The Well-Tempered Ear

Wisconsin Chamber Orchestra’s new CD and Friday night concert champion racial diversity

March 20, 2024
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By Jacob Stockinger

“Musical Landscapes in Color” is a five-year initiative by the Wisconsin Chamber Orchestra with its award-winning, composer-in-residence Dr. William Banfield (below), who has produced a body of work in the past 25 years that includes music, books, teaching and creative work that contributes to contemporary arts leadership. 

The cultural undertaking aims to elevate the voices of an array of living, diverse composers of color throughout the United States.  The project represents a significant step towards diversifying the classical music landscape through compositions and audiences, according to the WCO.

The first of several installments (below) — “Harmony in Black” — has just been released by Albany Records.

The album is available in a physical format and for digital streaming on Spotify, Apple Music, Amazon Music and YouTube, where you can sample it at the bottom.

Performed and recorded live on Friday, Oct. 13, 2023, it features excerpts from three compositions: one by four-time Grammy nominee Patrice Rushen entitled “Mine Eyes Have Seen The Glory”; and two by renowned composer Banfield entitled “Testimony of Tone, Tune, and Time” and “Symphony No. 8: Here I Stand.”

Their three compositions do not quote spiritual melodies directly, but do embody the spirit of those songs by drawing either on direct quotations of speeches or writings. 

Multi-Grammy-nominated artist Patrice Rushen (below) is admired by many for her groundbreaking achievements including serving as Musical Director for the 46th, 47th and 48th Annual Grammy Awards. 

CONTENTS:

Patrice Rushen: Movement 1: ”Mine Eyes Have Seen the Glory”

Dr. William Banfield: (starting at 8:10): “Testimony of Tone, Tune and Time” — Symphony No. 8

Performers are: retired City of Madison, Dane County and State of Wisconsin Judge Paul Higginbotham (below) as the narrator; saxophonist Matthew Sintchak; and the Wisconsin Chamber Orchestra under conductor and music director Andrew Sewell.

For more background, including a release reception, go to a story in Madison 365: 

A WORLD PREMIERE THIS FRIDAY NIGHT

The project continues with a concert that takes place this Friday night, March 22, at 7:30 p.m. in the Capitol Theater of the Overture Center features the WORLD PREMIERE of Banfield’s Symphony No. 14 “Revelation.” 

Guest artists include the Madison Youth Choirs, the Festival Choir of Madison and the Edgewood College Chamber Singers. Soloists include soprano Angela Brown, tenor Ben Johnson and baritone William Volmar.

Opening the 90-minute concert is Symphony No. 1 in G major, Op. 4 (1901) by British composer Edwin York Bowen, whose music shows influences of Rachmaninov, Chopin and Tchaikovsky.

Tickets are still available and cost $34.50, $75 and $95. For more information and tickets, go to: https://wcoconcerts.org/

Have you heard Banfield’s music?

What do you think of it?

The Ear wants to hear.


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Watch ‘The Last Repair Shop’ — the Oscar-winning short documentary about music education

March 16, 2024
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By Jacob Stockinger

The beautiful and animated face of the young girl comes on the screen with a violin, smiles and says simply, “I love the violin.”

And we as viewers fall in love right then and there.

“The Last Repair Shop” just won the 2024 Oscar for Best Short Documentary. The 40-minute film, released in 2023, is now available to watch on YouTube.

It is a feel-good, feel-guilty story about the last shop to repair free musical instruments offered students in the Los Angeles public schools. But it is also a meditation on things that are broken– and not just musical instruments but also people, schools and politics.

It is really a story about growing up; about adults making art matter to young people; about the role of public education at a time when it keeps getting attacked by ideologues as well as stingy legislatures, city councils, school boards  and, ultimately, voters.

Here is a capsule summary: “Since 1959, Los Angeles has been one of the few United States cities to offer and fix musical instruments for its public school students at no cost.

“Those instruments, numbering around 80,000, are maintained at a Los Angeles downtown warehouse by a handful of craftspeople. 

“The film profiles four of them, each specializing in an orchestra section, as well as students whose lives have been enriched by the repair shop’s work. The film concludes with a performance by district alumni.”

It sounds irresistible — and it is.

Here are some more background and particulars — including other awards and honors — from Wikipedia:

https://en.wikipedia.org/wiki/The_Last_Repair_Shop

If you don’t have time right now to watch the whole film, the two-minute trailer is at the bottom. But if you go to YouTube yourself, you can also read the heart-warming and perceptive comments from other viewers:

What do you think of the movie?

How did you react?

And what do you think about the importance of music education in schools?

The Ear wants to hear


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Meet unique Yannick

February 3, 2024
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By Jacob Stockinger

It’s getting hard not to recognize the name of conductor Yannick Nézet-Séguin (below, conducting the Chamber Orchestra of Europe).

The 48-year-old French-Canadian is the acclaimed music director of the Metropolitan Opera, the artistic director of the Philadelphia Orchestra, and the music director and chief guest conductor of the Montreal Metropolitan Orchestra. He also heads numerous recording collaborations — many of them award-winning — for the Deutsche Grammophon label. 

He also trained Bradley Cooper who portrayed Leonard Bernstein in the new movie “Maestro.” (He discusses that in the YouTube video at the bottom.)

Like the flamboyant Bernstein, the colorful Nézet-Séguin is getting to be a superstar conductor, a much-in-demand rock star of the classical world who is known by his first name — Yannick, like Lenny.

What would you like to know about him?

How he was trained?

What was his big break?

What is his private life like?

How does he juggle his super-busy schedules and commitments?

What music he  listens to away from his jobs?

Here is a revealing interview that should answer a lot of your questions and spike the public’s interest in him even more.

https://macleans.ca/culture/yannick-nezet-seguin

What do you think of Yannick?

The Ear wants to hear.


UW-Madison master bassist Richard Davis dies at 93

September 13, 2023
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By Jacob Stockinger

First I saw him — particularly standing out because he was one of the very few Black professors on campus at that time.

Then I heard about him.

He was a prize-winning, critically acclaimed jazz bassist who was nationally and internationally famous and freelanced even while at the university.

But the first time I actually heard Richard Davis (below and in the YouTube video of a Fox News feature at the bottom) perform live at the University of Wisconsin-Madison, where he taught for decades after his arrival in 1977, he was playing in a small chamber orchestra that accompanied a cantata by Johann Sebastian Bach.

It was a memorable and outstanding performance perfectly suited to the Baroque style of the music, far from the top-notch jazz combos, rock bands, symphony orchestras, conductors and individual star singers that he usually played with. 

I don’t think I ever saw or heard met a more complete musician, and I doubt I ever will. It is hard to think of a skill Davis hadn’t mastered — whether it was composing, improvising, performing, recording or teaching. 

Davis died last Wednesday — ironically on the first day of classes of the fall semester at the UW-Madison— after spending two years in hospice care. He was 93.

He received a major obituary in The New York Times. Here is a link (you might have to register):

And here is a link to his extended biography, with a discography and an impressive list of awards and honors, in Wikipedia:

https://en.wikipedia.org/wiki/Richard_Davis_(bassist)

Did you ever hear Davis live or on a recording? In what kind of music?

Did you ever perform or study with him?

What was he like as a person and an artist?

The Ear wants to hear.


American pianist André Watts dies at 77

July 14, 2023
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By Jacob Stockinger

The world-famous virtuoso pianist André Watts (below, in a photo from the Jacobs School of Music at Indiana University) has died. He was 77. The cause of death was prostate cancer.

Watts performed several times to critical and audience acclaim acclaim with the Madison Symphony Orchestra.

From the beginning of his career at 16 — his debut with the New York Philharmonic as a protege of Leonard Bernstein — Watts was known as an outstanding interpreter of the technically challenging music of Franz Liszt. (He performs the fiendishly difficult Paganini Etude “La Campanella” in the YouTube video at the bottom.)

Below are two stories about Watts’ passing.

Curiously and ironically, Watts seemed particularly shy when it came to speaking about his role in opening up the white world of Western classical music to performers of color, especially African-Americans. Yet he persistently encouraged the talents of those and other performers through his educational efforts.

Here is the official press release/obituary from the Jacobs School of Music at Indiana University, where he was a distinguished professor since 2004.

https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fmusic.indiana.edu%2Fnews-events%2Fnews%2Finfo%2F2023%2F07%2Fandre-watts-passing.html&data=05%7C01%7C%7Cf20feb67986b4a870c7708db84062b5a%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638248934261183746%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=9bFCWwXylSXCLj4tf5Km6Xc2ov3nAPfg6920pufpSsA%3D&reserved=0

And here is an updated Wikipedia entry with a lot of early background and a complete list of awards and honors:

https://en.wikipedia.org/wiki/André_Watts

Have you heard André Watts perform live?

On recordings or TV?

What did he play?

What did you think?

The Ear wants to hear.


Why isn’t music education in Madison better, ranked higher? 

May 16, 2023
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By Jacob Stockinger

The Ear saw where the National Association of Music Merchants (NAMM) Foundation recently announced its annual list honoring cities, school districts and individual schools in the U.S. for outstanding music education.

Here is a brief explanation:

“Now in its 24th year, the 2023 Best Communities for Music Education program recognizes 830 school districts and 78 schools across 43 states for the outstanding efforts by teachers, administrators, parents, students, and community leaders and their support for music education as part of a well-rounded education for all children.”

Here is link to the overview of the award program: 

https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.nammfoundation.org%2Farticles%2F2023-04-18%2Fnamm-foundation-celebrates-best-music-education-honors-830-school-districts-and&data=05%7C01%7C%7C9c6c039f5e8544d5986a08db54cb7947%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638197005102315311%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=LRuj9PsrcrK33NhHkuBZWHHxPm7H3Iz5GdU%2BwA2ghDg%3D&reserved=0

 

I figured with its active music life, Madison should be, even must bet, on the list.

And I did find Madison.

But it was Madison New Jersey — not Wisconsin.

I found no mention of Madison, Wisconsin.

It disappointed me, since study after study shows the importance of music education in academic achievement.

It also perplexed me.

How could music education not be noteworthy in a city that is home to nationally famous Mead Witter School of Music at the University of Wisconsin-Madison (below is UW’s Hamel Music Center)? 

In a city with Edgewood College’s music department?

With the Madison Symphony Orchestra, the Madison Opera and the Wisconsin Chamber Orchestra — all of which have educational outreach programs?

With the Bach Dancing and Dynamite Society, the Willy Street Chamber Players, the Madison Bach Musicians, the Oakwood Chamber Players and so many other chamber music and early music groups? 

Where the statewide, nationally recognized Wisconsin School Music Association is located in nearby Waunakee

In the same city where the pioneering Wisconsin Youth Symphony Orchestras (below) has been located for 57 years and is building an impressive new headquarters with teaching facilities and a concert hall on East Washington Avenue?

Take a look for yourself. 

Here is a link to the list which can be filtered and narrowed down alphabetically by state, city, school district, school and past history: https://www.nammfoundation.org/articles/bcme-2023-schools

In Wisconsin you will find Dousman, Richland Center and Salem listed. But not Milwaukee or Green Bay or LaCrosse or Eau Claire or Appleton.

And no Madison.

What explains it?

What do school boards and administrators have to say about it?

What role do budget cuts, curriculum and staffing priorities play?

Is the list somehow biased?

Does not being named to list jibe with the reality of music education in public schools in Madison and nearby communities?

Why isn’t music education in Madison better and more noteworthy?

What do teachers, parents and students themselves have to say about the problem — and the solution?

The Ear wants to hear.


A jazz-pop composer is the new director of the UW School of Music

April 1, 2023
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By Jacob Stockinger

Dan Cavanagh (below) from Texas has been named the next director of the UW-Madison School of Music, effective July 1, 2023. 

Cavanagh’s appointment concludes a national search led by Associate Dean Susan Zaeske of the College of Letters and Science; music professors Mimmi Fulmer, Christopher Taylor, Scott Teeple, Conor Nelson and Daniel Grabois; and School of Music Assistant Director Wendy Johnson. 

The Ear can’t be the only person wondering what a jazz and pop musician — a performer, arranger and composer — means for the school that has always selected its leaders from classical music and music education as the top administrators.

But there is no doubt about Cavanagh’s impressive credentials.

Here is the official press release from the University of Wisconsin-Madison’s Mead Witter School of Music.

“I am thrilled that Dan will bring to the directorship of the Mead Witter School of Music a cutting-edge vision of research and curricular excellence combined with the wherewithal to get things done thanks to his many years of experience as a music and liberal arts administrator,” Dean Zaeske said.  

Cavanagh is a composer and pianist who has garnered numerous awards in both areas. As a composer he has written or arranged for Latin Grammy-winning AfroBop Alliance, the legendary Patti LaBelle, and a wide range of classical and jazz performers across North America and Europe. He has released five critically acclaimed jazz CDs as a leader. 

His music can be heard on many other recordings both classical and jazz and he continues to be commissioned and programmed around the world. Cavanagh has also performed extensively in North America and internationally. He has been a finalist in the EuropaFest Jazz Contest in Bucharest, and in the Jacksonville Jazz Festival Piano Competition.

“I am very excited to join UW–Madison as the next Pamela O. Hamel/Music Board of Advisors Professor and Director of the Mead Witter School of Music,” Cavanagh said. “The school’s national reputation is bolstered by its amazing faculty, talented students, and accomplished staff.”

Cavanagh is currently the interim Dean of the College of Liberal Arts at the University of Texas at Arlington. Prior to serving as interim Dean, Cavanagh held various academic leadership roles, including program director, music department chair, and associate dean. He has also served in high-profile shared governance roles in the University of Texas System, including as Chair of the Faculty Advisory Council representing over 21,000 faculty members across the 14 institutions in the system.  

From 2015-2020, he served as the Co-Chair of Region VI for the Society of Composers and currently serves on the executive board of a2ru (the Alliance for the Arts in Research Universities). Cavanagh serves on the board of directors for Downtown Arlington Management Corporation (Arlington, TX), chairs Downtown Arlington’s Cultural Arts District Partners group and serves as the Vice Chairman of the Board of Trustees for the Dallas Winds, a five-time Grammy nominated professional Wind Symphony. 

Cavanagh succeeds Director Susan C. Cook, who will be on sabbatical during the 2023-24 academic year after serving 10 years as director of the School of Music. 

“I look forward to engaging with the Board of Advisors, colleagues across the University, and individuals throughout the community to continue growing the impact, reach and excellence the School of Music creates every day, and to advance the ideals of the Wisconsin Idea through the creative work and scholarship we will produce together,” Cavanagh said.

Do you have any questions or comments you want to share?

The Ear wants too hear.


Just Bach free concert series seeks Interim Co-Artistic Director. Apply by July 5

June 23, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post about an interim job at Just Bach:

Do you love the music of Johann Sebastian Bach (below)? 

Would you love to perform it every month in one of the most beautiful churches (below, in a photo by Barry Lewis) in Madison?

Are you a professional instrumentalist with training and experience in period performance practice?

Do you have strong organizational skills?

If the answer to all these questions is yes, then Just Bach needs you!

Because Co-Artistic Director Marika Fischer Hoyt (below) will leave on a sabbatical starting in November, Just Bach is looking for an instrumentalist to join the Artistic Team. (You can check out the typical format by using the search engine on this blog or going to Just Bach’s Facebook page or YouTube Channel.)

 

The popular monthly concert series, which made it to the final round of the 2021 “Best of Madison” awards, seeks an Interim Artistic Co-Director for its upcoming fourth season.

POSITION SUMMARY

The Interim Artistic Co-Director works with the Just Bach team and the staff at Luther Memorial Church to program, produce, promote and perform monthly Bach concerts (below) from September through May.

The Interim Co-Artistic Director helps finalize the programming, contract any remaining needed players, schedule rehearsals and performances, perform in the concerts as needed, and upload the concert video to the Just Bach YouTube channel.

The Co-Artistic Director devotes about 4 hours per month to administrative tasks, on a volunteer basis.

The Co-Artistic Director rehearses and performs as needed in the monthly concerts — and is paid $100 per concert. (You can hear and see the closing concert of this past season in the YouTube video at the bottom. Click on Show More to see other instruments, players, singers and the program.)

The current Artistic Team will provide training for this position, and will be available for assistance once the season begins.

A detailed job description is available at:: https://docs.google.com/document/d/1CDis-RSY5FUnfUGCBvYunWZ1fR4EtyfzSo3xYiMyjUs/edit#

For more information, please contact and apply to Just Bach at: justbachseries@gmail.com

APPLICATION ARE DUE BY JULY 5.


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Soprano and UW-Madison graduate student Sarah Brailey wins a Grammy Award

March 15, 2021
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By Jacob Stockinger

Soprano Sarah Brailey (below), a native of Wisconsin — who now lives, works and studies in Madison — won a Grammy Award last night.

Brailey received the prestigious award (below) in the category “Best Classical Solo Album” category. It was for her role in the long-neglected, opera-like choral symphony “The Prison” by English composer Dame Ethel Smyth on the Chandos label. (You can hear an excerpt from the Brailey recording in the YouTube video at the bottom.)

Brailey’s win is especially noteworthy because it comes early in her career.

Although she has toured nationally and internationally, and has established herself as a professional singer of note, Brailey is a busy graduate student at the University of Wisconsin-Madison’s Mead Witter School of Music, where she is finishing her doctoral degree.

Here is a link to her website: https://sarahbrailey.com

Brailey is also one of the city’s busiest and most respected musicians.

During the pandemic year, she explained and help spark benefit concerts and fundraising for musicians whose livelihoods suffered due to cancelled performances. Here is a link: https://welltempered.wordpress.com/?s=sarah+brailey

She also hosts the Sunday morning radio show “Musica Antiqua” – which features early music — on WORT-FM 89.9.

Recently, Brailey became the artistic director of “Grace Presents,” a series of free concerts at the downtown Grace Episcopal Church across from the state  Capitol.

An avid early music performer, Brailey — who won and now directs the annual Handel Aria Competition — also co-founded and co-directs the free monthly series of Just Bach concerts (below, second from right), the lastest of which takes place this Wednesday, March 17. She sings solos, greets listeners and viewers, and often leads the final sing-along chorale from a Bach cantata.

You can hear many of her performances duing the Just Bach concerts on the Just Bach channel on YouTube.

Leave your own congratulations and thoughts about her performances in the Coment section.

The Ear will post a complete list of the classical music Grammy Award nominees and winners later this week.

PS: Another native of the Madison area was nominated for a non-classical Grammy is Bill Rahko, who co-produced the album “Everyday Life” for the rock band Coldplay. The album was nominated for Album of the Year, but lost to Taylor Swift’s “Folklore.”

Here is a link to a story on NBC 15 about Rahko, who attended Middleton High School: https://www.nbc15.com/2021/03/14/madison-area-native-up-for-grammy-award-for-album-of-the-year/


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Here are the Top 10 online concerts to stream in March, according to critics for the New York Times

March 2, 2021
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ALERT: The online live-streamed concert by the UW-Madison’s Pro Arte Quartet — scheduled for this Friday night, March 5 — in the all-Beethoven cycle of string quartets has been canceled and postponed until next year. The Friday, April 9 installment of the Beethoven cycle will be held as Installment 7 instead of 8.  

By Jacob Stockinger

Classical music critics of The New York Times have once again picked their Top 10 online concerts for the month of March.

The Ear has found such lists helpful for watching and hearing, but also informative to read, if you don’t actually “attend” the concert.

If you have read these lists before, you will see that this one is typical.

It offers lots of links with background about the works and performers; concert times (Eastern); and how long the online version is accessible.

Many of the performers will not be familiar to you but others – such as pianist Mitsuko Uchida (below, in a photo by Hiroyuki Ito for the Times), who will perform an all-Schubert recital, will be very familiar.

But the critics once again emphasize new music and even several world premieres – including one by Richard Danielpour — and a path-breaking but only recently recorded live performance of the 1920 opera “Die Tote Stadt” (The Dead City) by long-neglected composer Erich Wolfgang Korngold (below), who is best known for his Hollywood movie scores but who also wrote compelling classical concert hall music. (In the YouTube video at the bottom, you can hear soprano Renée Fleming sing “Marietta’s Song.’)

But some works that are more familiar by more standard composers – including Mozart, Beethoven, Schubert, Schumann, Ravel and Copland – are also included.

The Times critics have also successfully tried to shine a spotlight on Black composers and Black performers, such as the clarinetist and music educator Anthony McGill (below top), who will perform a clarinet quintet by composer Samuel Coleridge-Taylor (below) and music in the setting of the Metropolitan Museum of Art.

No purists, the critics also suggest famous oboe and clarinet works in transcriptions for the saxophone by composer-saxophonist Steven Banks (below).

Also featured is a mixed media performance of words and music coordinated by the award-winning Nigerian-American novelist, essayist and photographer Teju Cole (below), whose writings and photos are irresistible to The Ear.

Here is a link to the story in the Times: https://www.nytimes.com/2021/02/25/arts/music/classical-music-streaming-concerts.html

Are there other online concerts in March – local, regional, national or international – that you recommend in addition to the events listed in the Times?

The Ear wants to hear.

 


Posted in Classical music
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