ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison 900 University Bay Drive, features the ensemble New Muse with Danielle Breisach, flute; Peter Miliczky, violin; Joshua Dieringer, viola; Ben Bauer, cello; and Yana Avedyan, piano, in new music by Nathan Froebe, Benjamin Boyajian, and Jonathan Posthuma. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
That where the Pro Arte will perform Sir Edward Elgar’s “Introduction and Allegro” with the Middleton High School Orchestra (below) under conductor Steve Kurr, who also conducts the Middleton Community Orchestra. (You can hear the Elgar piece in the YouTube video at the bottom.)
The FREE and UNTICKETED concert is this Thursday night from 7:30 to 9 p.m. in the Middleton Performing Arts Center that is attached to the high school, 2100 Bristol Street.
Conductor Steve Kurr says this about the program:
“Also on the program are the three winners of this year’s Concerto-Aria competition: Marimbist Alex Warholic plays the first movement of the Violin Concerto in A Minor by Johann Sebastian Bach; soprano Chloe Cole sings “V’adoro pupille” from the opera “Julius Caesar:” by George Frideric Handel; and violinist Rachael Lee performs the “Introduction and Rondo Capriccioso” by Camille Saint-Saens.
“The concert begins with two works performed by the MHS Honors Wind Ensemble.
“The Elgar is such a great work, and underperformed. The Pro Arte musicians are such great inspirations to our high school musicians.”
By Jacob Stockinger
The fourth annual Schubertiade – a concert to mark the birthday of the Austrian early Romantic composer Franz Schubert (below top, 1797-1828) – is now a firmly established tradition at the University of Wisconsin-Madison School of Music (below bottom, in Mills Hall, which is rearranged for more intimate and informal on-stage seating.)
Over the past there years, the Schubertiade has become a popular and well-attended event. And with good reason.
Every time The Ear has gone, he has enjoyed himself immensely and even been moved by the towering and prolific accomplishments, by the heart-breaking beauty of this empathetic and congenial man who pioneered “Lieder,” or the art song, and mastered so many instrumental genres before g his early death at 31.
But there are some important changes this year that you should note.
One is that the time has been shifted from the night to the afternoon – specifically, this Sunday afternoon at 3 p.m. in Mills Hall.
Admission is $15 for adults, $5 for students. (Below is this year’s poster, mistaking this year’s event of the third, with a painting by Gustav Klimt of Schubert playing piano at a salon musicale.)
After the concert, there is another innovation: a FREE reception, with a cash bar, at the nearby University Club. There you can meet the performers as well as other audience members.
The program, organized by pianist-singers wife-and-husband Martha Fischer and Bill Lutes (below), will last a little over two hours.
Usually there is a unifying theme. Last year, it was nature.
This year, it is friends Schubert knew and events that happened to him. It is called “Circle of Friends” and is in keeping with the original Schubertiades, which were informal gatherings (depicted below, with Schubert at the keyboard) at a home where Schubert and his friends premiered his music.
Performers include current students, UW-Madison alumni and faculty members. In addition, soprano Emily Birsan, who is a graduate of the UW-Madison and a rising opera star, will participate.
For more about the event, the performers and how to purchase tickets, go to:
Here is a complete list of performers and the program with the initials of the perfomer who will sing the pieces:
Emily Birsan (EB), Rebecca Buechel (RB), Mimmi Fulmer (MFulmer), Jessica Kasinski (JK), Anna Polum (AP), Wesley Dunnagan (WD,) Daniel O’Dea (DO), Paul Rowe (PF), Benjamin Schultz (BS), singers. Bill Lutes (BL) and Martha Fischer (MF), pianists.
Trost im Liede (Consolation in Song ), D. 546 (MF, BL)
Franz von Schober (1796-1882)
Der Tanz (The Dance), D. 826 (AP, RB, WD, PR, MF)
Kolumban Schnitzer von Meerau (?)
Der Jüngling und der Tod (The Youth and Death), D. 545 (PR, BL)
Josef von Spaun (1788-1865)
4 Canzonen, D. 688 (EB, BL)
No. 3, Da quel sembiante appresi (From that face I learnt to sigh)
No. 4, Mio ben ricordati (Remember, beloved)
Pietro Metastasio (1698-1782)
From the Theresa Grob Album (November, 1816)
Edone, D. 445 (WD, MF)
Friedrich Gottlieb Klopstock (1724-1803)
Pflügerlied (Ploughman’s Song), D. 392 (BS, MF)
Johann Gaudenz von Salis-Seewis (1762-1834)
Am Grabe Anselmos (At Anselmo’s Grave), D. 504A (JK, MF)
Matthias Claudius (1740-1815)
Mailied (May Song), D. 503 (DO, BL)
Ludwig Hölty (1748-1776)
Marche Militaire No. 1, D. 733 (MF, BL)
Viola (Violet), D. 786 (EB, BL)
Ständchen (Serenade), D. 920A (RB, DO, WD, PR, PR, MF)
Franz Grillparzer (1791-1872)
Epistel ‘An Herrn Josef von Spaun (Letter to Mr. Joseph von Spahn), Assessor in Linz, D. 749 (EB, MF) Matthäus von Collin (1779-1824)
Geheimnis (A Secret), D. 491 (EB, MF)
Johann Mayrhofer (1787-1836)
Des Sängers Habe (The Minstrel’s Treasure), D. 832 (PR, MF)
Franz Xavier von Schlechta (1796-1875)
An Sylvia, D. 891 (MF, BL)
Shakespeare, trans. Eduard von Bauernfeld (1802-1890)
Nachtstück (Nocturne), D. 672 (DO, BL)
Das Lied in Grünen (The Song in the Greenwood), D. 917 (MFulmer, BL)
Johann Anton Friedrich Reil (1773-1843)
8 Variations sur un Thème Original, D. 813 (MF, BL)
Cantate zum Geburtstag des Sängers Johann Michael Vogl, D. 666 (AP, DO, PR, BL) Albert Stadler (1794-1888)
Ellens Gesang No. 3, Ave Maria, D. 839 (EB, MF)
Sir Walter Scott (1771-1832), from The Lady of the Lake, trans. Adam Storck (1780-1822)
An die Musik, D. 547 (You can hear it performed by the legendary soprano Elisabeth Schwarzkopf and pianist Gerald Moore in the YouTube video at bottom)
Everyone is invited to sing along. You can find the words in your texts and translations.
Here is a link to a story in The Wisconsin State Journal with more background:
And if you want to get the flavor of the past Schubertiades, here are two reviews from past years:
|By Jacob Stockinger
Here is the latest on a popular tradition to kick off the New Year:
The Vienna Philharmonic’s annual New Year’s Day concert, From Vienna: The New Year’s Celebration 2017,” conducted for the first time by Gustavo Dudamel, will air on Great Performances on PBS stations across the country on Sunday, January 1.
It will air at 10 a.m.-noon on Wisconsin Public Radio, and at 6:30-8 p.m. on Wisconsin Public Television. (At noon, WPR will broadcast another celebratory work for the New Year: the Madison Symphony Orchestra under John DeMain performing the Ninth Symphony “Choral,” with its “Ode to Joy” finale, by Ludwig van Beethoven,)
For more than 75 years, the Vienna Philharmonic has ushered in the New Year with the light and lively, quintessentially Austrian music of Johann Strauss, his family, and their contemporaries, performed at the Golden Hall of Vienna’s Musikverein.
Since 1987, the concert has featured a different conductor each year, and this year Mr. Dudamel, 35, will be the youngest-ever to lead the popular and festive New Year’s concert.
The Vienna Philharmonic’s New Year’s Day concert is broadcast in over 90 countries and will have an estimated 50 million television viewers, making it the largest worldwide event in classical music.
Among traditional waltzes, polkas and other works, Mr. Dudamel will conduct Strauss’s famous “Blue Danube” Waltz on the occasion of the work’s 150th anniversary, and pieces by Otto Nicolai, founder of the Vienna Philharmonic.
Host Julie Andrews (below) will also take the viewer to picturesque Viennese landmarks, including Otto Nicolai’s study in the Haus der Musik, and will join Mr. Dudamel in visiting the student musicians of Superar, the El Sistema organization for Central Europe. Mr. Dudamel was famously a product of the El Sistema program in his native Venezuela, and this broadcast will offer a special look at these talented musicians of tomorrow.
While the Vienna Philharmonic, which celebrates its 175th anniversary this year, honors tradition and history with the New Year’s concert, it also looks to the future with the debut of its new concert attire designed exclusively for the orchestra by Dame Vivienne Westwood and Andreas Kronthaler.
Chairman of the Vienna Philharmonic, Andreas Großbauer, recognizes the importance of linking the past and present and uniting practicality with modern elegance. “In the age of video streaming and HD broadcasts, it is increasingly important how an orchestra appears onstage. In Vivienne Westwood and Andreas Kronthaler, we have found a design duo which suits the high standards of the Vienna Philharmonic brand.”
The new philharmonic suit features an updated design to the traditional garments worn by the orchestra. Customarily, men of the Philharmonic have performed in the Stresemann, a semi-formal suit with striped formal trousers, grey waistcoat and necktie for daytime concerts and a formal tailcoat, striped formal trousers, and white waistcoat and bow tie for evening performances, while the women have chosen their own formal black concert attire.
Vivienne Westwood and her design partner and husband, Andreas Kronthaler, who are known for their nonconformist yet historically inspired fashion, have redesigned and modernized the traditional day and evening suits with contemporary functionally in mind. The designers have also created a first-ever Philharmonic ladies suit for both day and evening concerts.
The new suits are tailored in the traditional cut of Savile Row Bespoke and feature a modern black cutaway jacket, worn in lieu of the tailcoat, paired with the traditional striped trousers and waistcoat.
For day concerts, the men will wear a silver-grey waistcoat and tie embroidered with the Vienna Philharmonic logo, and for evening concerts, a white waistcoat and bow tie inspired by a classic white-tie suit. The ladies suit features a black collarless coat and slim-cut trousers. For day concerts, the suit is paired with a silver-grey top that complements the men’s day suits, and for evening, a black silk top.
Here is a summary and the playlist:
Vienna Singverein Concert Choir
Gustavo Dudamel, Conductor
Julie Andrews, Host
FRANZ VON SUPPE Queen of Spades, Overture (Pique Dame)
C.M. ZIEHRER Right This Way, Waltz – Ballet
OTTO NICOLAI Moon Chorus
OTTO NICOLAI The Merry Wives of Windsor
JOHANN STRAUSS Pepita Polka
JOHANN STRAUSS The Extravagant, Waltz
JOHANN STRAUSS, SR Indian Galop
JOSEF STRAUSS The Nasswald Forest Maiden, Ländler
JOHANN STRAUSS Let’s Dance, Quick Polka – Ballet
JOHANN STRAUSS A Thousand and One Nights, Waltz
JOHANN STRAUSS Tick Tock Quick Polka
EDUARD STRAUSS With Pleasure! Quick Polka
JOHANN STRAUSS On the Beautiful Blue Danube, Waltz
JOHANN STRAUSS, SR Radetzky March
By Jacob Stockinger
It has been a busy weekend for music, and tomorrow, Sunday, Oct. 16, it continues.
Here is the lineup:
At 1 p.m. in Mills Hall, the University Bands (below top) at the UW-Madison will perform under conductors Darin Olson (below bottom), Nathan Froebe, Justin Lindgre. Sorry, no word on the program.
At 2:30 p.m. St. Joseph Chapel, 1000 Edgewood College Drive, the Edgewood College Concert Band presents its Fall concert.
Admission is FREE with a free will offering to benefit the Luke House Community Meal Program.
The program, under the direction of Walter Rich (below, in a photo by Edgewood College) will perform music by John Williams, Leonard Bernstein and Richard Strauss.
The program combines those three legendary names with a selection of new music by three young composers: Brian Balmages, Sean O’Loughlin and the emerging American star Daniel Elder.
The Edgewood College Concert Band provides students and Madison-area community musicians with the opportunity to perform outstanding wind literature. The band has performed a variety of works, ranging from classic British band literature of the early 20th century to transcriptions, marches, and modern compositions.
The group charges no admission for concerts, but often collects a freewill offering for Luke House, a local community meal program. The group rehearses on Wednesday evenings from 7-9 p.m.
At 7:30 p.m. in Mills Hall, the University of Wisconsin-Madison School of Music will host the FREE Choral Collage Concert (its logo is below).
The concert features many groups: the Concert Choir (below top), Chorale, Madrigal Singers, Women’s Choir (below bottom), University Chorus and Master Singers.
The program, drawn from the Baroque, Classical and Modern eras, includes music by Wolfgang Amadeus Mozart (the beautiful “Ave Verum Corpus,” which you can hear with Leonard Bernstein conducting, in the YouTube video at the bottom), Benjamin Britten, Johann Schein, Arvo Part (below), Orlando di Lasso and others.
For more information and a link to the complete program, go to:
ALERT: The week’s FREE Friday Noon Musicale, held from 12:15 to 1 pm. at the Frank Lloyd Wright-designed First Unitarian Society of Madison, 900 University Bay Drive, features guitarist Steve Waugh, who will perform music by Johann Sebastian Bach, John Dowland, Isaac Albeniz, Antonio Carlos Jobim, Francisco Tarrega and more.
By Jacob Stockinger
As part of the Salon Piano Series held at Farley’s House of Pianos, Alessio Bax and Lucille Chung (below) will perform numerous pieces by Franz Schubert and a concerto by Francis Poulenc, all for one piano-four hands and for two pianos.
The concert is this Sunday, Jan. 17, starting at 4 p.m. when Bill Lutes, a local distinguished piano teacher who also used to be the music director and a program host at Wisconsin Public Radio and a voice coach at the University of Wisconsin-Madison School of Music and University Opera, will give an introduction to the concert.
Tickets are $45 in advance or $50 at the door, and are available online at salonpianoseries.org, or at Farley’s House of Pianos (call 608 271-2626) or Orange Tree Imports.
But a new development will help students, says Renee Farley.
“The Salon Piano Series recently got word of being awarded a grant from the Wisconsin Arts Board,” says Farley. “Their board liked what we do, but wanted us to increase our outreach to younger people. So, effective today we are offering student tickets to this concert for $30 each. Right now this is just being offered for the Bax-Chung concert. But our SPS board meets later this month and will discuss how to handle it for future programs.”
The two-piano pieces will be played on rare “twin” pianos restored by Farley’s House of Pianos: a 1914 Mason & Hamlin CC and a 1914 Mason & Hamlin BB.
Bax, a winner of the Leeds International Piano Competition and the Martin E. Segal Award from Lincoln Center, started off 2016 performing several concerts in Japan with other concerts scheduled in Spain, Chile, South Korea and China.
Chung, an alumna of the Curtis Institute of Music and the Juilliard School, is a winner of the Virginia Parker Prize from the Canada Council for the Arts and an Outstanding Achievement Award from the Governor General of Canada. In 2015, she performed in Canada, Italy, Germany and Argentina.
Here is the program:
Fantasia in F Minor, D. 940 — Schubert
Andantino varie, D. 823 — Schubert
Military March No. 1, D. 733 — Schubert
Lebensstürme, D. 947 — Schubert
Concerto for Two Pianos and Orchestra in D minor, original transcription for two solo pianos — Poulenc (NOTE: You can hear the poignant Mozartian second movement in its original form and with the composer at a keyboard in the YouTube video at the bottom.)
The Salon Piano Series is a non-profit organization founded by Tim and Renée Farley to continue the tradition of intimate salon concerts at Farley’s House of Pianos.
For ticket information and concert details see salonpianoseries.org.
All events are held at Farley’s House of Pianos, 6522 Seybold Road, on Madison’s far west side near the Beltline. Plenty of free parking is available and it is easy to reach by bicycle or Madison Metro.
By Jacob Stockinger
Today’s post is just a reminder that the annual Diane Endres Ballweg Winterfest Concert Series of the Wisconsin Youth Symphony Orchestras (WYSO) will take place this Sunday afternoon and on Saturday afternoon, March 28.
The concerts will feature Sinfonietta, Harp Ensemble (below, to play this Sunday at 4 p.m.), Concert Orchestra, Philharmonia Orchestra and Youth Orchestra.
The music for the programs is below. Please note that the pieces are subject to change at the conductor’s discretion.
All concerts will take place in Mills Concert Hall, located in the UW-Madison Mosse Humanities Building, 455 N. Park St.
Admission is $10 for adults, $5 for youth age 3-18.
For information, call 608-263-3320 or visit www.wyso.music.wisc.edu
SUNDAY, MARCH 15, 2015
Sinfonietta: 1:30 p.m.
Richard Stephan – “Fanfare and Frippery”
Arr. Benjamin Britten – “The Sally Gardens”
William Hofeldt – “Twilight Ceremonial”
Clare Grundman – “Hebrides Suite”
Carold Nunez – “M to The Third Power” (Minor Meter Mix)
Antonin Dvorak – Themes from the “New World” Symphony
Richard Stephans – Variations on a well-known “Sea Chantey”
Concert Orchestra – 1:30 p.m.
Rimsky-Korsakov – Dance of the Tumblers from “The Snow Maiden,” ed. Carl Simpson
William Hofeldt – “Song of the Prairie”
John Barry – “Dances with Wolves,” arr. Steven I. Rosenhaus
James Barnes – “Yorkshire Ballad”
Harry Gregson-Williams and Steve Barton – ‘The Chronicles of Narnia: The Lion, The Witch and The Wardrobe, Arr. Stephen Bulla
Philharmonia Orchestra – 4 p.m.
Schubert – “Military March,” arr. Leopold Damrosch
Mozart – Overture from “The Magic Flute”
Marquez – Danzon No. 2
Debussy – “Clair de Lune,” orch. Arthur Luck
Bizet – Excerpts from “Carmen” Suite No. 1
SATURDAY, MARCH 28, 2015
Youth Orchestra – 1:30 p.m., with winners of the WYSO Concerto Competition
Walter Piston – Suite from the “Incredible Flutist”
Schubert – “Unfinished” Symphony (No. 8) Movements 1 and 2
Arutiunian – Trumpet Concerto
Noah Mennenga, Soloist
Beethoven – Third Piano Concert, Movement 3
Theodore Liu, Soloist
By Jacob Stockinger
Just a holiday reminder.
Today is New Year’s Day. That brings the annual “Great Performances” presentation of the “New Year’s Day From Vienna” celebration — with waltzes, polkas, gallops and more by the Johann Strauss Family – on PBS and NPR (National Public Radio).
It will all be performed in the Golden Hall (below top) by the Vienna Philharmonic with former Los Angeles Philharmonic and New York Philharmonic conductor Zubin Mehta (below middle) this year, along with the usual help from the Vienna State Ballet and Broadway and Hollywood star host Julie Andrews (below bottom).
And it will be broadcast TWICE today:
ON WISCONSIN PUBLIC TELEVISION (WPT): TONIGHT from 7 to 8:30 p.m. on the main channel Channel 21/Cable 600 the program will also be run, with dancers and scenic landscape shots. (The Wisconsin Channel will run it from 1:30 p.m. to 3 p.m.) It comes, by the way, after an all-day marathon that starts at 9 a.m. and features all eight episodes of Season Four of “Downton Abbey.” Season Five starts on Sunday night.