The Well-Tempered Ear
Superstar maestro Gustavo Dudamel to leave LA for the New York Philharmonic
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By Jacob Stockinger
It will probably be the biggest music news story of the year, perhaps even the decade.
Gustavo Dudamel (below), the Venezuelan-born maestro of the Los Angeles Philharmonic, will become the music director of the New York Philharmonic starting in 2026.
The news was announced late yesterday afternoon on both coasts. The New York Philharmonic post is probably the most prestigious music post in the United States, a podium once occupied by Gustav Mahler, Arturo Toscanini, Leonard Bernstein, Zubin Mehta and Kurt Masur.
In what one imagines is a very, very expensive coup — the financial terms were not disclosed — the New York Philharmonic recruited the 42-year-old superstar maestro who is known for giving passionate and fiery performances and for innovating music education programs, both of which have brought in bigger and younger audiences.
He also built a reputation for championing new music, Latin music and musicians of color. (In the YouTube video at the bottom, you can hear Dudamel conducting Mexican composer Arturo Márquez’s Danzón No. 2, a Latin American piece he made famous and which is now often used by other orchestras on full programs or as an encore. In the video, he is conducting the Simón Bolivar Youth Orchestra, the senior orchestra of “El Sistema” and the post that Dudamel held before heading to Los Angeles.)
Dudamel has guest conducted the New York Philharmonic more than two dozen times. The musicians there have greeted him warmly and enviously, especially since their CEO Deborah Borda originally signed Dudamel to the Los Angeles post in 2009 when he was 26.
Born into a musical family, Dudamel himself became a professional musician by rising through the ranks of “El Sistema,” the national youth music organization in his native country. He studied violin and composition before turning to conducting with global success and fame.
In Los Angeles he has been nominated for and won many Grammys for his many recordings. He also been the music director of the Paris Opera.
It is worth noting: New York will soon have two of the most charismatic and recognizable conductors in the world: Dudamel; and Yannick Nézet-Séguin, who is the music director of the Metropolitan Opera as well as the music director of the Philadelphia Orchestra and Metropolitan Orchestra of Montreal.
Here are stories from both sides now: from the West Coast he is leaving and the East Coast he will be going to.
Here is the story by The New York Times:
And here is the story from The Los Angeles Times:
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Classical music: Visionary Venezuelan music educator José Antonio Abreu is dead at 78
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ALERT: Because of Good Friday and Easter, there is no Friday Noon Musicale this week at the First Unitarian Society of Madison. The free concerts, from 12:15 to 1 p.m., will resume next week.
By Jacob Stockinger
By any measure José Antonio Abreu (below), who died on March 24 at age 78, was a titan — but a beloved and accessible titan.
He invented and nurtured the famous El Sistema program of music education for all students – especially poor students – in his native Venezuela.
First he worked hard to make the program grow and succeed throughout his homeland.
Then in recent years, he helped to spread his inspired model around the world.
A tireless educator, Abreu has altered how we think about music education and how we do it. As a result, many countries and cities as well as music schools and professional music organizations have adopted El Sistema.
If you have heard of him before, it is likely because of his most famous pupil, the superstar conductor of the Los Angeles Philharmonic Gustavo Dudamel (below right).
Here are two excellent obituaries, with a lot of background and details about El Sistema in Venezuela and around the world, including the United States, about Abreu:
From The New York Times:
From The Washington Post:
You can find many tributes to Abreu, including an 18-minute TED Talk by Abreu himself, on YouTube. Many of them are in Spanish and many offer a lot of music.
Here is something shorter and simpler to remember him by: the beautiful and stately “Pavane for a Dead Princess” by Maurice Ravel accompanying Abreu’s own words and those of others.
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