The Well-Tempered Ear

Classical music: This Thursday morning, WORT will broadcast a live performance of Gideon Klein’s String Trio, composed in a concentration camp, by three up-and-coming musicians from the Dynamite Factory of the Bach Dancing and Dynamite Society

June 14, 2017
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By Jacob Stockinger

The Ear has received the following note from blog fan and local live music documentarian Rich Samuels, who hosts his radio show “Anything Goes” on Thursday morning on WORTFM 88.9. It concerns an unusual performance of Holocaust music by a kind of apprenticeship program that The Ear really likes as a way for to provide continuity between different generations of musicians:

“At 7:26 a.m. on this Thursday morning, June 15, on my WORT broadcast I’ll be playing a performance of Gideon Klein‘s 1944 String Trio by violinist Misha Vayman, violist Jeremy Kienbaum and cellist Trace Johnson (below, from left, in a photo by Samantha Crownover).

“They are the three members of the “Dynamite Factory,” the three emerging musicians who have joined the Bach Dancing and Dynamite Society for its 2017 season.

“I recorded this performance — thanks to co-artistic director Stephanie Jutt and executive director Samantha Crownover — last Thursday at an event at the Central Library of the Madison Public Library system.

Trace and Jeremy are Madison natives and alumni of the Wisconsin Youth Symphony Orchestras (WYSO); Misha comes to Madison from the Russian Republic by way of southern California.

“I think it’s a compelling performance of a remarkable piece. It was the last work Klein (below) composed before he was transported from the Theresienstadt concentration camp to Auschwitz where, in a coal mining sub-camp, he died in early 1945.”

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Classical music: The Madison Symphony Orchestra announces its 2017-2018 season of nine concerts of “favorites combined with firsts”

April 13, 2017
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By Jacob Stockinger

Here is the official announcement of the 2017-18 season by the Madison Symphony Orchestra:

The 2017-18 season of the Madison Symphony Orchestra (MSO, below, in a photo by Greg Anderson) presents nine programs that invite audiences to “listen with all your heart” and “feel the emotion, power and majesty” of great classical music.

Subscriptions are available now, and single tickets for all concerts go on sale to the public Saturday, Aug. 12, 2017.

For more information about tickets and ticket prices plus discounts for new subscribers and renewing subscribers, go to:

http://www.madisonsymphony.org/17-18

MSO music director John DeMain, who will be marking his 24th season with the MSO, has created an exciting season that features favorites combined with firsts.

Says DeMain (below, in a photo by Prasad): “I must point out two monumental firsts: the MSO debut of the great violinist Gil Shaham, renowned and sought after the world over, whose appearance Madison has waited for for many years; and the Madison premiere of the Glagolitic Mass by Czech composer Leos Janacek, a gargantuan work for chorus and orchestra with a prominent role for our “Colossal Klais,” the Overture Concert Organ.”

Performances are in Overture Hall of the Overture Center at 7:30 p.m. on Fridays; 8 p.m. on Saturdays; and 2:30 p.m. on Sundays.

The 2017-2018 subscription series concerts begin on Sept. 15, 16 and 17 with “Orchestral Brilliance”—proudly presenting the Madison Symphony Orchestra performing the Johann Sebastian Bach/Leopold Stokowski version of the organ Toccata and Fugue in D minor; Felix Mendelssohn’s Reformation Symphony and Hector Berlioz’s “Harold in Italy” with MSO principal viola Christopher Dozoryst (below, in a photo by Katrin Talbot) as soloist(You can hear Leopold Stokowski conduct his own transcription of the work by Bach, which was used in Walt Disney’s film “Fantasia,” in the YouTube video at the bottom.)

“From the New World” on Oct. 20, 21 and 22 features the return of beloved pianist Olga Kern (below), a gold medalist in the Van Cliburn competition, performing Samuel Barber’s Piano Concerto, and the MSO performing Antonin Dvorak’s Symphony No. 9 “From the New World” and Maurice Ravel’s Mother Goose Suite.

On Nov. 17, 18, and 19 “Troubadour: Two Faces of the Classical Guitar” features sensational guitar virtuoso Sharon Isbin (below) playing two works, one by American composer Chris Brubeck, and the other by the Spaniard Joaquin Rodrigo, with the MSO performing two Suites—Manuel DeFalla’s The Three-Cornered Hat and Aaron Copland’s Billy the Kid.

The cherished kickoff to the holiday season, “A Madison Symphony Christmas,” returns on the first weekend in December — the 1, 2, and 3. Guest artists Emily Pogorelc, soprano, and Eric Barry, tenor, join John DeMain, the MSO, the Madison Symphony Chorus (below), Madison Youth Choirs and Mount Zion Gospel Choir on stage for the family-friendly celebration.

The MSO season subscription continues in 2018 with the long awaited appearance of violinist Gil Shaham (below) with the MSO—“Gil Shaham Plays Tchaikovsky” on Jan. 19, 20 and 21. This program features works by three of the most popular Russian composers of all time— Sergei Prokofiev’s The Love for Three Oranges Suite, Sergei Rachmaninoff’s Symphony No. 3 and Peter Tchaikovsky’s Violin Concerto.

“Richly Romantic” concerts take place on Feb. 16, 17 and 18 when one of MSO’s favorite cellists, Alban Gerhardt (below), returns performing the lyrical William Walton’s Cello Concerto, and the MSO presents Johannes Brahms’ Symphony No. 1 and Gioachino Rossini’s Overture to Semiramide.

Spring arrives April 13, 14, and 15 with “String Fever” featuring Robert Schumann’s Symphony No. 1, Spring, Benjamin Britten’s Sinfonia da Requiem and Grammy Award-winning violinist Augustin Hadelich (below) performing the Antonin Dvorak’s Violin Concerto.

The season finale, “Mass Appeal,” takes place on May 4, 5 and 6. Star of NPR’s From the Top, pianist Christopher O’Riley (below), will open the program with Mozart’s Piano Concerto No. 22. The MSO premiere of the monumental Glagolitic Mass by Czech composer Leos Janacek features the Overture Concert Organ and the Madison Symphony Chorus, along with soloists Rebecca Wilson, soprano, Julie Miller, mezzo-Soprano, Roger Honeywell, tenor, and Benjamin Sieverding, bass.

The MSO’s 17-18 season includes the popular multimedia production of Beyond the Score®, “Edward Elgar: Enigma Variations,” featuring live actors and visuals in the first half, with the entire work performed in the second half. Joining the orchestra are American Players Theatre actors James Ridge (below), Colleen Madden and Brian Mani, along with Wisconsin Public Radio’s Norman Gilliland of Wisconsin Public Radio as the Narrator. This single performance takes place on Sunday, March 18, 2018*.

NOTE: *Advance tickets for Beyond the Score® are available only to MSO 17-18 season subscribers prior to single tickets going on sale to the general public on Saturday, Aug. 12, 2017. Beyond the Score® is a production of the Chicago Symphony Orchestra. Gerard McBurney, Creative Director for Beyond the Beyond the Score®

ABOUT THE MADISON SYMPHONY ORCHESTRA

The Madison Symphony Orchestra celebrates its 92nd season in 2017-2018 and its 24th season under the leadership of music director John DeMain.

The MSO has grown to be one of America’s leading regional orchestras, providing Madison and south central Wisconsin with cultural and educational opportunities to interact with great masterworks and top-tier guest artists from around the world.

Find more information at madisonsymphony.org


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Classical music education: The UW-Madison Pro Arte Quartet performs music by Edward Elgar with the Middleton High School Orchestra in a FREE concert this Thursday night

March 15, 2017
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison 900 University Bay Drive, features the ensemble New Muse with Danielle Breisach, flute; Peter Miliczky, violin; Joshua Dieringer, viola; Ben Bauer, cello; and Yana Avedyan, piano, in new music by Nathan Froebe, Benjamin Boyajian, and Jonathan Posthuma. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

The University of Wisconsin-Madison’s acclaimed Pro Arte Quartet (below, in a photo by Rick Langer) will travel west on Thursday – all the way to the suburb of Middleton.

That where the Pro Arte will perform Sir Edward Elgar’s “Introduction and Allegro” with the Middleton High School Orchestra (below) under conductor Steve Kurr, who also conducts the Middleton Community Orchestra. (You can hear the Elgar piece in the YouTube video at the bottom.)

The FREE and UNTICKETED concert is this Thursday night from 7:30 to 9 p.m. in the Middleton Performing Arts Center that is attached to the high school, 2100 Bristol Street.

Conductor Steve Kurr says this about the program:

“The rest of the program includes Rossini’s Overture to “The Barber of Seville,” the “Colonel Bogey March” and the “Peer Gynt Suite No. 1” by Edvard Grieg.

“Also on the program are the three winners of this year’s Concerto-Aria competition: Marimbist Alex Warholic plays the first movement of the Violin Concerto in A Minor by Johann Sebastian Bach; soprano Chloe Cole sings “V’adoro pupille” from the opera “Julius Caesar:” by George Frideric Handel; and violinist Rachael Lee performs the “Introduction and Rondo Capriccioso” by Camille Saint-Saens.

“The concert begins with two works performed by the MHS Honors Wind Ensemble.

“The Elgar is such a great work, and underperformed. The Pro Arte musicians are such great inspirations to our high school musicians.”


Classical music education: Composer Robert Schumann and cellist Steven Isserlis offer advice to young people about going into music

September 16, 2016
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By Jacob Stockinger

Schools are back in session – public and private K-12 elementary, middle and high schools, and colleges and universities, including Edgewood College and the University of Wisconsin-Madison.

And private music lessons have started up again after a summer break.

So it seems only fitting to offer advice to young people who are thinking about becoming musicians.

Such advice comes from two very good sources, one older and one newer: The Romantic German composer Robert Schumann (below top) and the acclaimed contemporary British cellist Steven Isserlis (below bottom).

Schumann photo1850

steven-isserlis-playing

Schumann (1810-1846) wrote a book (below) with his advice to young musicians. Then Isserlis updated that book with his commentaries.

schumann-isserlis-book

You can get a good sample of its contents, from practicing to performing, from the entry on the blog “Only Strings” that is written by local musician Paul Baker (below), who also hosts a radio program for WSUM, the award-winning student-run radio station at the University of Wisconsin-Madison.

Here is a link:

https://onlystringswsum.wordpress.com/2016/08/30/what-to-think-about-when-youre-thinking-about-being-a-musician/

Paul Baker at WSUM


Classical music: What is your favorite Easter music? There is so much to choose from. Here are two samplers.

March 27, 2016
6 Comments

By Jacob Stockinger

Today is Easter Sunday, 2016.

Easter Sunday

You don’t have to be a believer to know that the events of Easter have inspired great classical music, especially in the Baroque era but also in the Classical, Romantic and Modern eras.

Easter lily

Of course, there is the well-known and much-loved oratorio “Messiah” by George Frideric Handel, who wrote it for Easter, not Christmas as is so often assumed because of when it is usually performed. (NOTE: The Madison Bach Musicians will perform “Messiah,” with period instruments and historically informed performance practices, at the First Congregational United Church of Christ on Friday and Sunday, April 8 and 10.)

There is a lot of instrumental music, including the gloriously brilliant brass music by the Venetian composer Giovanni Gabrieli and the darker Rosary sonatas for violin by Heinrich Ignaz Franz Biber and the “Lamentation” Symphony, with its sampling of familiar tunes and intended to be performed on Good Friday, by Franz Joseph Haydn.

Heinrich Biber

Easter music cuts across all kinds of nationalities, cultures and even religious traditions: Italian, German, English, Scottish, American, Russian, French and Austrian.

But the occasion — the most central event of Christianity — is really celebrated by the huge amount of choral music combined with orchestral music – perhaps because the total effect is so overwhelming and so emotional — that follows and celebrates Holy Week, from Palm Sunday through Maundy Thursday and Good Friday and then ultimately to Easter and the Resurrection from death of Jesus Christ.

For The Ear, the pinnacle is the music of Johann Sebastian Bach (below), especially his cantatas, oratorios and passions.

Bach1

But today The Ear wants to give you a sampler of 16 pieces of great Easter music, complete with audiovisual clips.

Here is one listing that features music by Johann Sebastian Bach, Thomas Tallis, Nikolai Rimsky-Korsakov, Gustav Mahler, Francis Poulenc and James MacMillan:

http://www.classical-music.com/article/six-best-pieces-classical-music-easter

And here is another listing that features music by Antonio Vivaldi, Hector Berlioz, Gioachino Rossini, Heinrich Ignaz Franz Biber, Franz Joseph Haydn, Ludwig van Beethoven, Bach’s “Easter Oratorio” (rather than his “St. Matthew Passion” or “St. John Passion”) and “The Resurrection” oratorio (other than “Messiah”) by Handel.

http://www.theimaginativeconservative.org/2015/04/ten-classical-music-pieces-for-easter.html

Curiously, no list mentions the gorgeous and haunting “Miserere” (below) by Gregorio Allegri. It was traditionally performed in the Vatican’s Sistine Chapel on the Wednesday and Good Friday of Holy Week, but was kept a closely guarded secret. Publishing it was forbidden. Then a 12-year-old Wolfgang Amadeus Mozart heard it and copied it down from memory.

Finally, The Ear offers his two favorite pieces of Easter music that never fail to move him. They are the passion chorale and final chorus from the “St. Matthew Passion” by Johann Sebastian Bach:

What piece of music is your Easter favorite?

Do you have a different one to suggest that you can leave in the COMMENT section, perhaps with a link to a YouTube video?

The Ear wants to hear.


Classical music: Con Vivo performs two masterpieces of German Romantic music to mark its recent cultural exchange tour of Germany.

October 28, 2015
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ALERT: This week’s FREE Friday Noon Musicale, from 12:15 to 1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, features pianist and organist Theodore Reinke in music by Johann Sebastian Bach, Edvard Grieg, Richard Wagner and Franz Liszt.

By Jacob Stockinger

“Con Vivo – Music With Life” (below) presents a chamber music concert entitled “German Romance” on this Friday, October 30, 2015 at 7:30 p.m. at the First Congregational United Church of Christ, 1609 University Avenue, across from Camp Randall.

Tickets can be purchased at the door for $18 for adults and $15 for seniors and students.

To celebrate the group’s recent cultural exchange tour to our sister county of Kassel, Germany, the concert program includes two masterpiece pillars of 19th-century German Romantic chamber music: the Trio for clarinet, cello and piano by Johannes Brahms and Franz Schubert’s String Quintet with two cellos, regarded as one of the greatest compositions in all chamber music. (You can hear the Schubert Quintet with the Juilliard String Quartet in a YouTube video at the bottom.)

Audience members are invited to join the musicians after the concert for a free reception to discuss this chamber music literature and to hear about their experiences on their concert tour in Germany.

Con Vivo 2015

Artistic Director Robert Taylor, in remarking about the concert said, “Our tour to Germany was a wonderful honor and great success. We return very excited to begin our 14th season with two of the great masterpieces for chamber ensemble. Our Madison audience will be able to welcome us home as we present some of our favorite repertoire in this concert.”

Con Vivo! is a professional chamber music ensemble composed of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and various other performing groups familiar to Madison audiences.


Classical music: You can hear Beethoven’s “Ode to Joy” on 5,000 kazoos at this year’s Burning Man Festival.

August 31, 2015
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By Jacob Stockinger

Talk about counter-cultural!

This year’s famed Burning Man festival started yesterday and runs through Sept. 7.

The unusual event, held in the north Nevada desert, features many noteworthy things including nudity, drugs and lot of talk about peace and love — kind of like an updated Woodstock festival but on a much grander and more ambitious scale. (See the YouTube video at the bottom.)

One remarkable thing is the sheer size of the event (below, in an aerial photo by Kenny Reff), a temporary city estimated to be more than 60,000 strong this year:

Burning Man aerial CR Kenny Reff

Another is the impressive and dramatic sculpture that is set aflame (below is last year’s) at the festival’s end:

Burning Man 2014

But there is also classical music included at the iconic pop event.

In fact this year, the “Ode to Joy,” from Ludwig van Beethoven’s Ninth Symphony, will be played 5,000 kazoos.

In addition, there will be strings (below top in a photo by Jaki Levy) and a certain conductor named Dr. FireTuba (below bottom in a photo of Eric Yttri by Jaki Levy) as part of the 63-piece pickup symphony orchestra that also includes winds such as flute and clarinets. The group will perform music by Johann Sebastian Bach, Antonio Vivaldi and Edvard Grieg and other composers on the playlist.

Burning Man music cellist 2014 Jaki Levy

Burning Man Dr FireTuba (Erio Ittry) CR Jaki Levy

Here is an illuminating and entertaining story about classical music at Burning Man that was reported in NPR or National Public Radio:

http://www.npr.org/sections/deceptivecadence/2015/08/29/435244975/beethoven-flaming-tubas-and-5-000-kazoos-classical-music-at-burning-man

 


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