The Well-Tempered Ear
Here are the nominees, winners and trends of the 2023 classical music Grammys
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Chances are good you have already heard about Beyoncé and Lizzo, about Bonnie Raitt and Harry Styles, and how they won their Grammy awards last Sunday night.
But it is not by chance that you have to scroll way, way, way down the list of Grammy nominees and winners to find the ones for classical music. (It comes a third from the end, just before the list of short-form and long-form videos.)
No doubt it is in part a question of respect. Classical is not even listed with other “Musical Genres” on the Grammys’ home website while you will find: Pop; Rock; R&B; Country; Rap; Latin; Global; Gospel and Contemporary Christian; New Age; Jazz; and Alternative.
It seems like the most important thing to say about classical music is that pop star Beyoncé (below above) surpassed the record for individual Grammys previously held for decades by the late Hungarian-born conductor Sir George Solti (below bottom). He had won 31, she has won 32. But it seems like an unfair comparison since The Ear suspects many more categories are open to Beyoncé and her pop music than were open to Solti and classical music.
But even more than respect, it is a question of popularity and money.
We mustn’t forget that the Grammys are above all an industry event designed to reward those who make the commercial recording industry flourish.
Still, there are trends to take note of.
You’ll notice that quite a few of the nominees and winners have performed had their music performed in Madison. They include composers Caroline Shaw and Kevin Puts; the Imani Winds and Valerie Coleman; the Attacca Quartet; singer Will Liverman; Third Coast Percussion; Hilary Hahn; and producer Judith Sherman (below, in 2016)), who has overseen recent recordings by the UW-Madison’s Pro Arte Quartet and won many such Grammys.
Also, just as in Madison this has also been a big year for performers and composers of color — Black, Indigenous, Latin and Asian — as well as women composers and performers. Florence Price, Valerie Coleman and Jessie Montgomery (below and in the YouTube video at the end of her composition “Strum”), who is now composer-in-residence at the Chicago Symphony Orchestra and was just named Composer of the Year by Musical America; and Valerie Coleman.
Local presenters and performers can be proud of reflecting the same priorities. They include: the University of Wisconsin-Madison School of Music; the Wisconsin Youth Symphony Orchestras (WYSO); the Madison Symphony Orchestra; the Madison Opera; the Wisconsin Union Theater; the Wisconsin Chamber Orchestra; the Willy Street Chamber Players; the Bach Dancing and Dynamite Society; Edgewood College; and Wisconsin Public Radio and WORT-FM among others.
See for yourself which ones you caught and which ones you missed.
Here is a list of the classical music winners of the 65th annual Grammy awards. It is provided by the insightful Australian arts and culture journal Limelight Magazine:
The 2023 Grammy Awards: Classical winners announced
And here is the complete list of the Grammy nominees along with the winners, so you can compare them all, find out details and judge for yourself. The Ear thinks many of the nominees are often just as worthwhile to check out and listen to as the winners:
https://www.grammy.com/awards/65th-annual-grammy-awards-2022
What do you think of the Grammy nominees and winners?
The Ear wants to hear.
Tags: #African-AmericanMusic, #BachDancingandDynamiteSociety, #BlogPost, #ChristianMusic, #ClassicalRecording, #FacebookPost, #FacebookPosting, #FlorencePrice, #GeorgeSolti, #GospelMusic, #HarryStyles, #Hip-hopmusic, #JessieMontgomery, #KevinPuts, #LimelightMagazine, #MadisonOpera, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MusicalGenre, #PeopleofColor, #TheEar, #TheGrammys, #TheUW-Madison, #WillyStreetChamberPlayers, #WisconsinPublicRadio, #WorldMusic, #WORT-FM89.9, #YouTubevideo, 2023, Adele, African American, alternative, Arts, Asia, asian, audience, Australia, Bach, Bach Dancing and Dynamite Society, Baroque, BDDS, Beethoven, Beyonce, BIPOC, black, blog, blues, Bonnie Raitt, Caroline Shaw, Cello, Chamber music, Chicago Symphony Orchestra, China, Chinese, choral music, Christian, Classical music, composer, Concert, concerto, country, culture, Early music, Edgewood College, Facebook, Florence Price, genre, George Solti, global, gospel, gospel music, Grammys, Harry Styles, Hillary Hahn, hip-hop, Hispanic, Imani Winds, Indigenous, industry, Jacob Stockinger, Jazz, Jessie Montgomery, Johann Sebastian Bach, Judith Sherman, Kevin Puts, Latin, Limelight, Limelight magazine, link, listen, Lizzo, Ludwig van Beethoven, Madison, Madison Opera, Madison Symphony, Madison Symphony Orchestra, magazine, Mead Witter School of Music, money, Mozart, Music, Musical America, New Age, nominee, opera, Orchestra, Overture Center, people of color, Piano, pop, popularity, Pro Arte Quartet, R&B, rap, recording, respect, Rock, share, Sonata, String quartet, symphony, tag, The Ear, trend, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, VALERIE COLEMAN, Viola, Violin, vocal music, Website, Willy Street Chamber Players, winner, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin Union Theater, Wisconsin Youth Symphony Orchestras, Wolfgang Amadeus Mozart, World music, WORT, WORT-FM 89.9, WPR, WYSO, YouTube
Classical music: Here are the classical music nominees for the 2020 Grammy Awards. They make a useful holiday gift guide and highlight the trend toward more diversity
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today is Black Friday followed by Small Business Saturday and Cyber Monday — all with special deals and sales.
With that in mind, here is a list of the recently announced nominees in classical music for the 2020 Grammy Awards.
Although it is a self-serving list for a competition sponsored by The Industry, it can also be good way to find holiday gifts to give to others or to receive for yourself.
The list can be useful for spotting trends and finding new releases you may not have heard of.
For example, this year seems especially good for new music or recent works and contemporary composers. You won’t find any Bach, Haydn, Mozart, Beethoven, Schubert, Brahms, Dvorak, Tchaikovsky or Mahler although you will find Berlioz, Schumann, Wagner, Bruckner, Berg, Rachmaninoff and Copland.
Another favorite seems to be the rediscovery of older composers such as Mieczyslaw Weinberg (1919-1996, below) whose centennial has become an occasion for bringing his neglected works to the forefront.
You can also see that like the Oscars, the Grammys seem to be paying more attention to women composers and conductors, artists of color and crossovers or mixed and hybrid genres.
For complete lists of all 84 categories, go to this site and click on the categories that interest you: https://www.grammy.com/grammys/news/2020-grammy-awards-complete-nominees-list
The 62nd annual Grammy Awards will be presented on Sunday, Jan. 26, at the Staples Center in Los Angeles and will be broadcast live on CBS television.
- Best Engineered Album, Classical
An Engineer’s Award. (Artist names appear in parentheses.)
- AEQUA – ANNA THORVALDSDÓTTIR
Daniel Shores, engineer; Daniel Shores, mastering engineer (International Contemporary Ensemble) - BRUCKNER: SYMPHONY NO. 9
Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck and Pittsburgh Symphony Orchestra) - RACHMANINOFF – HERMITAGE PIANO TRIO
Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Hermitage Piano Trio) - RILEY: SUN RINGS
Leslie Ann Jones, engineer; Robert C. Ludwig, mastering engineer (Kronos Quartet) - WOLFE: FIRE IN MY MOUTH
Bob Hanlon & Lawrence Rock, engineers; Ian Good & Lawrence Rock, mastering engineers (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus Of NY City & New York Philharmonic)
- Producer Of The Year, Classical
A Producer’s Award. (Artist names appear in parentheses.)
- BLANTON ALSPAUGH
- Artifacts – The Music Of Michael McGlynn (Charles Bruffy & Kansas City Chorale)
• Berlioz: Symphonie Fantastique; Fantaisie Sur La Tempête De Shakespeare (Andrew Davis & Toronto Symphony Orchestra)
• Copland: Billy The Kid; Grohg (Leonard Slatkin & Detroit Symphony Orchestra)
• Duruflé: Complete Choral Works (Robert Simpson & Houston Chamber Choir)
• Glass: Symphony No. 5 (Julian Wachner, The Choir Of Trinity Wall Street, Trinity Youth Chorus, Downtown Voices & Novus NY)
• Sander: The Divine Liturgy Of St. John Chrysostom (Peter Jermihov & PaTRAM Institute Singers)
• Smith, K.: Canticle (Craig Hella Johnson & Cincinnati Vocal Arts Ensemble)
• Visions Take Flight (Mei-Ann Chen & ROCO) - JAMES GINSBURG (below)
- Project W – Works By Diverse Women Composers (Mei-Ann Chen and Chicago Sinfonietta)
• Silenced Voices (Black Oak Ensemble)
• 20th Century Harpsichord Concertos (Jory Vinikour, Scott Speck and Chicago Philharmonic)
• Twentieth Century Oboe Sonatas (Alex Klein and Phillip Bush)
• Winged Creatures & Other Works For Flute, Clarinet, And Orchestra (Anthony McGill, Demarre McGill, Allen Tinkham and Chicago Youth Symphony Orchestra) - MARINA A. LEDIN, VICTOR LEDIN
- Bates: Children Of Adam; Vaughan Williams: Dona Nobis Pacem (Steven Smith, Erin R. Freeman, Richmond Symphony & Chorus)
• The Orchestral Organ (Jan Kraybill)
• The Poetry Of Places (Nadia Shpachenko)
• Rachmaninoff – Hermitage Piano Trio (Hermitage Piano Trio) - MORTEN LINDBERG
- Himmelborgen (Elisabeth Holte, Kare Nordstoga & Uranienborg Vokalensemble)
• Kleiberg: Do You Believe In Heather? (Various Artists)
• Ljos (Fauna Vokalkvintett)
• LUX (Anita Brevik, Trondheimsolistene & Nidarosdomens Jentekor)
• Trachea (Tone Bianca Sparre Dahl & Schola Cantorum)
• Veneliti (Hakon Daniel Nystedt & Oslo Kammerkor) - DIRK SOBOTKA
- Bruckner: Symphony No. 9 (Manfred Honeck & Pittsburgh Symphony Orchestra)
75. Best Orchestral Performance Award to the Conductor and to the Orchestra.
- BRUCKNER: SYMPHONY NO. 9
Manfred Honeck, conductor (Pittsburgh Symphony Orchestra) - COPLAND: BILLY THE KID; GROHG
Leonard Slatkin, conductor (Detroit Symphony Orchestra) - NORMAN: SUSTAIN
Gustavo Dudamel, conductor (Los Angeles Philharmonic) - TRANSATLANTIC
Louis Langrée, conductor (Cincinnati Symphony Orchestra) - WEINBERG: SYMPHONIES NOS. 2 and 21
Mirga Gražinytė-Tyla, conductor (City Of Birmingham Symphony Orchestra & Kremerata Baltica)
- Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists.
- BENJAMIN: LESSONS IN LOVE & VIOLENCE
George Benjamin, conductor; Stéphane Degout, Barbara Hannigan, Peter Hoare & Gyula Orendt; James Whitbourn, producer (Orchestra Of The Royal Opera House) - BERG: WOZZECK
Marc Albrecht, conductor; Christopher Maltman & Eva-Maria Westbroek; François Roussillon, producer (Netherlands Philharmonic Orchestra; Chorus Of Dutch National Opera) - CHARPENTIER: LES ARTS FLORISSANTS; LES PLAISIRS DE VERSAILLES
Paul O’Dette & Stephen Stubbs, conductors; Jesse Blumberg, Teresa Wakim & Virginia Warnken; Renate Wolter-Seevers, producer (Boston Early Music Festival Chamber Ensemble; Boston Early Music Festival Vocal Ensemble) - PICKER: FANTASTIC MR. FOX
Gil Rose, conductor; John Brancy, Andrew Craig Brown, Gabriel Preisser, Krista River & Edwin Vega; Gil Rose, producer (Boston Modern Orchestra Project; Boston Children’s Chorus) - WAGNER: LOHENGRIN
Christian Thielemann, conductor; Piotr Beczała, Anja Harteros, Tomasz Konieczny, Waltraud Meier & Georg Zeppenfeld; Eckhard Glauche, producer (Festspielorchester Bayreuth; Festspielchor Bayreuth)
- Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
- BOYLE: VOYAGES
Donald Nally, conductor (The Crossing) - DURUFLÉ: COMPLETE CHORAL WORKS
Robert Simpson, conductor (Ken Cowan; Houston Chamber Choir) - THE HOPE OF LOVING
Craig Hella Johnson, conductor (Conspirare) - SANDER: THE DIVINE LITURGY OF ST. JOHN CHRYSOSTOM
Peter Jermihov, conductor (Evan Bravos, Vadim Gan, Kevin Keys, Glenn Miller & Daniel Shirley; PaTRAM Institute Singers) - SMITH, K.: THE ARC IN THE SKY
Donald Nally, conductor (The Crossing)
- Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
- CERRONE: THE PIECES THAT FALL TO EARTH
Christopher Rountree and Wild Up - FREEDOM & FAITH
PUBLIQuartet - PERPETULUM
Third Coast Percussion - RACHMANINOFF – HERMITAGE PIANO TRIO
Hermitage Piano Trio - SHAW: ORANGE
Attacca Quartet
79. Best Classical Instrumental Solo Award to the Instrumental Soloist(s) and to the Conductor when applicable.
- THE BERLIN RECITAL
Yuja Wang - HIGDON: HARP CONCERTO
Yolanda Kondonassis; Ward Stare, conductor (The Rochester Philharmonic Orchestra) - MARSALIS: VIOLIN CONCERTO; FIDDLE DANCE SUITE
Nicola Benedetti; Cristian Măcelaru, conductor (Philadelphia Orchestra) - THE ORCHESTRAL ORGAN
Jan Kraybill - TORKE: SKY, CONCERTO FOR VIOLIN
Tessa Lark; David Alan Miller, conductor (Albany Symphony)
80. Best Classical Solo Vocal Album Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.
- THE EDGE OF SILENCE – WORKS FOR VOICE BY GYÖRGY KURTÁG
Susan Narucki (Donald Berman, Curtis Macomber, Kathryn Schulmeister & Nicholas Tolle) - HIMMELSMUSIK
Philippe Jaroussky & Céline Scheen; Christina Pluhar, conductor; L’Arpeggiata, ensemble (Jesús Rodil & Dingle Yandell) - SCHUMANN: LIEDERKREIS OP. 24, KERNER-LIEDER OP. 35
Matthias Goerne; Leif Ove Andsnes, accompanist - SONGPLAY
Joyce DiDonato; Chuck Israels, Jimmy Madison, Charlie Porter and Craig Terry, accompanists (Steve Barnett and Lautaro Greco) - A TE, O CARA
Stephen Costello; Constantine Orbelian, conductor (Kaunas City Symphony Orchestra)
- Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.
- AMERICAN ORIGINALS 1918
John Morris Russell, conductor; Elaine Martone, producer - LESHNOFF: SYMPHONY NO. 4 ‘HEICHALOS’; GUITAR CONCERTO; STARBURST
Giancarlo Guerrero, conductor; Tim Handley, producer - MELTZER: SONGS AND STRUCTURES
Paul Appleby & Natalia Katyukova; Silas Brown & Harold Meltzer, producers - THE POETRY OF PLACES
Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers - SAARIAHO: TRUE FIRE; TRANS; CIEL D’HIVER
Hannu Lintu, conductor; Laura Heikinheimo, producer
- Best Contemporary Classical Composition
A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
- BERMEL: MIGRATION SERIES FOR JAZZ ENSEMBLE & ORCHESTRA
Derek Bermel, composer (Derek Bermel, Ted Nash, David Alan Miller, Juilliard Jazz Orchestra & Albany Symphony Orchestra) - HIGDON: HARP CONCERTO
Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare & The Rochester Philharmonic Orchestra) - MARSALIS: VIOLIN CONCERTO IN D MAJOR
Wynton Marsalis, composer (Nicola Benedetti, Cristian Măcelaru & Philadelphia Orchestra) - NORMAN: SUSTAIN
Andrew Norman, composer (Gustavo Dudamel & Los Angeles Philharmonic) - SHAW: ORANGE
Caroline Shaw, composer (Attacca Quartet) - WOLFE: FIRE IN MY MOUTH
Julia Wolfe, composer (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus Of NY City & New York Philharmonic)
Tags: #20thCentury, #AaronCopland, #AlbanBerg, #AlbanySymphony, #AmericanJazz, #AndrewDavis, #AnnaThorvaldsdottir, #AntonBruckner, #AntoninDvorak, #ArtistsofColor, #AttaccaQuartet, #BaroqueMusic, #BerlinGermany, #BillytheKid, #BlackFriday, #BlackOakEnsemble, #BlantonAlspaugh, #BlogPost, #BlogPosting, #BostonEarlyMusicFestival, #CarolineShaw, #ChamberMusic, #ChicagoPhilharmonic, #ChoralMusic, #ChristianThielemann, #CincinnatiPops, #CincinnatiSymphonyOrchetsra, #CityofBirminghamOrchestra, #ClarinetConcerto, #ClassicalGuitar, #ContemporaryComposers, #CyberMonday, #DerekBermel, #DetroitSymphony, #FacebookPost, #FacebookPosting, #FluteConcerto, #FranzJosephHaydn, #FranzSchubert, #GidonKremer, #GrammyAwards, #GuitarConcerto, #GustavMahler, #GustavoDudamel, #HectorBerlioz, #HolidayGiftGuide, #HybridGenre, #InstrumentalMusic, #JamesGinsburg, #JappVanSweden, #JenniferHigdon, #JohannesBrahms, #JohannSebastianBach, #JoyceDiDonato, #JulianWachner, #JuliaWolfe, #KaijaSaariaho, #KremerataBaltica, #KronosQuartet, #LeifOveAndsnes, #LeonardSlatkin, #LesArtsFlorissants, #LivingComposers, #LosAngeles, #LouisLangree, #LudwigVanBeethoven, #ManfredHoneck, #Marc-AntoineCharpentier, #MatthiasGoerner, #MauriceDuruflé, #MichaelTorke, #MieczyslawWeinberg, #MirgaGražinytė-Tyla, #MixedGenre, #NewMusic, #NewYorkCity, #NewYorkPhilharmonic, #NicolaBenedetti, #OboeConcerto, #OboeSonata, #OrchestralMusic, #PeterIlyichTchaikovsky, #PhilipGlass, #PianoTrio, #PittsburghSymphony, #RalphVaughanWilliams, #RichardWagner, #RobertSchumann, #RochesterPhilharmonic, #RoyalOperaHouse, #SergeiRachmaninoff, #SergeiRachmaninov, #SmallBusinessSaturday, #SoundEngineer, #StaplesCenter, #StephenCostello, #StringQuartet, #SymphonicMusic, #TerryRiley, #TobiasPicker, #TorontoSymphonyOrchestra, #ViolinConcerto, #VocalMusic, #WilliamShakespeare, #WolfgangAmadeusMozart, #WyntonMarsalis, #YolandaKondonassis, #YujaWang, 20th-century, Aaron Copland, Alban Berg, Albany Symphony, American, Andrew Davis, Anna Thorvaldsdottir, annual, Anton Bruckner, Antonín Dvořák, artists of color, Attacca Quartet, award, Bach, Baroque music, Beethoven, Berg, Berlin, Berlioz, best, Billy the Kid, black, Black Friday, Black Oak Ensemble, Blanton Alspaugh, blog, Boston Early Music Festival, Brahms, Broadcast, Bruckner, Business, buying, California, canticle, Caroline Shaw, category, CBS, CBS-TV, Chamber music, Chicago, Chicago Philharmonic Orchestra, choral music, chorus, Christian Thielemann, Cincinnati Pops, Cincinnati Symphony Orchestra, City of Birmingham Symphony Orchestra, clarinet, Classical music, classicalmusic, Competition, composer, concerto, contemporary composers, Copland, crossover, cyber, Cyber-Monday, dance, deal, Derek Bermel, Detroit, Detroit Symphony, divine, Dvorak, Early music, Earth, edge, engineer, ensemble, Facebook, faith, fiddle, fire, flute, forefront, forward, Franz Joseph Haydn, Franz Schubert, freedom, genre, Germany, Gidon Kremer, give, good, Grammy Awards, Grammys, guide, guitar, Gustav Mahler, Gustavo Dudamel, harp, harpsichord, Haydn, Hector Berlioz, Higdon, Holiday, holiday gift guide, hope, hybrid genre, industry, instrumental, James Ginsburg, Japp Van Sweden, Jazz, Jennifer Higdon, Johann Sebastian Bach, Johannes Brahms, Joyce DiDonato, Julia Wolfe, Julian Wachner, Kaija Saariaho, Kremerata Baltica, Kronos Quartet, Kurtag, Leif Ove Andsnes, Leonard Slatkin, Les Arts Florissants, lessons, like, link, living, living composers, Lohengrin, Los Angeles, Los Angeles Philharmonic, Louis Langrée, Love, loving, Ludwig van Beethoven, Mahler, Manfred Honeck, Marc-Antoine Charpentier, Matthias Goerner, Maurice Durufle, Michael Torke, Mieczyslaw Weinberg, Mirga Grazinyte-Tyla, mixed, mixed genre, mouth, Mozart, neglected, new, New Music, New York City, New York Philharmonic, Nicola Benedetti, nomination, nominee, Oboe, oboe sonata, occasion, opera, orange, Orchestra, orchestral, organ, original, Oscars, percussion, performance, Peter Ilyich Tchaikovsky, Philip Glass, Pianist, Piano, Piano Trio, Pittsburgh Symphony Orchestra, places, Poetry, pops, post, posting, producer, Rachmaninoff, Rachmaninov, Ralph Vaughan Williams, receive, recital, rediscovery, release, Retail, Richard Wagner, Robert Schumann, Rochester Philharmonic Orchestra, Royal Opera House, sale, Schubert, Schumann, Sergei Rachmaninoff, Sergei Rachmaninov, Shakespeare, share, Shopping, silence, singer, site, sky, small, solo, Sonata, song, special, Staples Center, Stephen Costello, String quartet, Suite, sun, symphonic music, symphony, tag, Tchaikovsky, Tchakovsky, Television, Terry Riley, Tobias Picker, Torke, Toronto Symphony Orchestra, trend, Trinity, TV, Versailles, violence, Violin concerto, violinist, vision, vocal music, voices, voyage, Wagner, Wang, Weinberg, Wolfgang Amadeus Mozart, women, Wozzeck, Wynton Marsalis, year, Yolanda Kondonassis, young people, Yuja Wang
Classical music: Here are the classical music winners of the 2018 Grammy Awards.
2 Comments
By Jacob Stockinger
This posting is both a news story and a gift guide of sorts about recordings you might like to give or get.
It features the classical music nominations for and winners of the Grammy Awards, which were just announced this past Sunday night.
Read them and in the COMMENT section what you think of the recordings that you know and which ones you think deserved to win. (The Ear got about half right.)
You can also encouraged to comment on the Grammys in general.
NOTE: THE WINNERS HAVE AN ASTERISK AND A PHOTO, AND ARE BOLDFACED
HISTORICAL ALBUMS:
- “The Goldberg Variations — the Complete Unreleased Recording Sessions June 1955” — Robert Russ, compilation producer; Matthias Erb, Martin Kistner & Andreas K. Meyer, mastering engineers (Glenn Gould)
- *”Leonard Bernstein — the Composer” (below) — Robert Russ, compilation producer; Martin Kistner & Andreas K. Meyer, mastering engineers (Leonard Bernstein)
ENGINEERED ALBUM, CLASSICAL
- “Danielpour: Songs of Solitude & War Songs” — Gary Call, engineer (Thomas Hampson, Giancarlo Guerrero & Nashville Symphony)
- “Kleiberg: Mass for Modern Man” — Morten Lindberg, engineer (Eivind Gullberg Jensen, Trondheim Vokalensemble & Trondheim Symphony Orchestra)
- “Schoenberg, Adam: American Symphony; Finding Rothko; Picture Studies” — Keith O. Johnson & Sean Royce Martin, engineers (Michael Stern & Kansas City Symphony)
- *”Shostakovich: Symphony No. 5; Barber: Adagio” (below) — Mark Donahue, engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
- “Tyberg: Masses” — John Newton, engineer; Jesse Brayman, mastering engineer (Brian A. Schmidt, Christopher Jacobson & South Dakota Chorale)
PRODUCER OF THE YEAR, CLASSICAL
- Blanton Alspaugh
- Manfred Eicher
- *David Frost (below)
- Morten Lindberg
- Judith Sherman
ORCHESTRAL PERFORMANCE
- “Concertos for Orchestra” — Louis Langrée, conductor (Cincinnati Symphony Orchestra)
- “Copland: Symphony No. 3; Three Latin American Sketches” — Leonard Slatkin, conductor (Detroit Symphony Orchestra)
- “Debussy: Images; Jeux & La Plus Que Lente” — Michael Tilson Thomas, conductor (San Francisco Symphony)
- “Mahler: Symphony No. 5” — Osmo Vänskä, conductor (Minnesota Orchestra)
- *”Shostakovich (below): Symphony No. 5; Barber: Adagio” — Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
OPERA RECORDING
- “Berg: Lulu” — Lothar Koenigs, conductor; Daniel Brenna, Marlis Petersen & Johan Reuter; Jay David Saks, producer (The Metropolitan Opera Orchestra)
- *”Berg: Wozzeck” (below) — Hans Graf, conductor; Anne Schwanewilms & Roman Trekel; Hans Graf, producer (Houston Symphony; Chorus of Students and Alumni, Shepherd School of Music, Rice University & Houston Grand Opera Children’s Chorus)
- “Bizet: Les Pêcheurs de Perles” — Gianandrea Noseda, conductor; Diana Damrau, Mariusz Kwiecień, Matthew Polenzani & Nicolas Testé; Jay David Saks, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
- “Handel: Ottone” — George Petrou, conductor; Max Emanuel Cencic & Lauren Snouffer; Jacob Händel, producer (Il Pomo D’Oro)
- “Rimsky-Korsakov: The Golden Cockerel” — Valery Gergiev, conductor; Vladimir Feliauer, Aida Garifullina & Kira Loginova; Ilya Petrov, producer (Mariinsky Orchestra; Mariinsky Chorus)
CHORAL PERFORMANCE
- *”Bryars: The Fifth Century” — Donald Nally, conductor (PRISM Quartet; The Crossing)
- “Handel: Messiah” — Andrew Davis, conductor; Noel Edison, chorus master (Elizabeth DeShong, John Relyea, Andrew Staples & Erin Wall; Toronto Symphony Orchestra; Toronto Mendelssohn Choir)
- “Mansurian: Requiem” — Alexander Liebreich, conductor; Florian Helgath, chorus master (Anja Petersen & Andrew Redmond; Münchener Kammerorchester; RIAS Kammerchor)
- “Music of the Spheres” — Nigel Short, conductor (Tenebrae)
- “Tyberg: Masses” — Brian A. Schmidt, conductor (Christopher Jacobson; South Dakota Chorale)
CHAMBER MUSIC/SMALL ENSEMBLE PERFORMANCE
- “Buxtehude: Trio Sonatas, Op. 1” — Arcangelo
- *”Death & the Maiden” — Patricia Kopatchinskaja & the Saint Paul Chamber Orchestra
- “Divine Theatre — Sacred Motets by Giaches De Wert” — Stile Antico
- “Franck, Kurtág, Previn & Schumann” — Joyce Yang & Augustin Hadelich
- “Martha Argerich & Friends — Live From Lugano 2016” — Martha Argerich & Various Artists
CLASSICAL INSTRUMENTAL SOLO
- “Bach: The French Suites” — Murray Perahia
- “Haydn: Cello Concertos” — Steven Isserlis; Florian Donderer, conductor (The Deutsch Kammerphilharmonie Bremen)
- “Levina: The Piano Concertos” — Maria Lettberg; Ariane Matiakh, conductor (Rundfunk-Sinfonieorchester Berlin)
- “Shostakovich: Violin Concertos Nos. 1 & 2” — Frank Peter Zimmermann; Alan Gilbert, conductor (NDR Elbphilharmonie Orchester)
- *”Transcendental” – Daniil Trifonov (below)
CLASSICAL SOLO VOCAL ALBUM
- “Bach & Telemann: Sacred Cantatas” — Philippe Jaroussky; Petra Müllejans, conductor (Ann-Kathrin Brüggemann & Juan de la Rubia; Freiburger Barockorchester)
- *”Crazy Girl Crazy — Music by Gershwin, Berg & Berio” — Barbara Hannigan (Orchestra Ludwig)
- “Gods & Monsters” — Nicholas Phan; Myra Huang, accompanist
- “In War & Peace — Harmony Through Music” — Joyce DiDonato; Maxim Emelyanychev, conductor (Il Pomo D’Oro)
- “Sviridov: Russia Cast Adrift” — Dmitri Hvorostovsky; Constantine Orbelian, conductor (St. Petersburg State Symphony Orchestra & Style of Five Ensemble)
CLASSICAL COMPENDIUM
- “Barbara” — Alexandre Tharaud; Cécile Lenoir, producer
- *”Higdon: All Things Majestic, Viola Concerto & Oboe Concerto” (below with the first movement of the Viola Concerto in the YouTube video at the bottom) — Giancarlo Guerrero, conductor; Tim Handley, producer
- “Kurtág: Complete Works for Ensemble & Choir” — Reinbert de Leeuw, conductor; Guido Tichelman, producer
- “Les Routes de l’Esclavage” — Jordi Savall, conductor; Benjamin Bleton, producer
- “Mademoiselle: Première Audience — Unknown Music of Nadia Boulanger” — Lucy Mauro; Lucy Mauro, producer
CONTEMPORARY CLASSICAL COMPOSITION
- “Danielpour: Songs of Solitude” — Richard Danielpour, composer (Thomas Hampson, Giancarlo Guerrero & Nashville Symphony)
- *”Higdon: Viola Concerto” — Jennifer Higdon, composer (below)(Roberto Díaz, Giancarlo Guerrero & Nashville Symphony)
- “Mansurian: Requiem” — Tigran Mansurian, composer (Alexander Liebreich, Florian Helgath, RIAS Kammerchor & Münchener Kammerorchester)
- “Schoenberg, Adam: Picture Studies” — Adam Schoenberg, composer (Michael Stern & Kansas City Symphony)
- “Zhou Tian: Concerto for Orchestra” — Zhou Tian, composer (Louis Langrée & Cincinnati Symphony Orchestra)
Tags: "Goldberg" Variations, #DanielTrifonov, #DaniilTrifonov, #GlennGould, #GustavMahler, #JenniferHigdon, #JohannSebastianBach, #LeonardBernstein, #MetropolitanOpera, #TheMet, Adagio for Strings, Alan Gilbert, Alban Berg, American, Arts, Augustin Hadelich, Bach, Baroque, Berio, Berlin, Bernstein, Bizet, Bremen, Buxtehude, Cantata, Cello, Chamber music, China, Chinese, Choir, choral music, chorus, Cincinnati, Classical music, classics, Compact Disc, composer, concerto, conductor, Copland, crazy, death, Death and the Maiden, Debussy, Detroit, Deutsche Grammophon, Dietrich Buxtehude, divine, Dmitri Hvorostovsky, Early music, ECM, engineer, etude, Franck, Franz Schubert, French, friend, Georg Philipp Telemann, George Frideric Handel, Germany, Gershwin, girl, Glenn Gould, Grammy, Grammy Award, Grammys, Haydn, Houston, Houston Grand Opera, Jacob Stockinger, Johann Sebastian Bach, Jordi Savall, Joyce Yang, Kansas City, Kurtag, Liszt, Luciano Berio, Lulu, Madison, Mahler, maiden, man, Mansurian, Mariinsky Theatre, Martha Argerich, mas, Mendelssohn, Messiah, Michael Tilson Thomas, Minneapolis, Minnesota, modern, motet, Mozart, Munich, Music, Nadia Boulanger, Nashville, Naxos, New Music, Nikolai Rimsky-Korsakov, nomination, nominee, Oboe, opera, Orchestra, Piano, Picture, Pittsburgh, Pittsburgh Symphony Orchestra, Previn, Requiem, Rice University, Richard Danielpour, Rothko, Russia, sacred, Saint Paul, Saint Paul Chamber Orchestra, Samuel Barber, San Francisco, San Francisco Symphony, Schumann, Shostakovich, solitude, Sonata, song, SONY, Sony Classical, South Dakota, sphere, studies, Suite, symphony, theater, theme and variations, Toronto, Trifonov, trio, Trondheim, Tyberg, United States, Valery Gergiev, Viola, Violin, vocal music, war, winner, Wisconsin, Wolfgang Amadeus Mozart, Wozzeck, YouTube, Zhou Tian
Classical music: Play the expert insider. Listen to excerpts and then vote in the BBC Music Magazine Awards for 2015.
Leave a Comment
By Jacob Stockinger
It is the season of entertainment awards, what with the Golden Globes, the Oscars or Academy Awards, and the Grammys among others.
Those awards are given out by privileged insiders, who work inside the various industries.
But when it comes to classical music, you — and the ordinary listeners or the “common listener,” as writer Virginia Woolf might term it — can also vote in the BBC Music Magazine Awards for 2015.
So here is your chance to play the expert insider.
True, only United Kingdom residents can win prizes. But anyone can listen to the 1,200 entries and vote for the 200 ultimate winners.
Here is a link to the introductory story:
http://www.classical-music.com/news/vote-bbc-music-magazine-awards-2015
And here is a link to the various excerpts:
http://www.classical-music.com/awards
Tags: Academy Award, Academy Awards, Arts, Baroque, BBC, BBC Music Magazine, Chamber music, Classical music, Common Reader, Compact Disc, Early music, George Frideric Handel, Golden Globe Award, Golden Globes, Grammy Award, Grammys, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, Ludwig van Beethoven, Mozart, Music, opera, Orchestra, Oscars, Piano, Violin, Virginia Woolf, vocal music, Wolfgang Amadeus Mozart
Recent Comments
The Well-Tempered Ear 