The Well-Tempered Ear

Classical music: Chicago Gargoyle Brass and Organ Ensemble to bring ‘Music of the Reformation’ to four Wisconsin cities, including Madison, Oct. 27–29

October 24, 2017
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By Jacob Stockinger

The Chicago Gargoyle Brass and Organ Ensemble (below) will perform a late-October series of FREE public concerts in four Wisconsin cities featuring music by composers Johann Sebastian Bach, Felix Mendelssohn and others in a centuries-spanning program titled “Music of the Reformation.”

Performances will take place Friday, Oct. 27, in Appleton; Saturday, Oct. 28, in Delafield and Watertown; and Sunday, Oct. 29, in Madison.

“The hour-long concert program commemorates the 500th anniversary of the start of the Protestant Reformation in Germany in 1517,” said Rodney Holmes, founder and artistic director of the Gargoyle ensemble. “Audiences will hear works embracing the most famous melodies written by Reformation leader Martin Luther (below), who was a composer as well as a religious figure.”

The program includes James Curnow’s contemporary “Rejouissance: Fantasia on ‘Ein feste Burg’ (A Mighty Fortress)” for organ; Heinrich Schütz’s “Three Becker Psalms,” Op. 5, a Baroque work for brass quartet; Bach’s Canonic Variations on “Vom Himmel hoch da komm’ ich her” (“From Heaven above to Earth I come”), BWV 769, for organ; and Otto Nicolai’s early Romantic “Ecclesiastical Festival Overture on the chorale ‘Ein feste Burg ist unser Gott,’” Op. 31, arranged for brass and organ by Craig Garner.

Also on the program are: Max Reger’s late Romantic “Ein’ feste Burg ist unser Gott,” Op. 27, for organ; Randall E. Faust’s contemporary “Fantasy” on the hymn “Von Himmel hoch,” for horn and organ; and Garner’s brass and organ arrangement, “Introduction and Finale,” from Mendelssohn’s Symphony No. 5, “Reformation,” Op. 107.

Performers will include Madison-based organist Jared Stellmacher (below), an award-winning musician heard on the Chicago Gargoyle Brass and Organ Ensemble’s critically acclaimed 2015 debut CD “Flourishes, Tales and Symphonies.” He holds a master’s degree in music from Yale University.

Gargoyle brass players will include trumpeters Lev Garbar and Andrew Hunter, horn player Kathryn Swope, trombonist Karen Mari, and artistic director Holmes on tuba.

CONCERT SCHEDULE

Here are the dates, times, and locations of the Gargoyle ensemble’s “Music of the Reformation” concerts, with local contact information. No tickets or reservations are required for these FREE events:

*Friday, Oct. 27, at 7:30 p.m. at Zion Lutheran Church, 912 North Oneida Street, in Appleton, Wis., 54911. www.zionappleton.com/home

Contact: Matthew Walsh, 920-739-3104

*Saturday, Oct. 28, at 3 p.m. at Christ the King Lutheran Church, 1600 North Genesee Street, in Delafield, WI 53018

ctkdelafield.org

Contact: Mark Gould, 262-646-2343

*Saturday, Oct. 28, at 6:30 p.m. at Immanuel Evangelical Lutheran Church, 204 North Tenth Street, Watertown, WI 53094

www.watertownimmanuel.org

Contact: Janis Shackley, 920-261-1663

*Sunday, Oct. 29, at 2 p.m. at Good Shepherd Lutheran Church, 5701 Raymond Road, Madison, WI 53711

www.gslcwi.com

Contact: Jared Stellmacher, 608-271-6633

Chicago Gargoyle Brass and Organ Ensemble

“The Chicago Gargoyle Brass and Organ Ensemble plays with warmth, elegance, and panache,” said U.S. music magazine Fanfare in a review of the ensemble’s debut CD. “[They] are perfect companions for the music lover in need of calming nourishment.”

The group takes its whimsical name from the stone figures atop gothic buildings at the University of Chicago, where the now-professional ensemble got its start in 1992 as a brass quintet of faculty and students. (You can hear a sample in the YouTube video at the bottom.)

Under its founder and artistic director Rodney Holmes, it has evolved over the decades into an independent organization of classically trained musicians that focuses on commissioning and performing groundbreaking new works and arrangements for brass and pipe organ. You can find more information at gargoylebrass.com.

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Classical music: Sound the trumpets! Brass Fest 4 is this Saturday and Sunday at the UW-Madison

September 27, 2017
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By Jacob Stockinger

A fanfare is in order!

By the fourth year, an event has certainly become a tradition to look forward to and to follow.

So it is with Brass Fest IV, which will take place this Saturday and Sunday at the University of Wisconsin’s Mead Witter School of Music.

The activities will fill two days with workshops, master classes and concerts.

Music by Johann Sebastian Bach and Modest Mussorgsky’s “Pictures at an Exhibition” will be featured, along with many contemporary composers and arrangers.

Many of the events, including the big Saturday night concert at 8 p.m. in Mills Hall, are FREE and OPEN TO THE PUBLIC.

The big Sunday afternoon concert at 2:30 p.m. in Mills Hall, with both brass quintets plus students, costs $15 for adults and $5 for non-School of Music students. A post-concert reception to meet students and other performers is included. (Below are students rehearsing at Brass Fest 3.)

The special guest this weekend is the Beaumont Brass Quintet from Michigan State University (below). Members are Ava Ordman, trombone; Corbin Wagner, horn; Alessandro Bonotto, trumpet; Philip Sinder, tuba and euphonium; and brass area chair; and Justin Emerich, trumpet.

The Beaumont Brass Quintet has recorded a CD of Christmas music for Naxos Records. See the YouTube video at the  bottom.

Also appearing with the Beaumont is the UW-Madison’s own Wisconsin Brass Quintet (below, in a photo by Michael R. Anderson). Members, from left, are: Alex Noppe and Matthew Onstad, trumpets; Tom Curry, tuba; Mark Hetzler, trombone; and Daniel Grabois, horn.

For more information about the many activities, including biographies of the performers, full concert programs, a listing of other events, and tickets, go to:

http://www.music.wisc.edu/event/brass-fest-iv/2017-09-30/


Classical music: This will be a busy and historic week at the University of Wisconsin-Madison School of Music.

October 24, 2016
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By Jacob Stockinger

This week will be a busy one at the University of Wisconsin-Madison School of Music, which is now funded in large part by the Mead Witter Foundation.

The big event is the long-awaited groundbreaking for the new performance center. That, in turn, will be celebrated with three important and appealing concerts.

Here is the lineup:

FRIDAY

From 4 to 5:30 p.m., an official and public groundbreaking ceremony for the new Hamel Music Center will take place at the corner of Lake Street and University Avenue. (Below is an architect’s rendering of the completed building.)

uw hamel performance center exterior

At 8 p.m. in Mills Hall, pianist Christopher Taylor (below) will perform the “Goldberg” Variations by Johann Sebastian Bach on the two-keyboard “Hyperpiano” that he has invented and refined. (You can hear the opening aria theme of the “Goldberg” Variations played by Glenn Gould in the YouTube video at the bottom.)

For more information about the concert and the innovative piano, visit:

http://www.music.wisc.edu/2016/09/13/pianist-christopher-taylor-to-debut-new-piano/

Tickets are $18 and are available at the Wisconsin Union Theater box office. Last The Ear heard, the concert was close to a sell-out.

Christopher Taylor with double keyboard Steinway

SATURDAY

At 7 p.m. in Mills Hall, UW-Madison faculty bassoonist Marc Vallon (below, in a photo by James Gill), who studied and worked with the recently deceased French composer and conductor Pierre Boulez, will lead a FREE “Breaking Ground” concert of pioneering music from the 17th, 19th, 20th and 21st centuries.

Composers represented include Ludwig van Beethoven, Michelangelo Rossi, Alexander Scriabin, Iannis Xenakis, John Cage, Helmut Lachenmann and Morton Feldman.

For more information and the complete program, go to:

http://www.music.wisc.edu/event/breaking-ground-with-marc-vallon-and-sound-out-loud/

Marc Vallon 2011 James Gill (baroque & modern)[2]

SUNDAY

At 3 p.m. in Mills Hall, the Wisconsin Brass Quintet will give a FREE concert.

For more information about the group and the program, go to:

http://www.music.wisc.edu/event/the-wisconsin-brass-quintet/

Wisconsin Brass Quintet

Wisconsin Brass Quintet


Classical music: Local composer and UW-Madison alumnus Pat Doty talks about his Tuba Concerto, which he will premiere with the Middleton Community Orchestra on Wednesday night.

May 27, 2016
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By Jacob Stockinger

The mostly amateur Middleton Community Orchestra (MCO, below), which has gotten better and better and rarely disappoints even in ambitious and difficult music, will wind up its fifth anniversary season this coming Wednesday night with a brass extravaganza.

Middleton Community Orchestra press photo1

The performance is at 7:30 p.m. in the modern, comfortable and spacious Middleton Performing Arts Center (below) that is attached to Middleton High School.

Middleton PAC2

Middleton PAC1

Tickets are $10; students get in for FREE.

Advance tickets are available at Willy Street Coop West. The Box office opens at 6:30 p.m. and the doors open at 7 p.m.

The program includes The “Capriccio Italienne” by Peter Tchaikovsky; the Carnival Overture by Antonin Dvorak; the Horn Concerto by Reinhold Glière with soloist Paul Litterio (below); and the world premiere of the Tuba Concerto by University of Wisconsin-Madison School of Music graduate Pat Doty, who will also be the soloist.

Paul Literrio with horn

Steve Kurr (below) will conduct.

Steve Kurr conducting

Here is a link with more information about the MCO and how to join it and support it:

http://www.middletoncommunityorchestra.org/home

Composer and tuba performer Pat Doty (below, in a photo by Steven Thompson) answered an email Q&A for The Ear:

Pat Doty Head Shot CR Steven Thompson

Can you tell us briefly about your background, including your education and performance history?

I grew up in Mount Horeb, Wisconsin. I hold a master’s degree in tuba performance from the University of Wisconsin–Madison, where I was a member of the University of Wisconsin Marching Band for four years, including three trips to the Rose Bowl.

While at the UW-Madison, I performed with the Wind Ensemble (including a performance at Carnegie Hall in New York City), Concert Band, Tuba and Euphonium Ensemble, the Middleton Community Orchestra, Low Brass Ensemble, 4BA Tuba Quartet, Madrigal Singers and the Lumberjack Brass Quintet.

My solo tuba performance credits range from solo recitals to guest appearances at schools across southern Wisconsin.

When and how did you start composing? What works have you written in the past?

I first started writing music when I was in high school and I was very interested in singer/songwriters like Elton John and Billy Joel. During my time at Mount Horeb High School, I wrote more than 500 songs, most of which never made it past the grand piano in the living room.

When I started graduate school, the tuba studio at UW-Madison was treated to a guest performance by Øystein Baadsvik, who really inspired me to start writing for tuba. I was also heavily influenced by my undergraduate professor, John Stevens (below).

john stevens with tuba 1

My catalogue now includes dozens of works for solo tuba, chamber ensembles and large ensembles. It probably comes as no surprise that I compose rather frequently for tuba quartet and brass quintet.

Additionally, I write a great deal of music for my wife Brigid, who holds a degree in vocal performance from UW-Madison, to sing with me accompanying her on the piano.(You can hear them in a YouTube video at the bottom in a song by Pat Doty.)

Pat In The Studio

How would you describe your compositional style — tonal or atonal, accessible, melodic and so forth?

My music is tonal, accessible, melodic and so forth. I jest, but I really do strive to write music that is very fun, beautiful and accessible to a wide-ranging audience.

My major influences are not famous classical composers, but rather those musicians who I listened to when I was growing up.

For example, I draw a lot from pop music and classic rock. I know that might seem like an odd connection — pop music and the tuba — but I have always fallen back on my vocal training to instruct my tuba playing, and I see no reason why the same connection shouldn’t exist in my compositions.

To put it simply, I approach writing for solo tuba (with any sort of accompaniment) in quite the same way that I approach writing a song at the piano. I always have a poem, an idea, something in mind that inspires me. For example, my tuba duet “Mendota” is based on a poem that I wrote for a pop song, but it works beautifully for an instrumental piece.

Pat Doty Playing Tuba with pianist Steven Thompson

What would you like the public to know about your new Tuba Concerto, which you will perform and premiere with the Middleton Community Orchestra?

First and foremost, my Tuba Concerto doesn’t take itself too seriously. That is a recurring theme in my music. I am very excited for the premiere with the Middleton Community Orchestra, which is sounding great by the way, and I really hope that people have as much fun and find as much joy in listening as I do playing this music.

A couple of interesting quirks to note are that there is a large, essential euphonium part in this piece, and that there is a marimba solo in the third movement. These are both things that, I think it is safe to say, are not particularly common in orchestral music.

I used a euphonium (below) and no tuba in the orchestra because I want this to be a piece that an orchestra could use to feature their own tubist if they so choose. Also, I am friends with quite a few euphonium players.

Euphonium

What else would you like to say?

First, I would like to say thank you to the Middleton Community Orchestra for premiering my Tuba Concerto. I am very much looking forward to the performance for many reasons, not the least of which is that this will be my first chance to present my compositions to a broad classical music audience.

I would also like to mention my new record label, Merp Entertainment, which I co-founded with my wife Brigid last year. Our debut CD “Dare to Entertain” has found national success, particularly on the internet streaming service Spotify, where it has amassed more than 3 million song streams to date.

For more information about this, please visit www.merpentertainment.com. For more information about me, please visit www.patdoty.com.


Classical music: Here is the schedule of the Chazen Museum of Art’s chamber music concerts — live and streamed — for 2016. They start this Sunday afternoon with the Wisconsin Brass Quintet. Plus, Mark Adamo will talk about his opera at the performance TONIGHT of “Little Women” by the Madison Opera

February 5, 2016
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ALERT: Kathryn Smith, the general director of the Madison Opera, which is presenting Mark Adamo‘s opera “Little Women” tonight at 8 p.m. and Sunday afternoon at 2:30 p.m. in the Capitol Theater of the Overture Center, writes: “One thing you might let your readers know is that Mark Adamo is doing the pre-show talk TONIGHT in tandem with me  — meaning I’m going to ask him questions, so he can talk about his opera instead of me doing so as usual. That is at 7 p.m. in the Wisconsin Studio of the Overture Center, and is free to ticket holders.”

By Jacob Stockinger

The Ear has received the following message that you may want to print out or write into your datebook:

The Chazen Museum of Art is pleased to announce the continuation of Sunday Afternoon Live From the Chazen for 2016.

On the FIRST SUNDAY OF EVERY MONTH, the Chazen presents chamber music performances in Brittingham Gallery III of the old Conrad A. Elvehjem Building.

SALProArteMay2010

In addition to the gallery performance, the monthly concerts are streamed live on the Internet, making them readily accessible anywhere in the world.

This year marks the 38th season for Sunday Afternoon Live From the Chazen. Until 2015, the series took place weekly and was broadcast live by Wisconsin Public Radio.

When WPR stepped away, the Chazen took over the series.

Lori Skelton, the producer of Sunday Afternoon Live at WPR for many years, has again volunteered to program the concert series and act as its host. Without her musical expertise, as well as her generosity of spirit, the Chazen would not be able to continue this popular program.

During the intermissions, live stream listeners will hear an interview or conversation featuring the museum’s director, Russell Panczenko. Topics include current exhibitions and the permanent collection.

Concerts begin at 12:30 p.m.

All concerts are free and open to the public. However, seating is limited. Chazen Museum of Art members may call 608-263-2246 to reserve seating the week before the concert.

To listen to the concert live on the Internet, simply go to www.Chazen.wisc.edu on the day of the concert and click on Sunday Afternoon Live at the Chazen.

2016 Schedule

This Sunday, February 7:  Wisconsin Brass Quintet 

Wisconsin Brass Quintet

Wisconsin Brass Quintet

March 6:  Pro Arte String Quartet

April 3:  Clocks in Motion percussion ensemble

Clocks in Motion group collage 

May 1:  Pro Arte Quartet

June 5:  Madison Bach Musicians

Kangwon KIm with Madison Bach Musicians

July 3 TBD

August 7 TBD

September 4:  Black Marigold Wind Quintet

Black Marigold new 2016

October 2:  Pro Arte String Quartet

November 6:  Parry Karp, cello

Parry Karp

December 4:  Pro Arte String Quartet (below in a photo by Rick Langer)

Pro Arte 3 Rick Langer copy


Classical music: The Madison Brass Quintet will perform a FREE holiday concert this Saturday at noon. Plus, pianist Olivia Mussat performs a FREE recital of works by Haydn, Liszt and Ginastera at noon on Friday.

December 17, 2015
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ALERT: This Friday’s FREE Noon Musicale, to be held from 12:15 to 1 p.m. at the Frank Lloyd Wright-designed Meeting House of the First Unitarian Society of Madison, 900 University Bay Drive, features pianist Olivia Mussat, who studied at the University of Wisconsin-Madison School of Music, in music by Franz Joseph Haydn, Franz Liszt and Alberto Ginastera.

By Jacob Stockinger

Grace Presents is currently in its fifth year of offering free public concerts on the Capital Square. The series features local musicians and is a lively and eclectic mix of genres each month.

This Saturday, as part of Grace Presents, the versatile Madison Brass Quintet (below) will perform a FREE holiday program from noon to 1 p.m. at the newly remodeled Grace Episcopal Church, 116 West Washington Ave., where it joins Carroll Street on the Capitol Square in downtown Madison.

Madison Brass Quintet

The well-known regional ensemble has been performing throughout the Midwest since 1982 and featuring some of the finest musicians in Southern Wisconsin. The Madison Brass features custom-tailored programs for any event from their extensive repertoire, which encompasses music from the 1500’s to the New Millennium.

The Madison Brass Quintet will play traditional and contemporary holiday and Christmas favorites for their concert.

Here are samples you can listen to:

https://www.youtube.com/user/TheImpactofBrass/featured

Website: http://www.sandylaclair.com (Click on Madison Brass)

 


Classical music: Five alumni composers return to UW-Madison for two FREE concerts of their work this Thursday and Friday nights. On Tuesday night, UW trombonist Mark Hetzler and friends premiere four new works.

November 2, 2015
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ALERT: On Tuesday night at 7:30 in Mills Hall, UW-Madison trombone professor Mark Hetzler with be joined by Anthony DiSanza, drums/percussion; Vincent Fuh, piano; Ben Ferris, bass; Tom Ross-percussion; Garrett Mendelow, percussion.

Mark Hetzler and friends present a FREE concert titled “Mile of Ledges” with the premiere of four new works. Two new compositions (Falling and Mile of Ledges) by Mark Hetzler will feature lyrical and technical trombone passages, soulful and spirited piano writing, complex percussion playing and a heavy dose of electronics. In addition, the group will showcase new music by UW-Madison alum Ben Davis (his $$$$$$$$$$$$$$$$$$ for quartet and electronics) and Seattle composer David P. Jones (a chamber work for trombone, piano, bass and two percussionists).

Read a Wisconsin State Journal about Mark Hetzler. Download PDF here.

By Jacob Stockinger

If The Ear recalls correctly, alumni who return to the University of Wisconsin-Madison School of Music are generally performers or scholars.

All the more reason, then, to celebrate this week’s major UW event, which was organized by UW-Madison composer and teacher Stephen Dembski (below). It features five composers who trained at the UW-Madison and who are now out in the world practicing their art and teaching it to others.

Steve Dembski's class

Steve Dembski’s class

Dembski writes:

This week, the UW-Madison School of Music will welcome back five graduates of the composition studio who have developed creative, multi-dimensional careers in a range of fields: acoustic and electronic composition, musicology, theory, audio production, conducting, education, concert management and administration, performance, and other fields as well.

The two-day event is intended to show the breadth of talent at UW-Madison as well as demonstrating that music students focus on much more than performance as a way to shape successful careers.

The composers include: Jeffrey Stadelman (below), who is now associate professor of music composition at the University at Buffalo.

jefffey stadelman

Paula Matthusen (below, BM, 2001), who is assistant professor of music at Wesleyan University.

paula matthusen

William Rhoads (below, BM, 1996), who is vice-president of marketing and communications for Orchestra of St. Luke’s in New York City.

William Rhoads

Andrew Rindfleisch (below, BM, 1987), who is a full-time composer living in Ohio. (You can hear his introspective and microtonal work “For Clarinet Alone” in a YouTube video at the bottom.)

Andrew Rindfleisch portrait

Kevin Ernste (below, BM, 1997), who is professor of composition at Cornell University.

kevin ernste

The UW-Madison School of Music will present two FREE concerts of their music, performed by the Wisconsin Brass Quintet (below top), the Wingra Woodwind Quintet (below bottom, in a photo by Michael Anderson), the UW Wind Ensemble, and other faculty members and students.

Wisconsin Brass Quintet

Wisconsin Brass Quintet

Wingra Woodwind Quintet 2013 Michael Anderson

The FREE concerts are on this Thursday, Nov. 5, at 7:30 p.m. in Mills Hall; and on this Friday, Nov. 6, 7:30 p.m. in Mills Hall. There will be workshops and colloquia yet to be announced.

For complete composer biographies, along with comments about their works, and more information about the two-day event, visit this site:

http://www.music.wisc.edu/2015/10/08/uw-madison-composers-return/


Classical music: The Wisconsin Brass Quintet performs a FREE concert Thursday night on the UW-Madison campus.

October 21, 2015
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By Jacob Stockinger

The Wisconsin Brass Quintet, which is marking its 43rd anniversary this season, will give a FREE and PUBLIC performance this Thursday night at 7:30 p.m. in Mills Hall.

The program includes: the Canzona per sonare No. 2 by the Italian Baroque composer Giovanni Gabrieli (ca. 1554-1612); “In the Zone” by UW-Madison alumnus Andrew Rindfleisch (b. 1963); the Brass Quintet by Ira Taxin (b. 1950); and Rounds and Dances for Brass Quintet by Jan Bach (b. 1937)

Members of the Wisconsin Brass Quintet are (below in a photo by Michael R. Anderson, left to right): Mark Hetzler, trombone; Matthew Onstad, trumpet; Tom Curry, tuba; John Aley, trumpet; Daniel Grabois, horn. 

Wisconsin Brass Quintet

Here is some background about the Wisconsin Brass Quintet:

Founded in 1972, the Wisconsin Brass Quintet is a faculty ensemble-in-residence at the University of Wisconsin-Madison School of Music.

The quintet’s musical expertise has been acknowledged by Verne Reynolds, Jan Bach, Karel Husa, John Harbison, Daron Hagen and many other composers.

In addition to performing with the WBQ, the players have also been members of the American Brass Quintet, Empire Brass Quintet and Meridian Arts Ensemble. Quintet members John Stevens and Daniel Grabois and former member Douglas Hill have also composed many works for the group.

With extensive performances throughout the Midwest and nationally, including appearances at New York’s Carnegie Recital Hall and Merkin Concert Hall, the quintet’s educational programs and master classes have been presented in such prestigious settings as The Juilliard School and the Yale School of Music.

The quintet performs annual live radio broadcast concerts on Wisconsin Public Radio. Its three CD recordings, on the Summit, Mark and Crystal labels, feature music by John Stevens, Douglas Hill, Verne Reynolds, Daron Hagen, John Harbison and Enrique Crespo.

An earlier LP recording features the only recording of Jan Bach’s “Rounds and Dances” and Hilmar Luckhardt’s “Brass Quintet.” Each of these works was composed for the Wisconsin Brass Quintet, in keeping with the WBQ’s commitment to commissioning and performing new music of the 20th and 21st centuries. (You can hear the Wisconsin Brass Quintet perform a commissioned work in the YouTube video at the bottom.)

Barry Kilpatrick writes for the American Record Guide: “I’ve reviewed over 250 brass recordings in the past five years, and this is one of the very best. The WBQ is a remarkable ensemble that plays with more reckless abandon, warmth, stylistic variety and interpretive interest than almost any quintet in memory.”


Classical music: The University of Wisconsin-Madison hosts its second annual Brass Festival this Friday through Sunday.

October 5, 2015
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By Jacob Stockinger

A fanfare, please!

The brassier, the better!

Last year’s inaugural Brass Fest at the University of Wisconsin-Madison School of Music proved so successful that another will take place later this week.

This year’s Brass Fest – which seems on its way to becoming an annual event — will run from this coming Friday, Oct. 9, through Sunday, Oct. 11.

The organizer and director of the festival is the virtuoso trumpeter John Aley (below), who teaches at the UW-Madison and is also principal trumpet with the Madison Symphony Orchestra. He also gives workshops at schools and festivals around the country, including the Interlochen Center for the Arts.

john aley color

Some festival events are FREE while others -– concerts on Friday and Saturday nights — require admission that benefits the scholarship fund at the UW School of Music.

The repertoire is varied and includes classical music, jazz and folk music.

The lineup of performers is impressive.

It includes the Axiom Brass Quintet (below), which you can hear in a YouTube video at the bottom:

Axiom Brass

It includes trumpeter Adam Rapa (below top) and singer Elisabeth Vik (below bottom):

Adam Rapa

Elisabeth Vik

And it includes the UW-Madison’s Wisconsin Brass Quintet (below):

Wisconsin Brass Quintet

But the details are so many and the impressive biographies of performers so long that The Ear thinks it is better not to duplicate them. So instead I am directing readers right to the UW-Madison School of Music’s website and A Tempo blog where you can find out all the details.

Here are three links:

http://www.music.wisc.edu/2015/09/16/brass-fest-ii-to-feature-eclectic-mix-of-jazz-and-folk-vocals-solo-trumpet-and-works-for-brass-quintet/

http://www.music.wisc.edu/event/brass-fest-ii-axiom/

https://uwmadisonschoolofmusic.wordpress.com

 


Classical music education: The University of Wisconsin-Madison School of Music has lined up its schedule of events for the 2015-16 season. Here it is in two parts. Today is Semester 1.

August 13, 2015
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By Jacob Stockinger

Get out your datebooks.

The final schedules for the upcoming season by most major classical music groups in the area are now available.

Last but not least is the biggest of them all: The University of Wisconsin-Madison School of Music, which offers some 300 events in a season, most of them FREE to the public.

UW logos

Some things are new. For example, you will note that the UW Choral Union has gone to just ONE performance instead of two, as in the past for many years.

Concert manager and public relations director Kathy Esposito (below) writes:

Katherine Esposito

The UW-Madison School of Music is jazzed about its upcoming season and we’d like the world to know. Please make plans to attend!

Here is a link to the online calendar, which is now complete except for specific pieces on programs and last-minute changes: http://www.music.wisc.edu/events/

Our events of 2015-2016 range from performances by a vocal dynamo (soprano Brenda Rae, Sept. 27) to a in-demand LA jazz woodwind musician (Bob Sheppard in April) plus an enterprising young brass quintet (Axiom Brass, October) and a dollop of world music in March (duoJalal). In addition, we offer ever-popular opera productions, faculty concerts and student ensembles ranging from classical to jazz to percussion.

Full concert calendar link: http://www.music.wisc.edu/events/

Other social media connections include:

http://www.music.wisc.edu/

https://www.facebook.com/UWMadisonSchoolOfMusic

https://twitter.com/UWSOM

Our Newsletter, A Tempo!

https://uwmadisonschoolofmusic.wordpress.com/

Hear our sound: https://soundcloud.com/uw-madisonsom

Here’s a partial list with highlights (Semester 1 is posted today; Semester 2 will be posted tomorrow):

SEMESTER 1 

August 30: “Performing the Jewish Archive”: Shining a Spotlight on Forgotten Jewish Performance Works. Various venues and times; click link for details.

The U.S. component of an international research project led by the University of Leeds, England, with UW-Madison leadership provided by Teryl Dobbs, chair of music education. Featuring a Sound Salon with Sherry Mayrent and Henry Sapoznik (below) of the Mayrent Institute; Chamber Music with the Bach Dancing and Dynamite Society; and a Cabaret Performance with Mark Nadler. Events continue in May, 2016. All events are free.

Link to event: http://www.music.wisc.edu/event/performing-the-jewish-archive/

BDDS Henry Saposnik

September 7: 37th Annual Karp Family Concert. Mills Hall, 7:30 PM.

Chamber music of the 19th and 20th centuries for piano and strings. Pianist and patriarch Howard Karp (below center) passed away last summer, but the family continues with a long-standing tradition. With Suzanne Beia, Violin; Katrin Talbot, Viola; Parry Karp, Violoncello; Frances Karp, Piano; Christopher Karp, Piano. Free.

http://www.music.wisc.edu/event/37th-annual-karp-family-concert/

karps 2008 - 13

September 26: Soprano Brenda Rae with the UW-Madison Symphony Orchestra. Mills Hall, 7:30 PM.

On the program: Reinhold Gliere’s Concerto for Coloratura Soprano. A benefit for University Opera.

Brenda Rae (below) is a 2004 graduate of the School of Music, and has been impressing audiences and critics all over Europe for many years. Her 2013 U.S. debut as Violetta in Verdi’s “La Traviata” won her praise from James R. Oestreich of The New York Times: “Ms. Rae soared beautifully in the early going, but it was in her pianissimo singing that she really shone.”

Tickets $25.

Master class: Friday, September 25, Music Hall, 5-7 PM.

http://www.music.wisc.edu/event/soprano-brenda-rae-with-the-uw-symphony-orchestra/

Soprano Brenda Rae

October 7: Pro Arte Quartet (below top, in a photo by Rick Langer) with Violist Nobuko Imai (below bottom, in a photo by Marco Borggreve). Mills Hall, 7:30 PM.

Nobuko Imai is considered to be one of the most outstanding viola players of our time. After finishing her studies at the Toho School of Music, Yale University and the Juilliard School, she won the highest prizes at both the Munich and the Geneva international competitions.

http://www.music.wisc.edu/event/pro-arte-quartet-with-violist-nobuko-imai/

Master class: October 6, 7:30 PM, Mills Hall. Both events are free.

Pro Arte 3 Rick Langer copy

Imai Nobuko 018.jpg

October 9-10-11:  BRASS FEST II!

Last year’s Celebrate Brass festival was so much fun, we decided to program another. Three days of exhilarating music from leading brass players and ensembles, including the award-winning Axiom Brass Quintet (below, now in residence at the Tanglewood Music Festival) and trumpeter Adam Rapa. With the Wisconsin Brass Quintet and students from the UW-Madison School of Music. 

October 9: Axiom Brass, Mills Hall, 8 PM. Tickets $15.

October 10: Festival Brass Choir with Axiom Brass, the Wisconsin Brass Quintet and trumpeter Adam Rapa. Tickets $15.

October 11: Trumpeter Adam Rapa and vocalist Elizabeth Vik. Classical and jazz. Free concert.

http://www.music.wisc.edu/event/brass-fest-2/

Buy tickets for both concerts for $25.

Axiom Brass Quintet

October 23-24-25-27: University Opera presents Mozart’s “The Marriage of Figaro.” Mozart and da Ponte’s masterpiece of comedy and intrigue, shows the two geniuses at the height of their powers. Directed by David Ronis (below, in a photo by Luke De Lalio); music conducted by James Smith.

Music Hall. Tickets $25/$20/$10.

http://www.music.wisc.edu/event/university-opera-the-marriage-of-figaro/

David Ronis color CR Luke DeLalio

November 5-6: Celebrating Alumni Composers. UW-Madison prize-winning alumni composers of new music Andrew Rindfleisch (below), Paula Matthusen, Jeffrey Stadelman, Bill Rhoads and Kevin Ernste return for a two-day event featuring their acoustic and electronic music.

November 5, Mills Hall, 7:30 PM: Performances by the Wisconsin Brass Quintet, the Wingra Woodwind Quintet, and smaller ensembles of faculty and students.

November 6, 7:30 PM: Performance with the UW Wind Ensemble, Scott Teeple, conductor.

Both concerts are free.

http://www.music.wisc.edu/event/celebrating-alumni-composers-two-free-concerts/

Andrew Rindfleisch portrait

November 13: Debut Faculty Concert with Violinist Soh-Hyun Park Altino (below in a photo by Caroline Bittencourt). Altino takes the stage as the newest member of the school’s string faculty. With pianist Martha Fischer.

Mills Hall, 8 PM.

Tickets $12. Students free

http://www.music.wisc.edu/event/debut-faculty-concert-soh-hyun-park-altino-violin/

Soh-Hyun Park Altino Carroline Bittencourt

December 10: Wingra Woodwind Quintet (below, in a photo by Michael Anderson). With Stephanie Jutt, flute; Marc Vallon, bassoon; Kostas Tiliakos, oboe; and welcoming new members Wesley Warnhoff, clarinet; and Joanna Schulz, horn. 

Morphy Hall, 7:30 PM. Free.

http://www.music.wisc.edu/event/wingra-woodwind-quintet/

Wingra Woodwind Quintet 2013 Michael Anderson

December 12: UW Choral Union & UW Symphony Orchestra with Beverly Taylor, conductor. Presenting “Gloria” of Francis Poulenc and “Symphony of Psalms” by Igor Stravinsky.

Mills Hall, 8 PM.

Tickets $15/$8.

http://www.music.wisc.edu/event/uw-choral-union1/

UW Choral Union and Symphony Nov. 2014

Tomorrow: Highlights of Semester 2

 


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