The Well-Tempered Ear

TONIGHT at 7:30 the UW-Madison offers free but conflicting online concerts of opera and percussion music

November 24, 2020
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By Jacob Stockinger

Tonight – Tuesday, Nov. 24 – at 7:30 p.m. the University of Wisconsin’s Mead Witter School of Music will offer two FREE but competing events online.

You would think with so many empty spots in the events calendar due to the coronavirus pandemic that such conflicts could be avoided.

In any case, whichever concert you choose to watch – or perhaps to toggle back and forth between the two – here are the details:

OPERA SCENES

The first concert, done by University Opera, is Opera Scenes.

According to the website description: “What was to be Opera Workshop’s Fall Opera Scenes program has morphed in a delightful way.

“This term, each singer undertook an in-depth study of one particular operatic role. We’ll be presenting the fruits of that study – excerpted recitatives and arias from The Coronation of Poppea, Don Giovanni and Orfeo ed Euridice – staged in each student’s adapted habitat, and filmed by the students themselves.”

Here is the program with specifics about the singers and the selections as well as other aspects such as direction and accompaniment:

UW-Madison Opera Workshop: Professors Mimmi Fulmer, Thomas Kasdorf and University Opera head David Ronis (below) are the directors; William Preston and Molly Schumacher are the TAs.

“Batti, batti” and “Vedrai carino” from “Don Giovanni” by Wolfgang Amadeus Mozart

Zerlina: Maria Steigerwald
Directors: Molly Schumacher and David Ronis
Pianist: William Preston

“Chiamo il mio ben così” and “Che farò senza Euridice” from “Orfeo ed Euridice” by Christoph Willibald Gluck

Orfeo: Emily Quartemont
Director: David Ronis
Pianist: Thomas Kasdorf

“Or sai chi l’onore” and “Non mi dir” from “Don Giovanni” by Wolfgang Amadeus Mozart
Donna Anna: Sachie Ueshima
Director: Mimmi Fulmer
Pianist: Thomas Kasdorf

Excerpts from Act I, Scenes 3, 4, and 10 from “L’incoronazione di Poppea”by Claudio Monteverdi. (Below is a photo by Michael R. Anderson of a previous fully staged production in 2018 by University Opera of the Monteverdi opera.)

Poppea: Molly Schumacher
Director: Mimmi Fulmer
Pianist: William Preston

Here is a direct link to the one-hour production: https://www.youtube.com/watch?v=ANcPY9sLGls

UW CHAMBER PERCUSSION ENSEMBLE

Also tonight is a concert by the UW-Madison Chamber Percussion Ensemble (below), directed by Anthony Di Sanza and Thomas Ross.

It takes place in the Mead Witter Foundation Concert Hall of the Hamel Music Center, and will run from 7:30 p.m. to 9 p.m. No in-person attendance is allowed.

The UW-Madison Chamber Percussion Ensemble is dedicated to the performance of significant and engaging works for the Western percussion ensemble tradition. Repertoire from diverse trends in 20th and 21st century chamber composition is explored with an emphasis on new compositions for percussion.

Here is a direct link to the live-streamed concert, with more information  about the program and the names of the players if you click on “Show More”: https://youtu.be/iZKO8pZmomA

And here is the program of the mostly new music:

Living Room Music (in the times of Covid) (1940) by John Cage and heard in the YouTube video at the bottom.
I. To Begin
II. Story
III. Melody
IV. End

Spanesque Oscillations (2003) by Steve Riley

For High Hats (2017) by Matt McBane

INTERMISSION

Marimbaireachd (1997) by Matthew Welch

The Lonelyness of Santa Clause (1994) by Fredrik Andersson

Metric Lips (1988) by Bela Fleck (arr. Steinquest)


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Edgewood College’s virtual fall concert on this Sunday afternoon, Nov. 22, has been CANCELED

November 21, 2020
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By Jacob Stockinger

The free live-streamed and pre-recorded virtual Fall Concert on this Sunday afternoon, Nov. 22, at Edgewood College’s McKinley Performing Arts Center (below) has been CANCELED due to new restrictions to prevent and contain the coronavirus. The Chamber Orchestra, Guitar Ensemble and the Wind-Percussion Ensemble were scheduled to perform.

 


Classical music NEWS ALERT: Coronavirus causes WYSO to cancel, postpone Winterfest concerts this Friday night and Saturday afternoon. It will also postpone other events through April 11

March 12, 2020
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By Jacob Stockinger

Now it begins — the response of local arts groups to the threat posed by the Corona virus and COVID-19.

Here is an announcement The Ear received late yesterday from Bridget Fraser, the executive director of the Wisconsin Youth Symphony Orchestras (WYSO):

Dear WYSO Students and Families,

In response to the recent announcements from the University of Wisconsin-Madison, the Wisconsin Youth Symphony Orchestra concert with the Madison Opera Studio Artists scheduled for this Friday, March 13, will NOT take place as scheduled.

All of the WYSO Winterfest concerts scheduled for Saturday, March 14, will also be postponed.

The safety and health of our community is our most important priority.
The UW-Madison is cancelling all large campus events until April 10, due to the uncertainties presented by COVID-19 (the corona virus). That includes the Hamel Music Center, Mills Hall and the Humanities Building.

For the safety of our senior community and supporters, we are also postponing activities at Capitol Lakes and Oakwood Village University Woods.

Everything is a work-in-progress as we look at the calendar and rescheduling events, however. The range of WYSO activities currently impacted is below:

March 13: Friday, Winterfest Concert at the Hamel Center: POSTPOSED

March 14: Saturday, All Winterfest Concerts at Mills Hall: POSTPONED

March 19: Thursday, Master Class with Madison Symphony Orchestra concertmaster Naha Greenholtz at Oakwood Village: POSTPONED or POSSIBLE VENUE CHANGE

March 21: Art of Note Gala, Monona Terrace: POSTPONED

March 28: Music Makers at Bach Around the Clock (BATC): CANCELLED

April 4: Saturday, Percussion Extravaganza: POSTPONED

April 4: Chamber Music Recital, Capitol Lakes: POSTPONED

April 11: Chamber Music Recital, Oakwood Village
 University Woods: POSTPONED or POSSIBLE VENUE CHANGE

Thank you for your understanding, patience and support as we navigate these circumstances. If you have any questions, please feel free to contact the WYSO office at: https://www.wysomusic.org


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Classical music: FREE percussion, brass and wind concerts are featured this week at the UW-Madison

March 9, 2020
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By Jacob Stockinger

In the week before Spring Break, the Mead Witter School of music at the UW-Madison will feature FREE concerts of percussion, brass and wind music.

TUESDAY, MARCH 10

At 7:30 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave., the percussion department will give a FREE recital. No program is listed.

WEDNESDAY, MARCH 11

At 7:30 p.m. in Collins Recital Hall, guest percussionist-composer Mark Stone (below) will give a FREE solo recital of original compositions for mbira and gyil.

The program will include music for the newly invented array mbira, an American-made 120 key lamellaphone. Stone will also share music composed for the Dagara gyil, a xylophone from Ghana as well as mbira traditions of South Africa and Uganda.

Also on Wednesday night at 8 p.m. in the Mead Witter Foundation Concert Hall, the acclaimed Wisconsin Brass Quintet will give a FREE faculty recital.

The program is:

Johann Sebastian Bach – Contrapunctus IV from “Die Kunst Der Fuge” (The Art of Fugue). You can hear Canadian Brass perform it in the YouTube video at the bottom.

Andre Lafosse – “Suite Impromptu”

Werner Pirchner – “L’Homme au marteau dans la poche” (Man With a Hammer in His Pocket)

Rich Shemaria – “Pandora’s Magic Castle”

Per Nørgård – “Vision”

The 2019-2020 Wisconsin Brass Quintet (below) is: Jean Laurenz and Gilson Silva, trumpets; Daniel Grabois, horn; Mark Hetzler, trombone; and Tom Curry, tuba.

Please note: In spring 2020, Mark Hetzler will be on sabbatical. His replacement will be Will Porter (below), instructor of trombone at Eastern Illinois University . Read about Porter here

THURSDAY MARCH 12

At 7:30 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble will give a FREE concert.

The ensemble will perform under the batons of director Scott Teeple (below) and guest conductor Ross Wolf.

The program is:

Frank Ticheli: “Apollo Unleashed” from Symphony No. 2

Ching–chu Hu: In Memory Of…*

With special guest The Hunt Quartet
*World Premiere Performance/UW Band Commissioning Member

Morten Larudisen/Reynolds: “Contre Qui, Rose”
Beverly Taylor, guest conductor.

Jodie Blackshaw: Symphony, “Leunig’s Prayer Book”*
*Wisconsin Premiere

 


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Classical music: A busy week brings FREE concerts of violin, orchestra, percussion, band, cello and bassoon music to the UW-Madison

February 16, 2020
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ALERT: This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear John DeMain lead the Madison Symphony Orchestra with guest soloists violinist Pinchas Zukerman and cellist Amanda Forsyth in music by Brahms, Berlioz and Copland. Here is a positive review from Michael Muckian for Isthmus: https://isthmus.com/music/masterful-sounds-on-a-miserably-cold-night/ 

For more information about the program, soloists and tickets, go to: https://welltempered.wordpress.com/2020/02/10/classical-music-this-weekend-the-madison-symphony-orchestra-celebrates-valentines-day-with-violinist-pinchas-zukerman-and-cellist-amanda-forsyth-in-the-romantic-double-concerto/

By Jacob Stockinger

The coming week at the UW-Madison will be busy with FREE concerts of violin, orchestral, percussion, band, cello and bassoon music.

Here is the lineup:

MONDAY

At 6:30 p.m. in the Collins Recital Hall at the new Hamel Music Center, 740 University Ave., you can hear a FREE performance of the popular Violin Concerto by Beethoven.

It is a student performance of the entire Beethoven Violin Concerto with the orchestra. The conductor is doctoral candidate Ji Hyun Yim (below) who is studying with UW conducting professor Oriol Sans. It is a concert of friends who enjoy playing together. The violinist soloist is Rachel Reese.

Then at 7:30 p.m. in the Mead Witter Foundation Concert Hall, the Chamber Percussion Ensemble (below) – formerly the Western Percussion Ensemble – will give a FREE concert of contemporary music.

The conductor is director and UW-Madison percussion professor Anthony DiSanza, who is also the principal percussionist with the Madison Symphony Orchestra.

The program is “A Forest from a Seed.” Featured is post-minimalist music by composers not named Steve Reich. No specific works or composers are named.

Says DiSanza (below, in a photo by Katherine Esposito): “From the seed of minimalism (1964-1972), a deep and exhilarating repertoire has blossomed. Join us as we explore 40 years of diverse and engaging post-minimalist percussion chamber music.”

The Chamber Percussion Ensemble, he adds, “is dedicated to the performance of significant and engaging works for the Western percussion ensemble tradition, emphasizing core repertoire and works by emerging composers.”

TUESDAY (not Wednesday, as originally and incorrectly posted)

At 7:30 in the Mead Witter Foundation Concert Hall, the UW Concert Band (below) will give a FREE concert under director and conductor Corey Pompey. For the complete program, go to: https://www.music.wisc.edu/event/uw-concert-band-3/

THURSDAY

At 7:30 p.m. in Collins Recital Hall, UW cello professor Parry Karp (below), who plays in the UW’s Pro Arte Quartet, will give a FREE recital.

Piano accompanists are Bill Lutes; Martha Fischer; Frances Karp, the mother of Parry Karp; and Thomas Kasdorf.

The program is:

Robert Schumann: “Five Pieces in Folk Style” for Piano and Cello, Op. 102 (You can hear the first of the five pieces in the YouTube video at the bottom.)

Johannes Brahms: Sonata in F Minor for Piano and Clarinet, Op. 120 No. 1 (arranged for piano and cello by Parry Karp)

Robert Kahn (below): Three Pieces for Piano and Cello, Op. 25

Richard Strauss: Andante from “Le Bourgeois Gentilhomme” (The Bourgeois Gentleman), Op. 60

Ernest Bloch: “Schelomo” – a Hebraic Rhapsody for Cello and Orchestra

FRIDAY

At 8 p.m. in Collins Recital Hall, UW-Madison bassoon professor Marc Vallon (below) and friends – fellow faculty members and students — will perform a FREE concert of chamber music.

Joining Vallon, who plays in the acclaimed UW Wingra Wind Quintet, are: pianist Satoko Hayami; percussionist Todd Hammes; bassoonist Midori Samson; flutist Iva Ugrcic, clarinetist Alicia Lee; trumpeters Jean Laurenz and Gilson Luis Da Silva; trombonist Cole Bartels; and Travis Cooke.

Composers to be performed are: Robert Schumann; Alexander Ouzounoff; Sophia Gubaidulina (below); and Igor Stravinsky. No word about titles of specific works on the program.

 


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Classical music: Today at noon you can hear Japanese marimba music. At the UW-Madison, tonight offers a FREE concert of Eastern European music by the Wingra Wind Quintet. Tomorrow night is a FREE concert of vocal music by UW Chorale

November 8, 2019
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ALERT: TODAY, Nov. 8, from 12:15 to 1 p.m. at the FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, the veteran international marimbist Rebecca Kite (below) — who teaches and concertizes — will perform a program that features music of Handel, herself and contemporary Japanese composers including Keiko Abe and Minoru Miki. Kite recently moved to Madison.

By Jacob Stockinger

Tonight and tomorrow night feature two noteworthy and FREE concerts of chamber music for winds and choral music at the University of Wisconsin-Madison Mead Witter School of Music.

Here are details:

WINGRA WIND QUINTET

TONIGHT, Nov. 8, at 8 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave., the UW-Madison’s Wingra Wind Quintet  performs a FREE concert of music from Eastern Europe.

Works by Bela Bartok, Leos Janacek, Gyorgy Kurtag and Endre Szervanszky will be featured.

The guest artist is clarinetist Brian Gnojek (below).

For more information about the concert, the works on the program and background of the Wingra Wind Quintet (below, in 2018, in a photo by Katrin Talbot) as an acclaimed faculty chamber music ensemble, go to: https://www.music.wisc.edu/event/wingra-wind-quintet-2/2019-11-08/

UW CHORALE

This Saturday night, Nov. 9, in the Mead Witter Foundation Concert Hall of the Hamel Music Center, the UW Chorale (below) will perform a FREE concert with an eclectic theme.

The program is called “How to Spice Up Your Life.” Selections include works about music, dance, chat, sports, love, outings and cooking.

The concert includes a performance of PDQ Bach’s The Seasonings, a parody of baroque oratorios, featuring faculty soloists Julia Rottmayer and Paul Rowe with student soloists Angela Peterson and Charles Hancin. (You can hear Part I of “The Seasonings” in the YouTube video at the bottom.)

For more information, go to: https://www.music.wisc.edu/event/uw-chorale-3/

 


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Classical music: The Pro Arte Quartet minus one plays string trios this Friday night and Sunday afternoon, then starts its Beethoven string quartet cycle on Friday, Nov. 22. Plus 3 UW profs premiere a new fusion work tonight

October 3, 2019
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CORRECTION: The all-Telemann concert by the Madison Bach Musicians on this Saturday night at the First Unitarian Society of Madison is at 8 p.m. — NOT 7:30 as it was mistakenly listed in the early version of yesterday’s post. The Ear apologizes for the error. The pre-concert lecture is at 7:15 p.m. There is also a performance on Sunday at Holy Wisdom Monastery in Middleton at 3:30 p.m., with a lecture at 2:45 p.m. For more information, go to: https://welltempered.wordpress.com/2019/10/02/classical-music-how-did-baroque-composer-telemann-get-overshadowed-and-why-is-he-being-rediscovered-trevor-stephenson-talks-about-his-all-telemann-concerts-this-weekend/

ALERT: TONIGHT, Thursday, Oct. 3, at 8 p.m., three UW-Madison music professors — Anthony Di Sanza (percussion), Tom Curry (tuba, keyboard and electronics) and Mark Hetzler (trombone and electronics) — will perform their new composition “Don’t Look Down” at the Arts + Literature Laboratory, located at 2021 Winnebago Street on Madison’s near east side. (Phone is 608 556-7415.)

The trio’s goal to showcase their instruments using a combination of electro-acoustic techniques, improvisation and traditional chamber music applications to create an array of sonic environments and musical languages.

The result is a work that looks at the impact of media and technology on society, while featuring shifting soundscapes and a variety of styles including classical, rock, jazz and experimental.

Tickets are $10 in advance at: https://dontlookdown.brownpapertickets.com; and $15 at the door. Student tickets are $5 off with a valid school ID. Advance ticket sales end one hour before the show. Doors open at 7:30 p.m.

By Jacob Stockinger

First, a news flash: The University of Wisconsin-Madison’s critically acclaimed Pro Arte Quartet (below, in a photo by Rick Langer) will begin its complete cycle of Beethoven’s 16 string quartets on Friday, Nov. 22.

The program, time and other dates are not available yet, but should be announced soon.

The performances are part of the 2020 Beethoven Year, which will celebrate the 250th anniversary of the composer’s birth. Stayed tuned for more details.

This Friday night, Oct. 4, at 8 p.m. in Mills Hall, three members of the Pro Arte will perform a FREE concert of string trios. Performers are second violinist Suzanne Beia, violist Sally Chisholm and cellist Parry Karp.

Featured on the program are: the Serenade in C Major, Op. 10 (1902), by the Hungarian composer Ernst von Dohnanyi (below top); the String Trio, Op. 48 (1950), by the Polish composer Mieczyslaw Weinberg (below bottom); and the Serenade in D Major, Op. 8 (1796-97), by Ludwig van Beethoven.) You can hear the opening movement of the Weinberg Trio in the YouTube video at the bottom.

For more information about the quartet and the program, go to: https://www.music.wisc.edu/event/pro-arte-quartet-5/

This Sunday afternoon, the Pro Arte Quartet will also perform FREE at the Chazen Museum of Art on Sunday Afternoon Live at the Chazen. The same program of string trios will be repeated. The performance will be held starting at 12:30 in the Brittingham Gallery 3.

For details about attending, go to: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen9/

It will also be streamed live at the following portal: https://c.streamhoster.com/embed/media/O7sBNG/OS1C0ihJsYK/iqf1vBMs3qg_5


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Classical music: The UW-Madison School of Music seeks volunteers to help “tune” two new concert halls all-day this Thursday and Friday in the soon-to-open Hamel Music Center

September 17, 2019
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By Jacob Stockinger

Here is a chance for music lovers to combine civic duty with private pleasure.

The University of Wisconsin-Madison’s Mead Witter School of Music is looking for volunteers of any kind to help “tune” the two new concert halls in the soon-to-open Hamel Music Center (below), located at 740 University Avenue next to the Chazen Museum of Art’s newer wing. The official opening celebrations for the $56-million building are Oct. 25-27.

“Tuning” the hall is the term that acousticians apply to the process of adjusting the hall to how it will sound when audiences are in attendance. Halls sound very different from when they are empty to when they are occupied.

The School of Music team is looking for volunteers to help tune the larger concert hall on Thursday, Sept. 19, from 9 a.m. to 5 p.m.; and the smaller recital hall on Friday, Sept. 20, from 9:15 a.m. to 3:15 p.m.

Volunteers can be from the university of from the general public. Two halls are involved: the larger Mead Witter Foundation Concert Hall, which can seat up to 662; and the smaller Collins Recital Hall (below, in an architect’s rendering), which can seat up to 299.

Volunteers can study, work quietly on computers, check out the new facility, use the time as quiet time or sample for free some of the UW’s performers. Individuals and groups will be performing during the adjustments being made by the sound engineers.

Visitors will be asked to remain silently in their seats while the “commissioning” for a particular setting is in process. Breaks are scheduled for people to come and go. Start and stop times are approximate.

The musicians and kinds of music include: a symphony orchestra; a choir; brass, wind, percussion and string ensembles, including a string quartet; solo piano; and jazz.

Volunteers can attend as many sessions as they want, but they are asked to arrive 15 minutes prior to the scheduled time they wish to attend and sign up for.

For more information, including schedules and details about the kind of music to be performed and how to behave, here is a link to a story and schedules: https://www.music.wisc.edu/tuning/

If you go, use this blog’s Comment section to let The Ear know what the experience was like – even though he may also see you there.


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Classical music: The eclectic fusion group Mr. Chair plays music by Stravinsky, Satie and others on Monday night in Spring Green

August 17, 2019
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By Jacob Stockinger

The Ear has received the following announcement from the Rural Musicians Forum:

Mr. Chair looks like a jazz quartet, sounds sometimes like a rock band, but in actuality is a contemporary classical music group in the guise of a modern band.

Classically trained musicians who are well versed in jazz, the players in Mr. Chair create a new sound using both acoustic and electric instruments.(You can hear Mr. Chair perform the original composition “Freed” in the the YouTube video at the bottom.)

The Rural Musicians Forum audience will have the chance to enjoy the soundscapes of this fascinating eclectic fusion group on this coming Monday night, Aug. 19, at 7:30 p.m. at Taliesin’s Hillside Theater (below) in Spring Green.

Members of Mr. Chair (below) are Professor Mark Hetzler, trombone and electronics; Jason Kutz, piano and keyboards; Ben Ferris, acoustic and electric bass; and Mike Koszewski, drums and percussion. All have close ties to the University of Wisconsin-Madison’s Mead Witter School of Music, where they also perform as an ensemble.

Mr. Chair’s compositions are long-form journeys, telling stories through sound by using and exploring the three pillars of music: melody, harmony and rhythm. Think cinematic, orchestral, surreal, romantic, emotional and gripping, and always equal parts dissonant and consonant. Their influences are far-reaching from classical, blues and rock to soul, funk, jazz and beyond.

For this concert, Mr. Chair will perform re-imagined excerpts from Igor Stravinsky’s Neo-Classical ballet masterpiece Pulcinella as well as music by Erik Satie and selections from their debut album, NEBULEBULA, which will be released on Thursday, Sept. 5, on vinyl, CD and digital streaming platforms.

The genre-bending quartet will perform in the beautiful Hillside Theater designed by Frank Lloyd Wright as part of his Taliesin compound. It is located at 6604 State Highway 23, about five miles south of Spring Green.

Admission is by free will offering, with a suggested donation of $15.


Posted in Classical music
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Classical music: This Saturday night and Sunday afternoon, the Oakwood Chamber Players finish their “Vignettes” season with an American audio-visual work and music by French, Italian and British composers

May 14, 2019
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By Jacob Stockinger

This weekend, the Oakwood Chamber Players — known for highlighting neglected composers and works — perform the last concert of their current season series “Vignettes” with an array of contrasting and generally neglected works from the late 19th to 21st century.

Performances will take place on Saturday night, May 18, at 7 p.m. and on Sunday afternoon, May 19, at 2 p.m. Both concerts will be held at the Oakwood Village Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.

Tickets can be purchased with cash or personal checks at the door: $25 for general admission, $20 for seniors and $5 for students.

Members of the Oakwood Chamber Players (below) are: Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Amanda Szyczs, bassoon; Anne Aley, horn; and Maggie Townsend, cello.

They are joined by guest artists: Valree Casey, oboe; Hillary Hempel, violin; Michael Koszewski, percussion; Jason Kutz, piano; and Carrie Backman, conductor.

American composer Michael Gandolfi (below top) collaborated with MIT computer animator Jonathan Bachrach (below bottom) to create a unique musical and visual partnership for his Abridged History of the World in Seven Acts. Six instrumentalists create overlapping textures and rhythmic interplay in response to mesmerizing images.

Four French composers from the late 19th to mid-20th century are featured: The piano, four-hand “Dolly Suite” by Gabriel Fauré (below top) in an arrangement for woodwind quintet and piano; Petite Pièces (Small Pieces) for violin, horn and piano by his student Charles Koechlin (below middle; the sweetly engaging quartet Sérénade  (Serenade) by Reynaldo Hahn (below third)and five Pièces en Trio (Trio Pieces) for oboe, clarinet and bassoon by Jacques Ibert (below bottom).

The Piano Trio in One Movement” by British composer Norman O’Neill (below) is full of verve and heart-felt melodies.

The woodwind quintet Piccolo Offerta Musicale” by noted Italian film composer Nino Rota (below), who wrote the scores for many films by Federico Fellini, is a short homage to Johann Sebastian Bach. (You can hear in the YouTube video at the bottom.)

The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years. They perform in other groups, including the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Willy Street Chamber Players.

For more information, go to www.oakwoodchamberplayers.com or call (608) 230-4316.

The Oakwood Chamber Players are a professional music ensemble supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


Posted in Classical music
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