The Well-Tempered Ear
Middleton Community Orchestra performs the second of four FREE outdoor summer concerts at Firemen’s Park this Sunday at 11:30 a.m.
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By Jacob Stockinger
This Sunday from 11:30 a.m. to 1 p.m. in Firemen’s Park, the mostly amateur but critically acclaimed Middleton Community Orchestra (MCO) will give the second of its FREE four summer outdoors concerts.
Besides the fact that the day is Father’s Day holiday, weather predictions also call for a good chance of rain or even thunderstorms.
Updates on whether the concert will take place, be cancelled or postponed to a later date, can be found by checking the MCO’s website at 10 a.m.: https://middletoncommunityorchestra.org
Meanwhile, here are the programs, conductors and soloists for the remaining three concerts. All concerts take place in Firemen’s Park in Middleton close to Middleton High School:
CONCERT – SUNDAY, JUNE 20, 11 a.m.-1 p.m. (revised program)
Sergei Pavlov (below), conductor and professor at Edgewood College
George Walker – “Lyric for Strings”
Ralph Vaughan Williams – “Fantasia on a Theme of Thomas Tallis” (heard in the YouTube video at the bottom)
Giacomo Puccini – Lauretta’s aria from “Gianni Schicchi”; Mimi’s aria in Act 3 and Musetta’s aria in Act 2 from “La Boheme” with soprano Yanzel Rivera (below).
Selections from the Pixar movie COCO (piano and strings)
CONCERT – SUNDAY, JULY 25, 11:30 – a.m.-1 p.m.
Chris Ramaekers (below), conductor and professor at the University of Wisconsin-Whitewater
Peter Illyich Tchaikovsky – “March Slav”
Carl Maria von Weber — Clarinet Concerto No. 2 with soloist and Madison Symphony Orchestra principal clarinetist JJ Koh (below)
Tchaikovsky — Symphony No. 2 “Little Russian”
CONCERT 4 – SUNDAY, AUG. 15, 11:30-1 p.m.
Sergei Pavlov, conductor
Brahms Piano Concerto No. 1 with soloist and UW-Madison graduate Thomas Kasdorf (below)
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Classical music: Here is the music that Wisconsin Public Radio hosts find calming and inspiring during the pandemic. What music would you list?
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By Jacob Stockinger
One of the major sources of music during the COVID-19 public health crisis and the coronavirus pandemic is Wisconsin Public Radio.
The Ear finds WPR a reliable source of beauty and companionship during this difficult time of self-isolation and self-quarantining required by the state’s stay-at-home and self-distancing orders.
Each host plans and broadcasts hours of classical music each day. So they hear a lot of classical music.
They also contribute to a blog that offers insights to: new and old recordings; background information about the composers, music and performers; and personal observations about classical music.
Recently, the radio hosts – including Stephanie Elkins (below), Norman Gilliland, Lori Skelton, Ruthanne Bessman, Anders Yocom (at bottom, in a photo by James Gill) and Peter Bryant — listed the music that they find particularly calming and inspiring during a difficult and anxiety-ridden time.
The names of composers include Bach, Scarlatti, Mendelssohn, Mahler, Ysaye, Vaughan-Williams and film score master John Williams.
The list includes audio-visual performances of the pieces.
Take a look and listen.
Then tell us what you think of the various suggestions and which ones you prefer?
Also leave the composers, pieces and performers that you would add to such a list, with a YouTube link if possible.
Here is a link:
https://www.wpr.org/wpr-music-hosts-share-music-calms-and-inspires
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Classical music: The UW Choral Union, UW Symphony Orchestra and guest soloists took the audience on a memorable musical voyage in Ralph Vaughan Williams “A Sea Symphony”
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By Jacob Stockinger
It took a postponement of almost two months before the UW Choral Union (below) finally got to perform last Saturday night in the Mead Witter Foundation Concert Hall in the new Hamel Music Center.
But the wait was worth it.
The combined forces – conducted by the retiring choral director Beverly Taylor – proved convincing and accomplished in the challenging score of “A Sea Symphony” by the early 20th-century British composer Ralph Vaughan Williams.
The performers did justice to the score’s vivid sound painting. You could hear the sea wind whistling through the rigging; you could feel the ship plowing through the swells and waves.
The American poet Walt Whitman (below) – whose epic-like poetry provided the text for this ambitious nautical and musical journey – would have been proud of the performance.
After all, like Whitman’s poetry, Vaughn Williams’ music — his first symphony — can be forceful and spacious at many moments, tender and reflective or even intimate at other times. The music matches the text, and the performers matched both.
The forces were precise under Taylor’s baton, with sharp attacks and no ragged stopping. True, there were a few moments when the balance seemed a bit off, when the UW Symphony Orchestra overpowered the large campus and community chorus, especially in the very brassy and thickly scored first movement. You just wanted to hear the words better and felt frustrated not to.
But for the most part, though, the student orchestra proved impressive. They were tight and crisp, accurate and transparent, allowing listeners to hear the inner part playing and even certain modernist harmonies of the generally conservative Vaughan Williams (below).
Moreover, the symphony, the chorus and the soloists blended especially well and movingly in the symphony’s quieter moments.
Those moments included the second movement, “On the Beach at Night, Alone”; and the quiet, understated ending where the idea of voyage and exploration becomes personal and metaphorical or spiritual as well as literal: “Reckless, O soul, exploring, I with thee, and thou with me … O my brave soul! O farther, farther sail!”
(You can hear a sample in the hymn-like opening of the fourth movement in the YouTube video at the bottom.)
In addition, the outstanding acoustics of the new hall – where the chorus sits above and behind the orchestra – brought the performance to life even more convincingly.
There were two soloists (below): soprano Chelsie Propst and baritone James Harrington.
Harrington possessed a pleasing tone, but he seemed to be holding back for some reason. He could have projected more confidence and been more energetic or assertive in his delivery. After all, neither Whitman nor Vaughan Williams is shy in this large-scale work.
Curiously, it was the woman soloist, Propst, who roared like the sea, whose big voice easily soared over the orchestra and chorus. Her singing was thoroughly beautiful and thoroughly engaging.
Unfortunately, the very successful concert was not sold out, but the audience proved attentive and very enthusiastic.
This debut performance in the new hall made one look forward all the more to another big piece and big performance by the UW Choral Union and UW Symphony Orchestra, one that will wrap up the season and end Taylor’s long tenure at the UW-Madison: the dramatic and operatic Requiem by Verdi on Saturday and Sunday, April 25 and 26.
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Classical music: This Saturday night brings both the Escher String Quartet to the Wisconsin Union Theater and the UW-Madison Choral Union and UW Symphony Orchestra to the Hamel Music Center
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CORRECTION: The Ear received the following correction to the story he posted yesterday about the Wisconsin Chamber Orchestra and apologizes for the error:
“There was a change to our rollout in Brookfield. We are only repeating the fifth Masterworks concert on Saturday, May 9, at 7:30 p.m. at the Sharon Lynne Wilson Center for the Arts. We are NOT repeating this Friday’s concert in Brookfield.
“We will perform a Family Series concert of “Beethoven Lives Next Door” on Sunday, March 29, at 3 p.m. at the same Brookfield venue.”
By Jacob Stockinger
The upcoming weekend is a busy one for classical music.
The busiest night is Saturday night when two major concerts will take place: a performance by the Escher String Quartet and the postponed concert by the UW Choral Union and UW Symphony Orchestra with soloists.
Here are details:
ESCHER STRING QUARTET and DAVID FINCKEL
The concert by the Escher String Quartet (below) with cellist David Finckel (below bottom. formerly of the critically acclaimed Emerson String Quartet) takes place on this Saturday night, Jan. 25, at 7:30 p.m. in Shannon Hall of the Wisconsin Union Theater.
The performance is part of the special season celebrating the centennial anniversary of the Concert Series.
The program includes the sublime Quintet in C Major, D. 956, with two cellos, by Franz Schubert and the String Quartet in A minor by the great early 20th-century Viennese violinist and composer Fritz Kreisler (below).
Tickets are $30-$50. For more information and to reserve tickets, go to: https://artsticketing.wisc.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=CFC3765F-5F1D-4663-BCA0-985BE3049CF5
For more information about the Escher String Quartet, including a video performance and detailed background, go to: https://union.wisc.edu/events-and-activities/event-calendar/event/escher-string-quartet-with-david-finckel/
UW CHORAL UNION
Also on this Saturday night at 8 p.m., in the Mead Witter Foundation Concert Hall in the new Hamel Music Center at 740 University Avenue, the UW Choral Union and UW Symphony Orchestra (below top), along with two vocal soloists – soprano Chelsie Propst (below middle) and baritone James Harrington (below bottom) — will perform a concert originally scheduled for Dec. 7 and then postponed.
The program, without intermission, is one 80-minute work: the epic and influential “A Sea Symphony” by the great 20th-century British composer Ralph Vaughan Williams (below).
General admission tickets are $18 for the general public and faculty or staff; and $10 for UW students. To reserve tickets, go to Campus Arts Ticketing at: https://artsticketing.wisc.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=412623A4-4FB9-40D6-BC23-A425360713EA
Beverly Taylor (below), the longtime director of choral activities at the UW who will retire this spring, sent the following note:
“The text by American poet Walt Whitman presents four symphonic scenes of great breadth and imagination, with lush harmonies and constantly varying tempos and dynamics.” (You can hear the Waves section, or third movement, from “A Sea Symphony” in the YouTube video at the bottom.)
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Classical music: Here are the classical music nominees for the 2020 Grammy Awards. They make a useful holiday gift guide and highlight the trend toward more diversity
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By Jacob Stockinger
Today is Black Friday followed by Small Business Saturday and Cyber Monday — all with special deals and sales.
With that in mind, here is a list of the recently announced nominees in classical music for the 2020 Grammy Awards.
Although it is a self-serving list for a competition sponsored by The Industry, it can also be good way to find holiday gifts to give to others or to receive for yourself.
The list can be useful for spotting trends and finding new releases you may not have heard of.
For example, this year seems especially good for new music or recent works and contemporary composers. You won’t find any Bach, Haydn, Mozart, Beethoven, Schubert, Brahms, Dvorak, Tchaikovsky or Mahler although you will find Berlioz, Schumann, Wagner, Bruckner, Berg, Rachmaninoff and Copland.
Another favorite seems to be the rediscovery of older composers such as Mieczyslaw Weinberg (1919-1996, below) whose centennial has become an occasion for bringing his neglected works to the forefront.
You can also see that like the Oscars, the Grammys seem to be paying more attention to women composers and conductors, artists of color and crossovers or mixed and hybrid genres.
For complete lists of all 84 categories, go to this site and click on the categories that interest you: https://www.grammy.com/grammys/news/2020-grammy-awards-complete-nominees-list
The 62nd annual Grammy Awards will be presented on Sunday, Jan. 26, at the Staples Center in Los Angeles and will be broadcast live on CBS television.
- Best Engineered Album, Classical
An Engineer’s Award. (Artist names appear in parentheses.)
- AEQUA – ANNA THORVALDSDÓTTIR
Daniel Shores, engineer; Daniel Shores, mastering engineer (International Contemporary Ensemble) - BRUCKNER: SYMPHONY NO. 9
Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck and Pittsburgh Symphony Orchestra) - RACHMANINOFF – HERMITAGE PIANO TRIO
Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Hermitage Piano Trio) - RILEY: SUN RINGS
Leslie Ann Jones, engineer; Robert C. Ludwig, mastering engineer (Kronos Quartet) - WOLFE: FIRE IN MY MOUTH
Bob Hanlon & Lawrence Rock, engineers; Ian Good & Lawrence Rock, mastering engineers (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus Of NY City & New York Philharmonic)
- Producer Of The Year, Classical
A Producer’s Award. (Artist names appear in parentheses.)
- BLANTON ALSPAUGH
- Artifacts – The Music Of Michael McGlynn (Charles Bruffy & Kansas City Chorale)
• Berlioz: Symphonie Fantastique; Fantaisie Sur La Tempête De Shakespeare (Andrew Davis & Toronto Symphony Orchestra)
• Copland: Billy The Kid; Grohg (Leonard Slatkin & Detroit Symphony Orchestra)
• Duruflé: Complete Choral Works (Robert Simpson & Houston Chamber Choir)
• Glass: Symphony No. 5 (Julian Wachner, The Choir Of Trinity Wall Street, Trinity Youth Chorus, Downtown Voices & Novus NY)
• Sander: The Divine Liturgy Of St. John Chrysostom (Peter Jermihov & PaTRAM Institute Singers)
• Smith, K.: Canticle (Craig Hella Johnson & Cincinnati Vocal Arts Ensemble)
• Visions Take Flight (Mei-Ann Chen & ROCO) - JAMES GINSBURG (below)
- Project W – Works By Diverse Women Composers (Mei-Ann Chen and Chicago Sinfonietta)
• Silenced Voices (Black Oak Ensemble)
• 20th Century Harpsichord Concertos (Jory Vinikour, Scott Speck and Chicago Philharmonic)
• Twentieth Century Oboe Sonatas (Alex Klein and Phillip Bush)
• Winged Creatures & Other Works For Flute, Clarinet, And Orchestra (Anthony McGill, Demarre McGill, Allen Tinkham and Chicago Youth Symphony Orchestra) - MARINA A. LEDIN, VICTOR LEDIN
- Bates: Children Of Adam; Vaughan Williams: Dona Nobis Pacem (Steven Smith, Erin R. Freeman, Richmond Symphony & Chorus)
• The Orchestral Organ (Jan Kraybill)
• The Poetry Of Places (Nadia Shpachenko)
• Rachmaninoff – Hermitage Piano Trio (Hermitage Piano Trio) - MORTEN LINDBERG
- Himmelborgen (Elisabeth Holte, Kare Nordstoga & Uranienborg Vokalensemble)
• Kleiberg: Do You Believe In Heather? (Various Artists)
• Ljos (Fauna Vokalkvintett)
• LUX (Anita Brevik, Trondheimsolistene & Nidarosdomens Jentekor)
• Trachea (Tone Bianca Sparre Dahl & Schola Cantorum)
• Veneliti (Hakon Daniel Nystedt & Oslo Kammerkor) - DIRK SOBOTKA
- Bruckner: Symphony No. 9 (Manfred Honeck & Pittsburgh Symphony Orchestra)
75. Best Orchestral Performance Award to the Conductor and to the Orchestra.
- BRUCKNER: SYMPHONY NO. 9
Manfred Honeck, conductor (Pittsburgh Symphony Orchestra) - COPLAND: BILLY THE KID; GROHG
Leonard Slatkin, conductor (Detroit Symphony Orchestra) - NORMAN: SUSTAIN
Gustavo Dudamel, conductor (Los Angeles Philharmonic) - TRANSATLANTIC
Louis Langrée, conductor (Cincinnati Symphony Orchestra) - WEINBERG: SYMPHONIES NOS. 2 and 21
Mirga Gražinytė-Tyla, conductor (City Of Birmingham Symphony Orchestra & Kremerata Baltica)
- Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists.
- BENJAMIN: LESSONS IN LOVE & VIOLENCE
George Benjamin, conductor; Stéphane Degout, Barbara Hannigan, Peter Hoare & Gyula Orendt; James Whitbourn, producer (Orchestra Of The Royal Opera House) - BERG: WOZZECK
Marc Albrecht, conductor; Christopher Maltman & Eva-Maria Westbroek; François Roussillon, producer (Netherlands Philharmonic Orchestra; Chorus Of Dutch National Opera) - CHARPENTIER: LES ARTS FLORISSANTS; LES PLAISIRS DE VERSAILLES
Paul O’Dette & Stephen Stubbs, conductors; Jesse Blumberg, Teresa Wakim & Virginia Warnken; Renate Wolter-Seevers, producer (Boston Early Music Festival Chamber Ensemble; Boston Early Music Festival Vocal Ensemble) - PICKER: FANTASTIC MR. FOX
Gil Rose, conductor; John Brancy, Andrew Craig Brown, Gabriel Preisser, Krista River & Edwin Vega; Gil Rose, producer (Boston Modern Orchestra Project; Boston Children’s Chorus) - WAGNER: LOHENGRIN
Christian Thielemann, conductor; Piotr Beczała, Anja Harteros, Tomasz Konieczny, Waltraud Meier & Georg Zeppenfeld; Eckhard Glauche, producer (Festspielorchester Bayreuth; Festspielchor Bayreuth)
- Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
- BOYLE: VOYAGES
Donald Nally, conductor (The Crossing) - DURUFLÉ: COMPLETE CHORAL WORKS
Robert Simpson, conductor (Ken Cowan; Houston Chamber Choir) - THE HOPE OF LOVING
Craig Hella Johnson, conductor (Conspirare) - SANDER: THE DIVINE LITURGY OF ST. JOHN CHRYSOSTOM
Peter Jermihov, conductor (Evan Bravos, Vadim Gan, Kevin Keys, Glenn Miller & Daniel Shirley; PaTRAM Institute Singers) - SMITH, K.: THE ARC IN THE SKY
Donald Nally, conductor (The Crossing)
- Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
- CERRONE: THE PIECES THAT FALL TO EARTH
Christopher Rountree and Wild Up - FREEDOM & FAITH
PUBLIQuartet - PERPETULUM
Third Coast Percussion - RACHMANINOFF – HERMITAGE PIANO TRIO
Hermitage Piano Trio - SHAW: ORANGE
Attacca Quartet
79. Best Classical Instrumental Solo Award to the Instrumental Soloist(s) and to the Conductor when applicable.
- THE BERLIN RECITAL
Yuja Wang - HIGDON: HARP CONCERTO
Yolanda Kondonassis; Ward Stare, conductor (The Rochester Philharmonic Orchestra) - MARSALIS: VIOLIN CONCERTO; FIDDLE DANCE SUITE
Nicola Benedetti; Cristian Măcelaru, conductor (Philadelphia Orchestra) - THE ORCHESTRAL ORGAN
Jan Kraybill - TORKE: SKY, CONCERTO FOR VIOLIN
Tessa Lark; David Alan Miller, conductor (Albany Symphony)
80. Best Classical Solo Vocal Album Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.
- THE EDGE OF SILENCE – WORKS FOR VOICE BY GYÖRGY KURTÁG
Susan Narucki (Donald Berman, Curtis Macomber, Kathryn Schulmeister & Nicholas Tolle) - HIMMELSMUSIK
Philippe Jaroussky & Céline Scheen; Christina Pluhar, conductor; L’Arpeggiata, ensemble (Jesús Rodil & Dingle Yandell) - SCHUMANN: LIEDERKREIS OP. 24, KERNER-LIEDER OP. 35
Matthias Goerne; Leif Ove Andsnes, accompanist - SONGPLAY
Joyce DiDonato; Chuck Israels, Jimmy Madison, Charlie Porter and Craig Terry, accompanists (Steve Barnett and Lautaro Greco) - A TE, O CARA
Stephen Costello; Constantine Orbelian, conductor (Kaunas City Symphony Orchestra)
- Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.
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John Morris Russell, conductor; Elaine Martone, producer - LESHNOFF: SYMPHONY NO. 4 ‘HEICHALOS’; GUITAR CONCERTO; STARBURST
Giancarlo Guerrero, conductor; Tim Handley, producer - MELTZER: SONGS AND STRUCTURES
Paul Appleby & Natalia Katyukova; Silas Brown & Harold Meltzer, producers - THE POETRY OF PLACES
Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers - SAARIAHO: TRUE FIRE; TRANS; CIEL D’HIVER
Hannu Lintu, conductor; Laura Heikinheimo, producer
- Best Contemporary Classical Composition
A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
- BERMEL: MIGRATION SERIES FOR JAZZ ENSEMBLE & ORCHESTRA
Derek Bermel, composer (Derek Bermel, Ted Nash, David Alan Miller, Juilliard Jazz Orchestra & Albany Symphony Orchestra) - HIGDON: HARP CONCERTO
Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare & The Rochester Philharmonic Orchestra) - MARSALIS: VIOLIN CONCERTO IN D MAJOR
Wynton Marsalis, composer (Nicola Benedetti, Cristian Măcelaru & Philadelphia Orchestra) - NORMAN: SUSTAIN
Andrew Norman, composer (Gustavo Dudamel & Los Angeles Philharmonic) - SHAW: ORANGE
Caroline Shaw, composer (Attacca Quartet) - WOLFE: FIRE IN MY MOUTH
Julia Wolfe, composer (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus Of NY City & New York Philharmonic)
Tags: #20thCentury, #AaronCopland, #AlbanBerg, #AlbanySymphony, #AmericanJazz, #AndrewDavis, #AnnaThorvaldsdottir, #AntonBruckner, #AntoninDvorak, #ArtistsofColor, #AttaccaQuartet, #BaroqueMusic, #BerlinGermany, #BillytheKid, #BlackFriday, #BlackOakEnsemble, #BlantonAlspaugh, #BlogPost, #BlogPosting, #BostonEarlyMusicFestival, #CarolineShaw, #ChamberMusic, #ChicagoPhilharmonic, #ChoralMusic, #ChristianThielemann, #CincinnatiPops, #CincinnatiSymphonyOrchetsra, #CityofBirminghamOrchestra, #ClarinetConcerto, #ClassicalGuitar, #ContemporaryComposers, #CyberMonday, #DerekBermel, #DetroitSymphony, #FacebookPost, #FacebookPosting, #FluteConcerto, #FranzJosephHaydn, #FranzSchubert, #GidonKremer, #GrammyAwards, #GuitarConcerto, #GustavMahler, #GustavoDudamel, #HectorBerlioz, #HolidayGiftGuide, #HybridGenre, #InstrumentalMusic, #JamesGinsburg, #JappVanSweden, #JenniferHigdon, #JohannesBrahms, #JohannSebastianBach, #JoyceDiDonato, #JulianWachner, #JuliaWolfe, #KaijaSaariaho, #KremerataBaltica, #KronosQuartet, #LeifOveAndsnes, #LeonardSlatkin, #LesArtsFlorissants, #LivingComposers, #LosAngeles, #LouisLangree, #LudwigVanBeethoven, #ManfredHoneck, #Marc-AntoineCharpentier, #MatthiasGoerner, #MauriceDuruflé, #MichaelTorke, #MieczyslawWeinberg, #MirgaGražinytė-Tyla, #MixedGenre, #NewMusic, #NewYorkCity, #NewYorkPhilharmonic, #NicolaBenedetti, #OboeConcerto, #OboeSonata, #OrchestralMusic, #PeterIlyichTchaikovsky, #PhilipGlass, #PianoTrio, #PittsburghSymphony, #RalphVaughanWilliams, #RichardWagner, #RobertSchumann, #RochesterPhilharmonic, #RoyalOperaHouse, #SergeiRachmaninoff, #SergeiRachmaninov, #SmallBusinessSaturday, #SoundEngineer, #StaplesCenter, #StephenCostello, #StringQuartet, #SymphonicMusic, #TerryRiley, #TobiasPicker, #TorontoSymphonyOrchestra, #ViolinConcerto, #VocalMusic, #WilliamShakespeare, #WolfgangAmadeusMozart, #WyntonMarsalis, #YolandaKondonassis, #YujaWang, 20th-century, Aaron Copland, Alban Berg, Albany Symphony, American, Andrew Davis, Anna Thorvaldsdottir, annual, Anton Bruckner, Antonín Dvořák, artists of color, Attacca Quartet, award, Bach, Baroque music, Beethoven, Berg, Berlin, Berlioz, best, Billy the Kid, black, Black Friday, Black Oak Ensemble, Blanton Alspaugh, blog, Boston Early Music Festival, Brahms, Broadcast, Bruckner, Business, buying, California, canticle, Caroline Shaw, category, CBS, CBS-TV, Chamber music, Chicago, Chicago Philharmonic Orchestra, choral music, chorus, Christian Thielemann, Cincinnati Pops, Cincinnati Symphony Orchestra, City of Birmingham Symphony Orchestra, clarinet, Classical music, classicalmusic, Competition, composer, concerto, contemporary composers, Copland, crossover, cyber, Cyber-Monday, dance, deal, Derek Bermel, Detroit, Detroit Symphony, divine, Dvorak, Early music, Earth, edge, engineer, ensemble, Facebook, faith, fiddle, fire, flute, forefront, forward, Franz Joseph Haydn, Franz Schubert, freedom, genre, Germany, Gidon Kremer, give, good, Grammy Awards, Grammys, guide, guitar, Gustav Mahler, Gustavo Dudamel, harp, harpsichord, Haydn, Hector Berlioz, Higdon, Holiday, holiday gift guide, hope, hybrid genre, industry, instrumental, James Ginsburg, Japp Van Sweden, Jazz, Jennifer Higdon, Johann Sebastian Bach, Johannes Brahms, Joyce DiDonato, Julia Wolfe, Julian Wachner, Kaija Saariaho, Kremerata Baltica, Kronos Quartet, Kurtag, Leif Ove Andsnes, Leonard Slatkin, Les Arts Florissants, lessons, like, link, living, living composers, Lohengrin, Los Angeles, Los Angeles Philharmonic, Louis Langrée, Love, loving, Ludwig van Beethoven, Mahler, Manfred Honeck, Marc-Antoine Charpentier, Matthias Goerner, Maurice Durufle, Michael Torke, Mieczyslaw Weinberg, Mirga Grazinyte-Tyla, mixed, mixed genre, mouth, Mozart, neglected, new, New Music, New York City, New York Philharmonic, Nicola Benedetti, nomination, nominee, Oboe, oboe sonata, occasion, opera, orange, Orchestra, orchestral, organ, original, Oscars, percussion, performance, Peter Ilyich Tchaikovsky, Philip Glass, Pianist, Piano, Piano Trio, Pittsburgh Symphony Orchestra, places, Poetry, pops, post, posting, producer, Rachmaninoff, Rachmaninov, Ralph Vaughan Williams, receive, recital, rediscovery, release, Retail, Richard Wagner, Robert Schumann, Rochester Philharmonic Orchestra, Royal Opera House, sale, Schubert, Schumann, Sergei Rachmaninoff, Sergei Rachmaninov, Shakespeare, share, Shopping, silence, singer, site, sky, small, solo, Sonata, song, special, Staples Center, Stephen Costello, String quartet, Suite, sun, symphonic music, symphony, tag, Tchaikovsky, Tchakovsky, Television, Terry Riley, Tobias Picker, Torke, Toronto Symphony Orchestra, trend, Trinity, TV, Versailles, violence, Violin concerto, violinist, vision, vocal music, voices, voyage, Wagner, Wang, Weinberg, Wolfgang Amadeus Mozart, women, Wozzeck, Wynton Marsalis, year, Yolanda Kondonassis, young people, Yuja Wang
Classical music: Here is a year-long list of concerts at the University of Wisconsin Mead Witter School of Music. They start Tuesday night with the 40th annual Karp Family Labor Day Concert
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By Jacob Stockinger
Get out your datebooks and calendars.
Here is a complete listing for major concerts and events at the University of Wisconsin Mead Witter School of Music during the new 2019-20 season.
The calendar starts with the FREE season-opening 40th annual Karp Family Labor Day Concert this coming Tuesday night, Sept. 3, at 7:30 p.m. in Mills Hall. The program features chamber music by Mozart, Beethoven, Schumann and Dvorak. For more information about the program and performers, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/
Using the search engine on this blog, you could also consult whenever individual or group you want. You could print it out and have it in hand instead of the usual brochure, which will not be printed this year. See a previous blog post: https://welltempered.wordpress.com/2019/08/19/classical-music-the-uw-madison-school-of-music-will-not-have-a-complete-brochure-for-the-new-season-go-to-the-website-and-sign-up-for-an-email-newsletter-the-30th-karp-family-labor-day-concert-is-s/
Most concerts this season will take place in the new Hamel Music Center (below), which has a three-day opening celebration Oct. 25-27.
Please note that just a few programs are listed. For other programs, and for information about any admission charge, you can go to the School of Music’s home website closer to the event and click on Concerts and Events: https://www.music.wisc.edu/events/
|
Tuesday, Sep 3, 2019 |
Karp Family Concert |
7:30 PM |
Mills Hall |
|
Sunday, September 29, 2019, |
Jessica Martin & John O’Brien – Nordic song recital |
4:00 PM |
Morphy Hall |
|
Monday, Sept. 30, 2019 |
Beth Wiese, Tuba, Guest Artist Recital |
7:30 PM |
Morphy Hall |
|
Friday, October 4, 2019 |
Pro Arte Quartet |
8:00 PM |
Mills Hall |
|
Sunday, Oct. 6, 2019 |
Chanticleer |
7:30 PM |
Mead Witter Hall |
|
Tuesday, Oct. 8, 2019 |
Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Friday, October 11, 2019 |
UW-Madison Symphony Orchestra |
8:00 PM |
Mead Witter Hall |
|
Sunday, October 13, 2019 |
University Bands |
2:00 PM |
Mead Witter Hall |
|
Tuesday, October 15, 2019 |
Contemporary Jazz & Blue Note Ensemble |
7:30 PM |
Collins Hall |
|
Wednesday, October 16, 2019 |
Wisconsin Brass Quintet – Faculty Concert Series |
7:30 PM |
Mead Witter Hall |
|
Thursday, October 17 |
Jazz Faculty Quintet with special guest Michael Dudley, trumpet |
7:30 PM |
Collins Hall |
|
Monday, October 21, 2019 |
Afro-Cuban Jazz Ensemble and UW Jazz Orchestra |
7:30 PM |
Play Circle |
|
Tuesday, October 22, 2019 |
Concert Band |
7:30 PM |
Mead Witter Hall |
|
Wed, October 23, 2019 |
Jazz Composers Group & Jazz Standards |
7:30 PM |
Collins Hall |
|
Thu, October 24, 2019 |
Parry Karp with Eli Kalman, piano |
7:30 PM |
Collins Hall |
|
Friday, October 25, 2019 |
Opening Celebration Weekend: Hamel Music Center. Please check our website for details. |
All Day |
740 University Avenue |
|
Saturday, October 26, 2019 |
Opening Celebration Weekend: Hamel Music Center. Please check our website for details. |
All Day |
740 University Avenue |
|
Sunday, October 27, 2019 |
Opening Celebration Weekend: Hamel Music Center. Featured Event: Collins Fellows Concert |
1:00 PM |
Collins Recital Hall, Hamel Music Center |
|
Wed, October 30, 2019 |
Master Class with Violist Nobuko Imai |
6:30 PM |
Collins Hall |
|
Thu, October 31, 2019 |
Violist Nobuko Imai with Pro Arte Quartet |
12:00 PM |
Collins Hall |
|
Fri, November 1, 2019
|
Madrigal Singers |
8:00 PM
|
Mead Witter Hall |
Sat, November 2, 2019 |
Alicia Lee, faculty clarinet |
8:00 PM |
Collins Hall |
|
Sun, November 3, 2019 |
Wind Ensemble |
2:00 PM |
Mead Witter Hall |
|
Fri, November 8, 2019 |
Wingra Wind Quintet |
8:00 PM |
Collins Hall |
|
Sat, November 9, 2019 |
UW Chorale |
8:00 PM |
Mead Witter Hall |
|
Thu, November 14, 2019 |
UW-Madison Symphony Orchestra |
7:30 PM |
Mead Witter Hall |
|
Fri, November 15, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
7:30 PM |
Music Hall |
|
Sun, November 17, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
2:00 PM |
Music Hall |
|
Tue, November 19, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
7:30 PM |
Music Hall |
|
Sat, November 16, 2019 |
Low Brass Ensemble |
4:00 PM |
Collins Hall |
|
Sat, November 16, 2019 |
Combined Choirs |
8:00 PM |
Mead Witter Hall |
|
Sat, November 16, 2019 |
Timothy Hagen, faculty flute |
8:00 PM |
Collins Hall |
|
Fri, November 22, 2019 |
UW Concert Choir |
8:00 PM |
Mead Witter Hall |
|
Fri, November 22, 2019 |
Pro Arte Quartet |
8:00 PM |
Collins Hall |
|
Fri, November 22, 2019 |
UW Jazz Orchestra |
5:00-7:00 PM |
Rathskeller |
|
Saturday, Nov 23, 2019 |
Undergrad Audition Day |
All day |
|
|
Sat, November 23, 2019 |
World Percussion Ensemble |
12:00 PM |
Music Hall |
|
Sat, November 23, 2019 |
Brass Ensembles |
1:00 PM |
?? |
|
Sun, November 24, 2019 |
UW Concert Band with Winds of Wisconsin |
5:00 PM |
Mead Witter Hall |
|
Mon, November 25, 2019 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
|
Tue, November 26, 2019 |
Opera Scenes |
7:30 PM |
Music Hall |
|
Mon, December 2, 2019 |
Piano Studio Recital |
6:30 PM |
Collins Hall |
|
Tue, December 3, 2019 |
Jazz Composers & Contemporary Jazz Ensembles |
7:30 PM |
Collins Hall |
|
Wed, December 4, 2019
|
Jazz Standards Ensemble & Afro-Cuban Jazz |
7:30 PM
|
Collins Hall |
Thu, December 5, 2019 |
UW-Madison Symphony Orchestra & UW Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Fri, December 6, 2019 |
Saxophonist Greg Ward with the Blue Note Ensemble and UW jazz faculty |
8:00 PM |
Collins Hall |
|
Sat, December 7, 2019 |
UW & Madison Metropolitan Jazz Festival |
Final Concert, 3:00 PM |
Mead Witter Hall |
|
Sat, December 7, 2019 |
Choral Union: Ralph Vaughan Williams’s “A Sea Symphony” |
8:00 PM |
Mead Witter Hall |
|
Sun, December 8, 2019 |
University Bands |
2:00 PM |
Mead Witter Hall |
|
Sun, December 8, 2019 |
Choral Concerts at Luther Memorial Church |
2:00 PM |
Luther Memorial Church |
|
Sun, December 8, 2019 |
Choral Concerts at Luther Memorial Church |
4:00 PM |
Luther Memorial Church |
|
Sun, December 8, 2019 |
All-University Strings |
4:30 PM |
Mead Witter Hall |
|
BEGIN 2020 |
|||
|
Sun, January 26, 2020 |
Annual Schubertiade |
3:00 PM |
Mead Witter Hall |
|
Sat, February 1, 2020 |
Christopher Taylor and Friends — Beethoven Symphony Extravaganza |
8:00 PM |
Mead Witter Hall |
|
Wed, February 5, 2020 |
Daniel Grabois, horn |
7:30 PM |
Collins Hall |
|
Thu, February 6, 2020 |
UW Symphony Orchestra |
7:30 PM |
Mead Witter Hall |
|
Sat, February 8, 2020 |
The Knights |
8:00 PM |
Mead Witter Hall |
|
Sun, February 16, 2020 |
UW Wind Ensemble |
2:00 PM |
Mead Witter Hall |
|
Monday, February 17, 2020 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
|
Tue, February 18, 2020 |
Concert Band |
7:30 PM |
Mead Witter Hall |
|
Thu, February 20, 2020 |
Parry Karp, faculty recital |
7:30 PM |
Collins Hall |
|
Fri, February 21, 2020 |
Marc Vallon & Friends |
8:00 PM |
Collins Hall |
|
Sunday, Feb 23, 2020 |
Les Thimmig, faculty recital |
2:00 PM |
Collins Hall |
|
Sat, April 18, 2020 |
Low Brass Ensemble |
4:00 PM |
Mead Witter Hall |
|
Fri, February 28, 2020
|
Pro Arte Quartet |
8:00 PM
|
Collins Hall |
Sat, February 29, 2020 |
Wingra Wind Quintet |
8:00 PM |
Collins Hall |
|
Fri, February 28, 2020, |
University Opera – Mozart’s Così fan tutte |
7:30 PM |
Music Hall |
|
Sun, March 1, 2020 |
University Opera – Mozart’s Così fan tutte |
2:00 PM |
Music Hall |
|
Tue, March 3, 2020 |
University Opera – Mozart’s Così fan tutte |
7:30 PM |
Music Hall |
|
Sun, March 1, 2020 |
Winds of Wisconsin |
5:30 PM |
Mead Witter Hall |
|
Wed, March 4, 2020 |
Afro-Cuban Jazz Ensemble & Jazz Composers Group |
7:30 |
Collins Hall |
|
Thu, March 5, 2020 |
Blue Note Ensemble & Jazz Standards Ensemble |
7:30 PM |
Collins Hall |
|
Sat, March 7, 2020 |
UW-Madison Symphony Orchestra with guest pianist Wu Han |
8:00 PM |
Mead Witter Hall |
|
Sun, March 8, 2020 |
University Bands |
2:00 PM |
Mead Witter Hall |
|
Tue, March 10, 2020 |
Percussion Department Recital |
7:30 PM |
Collins Hall |
|
Weds March 11, 2020 |
UW Jazz Orchestra |
7:30 PM |
Play Circle |
|
Wednesday, March 11, 2020 |
Wisconsin Brass Quintet – Faculty Concert Series |
8:00 PM |
Mead Witter Hall |
|
Thu, March 12, 2020 |
UW Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Fri, March 27, 2020 |
Le Domaine Musicale with Marc Vallon and Friends |
8:00 PM |
Collins Hall |
|
Sun, March 29, 2020 |
Concert Band |
2:00 PM |
Mead Witter Hall |
|
Sun, April 5, 2020 |
Beethoven Competition Winners’ Recital |
3:30 PM |
Collins Hall |
|
Sun, April 5, 2020 |
“Symphony Showcase” Concerto Winners’ Solo Concert |
7:00 PM |
Mead Witter Hall |
|
Sat, April 11, 2020 |
Chorale |
8:00 PM |
Mead Witter Hall |
|
Fri, April 12, 2019 |
Perlman Trio Chamber Concert |
3:00 PM |
Collins Hall |
|
Tue, April 14, 2020 |
Opera Scenes |
7:30 PM |
Music Hall |
|
Wed, April 15, 2020 |
Contested Homes: Migrant Liberation Movement Suite |
7:30 PM |
Mead Witter Hall |
|
Thu, April 16, 2020 |
Pro Arte Quartet |
7:30 PM |
Collins Hall |
|
Fri, April 17, 2020 |
Combined Choirs |
8:00 PM |
Mead Witter Hall |
|
Sat, April 18, 2020 |
Low Brass Ensemble |
4:00 PM |
Mead Witter Hall |
|
Sat, April 18, 2020
|
UW-Madison Choral Reunion concert featuring Concert Choir, Madrigals and alumni |
8:00 PM
|
Mead Witter Hall |
Mon, April 20, 2020 |
Afro-Cuban Jazz Ensemble & Blue Note Ensemble |
7:30 PM |
Collins Hall |
|
Tue, April 21, 2020 |
Jazz Standards Ensemble & Jazz Composers Group |
7:30 PM |
Collins Hall |
|
Wed, April 22, 2020 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
|
Thu, April 23, 2020 |
UW Jazz Orchestra with the UW Honors Jazz Band |
7:30 PM |
Music Hall |
|
Fri, April 24, 2020 |
Concert Band and Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Sat, April 25, 2020 |
All-University Strings |
2:00 PM |
Mead Witter Hall |
|
Sat, April 25, 2020 |
Choral Union: Giuseppe Verdi’s “Requiem” |
8:00 PM |
Mead Witter Hall |
|
Sun, April 26, 2020 |
Choral Union: Giuseppe Verdi’s “Requiem” |
7:30 PM |
Mead Witter Hall |
|
Sun, April 26, 2020
|
University Bands | 2 PM | Mead Witter Hall |
Tags: #AliciaLee, #All-UniversityStrings, #AntoninDvorak, #ASeaSymphony, #BandMusic, #BassoonMusic, #BeethovenSymphony, #BenjaminBritten, #BlogPost, #BlogPosting, #BrassMusic, #BrassQuintet, #CelloMusic, #ChamberMusic, #ChoralMusic, #ChoralUnion, #ChristianChurch, #ChristopherKarp, #ChristopherTaylor, #ClarinetMusic, #ConcertBand, #ConcertChoir, #ContemporaryMusic, #CosifanTutte, #DanielGrabois, #EliKalman, #EmailNewsletter, #FacebookPost, #FacebookPosting, #FacultyConcert, #FacultyMember, #FluteMusic, #FrancesKarp, #FranzSchubert, #GiuseppeVerdi, #GuestArtist, #HamelMusicCenter, #HornMusic, #JazzMusic, #KarpFamily, #KatoPerlman, #KatrinTalbot, #LaborDay, #LesThimmig, #LudwigVanBeethoven, #LutherMemorialChurch, #MadrigalSingers, #MarcVallon, #MeadWitterSchoolofMusic, #MidsummerNight'sDream, #MillsHall, #NobukoImai, #OperaMusic, #OperaScenes, #OperaSinger, #OrchestralMusic, #ParryKarp, #PaulCollins, #PerlmanTrio, #PianoAccompaniment, #PianoAccompanist, #PianoConcerto, #PianoMusic, #PianoQuartet, #PianoTrio, #ProArteQuartet, #RalphVaughan-Williams, #RalphVaughanWilliams, #RecitalHall, #RobertSchumann, #SaxophoneMusic, #Schubertiadeconcert, #StringMusic, #StringQuartet, #SuzanneBeia, #TheKnights, #TimothyHagen, #TrumpetMusic, #TubaMusic, #UniversityBands, #UniversityofWisconsin-Madison, #UniversityofWisconsin-Oshkosh, #UniversityOpera, #UWChorale, #UWChoralUnion, #UWSchubertiade, #UWSymphonyOrchestra, #ViolaMusic, #ViolinMusic, #VocalMusic, #WilliamShakespeare, #WindMusic, #WindsofWisconsin, #WingraWindQuintet, #WisconsinBrassQuintet, #WolfgangAmadeusMozart, #WorldPercussionEnsemble, #WuHan, A Sea Symphony, admission, Afro, Afro-Cuban, All-University Strings, alumni, Antonín Dvořák, audience, audition, band, Bassoon, Beethoven, Beethoven symphony, Benjamin Britten, blog, brass music, Brass quintet, brochure, calendar, celebration, Cello, cello music, Chamber music, Chanticleer, Choir, choral music, Choral Union, Chorale, Christian, Christian church, Christopher Karp, Christopher Taylor, church, clarinet, clarinet music, Classical music, classicalmusic, Competition, Concert, Concert Band, Concert Choir, concerto, contemporary music, contested, Cuban, Daniel Grabois, datebook, details, Dvorak, Eli Kalman, email, ensemble, event, extravaganza, Facebook, faculty, Family, flute, flute music, forward, Frances Karp, Franz Schubert, friends, Giuseppe Verdi, guest artist, Hamel Music Center, Home, Horn, Jazz, Karp Family, Kato Perlman, Katrin Talbot, Les Thimmig, liberation, like, link, Ludwig van Beethoven, Luther, Luther Memorial Church, Lutheran, madrigal, Marc Vallon, master class, masterclass, Mead Witter School of Music, Midsummer Night's Dream, migrant, Mills Hall, Mozart, Music, newsletter, Nobuko Imai, Nordic, opening, opera, opera scenes, opera singer, orchestral music, Oshkosh, Parry Karp, Paul Collins, percussion, performer, Pianist, Piano, Piano concerto, Piano Quartet, Piano Trio, post, posting, Pro Arte Quartet, program, quintet, Ralph Vaughan Williams, reader, recital, recital hall, Requiem, Robert Schumann, Saxophone, scenes, Schubert, Schubertiade, Schumann, sea, Shakespeare, share, showcase, singer, song, string, string music, String quartet, studio, subscriber, Suzanne Beia, symphony, symphony orchestra, tag, The Knights, Timothy Hagen, Trumpet, Tuba, undergraduate, university, University Bands, University of Wisconsin–Madison, University of Wisconsin–Oshkosh, University Opera, UW, UW Concert Band, UW Concert Choir, UW-Madison, UW-Oshkosh, Verdi, Viola, Violin, violinist, vocal music, Website, weekend, William Shakespeare, wind music, Wind quintet, winds, Winds of Wisconsin, Wingra Wind Quintet, winner, Wisconsin Brass Quintet, Wolfgang Amadeus Mozart, World Percussion Ensemble, Wu Han, year
Classical music: The Madison-based string quartet Quartessence will perform this Sunday afternoon at the Little Brown Church in Richland County
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
On this Sunday, Aug. 4, at 2 p.m. the Madison-based Quartessence string quartet (below, in a photo by Ralph Russo) will perform a rare public concert of classical music at the Little Brown Church in Richland County. (The group usually performs at private events.)
Performers (below, from left) are: violinist Suzanne Beia; cellist Sarah Schaffer; violinist Laura Burns; and violist Jennifer Clare Paulson. Beia, Burns and Paulson are members of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Pro Arte String Quartet. Schaffer has a career in arts management and organizes the annual summertime Token Creek Chamber Music Festival.
The location is 29864 Brown Church Road at the intersection of Highway 130 and Highway B, approximately five miles north of Highway 14.
Tickets cost $10 for adults and $5 for students, and will be available at the door.
The program includes: music by baroque composer Antonio Vivaldi; the “Brook Green” Suite by Gustav Holst; the String Quartet in G Major, K. 156, by Wolfgang Amadeus Mozart; “Household Music: Three Preludes on Welsh Hymn Tunes” by British composer Ralph Vaughan Williams (originally written for organ, one of the preludes can be heard in an orchestral arrangement in the YouTube video at the bottom); and “Painting the Floors Blue” and “Thanks, Victor” by the contemporary American composer John Harbison.
The concert is sponsored by a family, and proceeds will be used by the Friends of the Little Brown Church for maintenance of the building. The donors are happy to be able to provide this opportunity to music lovers in the community.
The refurbished building is air-conditioned, so you can take a break from the hot weather while you enjoy the music.
Here is some background from Harriet Statz (below, far right), who organizes the event because the Little Brown Church is special to her:
“Last year we started what is turning out to be an annual event (maybe) at the Brown Church (below) in Richland County. That’s up the road (Highway 131) from where I lived in the late 1970s.
“Since then Julie Jazicek and I have been in contact about fencing for this historic place, as she is sort of the manager and deserves much credit for keeping both the building and grounds beautiful. Over the years some concerts have been held in the church, but until 2018 nothing classical. So we fixed that!
“Last year’s concert by the Quartessence Quartet was a resounding success. An audience of about 60 people encouraged us to keep going, so we did, and hope for even a larger turnout to fill up the place. As it turns out the acoustics are outstanding!
“The location is west of Spring Green and north of Lone Rock. It’s a lovely drive. So I invite you to mark this Sunday Aug. 4, on your calendar and come out to the country for a lovely afternoon of music. Bring friends! Share rides!”
For information, call 608-356-8421 or send an email to: FriendsOfLittleBrownChurch@gmail.com
Tags: #AirConditioning, #AmericanComposer, #AntonioVivaldi, #BaroqueMusic, #BlogPost, #BlogPosting, #BritishComposer, #BrookGreenSuite, #ChamberMusic, #ClassicalMusician, #ContemporaryMusic, #FacebookPost, #FacebookPosting, #GreatBritain, #HarrietStatz, #HistoricBuilding, #HotWeather, #JenniferClarePaulson, #JohnHarbison, #JulieJazicek, #LauraBurns, #LittleBrownChurch, #LivingComposer, #MadisonSymphonyOrchestra, #MusicLover, #OrchestralMusic, #PaintingtheFloorsBlue, #ProArteQuartet, #RalphRusso, #RalphVaughanWilliams, #RichlandCounty, #SarahSchaffer, #StringQuartet, #SuzanneBeia, #TokenCreekChamberMusicFestival, #WisconsinChamberOrchestra, #WolfgangAmadeusMozart, #YouTubevideo, AC, acoustics, adult, afternoon, air conditioning, air-conditioned, American, annual, Antonio Vivaldi, arrangement, Arts, audience, available, Baroque, beautiful, blog, British, brook, Brook Green Suite, building, call, career, cellist, Cello, Chamber music, Classical music, classicalmusic, community, composer, Concert, contemporary music, cost, country, credit, donor, door, Early music, email, encourage, English, event, Facebook, Family, fencing, festival, friends, Great Britain, green, grounds, Harriet Statz, highway, historic, hot, hot weather, hymn, intersection, Italian, Italy, Jacob Stockinger, Jennifer Clare Paulson, John Harbison, Julie Jazicek, Kochel, last year, Laura Burns, like, link, Little Brown Church, live, Living composer, lovely, lover, Madison, Madison Symphony Orchestra, maintenance, management, manager, Mozart, Music, music lover, Orchestra, orchestral, organ, organize, outstanding, Painting the Floors Blue, People, performer, performers, place, Prelude, private, Pro Aret Quartet, proceeds, public, Quartessence, Ralph Vaughan Williams, rare, resounding, Richland County, ride, road, Sarah Schaffer, share, sponsor, String quartet, Student, success, Suite, summer, summertime, Suzanne Beia, tag, thanks, ticket, Token Creek Chamber Music Festival, tune, turnout, UK, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Victor, Viola, Violin, violinist, violist, Vivaldi, weather, Welsh, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, YouTube, YouTube video
Classical music: Today is Memorial Day – a good time to remember the civilian dead as well as the military dead. The Ear likes Ravel’s “Le Tombeau de Couperin.” What music would you listen to to mark the holiday?
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By Jacob Stockinger
Today is Memorial Day, 2019, when the nation honors the men and women who died in military service. The Ear would like to see much more attention and remembrance paid to the huge number of civilians — much higher than military personnel and soldiers — who have died in wars and military service, whose lives weren’t given but taken.
In fact, why not establish and celebrate a separate holiday to honor civilian deaths in war? Perhaps it would help to know the detailed history and background of the holiday, since it is not as straightforward or modern as you might expect:
https://en.wikipedia.org/wiki/Memorial_Day
What piece of classical music would you listen to in order to mark the holiday?
There is a lot to choose from.
The Ear especially likes “Le Tombeau de Couperin” by the early 20th-century French composer Maurice Ravel. It is a “tombeau” – a metaphorical “tomb” or “grave” used by the French to mean paying homage to the dead – in two senses.
Its neo-Classical or neo-Baroque style recalls the 18th-century world of French composers and harpsichordists including Jean-Philippe Rameau and Francois Couperin. But in a second sense, Ravel (below, in 1910) dedicated each of the six movements to a friend – in one case, two brothers — who had died during World War I. So part of its appeal is that it is a very personal statement of grief.
Here is more detailed background about the piece:
https://en.wikipedia.org/wiki/Le_tombeau_de_Couperin
The work was orchestrated later, which added sonic color but cut out two movements. The Ear prefers the original piano version, which seems a little more percussive, austere and straightforward — less pretty but more beautiful, and more in keeping with the holiday by evoking sentiment without sentimentality.
In the YouTube video at the bottom, you can hear it in a live performance by Canadian pianist Angela Hewitt.
But there are lots of other works to choose from by many composers: John Adams (“The Wound Dresser” after poetry of Walt Whitman); Samuel Barber (Adagio for Strings); Ludwig van Beethoven (slow movements of Symphonies 3 and 7, and of the Piano Sonata Op. 26); Johannes Brahms (“A German Requiem”); Benjamin Britten (War Requiem); Frederic Chopin (Funeral March from Sonata No. 2, polonaises, preludes and the “Revolutionary” Etude); Aaron Copland (“Fanfare for the Common Man” and “Letter From Home”); Edward Elgar (“Nimrod” from “Enigma Variations”); Gabriel Faure (Requiem and Elegy for cello); Franz Joseph Haydn (“Mass in Time of War”); Paul Hindemith (“When Lilacs Last in the Dooryard Bloom’d – A Requiem for Those We Love”); Charles Ives (Variations on “America” and “Decoration Day”); Henry Purcell (“When I Am Laid in Earth”); John Philip Sousa (“Honored Dead” March); Ralph Vaughan Williams (Symphony No. 3 “Pastoral”); and many others, including Johann Sebastian Bach and Wolfgang Amadeus Mozart.
Here is a list from the British radio station Classical FM:
Here is a list of patriotic music from Nashville Public Radio:
Here is another list from an American source:
http://midamerica-music.com/blog/five-classical-works-memorial-day/
Here are more sound samples from NPR:
https://www.npr.org/templates/story/story.php?storyId=104341851
And here is another one from Northwest Public Radio:
https://www.nwpb.org/2015/05/22/memorial-day-music-commemorate-celebrate/
What do you think of a holiday commemorating civilian deaths in war?
What favorite piece of classical music would you play and listen to as you mark Memorial Day?
Let us know, with a YouTube link if possible, in the COMMENT section.
The Ear wants to hear.
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Classical music: This weekend, the Madison Symphony Orchestra spotlights three of its principal players in music by Prokofiev, Debussy and Vaughan Williams along with works by Schubert and Gershwin
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By Jacob Stockinger
This coming weekend, the Madison Symphony Orchestra (MSO, below in a photo by Peter Rodgers) will once again perform a program that highlights its principal artists as soloists.
The program for “Orchestral Brilliance: Three Virtuosi” begins with Franz Schubert’s Symphony No. 8, “Unfinished.”
Then the featured artists appear: concertmaster Naha Greenholtz performs Sergei Prokofiev’s Concerto No. 2 for Violin; principal clarinetist JJ Koh follows with Claude Debussy’s Rhapsody for Clarinet and Orchestra; and principal tubist Joshua Biere concludes with Ralph Vaughan Williams’ Concerto for Tuba and Orchestra. For more biographical information about the soloists, see below.
The program finishes with George Gershwin’s “An American in Paris.”
Performances will be held in Overture Hall, 201 State Street, on Friday, March 8, at 7:30 p.m.; Saturday, March 9, at 8 p.m.; and Sunday, March 10, at 2:30 p.m.
Details about tickets ($18-$93) are below.
“Our March concerts shine the spotlight on our own brilliant musicians that make up the Madison Symphony Orchestra,” says music director and conductor John DeMain (below, in a photo by Greg Anderson). “It is important to me on the occasion of my 25th anniversary with the symphony to share this celebration in a special way with these artists, who make my musical life such a pleasure.”
Franz Schubert (below) began composing his “Unfinished Symphony” in 1822, but left the piece with only two movements despite living for six more years. For reasons that remain unclear, the score was shelved until 1860 when the owner finally realized he possessed a gem. He approached conductor Johann von Herbeck with assurances of a “treasure” on par “with any of Beethoven’s,” and Schubert’s “Unfinished” Symphony had its premiere in 1865.
The Violin Concerto No. 2 in G Minor, Op. 63, by Sergei Prokofiev (below) is more conventional than the composer’s early bold compositions. It starts off with a simple violin melody and recalls traditional Russian folk music. The graceful violin melody flows throughout the entire second movement, and the third movement’s theme has a taste of Spain, complete with the clacking of castanets. (You can hear David Oistrakh play the gorgeous and entrancing slow second movement in the YouTube video at the bottom.)
Composed between December 1909 and January 1910, the Rhapsody for Clarinet and Orchestra by Claude Debussy (below) was written as one of two test pieces for the clarinet examinations at the Paris Conservatory. The piece is described as dreamily slow at the start, followed by a duple meter section that moves the music along until the joyous final section.
The Concerto for Tuba and Orchestra by Ralph Vaughan Williams (below)
was written in 1953-54 to mark the 50th anniversary of the London Symphony Orchestra.
“An American in Paris” by George Gershwin (below) is one of the popular composer’s most well-known and most beloved compositions. Written in 1928, it evokes the sights and energy of the French capital in the 1920s. As Gershwin explains, the work’s purpose is to “portray the impressions of an American visitor in Paris as he strolls about the city, listens to the various street noises, and absorbs the French atmosphere.”
ABOUT THE SOLOISTS
Naha Greenholtz (below, in a photo by Chris Hynes) is concertmaster of both the Madison Symphony Orchestra and the Quad City Symphony Orchestra. Additional performance highlights include guest concertmaster appearances with the Oregon Symphony, Calgary Philharmonic, National Ballet of Canada, Omaha Symphony and Memphis Symphony, among many others. Additionally, she performs frequently with the Cleveland Orchestra both domestically and abroad. Greenholtz has also held positions with the Milwaukee Symphony Orchestra and the Louisiana Philharmonic Orchestra, joining the latter as Associate Concertmaster at age 21.
JJ Koh (below) joined the Madison Symphony Orchestra as principal clarinetist in 2016. In addition, he holds a position with the Milwaukee Symphony Orchestra, and Wisconsin Chamber Orchestra. Prior to joining the MSO, Koh was a member of the Civic Orchestra of Chicago. He is a founding member of the Arundo Donax Reed Quintet, and a winner of the Fischoff National Chamber Music Competition. As principal clarinetist of KammerMahler, Koh participated in a world premiere recording project, which featured chamber versions of Gustav Mahler’s Fourth and Ninth Symphonies.
Joshua Biere (below, in a photo by Peter Rodgers) joined the Madison Symphony Orchestra as principal tubist in 2013. He also holds the principal tuba chair with the Kenosha Symphony and regularly performs with the new Chicago Composers Orchestra. Biere has also performed at the Grant Park Music Festival (Chicago), and with the St. Paul Chamber Orchestra. An established chamber musician, Biere is also a highly sought-after clinician and teacher, maintaining a studio of well over 35 tuba and euphonium students.
CONCERT AND TICKET DETAILS
The lobby opens 90 minutes prior to each concert. One hour before each performance, maestro John DeMain will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticketholders.
The MSO recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.
Program notes for the concerts are available online: http://bit.ly/mar2019programnotes
- Single Tickets are $18-$93 each and are on sale now at: http://madisonsymphony.org/orchestral through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
- Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
- Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
- Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
- Flex-ticket booklets of 10 vouchers for 18-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
Discounted seats are subject to availability, and discounts may not be combined.
Presenting sponsorship provided by the Kelly Family Foundation. Major funding provided by Madison Magazine, Louise and Ernest Borden, Scott and Janet Cabot, and Elaine and Nicholas Mischler. Additional funding provided by von Briesen & Roper, S.C., and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts (NEA).
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Classical music: Here are classical music winners — and nominees — of the 61st annual Grammy nominations for 2019.
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By Jacob Stockinger
This should have come out sooner since the Grammy Awards (below) were given out a week ago. But it has been such a busy week for Iive music in Madison – as will next week be – that this was the first occasion to post them.
In any case, for all their insider shortcomings they are a matter of interest to many, and can be helpful in understanding the contemporary classical scene and new music as you build your own playlists and recording library.
There are some points of interest including the fact that two Grammys were won by Canadian violinist James Ehnes for his performance of the Violin Concerto by the contemporary composer Aaron Jay Kernis.
Ehnes (below) is in town this weekend to play the Violin Concerto by Johannes Brahms with the Madison Symphony Orchestra (the last performance is this afternoon at 2:30 p.m. in Overture Hall. The Ear hopes he might return to perform the Kernis concerto with MSO.
Also, Apollo’s Fire, which won in the Best Solo Vocal category, will perform Baroque music by Johann Sebastian Bach, Antonio Vivaldi and Marco Uccellini at the Wisconsin Union Theater on Saturday, March 30.
Finally and unfortunately, some Madison nominees — including retired UW-Madison flute professor Stephanie Jutt and her co-director of the Bach Dancing and Dynamite Society pianist Jeffrey Sykes — got edged out in the Producer category, as did retired UW professor James P. Leary for his liner notes to “Alpine Dreaming.”
In the orchestra category is John Harbison — who is in town marking his 80th birthday with many events, including the world premiere tonight at the W-Madison of his Sonata for Viola and Piano. In the Chamber Music category, Canadian pianist Marc-André Hamelin will solo in concertos by Maurice Ravel and Richard Strauss with the Madison Symphony Orchestra on April 12-14.
Look at the winners carefully. Clearly, the recording industry is, by and large, skipping over the usual classical masters such as Bach, Beethoven and Brahms to focus instead on living composers and contemporary music or stories relevant to our times, such as the opera by Mason Bates about the late Apple wizard Steve Jobs.
One major exception is the third Grammy in a row for the cycle of symphonies by the famed Russian composer Dmitri Shostakovich being done by the Latvian-born conductor Andris Nelsons and the Boston Symphony Orchestra.
Here are the nominees and winners – the latter marked with an asterisk, a photo and the word WINNER — for the 61st Grammy Awards. Leave a comment with wa you think of the nominees and winners.
- Best Engineered Album, Classical
An Engineer’s Award. (Artist names appear in parentheses.)
BATES: THE (R)EVOLUTION OF STEVE JOBS. Mark Donahue & Dirk Sobotka, engineers; Mark Donahue, mastering engineer (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
BEETHOVEN: SYMPHONY NO. 3; STRAUSS: HORN CONCERTO NO. 1
Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
JOHN WILLIAMS AT THE MOVIES. Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Jerry Junkin & Dallas Winds).
LIQUID MELANCHOLY – CLARINET MUSIC OF JAMES M. STEPHENSON
Bill Maylone & Mary Mazurek, engineers; Bill Maylone, mastering engineer (John Bruce Yeh)
*WINNER — SHOSTAKOVICH: SYMPHONIES NOS. 4 & 11. Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons & Boston Symphony Orchestra)
VISIONS AND VARIATIONS. Tom Caulfield, engineer; Jesse Lewis, mastering engineer (A Far Cry)
- Producer Of The Year, Classical
A Producer’s Award. (Artist names appear in parentheses.)
* WINNER — BLANTON ALSPAUGH (below)
- Arnesen: Infinity – Choral Works (Joel Rinsema & Kantorei)
- Aspects Of America (Carlos Kalmar & Oregon Symphony)
- Chesnokov: Teach Me Thy Statutes (Vladimir Gorbik & PaTRAM Institute Male Choir)
- Gordon, R.: The House Without A Christmas Tree (Bradley Moore, Elisabeth Leone, Maximillian Macias, Megan Mikailovna Samarin, Patricia Schuman, Lauren Snouffer, Heidi Stober, Daniel Belcher, Houston Grand Opera Juvenile Chorus & Houston Grand Opera Orchestra
- Haydn: The Creation (Andrés Orozco-Estrada, Betsy Cook Weber, Houston Symphony & Houston Symphony Chorus)
- Heggie: Great Scott (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade, Ailyn Pérez, Joyce DiDonato, Dallas Opera Chorus & Orchestra)
- Music Of Fauré, Buide & Zemlinsky (Trio Séléné)
- Paterson: Three Way – A Trio Of One-Act Operas (Dean Williamson, Daniele Pastin, Courtney Ruckman, Eliza Bonet, Melisa Bonetti, Jordan Rutter, Samuel Levine, Wes Mason, Matthew Treviño & Nashville Opera Orchestra)
- Vaughan Williams: Piano Concerto; Oboe Concerto; Serenade To Music; Flos Campi (Peter Oundjian & Toronto Symphony Orchestra)
DAVID FROST
- Beethoven: Piano Sonatas, Volume 7 (Jonathan Biss)
• Mirror In Mirror (Anne Akiko Meyers, Kristjan Järvi & Philharmonia Orchestra)
• Mozart: Idomeneo (James Levine, Alan Opie, Matthew Polenzani, Alice Coote, Nadine Sierra, Elza van den Heever, The Metropolitan Opera Orchestra & Chorus)
• Presentiment (Orion Weiss)
• Strauss, R.: Der Rosenkavalier (Sebastian Weigle, Renée Fleming, Elīna Garanča, Erin Morley, Günther Groissböck, Metropolitan Opera Orchestra & Chorus)
ELIZABETH OSTROW
- Bates: The (R)evolution Of Steve Jobs (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
• The Road Home (Joshua Habermann & Santa Fe Desert Chorale)
JUDITH SHERMAN
- Beethoven Unbound (Llŷr Williams)
• Black Manhattan Volume 3 (Rick Benjamin & Paragon Ragtime Orchestra)
• Bolcom: Piano Music (Various Artists)
• Del Tredici: March To Tonality (Mark Peskanov & Various Artists)
• Love Comes In At The Eye (Timothy Jones, Stephanie Sant’Ambrogio, Jeffrey Sykes, Anthony Ross, Carol Cook, Beth Rapier & Stephanie Jutt)
• Meltzer: Variations On A Summer Day & Piano Quartet (Abigail Fischer, Jayce Ogren & Sequitur)
• Mendelssohn: Complete Works For Cello And Piano (Marcy Rosen & Lydia Artymiw)
• New Music For Violin And Piano (Julie Rosenfeld & Peter Miyamoto)
• Reich: Pulse/Quartet (Colin Currie Group & International Contemporary Ensemble)
DIRK SOBOTKA
- Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1 (Manfred Honeck & Pittsburgh Symphony Orchestra)
• Lippencott: Frontier Symphony (Jeff Lippencott & Ligonier Festival Orchestra)
• Mahler: Symphony No. 8 (Thierry Fischer, Mormon Tabernacle Choir & Utah Symphony)
• Music Of The Americas (Andrés Orozco-Estrada & Houston Symphony) 
- Best Orchestral Performance Award to the Conductor and to the Orchestra
- BEETHOVEN: SYMPHONY NO. 3; STRAUSS: HORN CONCERTO NO. 1. Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
- NIELSEN: SYMPHONY NO. 3 & SYMPHONY NO. 4. Thomas Dausgaard, conductor (Seattle Symphony)
- RUGGLES, STUCKY & HARBISON: ORCHESTRAL WORKS. David Alan Miller, conductor (National Orchestral Institute Philharmonic)
- SCHUMANN: SYMPHONIES NOS. 1-4. Michael Tilson Thomas, conductor (San Francisco Symphony)
- * WINNER — SHOSTAKOVICH: SYMPHONIES NOS. 4 & 11 Andris Nelsons, conductor (Boston Symphony Orchestra)
76. Best Opera Recording Award to the Conductor, Album Producer(s) and Principal Soloists.
- ADAMS: DOCTOR ATOMIC. John Adams, conductor; Aubrey Allicock, Julia Bullock, Gerald Finley & Brindley Sherratt; Friedemann Engelbrecht, producer (BBC Symphony Orchestra; BBC Singers)
- * WINNER –BATES: THE (R)EVOLUTION OF STEVE JOBS. Michael Christie, conductor; Sasha Cooke, Jessica E. Jones, Edwards Parks, Garrett Sorenson & Wei Wu; Elizabeth Ostrow, producer (The Santa Fe Opera Orchestra)
- LULLY: ALCESTE. Christophe Rousset, conductor; Edwin Crossley-Mercer, Emiliano Gonzalez Toro & Judith Van Wanroij; Maximilien Ciup, producer (Les Talens Lyriques; Choeur De Chambre De Namur)
- STRAUSS, R.: DER ROSENKAVALIER. Sebastian Weigle, conductor; Renée Fleming, Elīna Garanča, Günther Groissböck & Erin Morley; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)
- VERDI: RIGOLETTO. Constantine Orbelian, conductor; Francesco Demuro, Dmitri Hvorostovsky & Nadine Sierra; Vilius Keras & Aleksandra Keriene, producers (Kaunas City Symphony Orchestra; Men Of The Kaunas State Choir)
- Best Choral Performance. Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
- CHESNOKOV: TEACH ME THY STATUTES. Vladimir Gorbik, conductor (Mikhail Davydov & Vladimir Krasov; PaTRAM Institute Male Choir)
- KASTALSKY: MEMORY ETERNAL. Steven Fox, conductor (The Clarion Choir)
- * WINNER — MCLOSKEY: ZEALOT CANTICLES. Donald Nally, conductor (Doris Hall-Gulati, Rebecca Harris, Arlen Hlusko, Lorenzo Raval & Mandy Wolman; The Crossing)
- RACHMANINOV: THE BELLS. Mariss Jansons, conductor; Peter Dijkstra, chorus master (Oleg Dolgov, Alexey Markov & Tatiana Pavlovskaya; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks)
- SEVEN WORDS FROM THE CROSS. Matthew Guard, conductor (Skylark)
- Best Chamber Music/Small Ensemble Performance. For new recordings of works with chamber or small ensemble (24 or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
- * WINNER — ANDERSON, LAURIE: LANDFALL. Laurie Anderson & Kronos Quartet
- BEETHOVEN, SHOSTAKOVICH & BACH. The Danish String Quartet
- BLUEPRINTING. Aizuri Quartet
- STRAVINSKY: THE RITE OF SPRING CONCERTO FOR TWO PIANOS. Leif Ove Andsnes & Marc-André Hamelin
- VISIONS AND VARIATIONS. A Far Cry
- Best Classical Instrumental Solo. Award to the Instrumental Soloist(s) and to the Conductor when applicable.
- BARTÓK: PIANO CONCERTO NO. 2. Yuja Wang; Simon Rattle, conductor (Berliner Philharmoniker)
- BIBER: THE MYSTERY SONATAS. Christina Day Martinson; Martin Pearlman, conductor (Boston Baroque)
- BRUCH: SCOTTISH FANTASY, OP. 46; VIOLIN CONCERTO NO. 1 IN G MINOR, OP. 26. Joshua Bell (The Academy Of St. Martin In The Fields)
- GLASS: THREE PIECES IN THE SHAPE OF A SQUARE. Craig Morris
- * WINNER — KERNIS: VIOLIN CONCERTO. James Ehnes; Ludovic Morlot, conductor (Seattle Symphony)
- Best Classical Solo Vocal Album. Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.
- ARC. Anthony Roth Costanzo; Jonathan Cohen, conductor (Les Violons Du Roy)
- THE HANDEL ALBUM. Philippe Jaroussky; Artaserse, ensemble
- MIRAGES. Sabine Devieilhe; François-Xavier Roth, conductor (Alexandre Tharaud; Marianne Crebassa & Jodie Devos; Les Siècles)
- SCHUBERT: WINTERREISE. Randall Scarlata; Gilbert Kalish, accompanist
- * WINNER — SONGS OF ORPHEUS – MONTEVERDI, CACCINI, D’INDIA & LANDI. Karim Sulayman; Jeannette Sorrell, conductor; Apollo’s Fire, ensembles
- Best Classical Compendium. Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.
- * WINNER — FUCHS: PIANO CONCERTO ‘SPIRITUALIST’; POEMS OF LIFE; GLACIER; RUSH. JoAnn Falletta, conductor; Tim Handley, producer
- GOLD. The King’s Singers; Nigel Short, producer
- THE JOHN ADAMS EDITION. Simon Rattle, conductor; Christoph Franke, producer
- JOHN WILLIAMS AT THE MOVIES. Jerry Junkin, conductor; Donald J. McKinney, producer
- VAUGHAN WILLIAMS: PIANO CONCERTO; OBOE CONCERTO; SERENADE TO MUSIC; FLOS CAMPI. Peter Oundjian, conductor; Blanton Alspaugh, producer
- Best Contemporary Classical Composition. A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
- BATES: THE (R)EVOLUTION OF STEVE JOBS. Mason Bates, composer; Mark Campbell, librettist (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
- DU YUN: AIR GLOW. Du Yun, composer (International Contemporary Ensemble)
- HEGGIE: GREAT SCOTT. Jake Heggie, composer; Terrence McNally, librettist (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade, Ailyn Pérez, Joyce DiDonato, Dallas Opera Chorus & Orchestra)
- * WINNER — KERNIS: VIOLIN CONCERTO. Aaron Jay Kernis (below top), composer (James Ehnes, Ludovic Morlot & Seattle Symphony). You can hear the first movement in the YouTube video at the bottom.
- MAZZOLI: VESPERS FOR VIOLIN. Missy Mazzoli, composer (Olivia De Prato)
Tags: #AaronJayKernis, #AcademyofSt.MartinintheFields, #AlbumCover, #AlexanderZemlinsky, #AlpineDreaming", #AndrisNelsons, #AnneAkikoMeyers, #Apollo'sFire, #Applecomputers, #AppleInc., #ArvoPärt, #BachDancingandDynamiteSociety, #BaroqueMusic, #BBCOrchestra, #BBCSymphonyOrchestra, #BelaBartok, #BerlinGermany, #BerlinPhilharmonic, #BlogPost, #BlogPosting, #BostonBaroque, #BostonSymphony, #CarlNielsen, #ChamberMusic, #ChoralMusic, #ClarinetMusic, #ClaudioMonteverdi, #DanishStringQuartet, #DavidDelTedici, #DavidFrost, #DerRosenkavalier, #DmitriHvorostovsky, #DmitriShostakovich, #DoctorAtomic, #DuYun, #FacebookPost, #FacebookPosting, #FacultyMember, #FilmScore, #FlosCampi, #FranzJosephHaydn, #FranzSchubert, #FredericavonStade, #GeorgeFridericHandel, #GiuseppeVerdi, #GrammyAwards, #GrammyNominations, #GustavMahler, #HeinrichBiber, #HornConcerto, #HoustonGrandOpera, #HoustonSymphony, #IgorStravinsky, #JakeHeggie, #JamesEhnes, #JamesM.Stephenson, #JamesP.Leary, #Jean-BaptisteLully, #JeffreySykes, #JohannesBrahms, #JohannSebastianBach, #JohnAdams, #JohnHarbison, #JohnWilliams, #JonathanBiss, #JoshuaBell, #JoyceDiDonato, #JudithSherman, #KennethFuchs, #KronosQuartet, #LaurieAnderson, #LeifOveAndsnes, #LinerNotes, #LiveMusic, #LivingComposers, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #Marc-AndréHamelin, #MarcoUccellini, #MartinPearlman, #MasonBates, #MauriceRavel, #MaxBruch, #MeadWitterSchoolofMusic, #MetropolitanOpera, #MichaelTilsonThomas, #MissyMazzoli, #MovieMusic, #MovieSoundtrack, #Musicfaculty, #NashvilleTennessee, #NathanGunn, #NewMusic, #OboeConcerto, #OrionWeiss, #OvertureCenter, #OvertureHall, #PavelChesnokov, #PhilipGlass, #PianoConcerto, #PianoSonata, #RalphVaughanWilliams, #RichardStrauss, #RobertSchumann, #SanFrancisco, #SanFranciscoSymphony, #SantaFeOpera, #SeattleSymphony, #SeattleWashington, #SerenadetoMusic, #SergeiRachmaninoff, #SergeiRachmaninov, #SimonRattle, #SteveJobs, #SteveReich, #SteveStucky, #StringQuartet, #TheBells, #TheCreation, #TheCross, #TheEar, #TorontoCanada, #TorontoSymphonyOrchestra, #UWProfessor, #ViolinConcerto, #WilliamBolcom, #WisconsinUnionTheater, #WolfgangAmadeusMozart, #YouTubevideo, #YujaWang, Aaron Jay Kernis, Academy of St Martin in the Fields, Album, Alpine, Alpine Dreaming, America, Andris Nelsons, Anne Akiko Meyers, Apollo's Fire, Apple, Arts, Arvo Part, Bach, Bach ancing, Bach Dancing and Dynamite Society, Baroque, Béla Bartók, BBC, BBC Symphony Orchestra, Beethoven, Berlin, Berlin Philharmonic, Biber, blog, Boston Baroque, Boston Symphony, Boston Symphony Orchestra, Bruch, Caccini, Canada, Carl Nielsen, category, Cello, Chamber music, choral music, clarinet, Classical music, Compact Disc, composer, concerto, conductor, contemporary, Creation, Danish String Quartet, David Del Tredici, David Frost, Der Rosenkavalier, Dmitri Hvorostovsky, Dmitri Shostakovich, Doctor Atomic, dream, dreaming, Du Yun, Early music, engineer, Facebook, faculty, Faure, film, Film score, Flos campi, flute, forward, Francesca Caccini, Franz Schubert, Frederica von Stade, Fuchs, George Frideric Handel, Grammy Awards, Handel, Haydn, horn concerto, Houston Grand Opera, Houston Symphony Orchestra, Idomeneo, Igor Stravinsky, Jacob Stockinger, Jake Heggie, James Ehnes, James M. Stephenson, James P. Leary, Jeffrey Sykes, Johann Sebastian Bach, Johannes Brahms, John Adams, John DeMain, John Harbison, John Williams, Jonathan Biss, Joshua Bell, Joyce DiDonato, Judith Sherman, Kronos Quartet, Laurie Anderson, Leif Ove Andsnes, library, like, liner notes, live music, living composers, Ludwig van Beethoven, Lully, Madison, Madison Symphony Orchestra, Mahler, Marc-André Hamelin, Marco Uccellini, Martin Pearlman, Mason Bates, Mead Witter School of Music, Metropolitan Opera, Michael Tilson Thomas, Missy Mazzoli, Monteverdi, Movies, Mozart, Music, Nashville, Nathan Gunn, New Music, nominations, nominees, notes, oboe concerto, opera, Orchestra, Orion Weiss, Orpheus, Overture Center, Overture Hall, Pavel Chesnokov, Philip Glass, photo, Pianist, Piano, Piano concerto, Piano sonata, playlist, professor, Rachmaninoff, Rachmaninov, Ragtime, Ralph Vaughan Williams, Ravel, recording, relevant, Richard Strauss, Rigoletto, Robert Schumann, San Francisco, San Francisco Symphony, Santa Fe Opera, Schubert, Seattle, Seattle Symphony, Serenade to Music, share, Simon Rattle, Singing, Sonata, song, soundtrack, Steve Jobs, Steve Reich, Steve Stucky, stories, String quartet, symphonies, symphony, tag, The Bells, The Creation, The Cross, The Ear, Toronto, Toronto Symphony Orchestra, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, variations, Verdi, Viola, Violin, visions, vocal music, weekend, WILLIAM BOLCOM, winner, Winterreise, Wisconsin, Wisconsin Union Theater, Wolfgang Amadeus Mozart, YouTube, Yuja Wang, Zemlinsky
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