The Well-Tempered Ear
Classical music: YOU MUST HEAR THIS — the slow movement of the Violin Concerto by Gerald Finzi
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By Jacob Stockinger
The Ear has long had a fondness for the works of the 20th-century British composer Gerald Finzi (below).
His work may be relatively tweedy and conservative, but it is unmistakably modern. It is very poignant and appealing, with accessible harmonies and beautiful melodies. He seems much like a British Samuel Barber.
Ever since he first heard it maybe 20 years ago, The Ear has loved Finzi’s pastoral Eclogue for Piano and String Orchestra, which was meant to be the slow movement of a piano concerto but ended up being an independent work. And, judging by how increasingly often it gets played on Wisconsin Public Radio, the Eclogue seems to be a favorite among a growing number of fans.
But there are other works.
There is the Romance for Violin and Small Orchestra.
There is the Romance for String Orchestra.
There is the Concerto for Cello.
There is his Romance for Clarinet and String Orchestra as well as the Five Bagatelles for Clarinet and Orchestra.
And now The Ear has discovered the slow movement — appropriately marked “very serene” — of the Violin Concerto by Finzi, which you can hear in the YouTube video at the bottom.
It is performed by British violinist Tasmin Little (below, in a photo by Melanie Winning), who four seasons years ago turned in wonderful performances in Madison with the Wisconsin Chamber Orchestra under Andrew Sewell. She played Finzi’s rarely heard “Introit.”
If you want to hear the whole concerto, it is available for free on YouTube from a couple of different performers. And you can find many other works by Finzi on YouTube.
In any case, The Ear hopes the Violin Concerto gets programmed at a local concert.
This past summer, the Bach Dancing and Dynamite Society featured a song cycle by Finzi. Even so, we need to hear more music by Gerald Finzi in live performances.
Finzi was a modest and retiring man, publicity shy and not given to self-aggrandizement or self-promotion, who went underperformed and underappreciated during his lifetime. But he is an extremely welcoming and moving modern composer.
The Ear thinks he deserves a better place among other modern British composers who have become more popular, including Ralph Vaughan Williams (shown, below right, with Finzi), Benjamin Britten, Frank Bridge, William Walton and others.
Are there other Gerald Finizi fans out there?
What do you think about him?
And what is your favorite work by Gerald Finzi?
The Ear wants to hear.
Tags: accessible, Andrew Sewell, Arts, Bach, Bach Dancing and Dynamite Society, bagatelle, Barber, Baroque, beautiful, Benjamin Britten, British, Britten, Cello, Chamber music, clarinet, Classical music, composer, concerto, conservative, cycle, dance, dynamite, Eclogue, England, English, Frank Bridge, Gerald Finzi, Great Britain, harmony, introit, Jacob Stockinger, live, Madison, melody, modern, movement, Music, Orchestra, pastoral, performance, Piano, promotion, publicity, Ralph Vaughan Williams, recording, Romance, Samuel Barber, self-aggrandizement, self-promotion, serene, singer, Slow movement, society, song, String Orchestra, summer, symphony, Tasmin Little, tweed, U.K., UK, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, William Walton, Wisconsin Chamber Orchestra, wisconsin public radio, work, YouTube
Classical music: This Saturday night the Ancora String Quartet will perform a program that features works by Beethoven, Shostakovich and Niels Gade
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By Jacob Stockinger
As it has often done over its 16-year history, the Madison-based Ancora String Quartet (ASQ) will mix a relatively unknown work by a neglected composer into a program of more established chamber music by more well-known composers.
The program it will perform this coming weekend — and then again at “Sunday Afternoon Live From the Chazen” on Sunday, Aug. 6 — is no exception.
The program features: the String Quartet No. 7 in F-sharp minor, Op. 108, by Dmitri Shostakovich; the String Quartet No. 1 in D Major, Op. 63, by Danish composer Niels Wilhelm Gade; and the String Quartet No. 1 in F Major, Op. 18, No. 1, by Ludwig van Beethoven. (You can hear the melodious opening of the quartet by Niels Gade in the YouTube video at the bottom.)
Members of the Ancora String Quartet (below, from left, in a photo by Barry Lewis) are violinists Wes Luke and Robin Ryan; violist Marika Fischer Hoyt; and cellist Benjamin Whitcomb.
Various members the Ancora String Quartet perform with such professional groups as the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Madison Bach Musicians; members also teach both privately and publicly, including at the University of Wisconsin-Whitewater.
The first performance takes place this coming Saturday night (NOT Friday night, as mistakenly listed earlier in a erroneous headline), July 29, at 7:30 p.m., at St. Andrew’s Episcopal Church, 1833 Regent St., on Madison’s near west side. There will be a FREE champagne reception after the concert
Tickets will be available at the door, and are for general seating. Ticket prices are $15 for the general public; $12 for seniors and students; and $6 for children under 12.
NOTE: The Ancora String Quartet will perform the same program on “Sunday Afternoon Live From The Chazen” in Brittingham Gallery No. 3 at the Chazen Museum of Art on Sunday, Aug. 6, starting at 12:30 p.m. It will be live-streamed that day from the museum’s website, and then re-broadcast two weeks later at 3 p.m. on Sunday, Aug. 20, on WVMO, 98.7 FM, the “Voice of Monona.”
Here is a description of the program from the quartet:
“The ASQ offers a summer program of music from Europe’s northern, eastern and western corners. The Danish composer Niels Gade (below) reveals influences of Mendelssohn and Schumann in his lyrical and dreamy quartet. Seemingly from another planet, Shostakovich’s Quartet No. 7 is a masterpiece of ambivalent modernist paranoia, telling his story with brevity and wit.
“Last on the program is Beethoven’s first published string quartet, written on the cusp of the 18th century. It combines Haydn’s witty Classicism, and Mozart’s lyricism, with a vigor, brilliance and expansive vision that is Beethoven’s own. The second movement Adagio depicts in stark terms the tragic tomb scene from Shakespeare’s tragedy “Romeo and Juliet,” while the other movements are distinguished by confidence, contrast, and contrapuntal complexity. ”
For more information about the performance and the quartet, including detailed biographies, go to:
Tags: afternoon, Ancora String Quartet, Arts, August, Bach, Baroque, Beethoven, biography, brevity, Broadcast, Cello, Chamber music, champagne, Chazen Museum of Art, church, clarity, Classical music, Classicism, composer, confidence, contrapuntal, contrast, counterpoint, Danish, Denmark, Dmitri Shostakovich, dream, dreamy, east, Episcopal, Europe, Felix Mendelssohn, FM, German, Germany, Haydn, Jacob Stockinger, Johann Sebastian Bach, live, Ludwig van Beethoven, lyrical, lyricism, Madison, Madison Bach Musicians, Madison Symphony Orchestra, mall, masterpiece, melodious, melody, Mendelssohn, modernism, modernist, Mozart, Museum, Music, Musician, neglected, Niels Gade, night, north, Oakwood Village West, Orchestra, paranoia, piece, planet, private, profession, professional, public, Radio, reception, Robert Schumann, Romance, Romeo and Juliet, Russia, Russian, Saturday, Scandinavia, scene, Schumann, Shakespeare, Soviet Union, St. Andrew's, stream, String quartet, Sunday, Sunday Afternoon Live From the Chazen, symphony, teach, tomb, tragedy, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unknown, UW-Whitewater, vigor, Website, west, West Towne Mall, Wisconsin, wit, Wolfgang Amadeus Mozart, work, WVMO 98.7 FM, YouTube
Classical music: Wednesday brings the fifth annual Make Music Madison celebration of the summer solstice. You can hear FREE music of all kinds from morning to night, outdoors and indoors
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By Jacob Stockinger
Registration has closed and the fifth annual Make Music Madison festival is set to take place tomorrow, Wednesday, June 21, 2017. ( A promotional video from the 2013 event is in the YouTube video at the bottom.)
The annual celebration of the Summer Solstice, which arrives at 11;24 p.m. tonight, will run all day, featuring all kinds of music from morning to night, and take place indoors and outdoors.
And it is FREE and completely local.
So far, there are more than 275 artists registered to perform at 108 venues in every area across the city, including the Dane County Regional Airport, Henry Vilas Zoo, Olbrich Botanical Gardens, the Goodman Center, Hilldale Mall, the First Congregational United Church of Christ, and the University of Wisconsin-Madison.
For a complete listing, go to: http://www.makemusicmadison.org
Once you are on the website, go to the map on the right hand side and under FILTER and GENRE and click on classical. You will find more than 20 events.
Then click on the VENUE’s tear-drop shaped red indicator to see the name of artists, group and kind of music you can hear.
They include a cello choir, an early music group, a guitar ensemble, string quartets and the Suzuki Strings of Madison (seen below at last spring’s Bach Around the Clock.) There is plenty of amateur music-making, which The Ear loves to see, but also some professional performances.
The click on the name and you will get more detailed background and a program, if one is available.
You can also search by ARTIST and VENUE – including general areas of the city — and well as by GENRE.
Take it from The Ear: This site has some really impressive and easy-to-use organization for getting at its information. So The Ear gives big shout-outs to to the people who designed the website and put it together.
Of course there are many more events in other genres and kinds of music, including blues, jazz, rock, roots, folk, world music and others. But many of them overlap or pertain to classical music, and you won’t want to miss them.
There is plenty to go around.
The Ear might even meet you at one of the events.
Enjoy! Have fun!
Tags: airport, amateur, Arts, Bach, Bach Around the Clock, Baroque, Beethoven, blues, botanical, Cello, center, Chamber music, choral music, Christ, church, Classical music, Dane County Regional Airport, Early music, festival, First Congregational United Church of Christ, folk, Garden, genre, Goodman Center, Henry Vilas Zoo, Hilldale Mall, Jacob Stockinger, Jazz, Johann Sebastian Bach, live, Madison Symphony Orchestra, Make Music Madison, mall, Music, Olbrich Botanical Gardens, Piano, professional, Rock, roots, solstice, Sonata, summer, Suzuki, Suzuki Strings of Madison, United States, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, venue, Viola, Violin, vocal music, Website, World music, zoo
Classical music: This Thursday morning, WORT will broadcast a live performance of Gideon Klein’s String Trio, composed in a concentration camp, by three up-and-coming musicians from the Dynamite Factory of the Bach Dancing and Dynamite Society
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By Jacob Stockinger
The Ear has received the following note from blog fan and local live music documentarian Rich Samuels, who hosts his radio show “Anything Goes” on Thursday morning on WORT–FM 88.9. It concerns an unusual performance of Holocaust music by a kind of apprenticeship program that The Ear really likes as a way for to provide continuity between different generations of musicians:
“At 7:26 a.m. on this Thursday morning, June 15, on my WORT broadcast I’ll be playing a performance of Gideon Klein‘s 1944 String Trio by violinist Misha Vayman, violist Jeremy Kienbaum and cellist Trace Johnson (below, from left, in a photo by Samantha Crownover).
“They are the three members of the “Dynamite Factory,” the three emerging musicians who have joined the Bach Dancing and Dynamite Society for its 2017 season.
“I recorded this performance — thanks to co-artistic director Stephanie Jutt and executive director Samantha Crownover — last Thursday at an event at the Central Library of the Madison Public Library system.
Trace and Jeremy are Madison natives and alumni of the Wisconsin Youth Symphony Orchestras (WYSO); Misha comes to Madison from the Russian Republic by way of southern California.
“I think it’s a compelling performance of a remarkable piece. It was the last work Klein (below) composed before he was transported from the Theresienstadt concentration camp to Auschwitz where, in a coal mining sub-camp, he died in early 1945.”
Tags: Adolf Hitler, alumni, apprentice, Artistic director, Arts, Auschwitz, Auschwitz concentration camp, Bach, Bach Dancing and Dynamite Society, Baroque, blog, California, camp, Cello, Chamber music, Classical music, coal, coal mine, concentration camp, continuity, documentarian, documentary, dynamite, emerging, Executive director, Extermination camp, factory, fan, generation, Gideon Klein, Holocaust, Jacob Stockinger, Jeremy Kienbaum, Jews, library, live, Madison, mining, Misha Vayman, Music, native, performance, public library, republic, Rich Samuels, Russia, southern California, Stephanie Jutt, string, string trio, system, The Holocaust, Theresienstadt, Trace Johnson, trio, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, Wisconsin, Wisconsin Youth Symphony Orchestras, World War II, WORT-FM 89.9, WYSO
Classical music: Let us now praise — and program — Lou Harrison, the prophetic American composer who pioneered both personal and professional diversity in music
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By Jacob Stockinger
The Ear has heard the name of Lou Harrison.
But he doesn’t recall ever actually hearing any music by Lou Harrison (below).
Maybe that will change, now that the centennial of Harrison’s birth is being marked.
Perhaps the UW-Madison or a smaller local group will do something, since neither the Madison Symphony Orchestra nor the Wisconsin Chamber Orchestra has programmed anything by Harrison in their next seasons.
The Ear certainly hopes to hear some of Harrison’s intriguing and prophetic music, which seems to be a harbinger of contemporary globalism and world music, performed live. Harrison’s work seems to presage Yo-Yo Ma‘s crossover and cross-cultural Silk Road Ensemble, but was way ahead of its time and without the commercial success.
In any case, it seems very few composers pioneered and championed both personal and professional diversity through Asian sounds and an openly gay identity. Completely genuine, Harrison seemed creative and imaginative in just about everything he touched and did.
If you, like The Ear, know little about the maverick Lou Harrison, an excellent background piece, recently done by Tom Huizinga of National Public Radio (NPR), is a fine introduction.
Here is a link to the story:
Harrison composed a lot of music, including concertos for piano and violin, that shows Asian influences and combines them with traditional Western classical music. Below is a YouTube recording of his Double Concerto for Violin and Cello with Javanese Gamelan from 1981-82.
Have you heard or performed Harrison’s music?
What do you think of it?
Would you like to hear it programmed for live performance more often?
Leave your opinion in the COMMENT section.
The Ear wants to hear.
Tags: America, American, Arts, Asia, asian, Cello, centennial, Chamber music, champion, Classical music, commercial, concerto, Creation, creative, cross-cultural, crossover, gamelan, gay, globalism, identity, imagination, imaginative, Jacob Stockinger, LGBT, LGBTQ, live, Lou Harrison, Music, National Public Radio, NPR, performance, Piano, pioneer, prophet, prophetic, sexual, Silk Road Ensemble, Sound, success, Tom Huizenga, tradition, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Violin, vocal music, Western, Wisconsin, Wisconsin Chamber Orchestra, World music, Yo-Yo Ma, YouTube
Classical music: Wisconsin Public Radio will air the Madison Opera’s productions of “Romeo and Juliet” and “The Magic Flute” this Saturday afternoon and next Saturday afternoon
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By Jacob Stockinger
Saturday live broadcasts from the Metropolitan Opera ended for the season last weekend.
But opera on the radio continues.
The Madison Opera is partnering with Wisconsin Public Radio to present recorded broadcasts of Charles Gounod’s Romeo & Juliet on Saturday, May 20, and Wolfgang Amadeus Mozart’s The Magic Flute (below) on Saturday, May 27. (Photo are by James Gill for the Madison Opera.)
Both broadcasts begin at 1 p.m. Listeners can tune into their local WPR station or stream online at www.wpr.org/listen-live.
Each spring, two operas from Madison Opera’s season are presented by Wisconsin Public Radio to let listeners re-live the season. These broadcasts cap off the end of the season of live radio broadcasts from The Metropolitan Opera that run from December through May on WPR’s News and Classical Music Network.
“We are committed to showcasing some of the best music and arts performances in Wisconsin. Our broadcast partnership with the Madison Opera, and organizations and musicians throughout the state, help to ensure everyone has access to live and local concerts no matter where they live,” said Peter Bryant (below), director of WPR’s News and Classical Music.
Charles Gounod’s Romeo & Juliet opens the broadcast series on Saturday, May 20, at 1 p.m. In 14th-century Verona, Romeo meets Juliet in a crowded ballroom, setting in motion a chain of events that will change both their families. With soaring arias, impassioned scenes and plenty of sword fights, Gounod’s gorgeous opera brings Shakespeare’s classic tale of star-crossed lovers to vivid life.
Madison Opera’s cast features UW-Madison graduate and Lyric Opera of Chicago alumna Emily Birsan (below right) as Juliet, John Irvin (below left) as Romeo, Sidney Outlaw as Mercutio, Stephanie Lauricella as Stephano, Liam Moran as Friar Lawrence, Allisanne Apple as Gertrude, Chris Carr as Tybalt, Philip Skinner as Lord Capulet, Benjamin Sieverding as the Duke of Verona, Nathanial Hill as Gregorio, James Held as Paris, and Andrew F. Turner as Benvolio.
John DeMain conducts, featuring the Madison Opera Chorus and Madison Symphony Orchestra. The broadcast includes an intermission feature with Birsan, Irvin and DeMain, interviewed by WPR’s Lori Skelton.
On Saturday, May 27, at 1 p.m., the broadcasts conclude with Wolfgang Amadeus Mozart’s The Magic Flute. A prince, a princess, a bird-catcher and a host of other fascinating characters invite you into a fantastical world of charmed musical instruments, mystical rituals, and a quest for enlightenment and wisdom.
Written in the last year of his life, Mozart’s sublime opera is part fairy tale, part adventure story, and all enchantment.
Madison Opera’s cast features Amanda Woodbury as Pamina, Andrew Bidlack as Tamino, Alan Dunbar as Papageno, Caitlin Cisler as The Queen of the Night, Nathan Stark as Sarastro, Scott Brunscheen as Monostatos, Amanda Kingston as the First Lady, Kelsey Park as the Second Lady, Anna Parks as the Third Lady, Anna Polum as Papagena, Matthew Scollin as the Speaker, Robert A. Goderich as the First Priest/Armored Man, and James Held as the Second Priest/Armored Man.
Julliard professor Gary Thor Wedow conducts, featuring the Madison Opera Chorus and Madison Symphony Orchestra.
The broadcast includes an intermission feature with Woodbury, Bidlack, Dunbar and Wedow, interviewed by WPR’s Lori Skelton.
Madison Opera is a non-profit professional opera company based in Madison, Wisconsin. Founded in 1961, the company grew from a local workshop presenting community singers in English-language productions to a nationally recognized organization producing diverse repertoire and presenting leading American opera singers alongside emerging talent. A resident organization of the Overture Center for the Arts, Madison Opera presents three productions annually in addition to the free summer concert Opera in the Park and a host of educational programming.
Tags: American, Arts, bird, choral music, chorus, Classical music, Emily Birsan, enchantment, English, fairy tale, fantasical, Gary Thor Wedow, Gounod, Italy, Jacob Stockinger, John DeMain, Juilliard, live, Madison, Madison Opera, Madison Symphony Orchestra, Metropolitan Opera, Mozart, Music, mystical, New York City, opera, Opera in the Park, Orchestra, Overture Center, prince, princess, Radio, ritual, Romeo and Juliet, Shakespeare, singer, Singing, The Magic Flute, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Verona, vocal music, Wisconsin, wisconsin public radio, Wolfgang Amadeus Mozart
Classical music education: Watch it on public television, hear it on public radio, stream it live or see it in person – “The Final Forte” teenage finalists’ FREE concert with the Madison Symphony Orchestra is this Wednesday night at 7
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By Jacob Stockinger
This Wednesday night at 7 p.m. in Overture Hall of the Overture Center, four teenage finalists will perform the final round of the Bolz Young Artist Competition in a free live concert with the Madison Symphony Orchestra (MSO).
It will be broadcast live on Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR), and available via live streaming on wpt.org, at 7 p.m.
The public can also reserve FREE tickets to attend the concert in person.
The Final Forte finalists are selected from a group of young artists who competed in the Bolz Young Artist Competition’s two preliminary rounds.
This year’s Final Forte features (below, in a photo by Amandalynn Jones, from left): violinist Julian Rhee of Brookfield, who will play the first movement of the Violin Concerto in D Major by Peter Tchaikovsky; harpist Naomi Sutherland of Viroqua, who will play the “Sacred and Profane Dances” by Maurice Ravel; pianist Michael Wu of Sun Prairie, who will play the first movement of the Piano Concerto No. 2 in G Minor by Camille Saint-Saens; and violinist Yaoyao Chen of Menasha, who will play the first movement of the Violin Concerto in D minor by Jean Sibelius.
Each of the finalists will perform with music director John DeMain and the MSO as they complete for top honors and scholarships that will be awarded at the end of the broadcast. WPR’s Lori Skelton and Jim Fleming will co-host the event.
More information, biographies and video profiles (also available on YouTube) for each finalist can be found at: http://madisonsymphony.org/finalforte
To reserve free seats at The Final Forte, call (608) 257-3734 or register online at: http://madisonsymphony.org/finalforte
IMPORTANT NOTE: This is a live concert broadcast. All audience members must be seated by 6:45 p.m. in Overture Hall, prior to the start of the concert.
The Final Forte broadcast on WPT and WPR has won numerous honors including an Emmy nomination, and has reached several hundred thousand viewers and listeners in the area Madison and statewide.
REBROADCASTS
“The Final Forte” will be rebroadcast at the following times:
The Wisconsin Channel (WPT-2): Saturday, April 1, at 3:30 p.m.
Wisconsin Public Radio: Sunday, April 2, at noon
Milwaukee Public Television (Channel 36.1): Sunday, April 2, at 1 p.m.
Wisconsin Public Television (WPT-1): Sunday, April 2, at 2 p.m.
BACKGROUND AND SPONSORS
“Wisconsin Young Artists Compete: The Final Forte” is a partnership among the Madison Symphony Orchestra, Wisconsin Public Radio and Wisconsin Public Television.
The even is part of WPT’s multiyear Young Performers Initiative, a statewide effort to raise the visibility of the arts, celebrate the creative achievements of Wisconsin’s young people and support the arts in education.
The Bolz Young Artist Competition is made possible by a generous endowment from The Eugenie Mayer Bolz Family Foundation.
Major funding for “Wisconsin Young Artists Compete: The Final Forte” is provided by Diane Ballweg, Julie and Larry Midtbo, Fred and Mary Mohs, Stephen Morton, Joe and Maryellyn Sensenbrenner, and The Boldt Company. With additional funds from A. Paul Jones Charitable Trust, James Dahlberg and Elsebet Lund, W. Jerome Frautschi, Ann and Roger Hauck, Elaine and Nicholas Mischler, Kato Perlman, Sentry Insurance Company, The Estate of Norene A. Smith, Paul Guthrie in memory of Ella Guthrie, Judith and Nick Topitzes, and Friends of Wisconsin Public Television.
Tags: Arts, biography, Broadcast, Brookfield, Camille Saint-Saëns, Classical music, Competition, concerto, dance, Finale Forte, harp, Jacob Stockinger, John DeMain, Julian Rhee, live, Madison, Madison Symphony Orchestra, Menasha, Michel Wu, movement, Music, Music education, Naomi Sutherland, Orchestra, Overture Center, Peter Tchaikovsky, Piano, profane, profile, Radio, Ravel, sacred, sponsor, stream, Sun Prairie, symphony, teenage, Television, TV, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, video, Violin, Viroqua, wisconsin public radio, Wisconsin Public Television, WPR, WPT, Yaoyao Chen, YouTube
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