bottom.)

The great Franz Joseph Haydn—always the most youthful of composers, even into his late years—is represented by the masterful Piano Trio no. 28 in E major, in honor of BDDS’ 28th season.

“Fonteneau of Youth” will be performed at The Playhouse in the Overture Center for the Arts on this Friday, June 14, at 7:30 p.m. A free champagne and dessert reception will be held following the performance to celebrate the 28th season opener. It will also be performed in Spring Green at the Hillside Theater on Sunday, June 16, at 2:30 p.m.

Audience favorite Axel Strauss—not just a virtuoso violinist, but a virtuoso musician and artist of the highest distinction—will brave gravity-defying musical heights in “Quadruple Axel.” Carl Philipp Emanuel Bach’s Trio Sonata in D minor for violin, flute, cello and piano starts the program on an elegant note. Johannes Brahms’ fiery Piano Trio No. 3 in C minor, Op. 101, raises the temperature significantly. And all sorts of hijinks are on display in Maurice Ravel’s extraordinary and ravishing Sonata for Violin and Piano.

“Quadruple Axel” will be performed at The Playhouse in the Overture Center for the Arts on Saturday, June 15, at 7:30 p.m. and in Spring Green at the Hillside Theater, Sunday, June 16, at 6:30 p.m.

For more information about the full BDDS season and how to purchase tickets ($43 and $49), go to: https://bachdancing.org


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Classical music: Here are short takes about some chamber music, orchestral music and choral music concerts for this week, starting TODAY

April 7, 2019
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By Jacob Stockinger

It is another very busy week in Madison for classical music. Here are some short takes about various concerts, starting today and running through the week.

TODAY

Today — Sunday, April 7 — at 12:30 p.m., longtime chamber music partners UW-Madison cellist Parry Karp and UW-Oshkosh pianist Eli Kalman (below) will perform a FREE all-French recital at the Chazen Museum of Art in Brittingham Gallery 3. The concert  is part of the regular monthly series Sunday Afternoon Live at the Chazen.

The concert will also be STREAMED LIVE starting at 12:30 p.m.

For a streaming portal and details about the program, go to:

https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen31/

TUESDAY

On Tuesday night, April 9, at 7:30 p.m. in Music Hall, at the foot of Bascom Hill, students in the UW-Madison Opera Workshop class perform a variety of scenes from opera and musical theater, staged and with piano accompaniment.

Sorry, but there are no details available about the composers, opera or scenes.

WEDNESDAY, APRIL 10

On Wednesday night, April 10, at 7:30 p.m. in the Middleton Performing Arts Center that is attached to Middleton High School, 2100 Bristol Street, the largely amateur but critically acclaimed Middleton Community Orchestra (below) will perform.

The program, under guest conductor Kyle Knox, features the Symphony No. 2 in D Major by Ludwig van Beethoven and “The Wand of Youth” Suites by Sir Edward Elgar. (You can hear the opening of the Beethoven symphony in the YouTube video at the bottom.)

The box office opens at 6:30 p.m. and the auditorium opens at 7 p.m.

A meet-and-greet reception follows the concert.

Tickets are $15 for the general public. Admission is FREE to students.

For more information, including how to purchase tickets in advance and how to support the orchestra, go to:

http://middletoncommunityorchestra.org/concert_information

FRIDAY

On Friday, April 12, at 8 p.m. in Mills Hall, the UW Chorale will perform a FREE concert under conductor Bruce Gladstone.

Sorry, no details are available about the program.

SATURDAY

On Saturday, April 13, at 8 p.m. in Mills Hall, a FREE concert by UW-Madison Combined Choirs will be performed. The event features the Masters Singers, the University Chorus and the Women’s Chorus (below).

Sorry, there are no details available about the program.


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Classical music: WQXR radio names 19 musicians to watch in ’19. What do you think of the choices? Who would you add?

January 28, 2019
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By Jacob Stockinger

What will 2019 bring in the way of classical music?

What and who should we be looking at and paying attention to?

WQXR — the famed classical radio station in New York City – recently published its list of 19 to watch in ‘19, with detailed reasons for and explanations of their picks.

It seems like a pretty good choice to The Ear, although there is always something of a parlor game aspect to such projects.

Nonetheless, the list covers a fine variety – instrumentalists and vocalists, young and old, American and international, the well-known and the up-and-coming such as the opera singer Devone Tines (below, in a photo by Nikolai Schukoff).

Some names will be familiar to Madison audiences – such as pianist Inon Barnatan, violinist Nicola Benedettti, the JACK Quartet and cellist Steven Isserlis — especially through their live appearances at the Wisconsin Union Theater, the University of Wisconsin-Madison’s Mead Witter School of Music and the Madison Symphony Orchestra plus broadcasts on Wisconsin Public Radio.

Here is a link to the list: https://www.wqxr.org/story/wqxr-presents-19-19-artists-collaborations-upcoming-year/

The Ear can think of some other musicians that he would add to the list.

An especially deserving one of them is the young American virtuoso pianist George Li (below, in a photo by Simon Fowler).

Born in China and brought as a child to the United States by his parents, Li attended Harvard and just finished his master’s degree from the New England Conservatory of Music. (At the bottom, you can hear Li play virtuosic music by Liszt and Horowitz in the YouTube video of a Tiny Desk Concert at National Public Radio or NPR.)

Li won the silver medal in the 2015 at the 15th Tchaikovsky International Competition in Moscow and had a lot of people talking about the energy and excitement of his playing. He was praised for both outstanding technical prowess and deep expressiveness.

He then took first prize at a piano competition in Paris.

Ever since, he has been steadily booked. At 23, the amiable Li has already toured China, Japan and Russia and seems to have a very busy schedule ahead of him, judging by his posts on Instagram.

He has also released his first recording on the Warner Classics label, a fine CD that received many positive reviews from critics, including this one.

The program includes Haydn’s Sonata in B minor, Chopin’s Sonata No. 2 in B-flat Minor “Funeral March,” Rachmaninoff’s “Variations on a Theme of Corelli,” and Consolation No. 3 and the popular Hungarian Rhapsody No. 2 by Franz Liszt.

Given all the concertos he is now performing, it would not surprise one to see his next recording be a concerto, possibly the Tchaikovsky Piano Concerto N. 1 in B-flat minor, Op. 23, which brought him instant acclaim.

Here is a link to his website: http://www.georgelipianist.com

And here is a link to his entry in Wikipedia: https://en.wikipedia.org/wiki/George_Li

Keep your ears and eyes on George Li.

What do you think of the choices made by WQXR?

Who would you add to the list of musicians to watch in 2019, and why?

If possible, maybe you can include a YouTube link to a performance, live or recorded, in your comment.

The Ear wants to hear.


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Classical music: A busy week at the UW-Madison brings an early opera and an all-Bernstein brass and winds program plus orchestral and choral concerts that will be LIVE-STREAMED

November 14, 2018
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By Jacob Stockinger

A busy week brings an early opera plus orchestral and choral concerts with live streaming to the UW-Madison’s Mead Witter School of Music.

Here are details:

On Thursday and Saturday nights, the UW-Madison Mead Witter School of Music will LIVE STREAM concerts by the UW Symphony Orchestra and the UW Concert Choir.

“We plan to do more live streaming of ensemble groups,  especially large ones, and of non-ticketed events,” says concert manager Katherine Esposito. “It is more and more becoming the norm for music schools.”

Here is the all-purpose Live Streaming link where you can see what events will be live-streamed: https://www.music.wisc.edu/video/

At 7:30 p.m. on Thursday night, Nov. 15, in Mills Hall, the UW Symphony Orchestra (below top) will perform a FREE concert under director Chad Hutchinson (below bottom).

The program is American composer Jennifer Higdon’s “Blue Cathedral” and the Symphony No. 5 by Peter Ilyich Tchaikovsky.

For information about the program and the concert, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-2/

On Saturday night, Nov. 17,  at 8 p.m. in Mills Hall, the Concert Choir (below) will perform a FREE concert featuring the “Hymn to St. Cecilia” by British composer Benjamin Britten and “Lamentations of the Prophet Jeremiah” by Argentinian composer Alberto Ginastera as well as works by several other composers.

Conductors will be Beverly Taylor (below), the director of choral activities at the UW-Madison, and graduate student Michael Johnson.

For details about the program and individual performers, go to: https://www.music.wisc.edu/event/uw-concert-choir-2/

On Friday night, Nov. 16, at 7:30 p.m. in Music Hall there is the first of three performances by the University Opera of Italian baroque composer Claudio Monteverdi’s “The Coronation of Poppea,” directed by David Ronis (below, in a photo by Luke Delalio).

Other performances are on Sunday afternoon, Nov. 18,  at 2 p.m. and Tuesday night, Nov. 20, at 7:30 in Music Hall. (Sorry, no photos of the UW production. But you can hear a famous duet from another professional production in the YouTube video below.)

Tickets are $25 for adults, $20 for seniors and $10 for students.

Chad Hutchinson will conduct the orchestra.

For more information about the plot of the opera, comments by the two singers playing Emperor Nero, the production and tickets, go to: https://www.music.wisc.edu/event/university-opera-monteverdis-the-coronation-of-poppea/

And here is a link to a press release about the opera: https://www.music.wisc.edu/2018/10/09/university-opera-poppea2018/

On Sunday night, Nov. 18, at 7 p.m. in Mills Hall, the UW Brass Ensemble and the Winds of Wisconsin join forces under conductor Scott Teeple for an FREE all-Leonard Bernstein (below) program. For details, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-and-winds-of-wisconsin-joint-concert/


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Classical music: UW oboist Aaron Hill performs world premieres and little known composers in a FREE recital Sunday afternoon

October 20, 2017
1 Comment

By Jacob Stockinger

This is Homecoming weekend at the University of Wisconsin-Madison, and it is busy on many counts, including several classical music concerts in the city on Sunday afternoon.

But one of the more intriguing is a FREE recital at 3 p.m. in Mills Hall by UW-Madison Professor Aaron Hill (below), who teaches oboe and also performs in the Wingra Woodwind Quintet.

Hill will be joined by collaborative pianist Daniel Fung (below), who is also a vocal coach at the Mead Witter School of Music at the UW-Madison.

Particularly noteworthy is the number of world premieres and relatively unknown contemporary composers on the program.

Here is the program:

“Poem,” for oboe and piano (1953) by Marina Dranishnikova (1929-1994, below). (You can hear it in the YouTube video at the bottom.)

Oboe Sonata (1947) by Jean Coulthard (1908-2000)

  1. Gently Flowing
  2. Sicilienne
  3. Allegro

Intermission

* Soliloquies (2013) by Andre Myers (b. 1973)

  1. To be or not to be
  2. There’s Rosemary, that’s for remembrance
  3. In the Month of May
  4. Spring Discourse

   * world premiere performance

* After Manchester (2017) Aaron Hill and Michael Slon (b. 1982 and 1970, respectively) * world premiere performance

Four Personalities (2007) Alyssa Morris (b. 1984)

  1. Yellow
  2. White
  3. Blue
  4. Red

Here are some program notes by Aaron Hill:

“This program highlights five different ways to program previously unfamiliar music, as explained below.

“Poem” by Marina Dranishnikova came to me through our local community. Oliver Cardona, currently a junior music major at UW-Madison, initially brought it to my attention. The work was discovered and edited by my predecessor, Professor Marc Fink (below), during his travels in Russia.

I first heard the Oboe Sonata by Jean Coulthard (below) at the 2017 International Double Reed Society conference at Lawrence University  in Appleton, Wis.

Charles Hamann, the principal oboist of the National Arts Centre Orchestra in Ottawa, edited and recorded it as part of a large project to bring international attention to masterpieces by Canadian composers.

Andre Myers (below) attended the University of Michigan with me and we first became acquainted when I performed one of his orchestral works. His beautiful writing for English horn started our friendship and 15 years later, he wrote his Soliloquies for me.

The first two are based on famous scenes from Shakespeare’s “Hamlet.” The third is based on a poem by Minnesota’s first poet laureate, Robert Bly, which will be read aloud from the stage. The final movement is inspired by a dream vision he had of centaurs playing in a meadow.

“After Manchester” was originally a free improvisation I recorded and posted to social media in the wake of the terror attack at Ariana Grande’s concert on June 4, 2017.

Later in the summer, Professor Michael Slon (below), the Director of Choral Activities at the University of Virginia, transcribed my improvisation and wrote a piano part to transform it into a piece of chamber music. The work was completed just days before the violent events in Charlottesville.

Professor Alyssa Morris (below) currently teaches oboe at Kansas State University and her compositions have become widely performed as standard literature for oboists in recent years.

She wrote “Four Personalities” to perform in her own undergraduate recital at Brigham Young University and I first heard it while searching for oboe music on YouTube. The piece is based on the Hartmann Personality Test.

In her words, the colors correspond to the following types:

Yellow: Yellow is fun-loving. The joy that comes from doing something just for the sake of doing it is what motivates and drives yellow.

White: White is a peacekeeper. White is kind, adaptable, and a good listener. Though motivated by peace, white struggles with indecisiveness. 

Blue: Blue brings great gifts of service, loyalty, sincerity, and thoughtfulness. Intimacy, creating relationships, and having purpose is what motivates and drives blue.

Red: Motivated by power. Red is aggressive and assertive. Red is visionary, confident, and proactive. 


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