The Well-Tempered Ear

Classical music: Who are the greatest classical composers? And how do you decide?

November 24, 2018
6 Comments

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ALERT: The Madison Symphony Orchestra’s holiday tradition of the “Community Carol Sing,” with organist Greg Zelek, is FREE and open to the public of all ages. It takes place in Overture Hall at 7 p.m. this Monday night, Nov. 26. No tickets or reservations are needed for the hour-long Carol Sing. For more information, including a list of the carols on the program, go to: https://madisonsymphony.org/event/free-community-carol-sing/

By Jacob Stockinger

Who are the greatest composers of classical music?

Who are the most influential composers?

And which composer is the greatest of all time?

Just as important, how do you decide? How do you pick them and make your choice?

And finally, should such choices matter?

You could ask Anthony Tommasini (below), senior classical music critic for The New York Times  — who came to the UW-Madison during the Pro Arte Quartet centennial several years ago and lectured in the Wisconsin Union Theater — who has just published a new book about those very questions.

The new book is “The Indispenable Composers: A Personal Guide” (below) and is published by Penguin Books. (It could make a nice holiday gift for a classical music fan.)

In a recent story, Tommasini – who readily admits to the project being very much a subjective game – discussed the process, which comes in the wake of his publishing a two-week project in 2011 when he named the 10 greatest composers of all time.

This time he uses (below, from left) Gustav Mahler, Ludwig van Beethoven and Edvard Grieg as test cases for asking: Who is a great composer, and how do you know or decide what makes a composer great?

The Ear doesn’t agree with all the results, but he found it a fascinating and thought-provoking discussion, and figures you might too:

Here is a link: https://www.nytimes.com/2018/11/02/arts/music/anthony-tommasini-classical-music.html

Read the overview story, and then leave word if you agree with Tommasini about the greatest of all composers. (A clue is in the YouTube video at the bottom.)

Which composers would you include that he didn’t?

Who did he include whom you wouldn’t?

And let’s play along: Which composers would be on your own personal list of the Top 5 or Top 10 indispensable composers? And in what order?

Have fun!

And, pro or con, don’t be shy in saying what you think. The more controversial and stronger the opinion and the words, the better.

The Ear wants to hear.

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Classical music: Farley’s underappreciated Salon Piano Series shines again with duo-pianists Robert Plano and Paola Del Negro

September 29, 2017
1 Comment

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT-FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.

By John W. Barker

Roberto Plano appeared last season in a four-piano concert in the Salon Piano Series at Farley’s House of Pianos. This year, to open the 2017-18 season in the same series on last Sunday afternoon, the Boston-based pianist brought along his pianist wife, Paola Del Negro, for a duo program of utter fascination. (They are below.)

The first half of the program was devoted to music for piano-four hands, the duo alternating between primo and secondo parts. Robert Schumann’s six “Pictures From the East,” Op. 66, are examples of the composer’s important duo output.

Burgmein was the pen name of the covert composer better known as the influential music promoter and publisher Giulio Ricordi (below). His set of six duet pieces evoking characters from the Italian Renaissance Commedia dell’Arte tradition followed.

Then came two of the Hungarian Dances (No. 2 and 5) by Johannes Brahms in their original piano-duo form. (You can hear them play Hungarian Dances by Brahms in the YouTube video at the bottom.)

Ending the program’s first half was one of its biggest hits. After composing the great orchestral cycle of six patriotic scenes called “My Country,” Bedrich Smetana (below) made four-hand piano arrangements of each. Plano and Del Negro played that for the popular “Moldau.” This arrangement managed to capture a good deal of the orchestral original’s coloristic and dramatic effects, and was played with particular power.

The entire second half was devoted exclusively to a major work by Brahms, his Sonata for Two Pianos, Op. 34b. This work was created first as a string quintet, then later discarded. But the two-piano version (below) was superseded by Brahms’ transformation of its material into a Quintet for Piano and Strings (reckoned as plain Op. 34).

The Quintet — which, by the way will be performed by the UW’s Pro Arte Quartet in the Salon Series next March — is, of course, one of the composer’s masterpieces. But the Two-Piano Sonata survives on its own merits. The parallel material is presented cogently, all of it redistributed in consistently keyboard terms, as against the mixed media of the Quintet.

The duo played it with the necessary Brahmsian burliness and power, and on Farley’s wonderful vintage pianos it sounded simply magnificent.

As an encore, the duo played a two-piano arrangement of an energetic tango piece by Astor Piazzolla, but then followed with another, in this case, an eight-hand piano trifle in which the Plano-Del Negro duo were joined as parents by their two young daughters (below). The audience could hardly resist that!

Plano and Del Negro are great discoveries. And once again, the Salon Piano Series has shown itself as one of the exciting, if too-little-known of Madison’s musical treasures.

For more information about the Salon Piano Series and its upcoming concerts, go to: http://salonpianoseries.org


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