The Well-Tempered Ear

Madison’s Sonata à Quattro performs TONIGHT online for the prestigious Boston Early Music Festival

June 17, 2021
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By Jacob Stockinger

The Ear has received the following note from the local early music group, Sonata à Quattro (SAQ):

We have a very exciting announcement to share.

Tonight we will be one of the featured ensembles at the 2021 Boston Early Music Festival Fringe Concerts!

The Boston Early Music Festival (BEMF) is recognized as a national and international leader in the field of early music, and SAQ is thrilled to make its first appearance at this event. 

Concert presented during the Boston Early Music Festival’s 2021 Fringe Concerts.  Learn more at https://bemf.org/2021-festival/fringe-concerts/

The online premiere of the SAQ concert video will be TONIGHT — Thursday, June 17 — at 7 p.m. ET/6 p.m. CT, and the musicians will be available to chat during and after the recorded performance.

Please join us at this link: https://www.youtube.com/watch?v=tSfzu6Q6DcU

The 50-minute concert, titled “Musical Meditation and Merriment,” features (below, from left) violinists Christine Hauptly Annin and Leanne League; cellist Charlie Rasmussen; and violist Marika Fischer Hoyt.

This period-instrument quartet will perform the following program: Quartet in G Major, TWV 43:G5 by Georg Philipp Telemann (1681-1767); Duo II in D Minor, Op. 19, No. 2, for Violin and Viola by Franz Anton Hoffmeister (1754-1812); Duetto III in G Major, Op. 1, No. 3, for Violin and Cello by Giovanni Battista Cirri (1724-1808, below); and Quartet in D Major, Op. 64, No. “The Lark” by Franz Joseph Haydn (1732-1809).

The concert was live-streamed and recorded at the United Methodist Church in Whitefish Bay, Wis., on April 13, 2021.

From the austere fugal opening of the Telemann to the jaunty Finale of Haydn’s “Lark” Quartet — heard played by the Jerusalem Quartet in the YouTube video at the bottom — this program offers a reflection on the unimaginable year we’ve just experienced, as well as the stirrings of hope, as we awake to a spring and summer of new beginnings.

The slow movements, with their gorgeous string sonorities, range from still, inner contemplation to poignant pleas, while the fast movements outdo one another in wit, verve and sheer joie de vivre.


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Critics for The New York Times name their Top 10 online classical concerts for May

May 3, 2021
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By Jacob Stockinger

Even as we wait to see whether concerts in the next season will be mostly streamed or live, the critics for The New York Times have named their Top 10 classical concerts to stream and hear online in May.

The Times critics have been doing this during the pandemic year. So perhaps if and when they stop, it will be a sign of returning to concert life before the pandemic.

Then again, maybe not, since The Ear suspects that many listeners have liked the online format, at least for some of the times and for certain events. So maybe there will be a hybrid format with both live and online attendance.

As the same critics have done before, they mix an attention to contemporary composers, world premieres and up-and-coming performers, including the Finnish conductor Susanna Maliki (below top) in a photo by Hiroyuki Ito for The New York Times).

In a welcome development, the recommendations for this month also seem to mention more Black composers, performers and pieces than usual, including the rising star bass-baritone Davon Tines (below, in a photo by Vincent Tullo for The New York Times).

But you will also find many of the “usual suspects,” including Haydn, Mozart, Schubert, Bartok, Benjamin Britten, Olivier Messiaen and Shostakovich. (On the play list is Schubert’s last song, “The Shepherd on the Rock,” which you can hear in the YouTube video at the bottom.)

You will also find dates and times (all are Eastern), links to the event and some short commentaries about what makes the concerts, programs and the performers noteworthy.

Here is a link to the story: https://www.nytimes.com/2021/04/29/arts/music/classical-music-streaming.html

Do you know of local, regional, national or international online concerts that you recommend? Leave word with relevant information in the Comment section.

Happy Listening!


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Today – Monday, March 29 – is World Piano Day. Here are links to free online recitals. What does the piano mean to you? Did it play a role during the pandemic?

March 29, 2021
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By Jacob Stockinger

Today – March 29, 2021 – is World Piano Day.

That is because today is the 88th day of 2021.

Gotta have some kind of code or symbolic meaning, after all.

In any case, there are virtual online celebrations all over the world. Here is a link to the official welcoming website that also lists Spotify and SoundCloud playlists from past years and dozens of worldwide events this year, running from March 25-30: https://www.pianoday.org

You can also find more on Google, Facebook, Instagram and Twitter.

The piano means a lot to The Ear, who listens to it and plays it. He loves, loves, loves the piano.

What has the piano and piano music meant to you in your life?

What role did the piano play for you during the past pandemic year?

Have you listened to or discovered newer, younger talent?

Do you have favorite pianists, either historic or current? What do you like about them?

Or maybe you have favorite piano pieces?

Please tell us all about you and the piano in the Comment section.

The Ear wants to hear.

In the meantime you can listen to the World Piano Day “monster recital” by 17 pianists who record for Deutsche Grammophon. The “Yellow Label” – the first commercial record label — has signed a lot of great pianists in its time, and still does.

Here is a link to the YouTube DG recital, which lasts 2 hours and 50 minutes. If you go to the actual YouTube site, click on Show More to see the complete list of performers and pieces. Otherwise performers and programs are displayed on the screen:


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The Madison Early Music Festival joins the UW-Madison School of Music’s regular program and undergoes a major revamping. There will be no more separate summer events, and the two directors will retire next spring

March 10, 2021
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By Jacob Stockinger

After refining the format over the past 20 years, the Madison Early Music Festival (below) has grown into a popular event that is recognized regionally, nationally and internationally. It usually takes place for about 10 days in July.

But no longer.

The Ear has received the following updates from the two co-founders and co-directors, singers Cheryl-Bensman Rowe and UW-Madison Professor Paul Rowe.

Curiously, no reasons or causes are given for the major changes and revamping, or for the cancellation of the event this summer.

The Ear suspects it has something to do with the lack of funding and the reorganizations and consolidations being carried out because of the budgetary effects of the coronavirus pandemic on the UW-Madison, the whole UW System and the performing arts scene in general.

But that could be completely wrong. We will probably find out more details in the near future.

For more information and background, go to: https://www.music.wisc.edu/2021/02/01/memf-school-of-music-announce-administrative-partnership/

And to sound off, please leave your reactions to the news in the comment section.

Here is the letter from the Rowes (below, in a photo by Katrin Talbot):

Dear MEMF Supporters,

It is difficult to believe that February is over and spring is on its way. We hope everyone is having luck scheduling coronavirus vaccines, and that you have all stayed healthy throughout this past year. 

We are writing to give you advance notice of the latest MEMF news before you read it in an upcoming press release.

Due to programming realignment in the UW-Madison Division of the Arts, the Madison Early Music Festival will become a program of the Mead Witter School of Music, which will be our new administrative home.

After much discussion with the Director of the School of Music and the Interim Director of the Division of the Arts, the details of the move have been finalized. 

The School of Music is excited to bring MEMF into its programming, and would like MEMF to be an integral part of the academic year so more students can have an opportunity to work with professionals in the field of early music.

At this point, in order to focus on this goal, the decision has been made to discontinue the summer festival in its current (pre-pandemic) format.(You can hear a sample of that in the YouTube video at the bottom.)

We know this is disappointing news, but at the same time we are excited that MEMF concerts, lectures and classes will now be offered in some capacity throughout the year. 

Although MEMF will be taking a different direction than the one we have all known and loved over the past 20 years, we are thrilled that it will continue to provide early music learning and presentation opportunities through this new collaboration.

We also want to announce that the two of us will be retiring from MEMF in the spring of 2022 and new leadership will take the helm. 

Current plans are to present a celebratory MEMF concert and workshop next spring with School of Music students and faculty and former MEMF participants and faculty.

We want all of you to know that we appreciate everything you have done for MEMF. Some of you have been involved for 21 years! 

We are grateful for your support, the friendships we have made, and all the beautiful music we have heard and made together. The success of the festival would not have been possible without each and every one of you.

This is an exciting new journey for MEMF, although different from what we have known and experienced. We hope that you will continue to be involved in MEMF in its new format, and we hope to see you in the spring of 2022!

Thank you for all your generosity in so many ways,

Cheryl Bensman-Rowe and Paul Rowe, co-founders and co-artistic directors of the Madison Early Music Festival


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Here are the Top 10 online concerts to stream in March, according to critics for the New York Times

March 2, 2021
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ALERT: The online live-streamed concert by the UW-Madison’s Pro Arte Quartet — scheduled for this Friday night, March 5 — in the all-Beethoven cycle of string quartets has been canceled and postponed until next year. The Friday, April 9 installment of the Beethoven cycle will be held as Installment 7 instead of 8.  

By Jacob Stockinger

Classical music critics of The New York Times have once again picked their Top 10 online concerts for the month of March.

The Ear has found such lists helpful for watching and hearing, but also informative to read, if you don’t actually “attend” the concert.

If you have read these lists before, you will see that this one is typical.

It offers lots of links with background about the works and performers; concert times (Eastern); and how long the online version is accessible.

Many of the performers will not be familiar to you but others – such as pianist Mitsuko Uchida (below, in a photo by Hiroyuki Ito for the Times), who will perform an all-Schubert recital, will be very familiar.

But the critics once again emphasize new music and even several world premieres – including one by Richard Danielpour — and a path-breaking but only recently recorded live performance of the 1920 opera “Die Tote Stadt” (The Dead City) by long-neglected composer Erich Wolfgang Korngold (below), who is best known for his Hollywood movie scores but who also wrote compelling classical concert hall music. (In the YouTube video at the bottom, you can hear soprano Renée Fleming sing “Marietta’s Song.’)

But some works that are more familiar by more standard composers – including Mozart, Beethoven, Schubert, Schumann, Ravel and Copland – are also included.

The Times critics have also successfully tried to shine a spotlight on Black composers and Black performers, such as the clarinetist and music educator Anthony McGill (below top), who will perform a clarinet quintet by composer Samuel Coleridge-Taylor (below) and music in the setting of the Metropolitan Museum of Art.

No purists, the critics also suggest famous oboe and clarinet works in transcriptions for the saxophone by composer-saxophonist Steven Banks (below).

Also featured is a mixed media performance of words and music coordinated by the award-winning Nigerian-American novelist, essayist and photographer Teju Cole (below), whose writings and photos are irresistible to The Ear.

Here is a link to the story in the Times: https://www.nytimes.com/2021/02/25/arts/music/classical-music-streaming-concerts.html

Are there other online concerts in March – local, regional, national or international – that you recommend in addition to the events listed in the Times?

The Ear wants to hear.

 


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Here is a comprehensive overview of classical music in 2020. It includes deaths, virtual seasons, world premieres, major awards, new albums and other noteworthy events

December 31, 2020
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By Jacob Stockinger

The last day of a year, especially a year as tragic and eventful for the arts as 2020, seems a good time for a retrospective.

For many years, Wikipedia has done a fine job of collating noteworthy classical music events, both nationally and internationally.

Organized by categories and then by month and day, the events include deaths, many from COVID-19 of course. 

The list also includes the world premieres of new operas and new works in other musical genres. (You can hear “From the Diary of Anne Frank  and “Meditations on Rilke” by the American conductor, educator and composer Michael Tilson Thomas — below in a photo by Hiroyuki Ito for The New York Times — in the YouTube video at the bottom.)

The list, which has 567 footnotes and citations, includes cancellations, staff changes, virtual and online concert seasons and other fallout from the coronavirus. And they include awards for new recordings.

If you hover the cursor over names in blue print, you will also get specific details or biographical information with a portrait or photo in many cases. Then click on the blue name and you will go to the organization’s or individual’s home website.

The Ear finds it very useful as a year-in-review and hopes you do too.

Take a look for yourself. And here’s hoping that both artists and the arts thrive better in the coming new year of 2021.

https://en.wikipedia.org/wiki/2020_in_classical_music

What do you think of the Wikipedia list?

How did it leave you feeling?

Do you have something to add to the list?

The Ear wants to hear.

 


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The New York Times music critics suggest 10 must-hear online classical concerts during December

November 30, 2020
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By Jacob Stockinger

Tomorrow is Dec. 1, 2020.

Lately, at the end of every month the music critics for The New York Times publish a list of 10 virtual and online classical concerts for the following month that they think deserve special attention.

Often – but not always — their choices feature the unusual: new music and world premieres; neglected repertoire; and lesser-known performers that most of us are not likely to hear locally.

The December choices, for example, include an oratorio “Perle Noire” (Black Pearl), by composer Tyshawn Sorey, about the famous African-American, Paris-based expat dancer Josephine Baker – she of the banana skirt (below). But she was more than just  a risqué dancer and entertainer. She fought in the French Resistance movement against the Nazis and was a civil rights champion.

But this list also includes seasonal fare such the holiday tradition by which the Chamber Music Society of Lincoln Center performs in one night all six Brandenburg Concertos by Johann Sebastian Bach (you can hear an excerpt in the YouTube video at the bottom); and other holiday celebrations such as a concert by the early music vocal group Tenet (below, in a photo by Nan Melville.)

But those suggestions do not take away from more local efforts and performances. 

The Ear is certain that those same critics would approve of supporting local musicians and music groups during the coronavirus pandemic. 

And there are many local offerings. The Madison Symphony Orchestra, the Wisconsin Union Theater, the University of Wisconsin-Madison’s Mead Witter School of Music, the Madison Bach Musicians and Just Bach all have virtual online concerts scheduled for December.

You can check out their offerings at their websites and here on this blog as the month unfolds.

But if the Times’ choices interest you – and they should — here is a link: https://www.nytimes.com/2020/11/25/arts/music/classical-music-stream-december.html

Note that the blurbs show Eastern Time but also include how long the performances are posted for and links to the organizations presenting the concerts. 

Happy listening!

And Happy Holidays!

Do you have other online performances – local, regional, national or international — to suggest?

Please leave the necessary information in the Comment section.

The Ear wants to hear.

 


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November’s “Just Bach” FREE online concert is this Wednesday morning at 8 instead of noon. It features two favorites: “Air on the G String” and the Concerto for Two Violins

November 17, 2020
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This Wednesday, Just Bach again shares the timeless beauty of the music by Johann Sebastian Bach (below) from their home in the nave of Luther Memorial Church (LCM), 1021 University Avenue.

The group participates in LMC’s weekly ‘Music at Midday’ concert series at https://www.luthermem.org/music-at-midday. (Please note: Now that the concerts are online instead of in person, the videos will be posted early Wednesday mornings at 8 a.m., instead of at noon. They will remain online indefinitely so viewers can see them at their convenience.).

As part of this series, Just Bach concerts take place on the third Wednesday of each month. Remaining concerts are: Nov. 18, Dec. 16, Jan. 20, Feb. 17, March 17, April 21 and May 19. The programs last approximately 30 minutes. 

It is still too risky to have in-person audiences. So in addition to the Luther Memorial website, they will be posted on:

The Just Bach home website at: https://justbach.org/concerts/

The Just Bach Facebook page at: https://www.facebook.com/JustBachSeries

And the Just Bach YouTube Channel, where previous concerts are still posted, at: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Viewing the concerts is FREE, but the group asks those who are able, to help pay the musicians with tax-deductible donations at: https://www.paypal.com/donate/?cmd=_s-xclick&hosted_button_id=7A4R7CA8VDRMG&source=url

PLEASE NOTE: New this month will be a half-hour live ZOOM post-concert reception on this Wednesday night at 7:30 p.m. CST. Those who would like to join us and chat with the performers can follow this link: https://us02web.zoom.us/j/87144868956?pwd=aHUrR3BNZFF5Y1hlVG1EWkNvMklkQT09

The November concert opens with Just Bach co-founder, UW graduate student and nationally concertizing soprano Sarah Brailey (below), who will provide welcoming remarks and an overview of the program.

Our guest artists this month (below, in a photo by Barry Lewis) are a quartet of string players from the Madison Symphony Orchestra: violinists Leanne League and Xavier Pleindoux; violist Marika Fischer Hoyt; and cellist Lindsey Crabb. Also performing is harpsichordist John Chappell Stowe, a professor in the UW-Madison Mead Witter School of Music. Dave Parminter is the videographer.

League and Pleindoux (below, in a photo by Barry Lewis) will play the solo parts in the familiar and beautiful Concerto in D Minor for Two Violins (the ‘Bach Double’), BWV 1043.

Madison Symphony Orchestra audiences will remember their gorgeous performance of this piece at a Christmas Spectacular concert a couple of years back. (You can hear the beautiful and poignant slow movement in the YouTube video at the bottom.)

The ensemble will continue with a movement from the Orchestral Suite No. 3 in D major, BWV 1068, the serenely transcendent “Air on a G String.”

Sarah Brailey returns to lead the final chorale from Cantata 139, composed for the 23rd Sunday after Trinity, which happens to be this coming Sunday. The stirring title, Dahero Trotz der Höllen Heer! translates as “Therefore Defiance to the Host of Hell.”

We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the screen, as Stowe accompanies on the organ. 

 


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New York Times music critics pick 10 MUST-HEAR online virtual classical concerts to stream for October

October 3, 2020
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ALERT: Tonight’s concert by the choral group Roomful of Teeth for the Wisconsin Union Theater at the UW-Madison’s Hamel Music Center has been canceled and postponed indefinitely.

By Jacob Stockinger

Increasingly the coronavirus pandemic seems surging out of control. So it comes as no surprise that also more and more concerts of classical music are taking place virtually and online.

Coronavirus image CDC

There are many ways to choose among local, regional, national and international concerts.

But one good guide was published this last week and featured the choice of must-hear classical concerts by critics for The New York Times.

It is an interesting and varied selection, and includes times, links and brief descriptions.

It features concerts that emphasize Black composers such as Florence Price (below top) and women composers. It covers many genres from a solo piano recital by Jeremy Denk (below bottom) – who is supposed to perform here on Dec. 11 at the Wisconsin Union Theater – to chamber music, vocal music, orchestral concerts and operas.

Florence Price head shot University of Arkansas Libraries

Jeremy Denk playing CR Hiroyuki Ito NYTImes

Curiously, there is quite bit of new music but little early music, either Renaissance or Baroque. Perhaps more will appear around the holiday times, when that music is part of the traditional holiday celebrations.

You will find contemporary composers but also lots of certified, tried-and-true classics and masterworks.

Some are one-day only events but many run from a week through a month.

Here is a link to the story. PLEASE NOTE THAT TIMES ARE ALL EASTERN: https://www.nytimes.com/2020/09/29/arts/music/classical-music-stream.html

Please let The Ear know if you like this kind of listing and find it useful.

And please feel free to leave in the comment section other guides or events that the public should know about.


Posted in Classical music
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Classical music: The worldwide virtual and online gala fundraiser for the Handel Aria Competition starts today and runs through Oct. 1. Donations will be matched up to $2,000

September 10, 2020
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By Jacob Stockinger

The Ear has received the following announcement to post from Orange and Dean Schroeder, the co-founders of the now well-established Handel Aria Competition.

As you may already know, the in-person competition has been postponed until 2021.

The Schroeders say that a virtual online competition for this year was considered, but then dismissed. It would have been too risky to the health of the singers, many of whom have to travel nationally and internationally to compete, and to the accompanying players from the Madison Bach Musicians.

The sound quality also did not meet the standards that the organizers say is necessary to do justice to competitors. Some of the performances are from past competitions But others are new and were done at home during lockdowns.

Perhaps most important of all, the Schroeders wanted to raise money to help the young competitors, whose careers have suffered from concert cancellations during the coronavirus pandemic.

Here is the message:

“Today – Thursday, Sept. 10 — is the start of the Handel Aria Competition’s Virtual Gala to raise funds for our past finalists. It will start at 7:30 p.m. CDT.

“The program includes performances by Morgan Balfour, Elisa Sutherland, Chelsea Shephard, Sarah Coit, Andrew Rader, Nola Richardson, Amanda Achen, Jonathan Woody (singing an aria from “Messiah” in the YouTube video at the bottom), Sarah Moyer, Corrine Byrne, Margaret Fox, Gene Stenger, Emily Yocum Black, Sarah Hayashi, Daniel Moody, Christina Kay, Jacob Scharfman, Brian Giebler and Kristin Knutson.

A performance by the Handel Aria Competition’s director and UW-Madison graduate student soprano Sarah Brailey (below) with Luthien Brackett and the musicians from the Trinity Wall Street Baroque Orchestra in New York City is the finale.

“People around the world can watch it on our Facebook page Handel Aria Competition; on YouTube; or on our website at https://handelariacompetition.org.

“It will be available for viewing ‪from 7:30 p.m. CDT today, Sept. 10, through Thursday, Oct. 1 — NOT Oct. 10 as mistakenly stated above.

“It is FREE but donations are encouraged to support the singers during Covid-19.

“Viewers can donate via Facebook or through our website. All funds will go to the singers, including a challenge grant of $2,000 that Dean and I have pledged in order to encourage others to support these talented young artists.

“The Handel Aria Competition Virtual Gala is supported by funds from Dane Arts and the Madison Arts Commission with additional funds from the Wisconsin Arts Board.”

 


Posted in Classical music
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